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THE EXPLORERS CLUB



Last Updated: 10/5/2009

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Status: Single
City: CHARLESTON
State: South Carolina
Country: US
Signup Date: 6/13/2004

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Tuesday, July 07, 2009 

Current mood:  accomplished
Category: Music

Fear and Freezing in the Midwest

The winter adventure continues


Words by Stefan Rogenmoser (organ player)

Photos by Charles Rex Arbogast and Stefan Rogenmoser (and J.P. took one too)

The Explorers Club press


  We woke early on the dawn of my 23rd birthday and rolled from South Carolina to Memphis, Tenn. for our second February tour of 2009. On the long ride to Memphis some of us played Catch Phrase, a fun little game that makes time in the van vanish like Salvador Dali paintings.

  Atlanta, Alabama, Mississippi (including Tupelo — where Elvis was born) then Memphis Somewhere along the way, at a gas station in rural Alabama, Jim found a pair or red alligator skin mod boots. Of course he bought them.

  Thanks to Jason, I (birthday boy!) got to see the Stax Museum of American Soul Music in Memphis, as did Mike, before our gig that night. If you’re ever in Memphis and you think you like music, go to the Stax Museum — it’s worth it. And that’s only a fraction of Memphis’s history.

  The pizza the venue gave us was gone in three minutes, consumed by savagely hungry musicians crawling all over each other in search of the last crumb of crust.

  Ian McLagan (the Small Faces/the Faces keyboard player) recently played this venue and a guy outside was taking down McLagan’s name from the marquee. We thought it was chilly outside. We would experience extremely cold temperatures before we got home.

  It was still my birthday, and the guys sang “Happy Birthday” to me on stage during the show. I also ran across the stage a few times during some of our songs just for the fun of it. About 15 people attended, and that’s a generous estimate.


Have mercy on us, Chicago

  In Chicago, where it was surprisingly warm for late February, we were met by Associated Press photographer Charles Rex Arbogast, who took tons of wonderful photos of us that night. He’d photographed us a few months earlier at the Music Farm in Charleston at our New Year’s Eve show.

  Outside the Empty Bottle we went to the median turning lane of the four-lane road and Charles Arbogast took tons of cool photos of us.

  Our soundcheck was a long one.

  Downstairs in the green room, Arbogast taught me some cool photography tricks, like not using flash (a theory I’ve supported for a long time) and going for candid subjects in the natural light with a slow shutter speed.

  Oddly enough I was working on deadline finishing up a story for the Berkeley Independent (a weekly newspaper in Moncks Corner, S.C.) about how the stimulus package would effect education (see story link at bottom of blog).

  I ate the food the venue gave us, took some mental notes from Arbogast, and flipped through my reporter’s notebook making sense of the chicken scratch I’d scribbled in it a few days earlier at school administration meeting in Moncks Corner.

  There was a psychedelic band playing upstairs that had the coolest outfits of any band we’ve ever played with. I heard them as I sat downstairs in the green room hacking away at my story.

We played the show. It went fairly well, even though the crowd was much thinner than the time we played here in June 2008 with Lightspeed Champion. But we had an AP photographer with us this time.

  After the show I went upstairs by our merch booth (where a cool kitty cat hangs out) to get a wireless internet connection to email my story to my editor. I proofread it again, and found some major mistakes. It never hurts to proofread many times before publication. Typos fixed. Errors fixed, raw facts all correct. Email story. Done.

  By this time most of the gear had been loaded by the other fellows. Thanks guys, sorry I had to sit out on this loading session (I was doing other work).


  While in Chicago, Jason booked us a nice hotel in (I think) Williamsburg, Iowa, a central spot between our next two gigs — Iowa City and Grinnell. We drove all night from Chicago to Williamsburg, but got there around 5 or 6 a.m. to well-below freezing temperatures. We couldn’t enter our hotel room until noon or later. So we pulled the van across the street to a Motel 6, slept there until we got up, drove back across the street to the fancy hotel, checked in, and slept some more.

  We rode for about an hour to Iowa City. We even got Jason to play Catch Phrase, and he liked it. Chris and J.P. hippied it up in the front.

  At the University of Iowa our southern souls had frozen so thoroughly that we popped out of the van like ice cubes out of an ice tray.

  We somehow got the gear inside. Another long soundcheck. There was a nice old grand piano in the room that we twinkled. It sounded great. The turnout really put us in our place. There must have been 10 people in the room. And they made us do an encore!

  On the ride back to our fancy hotel we listened to a recording of that night’s set. My keyboards were by far the loudest instrument in the mix. Everyone in that van heard all my mistakes. I played backwards piano on “Johnny B. Goode” that night: the recording proved that I didn’t stay on the beat while banging keys backwards. Jim thought it was hilarious. He said he liked the shabby playing. In the van everyone slid into their own world.


  I woke up the next day and went for a swim in the heated indoor pool. Chris got in the hot tub for five minutes, then took off. Jason and I went to try to cash a check from a recent show at a nearby bank. It didn’t work. Then we went for an oil change, but we were told the U-Haul wouldn’t fit into the bay. Jason and I tried to lift the trailer off, but it was fully loaded and front heavy to keep a good center of gravity. We couldn’t lift it. Jiffy Lube employees didn’t offer to help us get the trailer off. The oil did not get changed. We figured heavy lifting wouldn’t be a problem with eight guys on tour, but they can’t lift much while lying in bed.


The greatest place in the Midwest: Grinnell College

  This one will go down in the books. There have been a few outstanding performances in our career that are some kind of revelation for all us, reassuring why we play live music. The Troubadour was one, our first SXSW experience was another. Grinnell will be among them.

  The drive to Grinnell College in Grinnell, Iowa took about an hour. We unloaded our gear down some stairs after JP parked the van on the sidewalk a good ways from the nearest campus road. It was still cold. We were slipping on ice. A punk band was practicing in a nearby room as we loaded in.

  Our green room had all we’d asked for on the rider: pizza, chips, good salsa, oranges, apples, cases of Coca-Cola, water bottles, cold cut meats, bread, sliced cheese, grapes and earplugs! We were the happiest band on the planet.

  Mike and I heard there was a basketball game on campus, and that’s where all the students were. A nice fellow from the college led us into the cold night across the freezing campus to the gym. It was a blast. It was a close game. The referees were calling in favor of the home team, Mike informed me. He also noticed there only about five African-Americans in the room, and two were on the court. The ..Midwest.. is quite white. Just an observation. We are southerners.

  The opening band was playing when we got back. They were very good. The room was filling up and more and more college students strutted on the dance floor.


  As we walked on stage the room was full. From the moment we hit the first note the entire room danced, and didn’t stop until well after our set ended. We played with more energy than we’ve ever played. We were silly with excitement. The crowd ate us up. Begged for more. We gave them more. We were all sweaty at the end of our set.

  Jason then hooked up his iPod and played tunes, and most of us grooved on the crowded dance floor. I ran back to the booth and gave Jason some suggestions (I’ve been a disc jockey at many weddings — although the Grinnell kids have way better taste than what it takes to make most people dance). It was a blast.

  All of us had been, at one point or another, invited to an after-show party. We went upstairs to check out the scene. We were led into the dorm room of some of the girls who danced the best. Then we had to leave because Jason wanted to go back to the hotel (at this point he’d been sitting in the van).

  We’d just rocked the faces off these students, gave them and us a great time, fed off mutual energy that was in the air. They were the best audience we’d ever played to. On the ride back to the hotel we kept telling J.P. to turn the van around and take us back to our new homes in Grinnell.


Freezing Miss Liberty

  The next day we drove to Madison, Wisc. That’s when it got cold.

Otis Redding and the original Bar-Kays died in a plane crash in December 1967 in a lake near Madison. We may have walked on that lake. The lake was cold enough to take lives just by looking at it too long.

  When we arrived at the University of Wisconsin we saw the Statue of Liberty’s head and hand coming out of a frozen lake. It was as if Planet of the Apes was real. Freedom had been frozen, defeated by the icicles of old cold man winter.

  Some of us walked upon the ice lake and got close to Miss Liberty, who was about 200 feet offshore. Ice-nine was going to freeze the world.

  The ice creaked and cracked under our feet. Jim, Mike, Dave and I went out the farthest. Jim slipped and busted his tail, indenting a butt-cracked crack into the ice. It was so cold that I still haven’t completely unthawed. We rolled gear on handcarts into Der Rathskeller.

  We didn’t get fed, although we should have. Trying to survive without food in this climate was like trying to sell a refrigerator to an Eskimo: it was stupid and impossible. So we killed time in the green room, which was up three flights of towering stairs. Some of us banged on a piano, because as musicians, if there is an instrument within 200 miles we will find it, even if we have to cross frozen lakes, and play it as loud and long as possible.

  Then someone had another stupid idea: playing the “quiet game.” Naturally I won, since I’m “the quiet one.” I got no reward. Jim and Dave drew obscene things on the chalkboard as Mike slept on the table looking like he was dead, and Jason used his cell phone to look at things on the internet. I snapped some pictures, and the shutter was the loudest noise in the room until Neil decided he would lose the game and started talking.


  We played to an introverted crowd, and of course it seemed like a letdown after the unattainable heights we’d reached at Grinnell. The stage was under an arch in this room that looks like a giant German beer hall. Of course they didn’t give us any beer, and our personal funds were becoming more distant than any sign of warmth on this leg of the tour.


  Bloomington., Dead Oceans execs.

  And so we made our way to Bloomington, Ind., where our record label Dead Oceans is based. When we drove through Indianapolis Mike hooked up his Zune mp3 player and we jammed Wes Montgomery, who is from Indianapolis. Kurt Vonnegut is from there too.

  In Bloomington, some of our Dead Oceans executives, who shall remain anonymous, took us to dinner at a pizza place.

  The venue was one half video store, one half rock venue. The small room was nearly full, and we played like there was no tomorrow on the small stage. We got an encore. We hope we pleased our label as much as the fans. They said they liked our set.


Freezing snowy drive home

  We decided to drive straight home. It was so cold. February. Minus temperatures. Our van was probably on its last ride. The brakes worked only on one side, which is even more dangerous on snowy, icy roads. It snowed heavily on parts of the mountainous drive through the Tennessee and North Carolina Appalachians. The transmission was slipping. We made it.

  The trip had been quite an experience. All the shows may not have been packed, but we’d never toured the Midwest extensively. They’re good people. We got to see and play in Memphis, one of the most important towns in rock and roll and blues music. We had a cool photo shoot with an Associated Press photographer — they don’t get much better than that. Grinnell is a bright shining beam that is forever burned into the celluloid frames of our memories, which will shine on for a long time and warm our hearts on any cold night.

Photos by AP photographer Charles Rex Arbogast

http://www.facebook.com/home.php?ref=home#/album.php?aid=62429&id=500822730&op=6


The Berkeley Independent story I finished writing in Chicago http://www.berkeleyind.com/news/School-district-awaits-stimulus-details


To see more photos visit http://www.facebook.com/album.php?aid=2030199&id=136100012&saved#/album.php?aid=2030199&id=136100012
 

Currently listening:
Wilco (The Album)
By Wilco
Release date: 2009-06-30
Friday, March 27, 2009 

Category: Music

By Stefan Rogenmoser

The Explorers Club

 

Through some strange act of magic or alchemy the famous Micky Dolenz, a former lead singer of the famous band the Monkees, asked up-and-comers the Explorers Club to track the music of two songs for his upcoming album, his tribute to the famous Carole King. The details concerning the origin of the project were never made clear to me, so I’m guessing alchemists were involved, or maybe just monkeys. . . .

Jason and I departed early on the morning of Thursday, March 5 for Atlanta, where we would spend the next two days and nights recording at our producer’s studio.

When we arrived, slightly late, the first thing we did was go to lunch at a Mexican restaurant (the Explorers Club and those associated with it only dine at Mexican restaurants). Mike, Jason, Troy (the studio’s mutli-talented, mutli-instrumentalist), our producer Matt and I shared many laughs at lunch… And I tire of Mexican food fast, esp. on the road, unless we’re in Texas or California.

About a week earlier the band was touring somewhere in the Midwest when Mike predicted all this would happen: a long lunch where people would mention who engineered what song on what take in what year that was better than the released version, and so on, instead of focusing on the task ahead. I found this terribly funny at the time and again a week later when it really happened. Ha, ha, ha.

At the studio we listened to the original versions of the famous Carole King songs we were set to record as well as some other songs that Jason and Troy planned to make them sound like. The Carole King songs we were doing for Micky Dolenz are “Take Good Care of My Baby” and “Go Away Little Girl.”

When we’re through these songs will sound like parts of the famous “Wichita Lineman” and more parts of “Wichita Lineman”, the famous “By the Time I Get to Phoenix” and possibly even parts of “Do You Love Me”—not the Explorers Club song of the same title, but the famous Dave Clark Five version of the famous Contours song that goes like: “Do you love me, now that I can dance . . . watch it now.”

Jason, Troy and Mike worked on the basic musical and vocal arrangements like they were trying to catch the last train to Clarksville. They tried out a few different things, Matt joined in the fun by playing his drums (our producer is also a drummer) with various beats; some worked, some didn’t. All the while I was trying to glimpse at the chord charts for the two songs so I could at least have basic idea of what to play and which piano chord voicing to use.

We had a few short, fun jams in the big studio recording room: Mike on bass guitar, Matt on drums, Troy on elec. guitar, Jason on acoustic guitar, and occasionally I’d hit a piano chord or two (at this point I still hadn’t learned the songs—and I was exponentially outclassed by all the other musicians in the room, who—unlike me—are excellent at their instruments).

A piano tuner found that he could tuna piano but not a fish while the rest of us were in the control room working out arrangements. The piano was going “ding, ding, ding, ding, ding, ding . . . ping, ping, ping, ping, ping, ping . . .” until the 88 tones were pitch perfect.

The drums were recorded first to a scratch acoustic guitar track Troy played, so Matt could follow along. Matt quickly tracked both songs as easily as a pleasant valley Sunday.

Mike tracked the bass like the spirit of Peter Tork was in the room with him. Mike played his P-bass through a loud vintage Gibson amp.

Then the acoustic rhythm guitars were tracked: the three best guitar players I know, Jason, Troy and Mike were all playing the same chords in the same room at once. (I think Mike Nesmith would be proud). It was cool. It even took them a few takes, which makes me feel better about being an inadequate musician in the presence of great players.

They worked into the night as I watched their every move like a someday man, a maybe child. As I was daydream believing and coughing through my cold, which seemed to be getting worse, little did I know I was giving my Martian Death Flu to Mike.

Troy tracked three piano parts for “Take Good Care of My Baby”; his inventive playing made me take a giant step outside my mind, which was thinking: “What’s the use in trying, all you get is pain, when I needed sunshine I got rain.”

I guess The Explorers Club will need a third keyboard player if we ever plan on doing that song live.

We went to sleep in the studio bedrooms upstairs.

Day Two began with Jason and I sneaking out to get breakfast. I was so tired I poured syrup into my coffee while waiting on the pancakes. The syrup in the coffee was actually good. What better place to have syrup based drink than Atlanta, Ga., the home of Coca-Cola.


Dave showed up from Greenville, S.C. and everyone else was gathering in the studio.

Jason, Mike and Troy worked out vocal arrangements most of the day as I got bored enough to add tons of people to the band’s Myspace page.

I got lost trying to keep up with their arrangements, they were over my head, over my vocal range, I’m not a singer in the band, and of course they would never let me sing anything anyway. Hence massive boredom. Even if I’d had anything to read I would’ve been too tired to read.

Mike and I kept getting sicker, coughing harder, coughing more things out of me that I didn’t know my body could produce.

At one point I left the control room, went upstairs and took a 30 minute power nap. It helped.

When I got back they had started recording the backing vocals, since of course Micky Dolenz will be singing all the lead parts.

Eventually Mike had to leave for a gig with some other band. Dave sang the bass vocals in the big studio room. He was getting sick too. We were still shivering off the cold weather we’d experienced in the Midwest not more than a week ago. Our bodies were almost thawed out at this point.

Then we went to dinner. Ate some of that food stuff.

Back in the studio it came to pass that Jason recorded some vocals in the big studio room. Dave left at some point. It was getting late. Time in the studio is long hours spent waiting to play your part.

I surfed the internet, found out that our pal Dev from Lightspeed Champion—a British band we toured with in the summer of 2008—was in Atlanta recording an album. The rest of his band members were elsewhere. Anyway, we didn’t have time to catch up in person, but we communicated through his blog.

Eventually it was my turn to play something, to record something! The moment I’d waited for two days and nights! It was here! Finally! I hate exclamation points (and myself for ever using them)!

Matt and I tried to find a cool organ sound on his computer, but it wasn’t happening. Nobody wanted to pull out the Hammond B3 organ his studio, which I would love to play, since they’re the greatest electric organs ever made, and probably the most expressive and diverse musical instrument around.

Anyway, Matt found something cooler for me to play: a Multivox MX-20 synthesizer. It was probably from the 1970s or 1980s and probably the coolest keyboard ever invented. I love vintage gear, it sounds so real.

Troy found a cool sound for it to make and taught me a lead part to play. Matt put the MX-20 synth though an old analog delay effect, essentially a big box he had to hook up to the sound board. The lead part sounds a bit like the famous “Telstar” instrument by the famous Tornados. The part also sounds a little like the song “Greensleeves.”

The first few takes were complete failures on my part. My timing made me feel like a Randy Scouse Git. With some coaching from Matt and Troy, I eventually recorded something useable, even though the timing was still slightly rushed. Jason kept encouraging me, and without meaning to do so, it almost made me feel like I was being patronized. I thought of the famous John Lennon’s lyric in the somewhat famous Beatles song “Hey Bulldog” — “You don’t know what it’s like to listen to your fears . . .”

After a few takes on the coolest synth in the world I was done. I had taken two days off work and essentially drove Jason to and from Summerville to Atlanta, sat around the studio for two days and nights doing nothing, to record a mondo-awesome MX-20 keyboard part that would last for about 10 seconds during the bridge of “Take Good Care of My Baby.” This is for a Micky Dolenz album, mind you. Dolenz was a lead singer for the Monkees, one of my favorite pop bands ever.

At one point in the studio (where days blur together in anyone’s memory) Troy thought of a few things Micky might say when he hears our tracks. “Do you guys think you’re the Beach Boys? I know the Beach Boys,” Troy said in a mock Micky voice that made Jason, Matt and I laugh uproariously.

We also found out that Jeff “Skunk” Baxter, who played guitar for the Doobie Brothers and Steely Dan, recorded one of the other track’s for Micky’s album. We talked about how much more we’re going to rule. Hahaha! “Take that, Skunk!” we shall boast when our track prevails.

While the MX-20 synth was still out Troy decided to sneak in the melody form the famous Carol King written song “One Fine Day” onto the end of our version of “Take Good Care.”

Since the song wasn’t on Matt’s computer in his humongous music library, We listened to the YouTube version of “One Fine Day” as made famous by the famous girl group the Chiffons. The piano mix on the YouTube recording is loud, somewhat out of time and inexplicably stops playing about 12 seconds into the song. After spending two days and nights in the studio with timing Nazis, this recording seemed hilarious to us. The session piano player must have got really excited about something. And the producer must not have really cared. The song was an enormous hit, it even had a movie named after it that was made in the 1990s.

We closed out the night with Jason playing great guitar licks on Troy’s Fender Esquire, one of the greatest guitars ever made. Jason tried a few different licks. I liked them all. There was a nice amount of fuzz coming out of the amplifier Jason played through. The amp was in the main studio room. Jason was in the control room with us.

That was it. We went to bed. Whatever else needed to be finished, Troy would do later with Matt. The next morning Jason and I drove back home. All it takes to do a song for a Monkee is a little bit me, a little bit you.

"One Fine Day"

http://www.youtube.com/watch?v=J8LmTaVrPl8


Currently listening:
Night Beat
By Sam Cooke
Release date: 2005-09-20
Thursday, February 12, 2009 

Current mood:  exhausted

By Stefan Rogenmoser (the keyboard player)

Photos (hopefully coming soon) also by Stefan
 

Our objective was simple: play rock and roll like it’s going out of style, make new fans while we’re at it, and stay warm. We played ..Washington, D.C, Grantham, Pa., New York City, Hoboken, N.J., Cambridge, Mass. and Philadelphia, respectively on our six-day winter jaunt across the mostly subzero East Coast and Northeast.

Before we embarked on our tour we found out the trailer had some welding issues . . . it was falling apart at the seams. We went to a nearby U-Haul dealer in Knightsville, S.C., but they didn’t open until 9 a.m. We arrived at 8:15.

We got an 8x5 ft. U-Haul trailer — which is smaller and more aerodynamic than the other trailer — and unloaded our gear from one trailer to another. We rolled down the road, and our new sound guy, J.P. of the Green Fields, took the wheel. At one part of I-95 it was so windy that big barrel cones — in the right lane because that part of the interstate was under construction — were blowing over.


It was Feb. 3, 2009—50 years had gone since Buddy Holly, Ritchie Valens, the Big Bopper and a young pilot perished in an airplane crash shortly after takeoff, when they flew into icy weather. We listened to some Buddy Holly tunes that day.
 

Washington


At the DC9 club in Washington, D.C., we loaded in and were fed tasty and filling burgers and fries. The show was pretty good, a few people even showed up and danced. I was two inches in front of the drum set: my ears were sonically beaten by drums. The bass guitar was loud, and for the first song, out of tune.

Rock and roll.

Chris, J.P. and I went for a walk outside after the show. It was cold. Sweat turned into ice.

On the road for Harrisburg, Pa. we saw snow flurries at a gas station where we stopped to get gas and “snackie-poohs” and J.P. calls them. Jim and I bought crab flavored chips, which were disappointing.

“These taste like shrimp flavored ramen noodles,” Jim said.

We encountered some snow and ice somewhere along the way, and for some time were stuck behind snail-paced salt trucks, dispensing sodium chloride onto U.S. Interstate 83’s asphalt. We got the hotel, stepped into the subzero Pennsylvania winter night, skedaddled into a hotel and slept.

The next day some of us ate breakfast at the nearby Capitol Diner, since Harrisburg, Pa. is the state capitol. We spent the rest of the day lounging around the hotel, writing blogs, discussing what’s wrong with today’s music, today’s women, worked on our internet fan-base and whatnot.

Messiah College


As we walked out of the hotel, J.P. had the warm van waiting for us outside the hotel’s porte-cochere. As I lead the way to the van I felt slightly important, that we had a vehicle waiting for us as we departed the hotel for a show.

We didn’t exactly find the messiah, but found eager students at that night’s Messiah College show in Grantham, Pa., about 15 minutes from the hotel. A girl at the college named Margo seemed to run the show. She was helpful and nice, making sure we got fed. The singers sang a spot on the college radio station. There was no room in the booth for me, so I wandered about outside, smoking, shivering and looking at snow.

The show went well, and the Explorers with microphone access got the crowd to dance and do other things. At one point everyone yelled out what frustrated them most. That was Dave’s idea.

“Take your shirts off,” a girl shouted between songs. We didn’t do that--it was too cold.

During the last song something smelled like it was on fire on stage. When it was Dave’s turn to play a guitar solo there was no sound, and that particular song has stops in it requiring a lead guitar, which wasn’t there. We played on. A tube in Dave’s amp was fried, and started making strange white noises.

Back to the hotel we watched a documentary about violent Miami drug dealers in the 1970s and ‘80s. We turned off the TV and tried to sleep at 3 a.m.

Jason rambled on, kept us awake speaking of things we already knew, for the most part. Around 4 a.m. Mike said: “Unbelievable,” astonished that J-man was still gabbing away. We were tired in the morning.

In fact, I was tired I idiotically forgot to close the Uhaul trailer door before we left the hotel. I guess I thought someone else was going to put luggage back there. We drove the van to the McDonalds right next to the hotel, but one of Jason’s bags fell out. Dave and I ran down the side of the road back to the hotel to look for lost luggage.

A kind man in a van was at a parking lot across the street. He had the piece of luggage which fell out. Dave went to eat and I went all the way back to the hotel, to double check. By the time I’d walked across the snow-covered grass and back to McDonalds my feet were frozen and I was so cold and disappointed in myself I didn’t eat. That was a mistake, since this band stops for food about once a day on most days.

Getting the shivers in New York City: cold, paranoia and insouciance

We unloaded in front of the Mercury Lounge at the intersection of Houston and Essex, between the East Village and Lower East Side It was bitingly cold and incredibly windy.

I hopped in with J.P. to navigate a parking lot in this crowded city. We found a spot near the club, but thought we might get a ticket at the one-hour meter, so the search continued. No luck. At one point a new Honda pulled next to us and didn’t want to let us change lanes. J.P. let the Honda driver have it, and we showed them who had the van. Thankfully we didn’t collide, although it came close.

J.P. somehow got lost and stuck on Delancey, where we couldn’t turn left back to Houston Instead of making illegal left turns with several NYPD watching, we crossed the Williamsburg Bridge into Queens. J.P. was getting irritated. We crossed back onto Delancey and parked there. J.P. hurried back to the club. I grabbed my show clothes and walked back to the club, alone.

On the walk back I experienced a literally and metaphorically colder of side of NYC than I’d ever seen before. We always played here in the spring or summer. I walked way too far down Delancey, all the way to Chrystie St., then to E. Houston, and eventually back to the club. I was furiously cold, couldn’t feel me feet and my legs were burning from walking back. I’d walked about 17 blocks, when I could have walked six if I’d known where I was going.

When I stepped inside the band was soundchecking, my keyboards were setup all wrong, and Jim was trying to tell me something but I couldn’t hear him over Neil’s drum check. When the Nord nearly fell off its stand I realized what Jim tried to tell me.

We walked a block or two to get delicious New York pizza. On the walk there wind blew my scarf into my face so hard that my flave burned a hole through it. I wasn’t happy about that, but hey, we were in New York. After pizza everyone scattered off in all directions. I stayed near the club, warmed up.

The show went fairly well, the playing was fine, Dave borrowed an amp, but it was a tough and jaded .New York crowd, as Mike put it. They weren’t as responsive as we would have liked. We headlined the “early show” beginning our set at 9:30. A ridiculous punk rock band called Sister Anne headlined the late show. They were entertaining, had two bass players (one was female), a drummer who hit Neil’s drums too hard as we’d later find out, a girl guitar player and an African-American lead singer with a Mohawk and a black leather dress. She shook her booty and sang her soul out, while their charming guitar played rocked a solo with probably one out of five notes on key and then busted into a Kinks-like riff, something like “All Day and All of the Night” but more punk. I had a blast watching them, they reminded me of my teenage days. At least two press photographers were snapping away during their set.

We stayed in Jersey City, N.J. with our friends Jim and Rebecca. They are so kind, and live in the coolest flat I’ve ever seen with tons of wonderfully obscure art works. Dave and I slept on the kitchen floor, which got really cold even though I was sleeping with the king—Jim’s Elvis blanket. At least Dave had a sleeping bag and pillow—items I left in South Carolina. In the morning Jim, J.P. and Chris went out for a walk.

Smokin’ Hoboken and power pop’s Paul Collins

Maxwell’s, the club in Hoboken, fed us wonderfully and gave us good coffee.

The opening band was from Toronto and was called Leitz, named after their female lead vocalist and keytar player. Leitz is a German name, and Leitz and I spoke some German later on in the green room, which is basically the storage area where there were tons of tomato sauce cans. Leitz played electro-dance-pop.

I went down to a riverfront park to look at the Hudson and Manhattan. Chris and J.P. joined me.

Our set went reasonably well. It started off slow, but the crowd soon got into it, giving us the first encore of the tour. They hooted and hollered for us to play more, so we did.

Then another band played, I didn’t catch their name.

Then power pop’s Paul Collins, formerly of The Nerves, played. He did a set of great power pop tunes. After his set I have him a copy of our album on CD and Neil took a photo of me and Collins. He said he enjoyed working with us.

“You’re on your way up,” Collins said to me and Neil. It was cool.

That night we drove about two hours to a town in Connecticut and stayed in a nice hotel. The next day Jim, Jason, Neil, Dave and I got lunch a place I spotted called Mr. Mac’s Canteen in Milford, Conn. The food was good and affordable. It was burger and hot dog joint. The cashier called out orders and the food was cooked right behind him on a stovetop. He had a peculiarly funny way of calling out orders. At least Jim and I thought so. My coffee cup had a cartoon of a hot dog with legs who wore Wayfarer sunglasses. The others ate at a bagel place across the street.

We drove on to Cambridge, Mass. Mike was reading USA Today’s music section. “The Jonas Brothers are playing with Stevie Wonder at the Grammy’s,” Mike said. “Music is over. You don’t need any more proof than that.”

I also read a few pages of a book he’d been reading called Death of the Grown Up. Those were an insightful few pages, and it’s right up Mike’s alley: a book about what’s wrong with family structure and culture today.

Eight more intellectuals in Cambridge

As we rolled into Cambridge, Chris figured we should stop by his friend J.D.’s place, where we’d be staying, to meet his children. We found the venue first, and Mike suggested we walk to J.D.’s place.

Chris said it was two miles away. There was still snow on the ground, and it was still chilly, but not freezing.

“Ew-ooh-ew-ooh, ew-ooh-ew-ooh-ewww-whah!” Mike moaned out facetiously. It was hilarious, and became our mantra for the rest of the trip, as far as trivial whining goes.

So we drove to J.D.’s place and met his children. They were totally cool.

We drove to the club, Dave did his magic, backing the van and trailer perfectly down a narrow alley so we could load into the Lizard Lounge.

The Lizard Lounge fed us enormous hamburgers and fries. Before our set I rushed out to the van, about a block and a half away, to get our stage clothes. I almost slipped on the icy sidewalk twice. When I got back to the club the band was ready to play, and I realized I’d probably dropped my pants on the sidewalk, so I rushed back to the van, saw my pants on a van bench, and to save time left them. When I got to the back entrance the door was locked. I went to the front door and the doorman gave me a wrist band that simply said “MUSICIAN.”

There was no time to change, but Jim was lucky enough to change, since I’d brought his clothes in on the first trip.

The show was great. There was no stage; we played to people sitting at tables right in front of us in the atmospheric ambient-lit room. We expected to record the song on Chris’s laptop through Jim’s M-Audio recording box. J.P. thought Chris hit record: Chris thought J.P. hit record. The show was not recorded.

“Road manager fail,” Chris joked at J.P. We still had one more night to record. J.D. was at the show, and we talked to our many new fans after the show. They really enjoyed our set. J.D. informed me ..Cambridge.. is across the River Charles from Boston, and that Cambridge has its own vibe, and people from either place rarely cross the river.

At J.D.’s place I went to sleep in a room that had a slightly beat-up Farfisa organ, a Guild bass guitar and a vintage Fender Stratocaster guitar. Those instruments all rule. Vintage gear is the best, although Mike and I concurred that for keyboards it’s more convenient to have one modern keyboard that can replicate almost any sound known to man. Vintage gear tends to be high maintenance and only produces about one sound. But it’s still cool.

The other guys were being loud while watching motor cross bloopers on YouTube, or something to that effect. Mike, Dave and I slept in the same room. I went straight to bed, and Mike was the next to enter the room about an hour later. He plopped down knees-first onto his airbed only to find it had deflated. I’ve never heard such a series of foul language come out of Mike’s mouth. I thought it was funny, but he legitimately angry. At the time I didn’t know he’d banged his knees, I thought he was just irritated that the mattress had deflated in his absence.

On Sunday morning J.D. made scrambled eggs, chili, toast, English muffins and Starbucks Italian roast coffee for us. He treated us well, as his children watched Pee Wee Herman episodes and eventually we listened J.D.’s The 5th Dimension The Magic Garden vinyl album. His daughter liked the “Magic Garden” song, meaning she has impeccable taste for her age.

We steamrolled on toward Philly. We stopped at an Arby’s somewhere for lunch. Somehow Chris was talking of how Asheville, N.C. — where he and J.P. dwell — was not a racist area during the Civil War.

“That’s the biggest bunch of coffeehouse bull I’ve ever heard. You’re re-writing history,” Mike said, as Dave, Neil, Jim and I died laughing. Chris responded saying he had evidence to back up his theory, but he didn’t say what kind of evidence. I must say I agree with Mike on that one.

We drove through New York City, into New Jersey and eventually crossed the Benjamin Franklin Bridge, went over the Delaware River, and went were in Pennsylvania’s City of Brotherly Love.

Philadelphia Freedom Wind....

The soundcheck at the legendary Khyber was a long one. Neil discovered that the clutch of his high-hat stand was missing, and hadn’t been missing the night before. Mike advised he get a case for the high-hat stand. Neil wasn’t too happy about the missing clutch, but was able to borrow one from the other band, The Power Animals, who had an interesting sound and some strange homemade instruments.

Some of our friends were at the show, although our pals from Philly ban Dr. Dog were unable to attend.

Cat — who played keyboards for our pals The Swims (from Scranton) on a tour we did together in June 2006 — was at the show with her boyfriend. I reminded her we’d played a show in Shamokin, Pa. on that tour. She thought that was a reasonably funny memory: that was a poorly attended show, and we were billed with The Red Jumpsuit Apparatus, a band whose sound is far more idiotic than their name. They cared more about their long hair looking good than their music sounding good, and they were on MTV2 the next week.

Our set at The Khyber in Philly was interesting. It all seemed to go wrong when Dave played several obviously wrong chords at the top of “If You Go.” Then one of my cables started acting up and made static noises from time to time. On this six-day tour I’d had two cables go bad and left another cable in Hoboken because I thought it belonged to the club.

This show was being recorded. Neil also hit the snare drum on a part of our “Freedom Wind” song when it should have been just me playing and Jason singing. It wasn’t a bad mistake, but Jim laughed and missed one of his harmonies.

We decided to drive back to Summerville that night. We listened to the recording of that night’s show on the ride home that night, probably around 4 a.m. The recording made us understand why people told us it was a great show. It rocked. The only bummer was that me and Mike’s keyboards were inaudible. That ought to give us a reason to be louder next time.

“Ew-ooh-ew-ooh, ew-ooh-ew-ooh-ewww-whah!”

Sometime around 10 a.m. we were in South Carolina and stopped at a Stuckey’s gas station off I-95. It was warm outside. I made my third and last convenience store purchase there, buying a Coca-Cola Classic, to celebrate our return to the South. In the ..North Pepsi.. dominates, and most of us prefer Coke. The Stuckey’s clerk was very friendly and since I paid entirely with change, he said: “That ought to lighten up your billfold.” It’s good to run into people with character.

We would like to thank everyone who came to a show, bought a t-shirt, CD or vinyl, and graciously supported us. Until next time, here are some links to interviews and whatnot:

The Village Voice performance and interview from June 2008, posted in February 2009

http://blogs.villagevoice.com/music/archives/2009/02/possibly_4th_st_19.php

A review of the Washington show

http://dcist.com/2009/02/the_explorers_club_dc9.php

Currently listening:
One Way Ticket
By The Nerves
Release date: 2008-11-11
Tuesday, February 10, 2009 
In June, during our summer tour, we stopped off at Socrates Sculpture Park in Queens, N.Y. to film live stripped down performances of some of our songs. We went back to New York City in February 2009, so the Village Voice finally had a reason to post this video and interview:
http://blogs.villagevoice.com/music/archives/2009/02/possibly_4th_st_19.php

Wednesday, December 24, 2008 

Current mood:woohoo!
GET READY TO ROCK OUT IN YOUR PARTY-WEAR ON NEW YEARS EVE AT THE MUSIC FARM WITH:
FIREWORK SHOW
THE EXPLORERS CLUB
AND JASON ISBELL

DRESS UP - DRINK UP - COME OUT - ROCK OUT- & GET DOWN WITH YOUR FAVORITE SEXTET (well maybe an octet - that means eight) THE EXPLORERS CLUB. 

IF YOU MISS IT 2009 WILL PROBABLY SUCK.  I GUARANTEE IT.
Thursday, December 11, 2008 

Current mood:lothario-like :)
Currently listening:
Elvis Christmas
By Elvis Presley
Release date: 2006-10-03
Saturday, November 01, 2008 
www.charlestonpourhouse.com check out theexplorersclub on webcam
Monday, October 27, 2008 

Current mood:  stoked
Ok, so you've seen the Explorers Club play in Charleston before - no big deal eh? WRONG!!!

look, you've not seen a show like the one that's about to happen this Saturday, Nov. 1st at The Pour House in James Island.  Our Friends The Specs and Mr. Harrison Ray will be performing! - Two incredible local acts that make this a sure fire "you-don't-want-to-miss-this-one!" kind of a show!  We will be performing a few songs that you have NEVER heard before!  That's right kids - some new material coming at ya!  
So come on out, and get ready to ROCK!  heck, wear your halloween costume from the night before and don't hold back on getting a little crazy, cuz you know this one is gonna be a fun!

THIS SATURDAY, NOVEMBER 1ST - THE POUR HOUSE
ON MAYBANK HIGHWAY IN JAMES ISLAND
ACROSS FROM THE TERRACE THEATER
DOORS AT 8:00-ISH?
BE COOL, BE A FAN, SUPPORT YOUR LOCAL MUSICIANS, COME TO THE SHOW, BRING YOUR FRIENDS, HAVE SOME DRINKS, KISS A STRANGER, EXPERIENCE A HECK OF A ROCK SHOW, FORGET ABOUT THE ELECTION FOR ONCE, LET THAT FREEDOM WIND BLOW YOUR MIND!!!
Wednesday, October 22, 2008 

Category: Music

Note: The first ink ribbon I bought for my typewriter has now run out, so it's back to the old digital eye-damaging word processor for now.

 

Words and photos by Stefan Rogenmoser

The Explorers Club

 

I pulled into a gas station off U.S. Interstate 95 to tape the high beams so they'd hold in place and remain on. They were about the only lights on the Hulk that worked.

    We later stopped at a McDonald's in a gas station to eat dinner. I asked if I could have coffee instead of soda: At first I was told yes, then the girl at the counter turned halfway around and said no, they were out of coffee. I asked if they could make more, got a blank stare and said "Dammit, I'll take a soda then." While I was eating, just a few moments after the cashier who rung me up left, I saw a gentleman buy two coffees. I was pretty pissed off about that, being lied to and taken for an idiot by someone who asks "Would you like fries with that?" for a living. The van's light situation had me more stressed than usual but I held my cool as usual. Everyone but Wally and Neil thought the light show was the most amusing thing they'd seen all day.

    A few miles later it was completely dark and drizzling. The windshield wipers and high beams are on the same lever. The activated wipers made the lights begin to flicker. A few miles later I saw a state trooper in the median after everyone in front of us slowed suddenly. I saw the trooper pull out of the median in the mirror and I started thinking of good excuses and where to pull over. The trooper passed us.

    A few miles later another police car passed us, this time blaring over the loudspeaker, "Turn on your lights!" and he drove on, didn't bother us again. I don't know exactly how fast I was driving – the instrument lights didn't work either, but the shadow from the front interior light made a vague shadow under the dash as Troy read a history book on the Romans.

    The lights worked for about an hour after we pulled over again to re-tape them, then the flickering became completely arbitrary and I pulled up a wet exit ramp with no gas stations. We were in North Carolina now. A man in a purple mini-van pulled up next to us on the ramp, about 50 feet from the top, and asked how to get back on the interstate. I told him to go straight. He asked if that was the way to get to Norfolk, and I said "Yes, we're going to Norfolk," as everyone else in the band laughed at his silly questions, laughed so loud I'm sure the pool fellow heard them. He had a funny Hispanic dialect and was the only person in the vehicle.

    Dave took the wheel and worked his magic, keeping the lights on for at least an hour. We stopped to fill the tank at a nice new gas station called The Oasis. There was loads of crazy stuff inside: zebra skins, African hunting spears, a stuffed bobcat on the wall, an artificial hippopotamus head, cloud shaped ceiling tiles and a Dunkin' Donuts counter. Troy took pictures.

    When Dave started the van the lights would not turn on at all. It was around midnight or 1:00 a.m. After about 45 minutes of trying to figure out the lights by dismantling things we decided to camp out until sunrise. It was a nice, clean gas station. Dave, Jim and Troy played some lottery and eventually bought a deck of cards and Dave showed us how to play spades. I was on Dave's team. Interesting game.

    I went to the van to sleep; Neil, Wally and Jason beat me there by a few card games. After about an hour I shivered myself awake and spent the rest of the night inside the gas station. The others were still playing spades. We were stuck inside the Oasis with the Norfolk blues.

At the first hint of light it was my turn to drive; again. I'd slept about an hour, meaning I was qualified to drive.

    I drove through Virginia's desolate country roads past several cotton fields. Everything farmhouse and dwelling seemed to be built at least 30 years ago.

    I pulled the van into the Best Western in Norfolk, right on a beach of Chesapeake Bay. It was bitingly cold and windy. We were all under-dressed and wearing all the clothes we'd brought as we walked to our three hotel rooms to sleep for about two hours before having to leave for our afternoon show.

Norfolk, Va.Norfolk, Va.Norfolk, Va.Norfolk, Va.

    I drove the Hulk five minutes down the road to a nice community – which looks a lot like the Ion in Mt. Pleasant, S.C., or parts of downtown Charleston – and we unloaded into a clubhouse. It was windier and colder, but very photogenic. We could see a 14 mile bridge/tunnel that crosses the bay, one of the concert coordinators told me. We thought it was a pier at first, because it starts off as a bridge, becomes a tunnel in the middle of the bay, and then comes up as a bridge again. Knowing this didn't make it any warmer.

Chesapeake BayChesapeake BayChesapeake BayNorfolk, Va.Norfolk, Va.

    The show went fairly well, although it was obvious we were out of practice on a few songs. The small crowd that showed up liked us, and that was very satisfying. They gave us lots of candy and fed us some of the best pizza any of us have ever munched down.

    After we played it was getting dark. Jason and Wally had to be home that night, so they rented a car and drove back, leaving the rest of us in the chilly Norfolk wind.

Norfolk, Va.Norfolk, Va.

    We drove the lightless van to the hotel, which was not more than five minutes away. We watched some movies on TV, and when we went out to smoke our cigarette ashes and cherries blew unpredictably up and sideways in the 30-40 mph gusts. We went to bed only to wake up at 6:00 a.m. for showers and a dry continental breakfast. The sun wasn't up yet.

We left the hotel at 7:01 a.m., planning to leave at 7:00. This is the closest to on-time we've ever departed any place.

    Dave drove the first leg, and I took us from just inside South Carolina all the way to Summerville at about 80-85 mph in the clear and refreshing afternoon sun. Some of us got our cars from where we parked in Summerville while Dave and Troy went to Goose Creek to attach the trailer to Dave's van (so we'd have lights at night). We all drove to Awendaw (Jason and Wally were already there – they had to drive all the way from Charleston) for the "Awendaw Green Rocktoberfest" – a two-day concert beginning on Saturday to raise money for the Wando High School band.

    We got there just in the nick of time, and they were running on a tight schedule which was on time – highly unusual for any music event. We played a good fun set around 5:00 p.m. to a good, receptive crowd. It wasn't nearly as cold as Norfolk, and there was a big camp fire where everyone could warm up.

Thursday, October 16, 2008 

Category: Music

By Stefan Rogenmoser

Note: Sorry this took so long to write. I wrote it on a Smith Corona typewriter because it's louder and more fun that way. There's a lot of dyslexic spelling. I've scanned the pages into photo files, although the scanner really doesn't translate the pages very well. On Sept. 13-14, 2008 we played two shows in Florida. The first was for WMNF radio's birthday in Tampa. Most of the photos are by Chris Mondia, although there is one of Millie, who went with us, from the Tampa Bay Times. Enjoy!

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WMNF's 29th Birthday Bash at the Cuban Club in Ybor City (9.13.08)