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John Easterlin



Last Updated: 11/15/2009

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Status: Single
City: NEW YORK
State: New York
Country: US
Signup Date: 8/15/2007

Blog Archive
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April 5, 2009 - Sunday 

Category: Music
St. John's University, NY
"Without question, the highlight of the evening was anytime that tenor John Easterlin took the stage to bring down the house with a cavalcade of holiday favorites.  Possessing a truly remarkable voice that can easily traverse many different styles from operatic to contemporary, his easy stage presence and thorough delivery was an absolute treat.  My personal favorite was 'Ten Thousand Joys' - a stirring gospel number that shook the entire auditorium.  I had goose bumps on top of goose bumps at the end of the piece alone.  Easterlin is certainly well known to New York opera audiences.  I hope that we'll be seeing him in more concert venues, like this one, as well."
NEWSDAY / Justin Davidson

St. John's University
"The evening's guest soloist was Metropolitan Opera tenor John Easterlin who absolutely walked away with every, single solo he brought to the stage.  Was a privilege - a thrill - to listed to this world class artist so completely embody each number from the haunting 'I Wonder as I Wonder', (presented only with harp accompaniment), to the holiday favorite 'O Holy Night' (with a high C that would make the very Metropolitan Opera walls shake), to the heart stopping 'Ten Thousand Joys' which brought the audience to a huge, thunderous standing ovation.  I've thrilled to Easterlin at Town Hall, and this appearance put me in a true holiday spirit.  What a great Christmas gift!"
NEW YORK POST / Gregg Culling

April 5, 2009 - Sunday 

Category: Music
Carnegie Hall
"Standouts include the tenor John Easterlin as the scheming physician, Bombelii, with a muscular, soaring tenor voice that filled the (Carnegie) Hall easily."
NEW YORK TIMES / Anthony Tommasini

Carnegie Hall
"Tenor John Eastlin made a triumphant Carnegie Hall debut as the evil Chemist Bomelii, delivering vocally and dramatically an outstanding performance."
WALL STREET JOURNAL / Jane Spencer

Carnegie Hall
"Among the supporting cast, the Bomelii of thrilling tenor John Easterlin proved an audience favourite with his stunning voice and riveting stage presence."
FINANCIAL TIMES / Martin Bernheimer

Carnegie Hall
"As the unsavoury apothecary Bomelii, the ever-incisive John Easterlin fared better with the Russian than any of the other American artists and delivered a thoroughly drawn character who sparred tremendously with Ms. Boradina while spinning his soaring tenor into the heights of the (Carnegie) Hall."
OPERA NEWS / David Shengold

Carnegie Hall
"In his Carnegie Hall debut, tenor John Easterlin proved the true standout among the supporting roles with a masterful delivery of the conniving Bomelii married with a stunning tenor."
OPERA NOW / Heidi Waleson



September 21, 2008 - Sunday 

Category: Music

Town Hall, New York City
"Once again, the highlight, hands down, of the evening was tenor John Easterlin who appeared in last summer's first "Operetta" concert for Siegel.  His jaw dropping rendition of Dein is mein Ganzes Herz more than brought down the house - I think they're still rebuilding Town Hall from the rafter shaking end.  A glorious full throated, warm, and luscious sound that I personally could listen to all night.  Let's hope he returns next summer and for that matter, every summer to come to remind New Yorkers of what a truly great voice can be.  He deserved all FIVE of his curtain calls - and then some!"
NEW YORK POST / Gregg Culling

Town Hall, New York City
"May I suggest we make John Easterlin's vocal chords the Eighth Wonder of the World?  I mean, seriously, this man is gifted beyond words with a stunning, glorious one-of-a-kind instrument.  I was enraptured with his voice a year ago at Town Hall and just about lost consciousness this year when the brought the audience to a six minute standing ovation in his rendition of Lehar's Dein ist mein Ganzes Herz.  An absolutely perfect performance which leaves me in tears once again just writing this review.  What a privilege to hear this world class artist fill every centimeter of New York's famed Town Hall - Bravo Mr. Easterlin, bravo!"
USA TODAY / Robert Bianco

Town Hall, New York City
"For a second year in a row, Metropolitan Opera tenor John Easterlin was the clear audience favorite.  His rich, thrilling tenor shook the rafter of Town Hall, first with hist just down right amazing and heart stopping performance of Dein ist mein Ganzes Herz, sung in German, and then a return for Hill of Dreams from Song of Norway.  There comes a point when superlatives and praise fail to do justice to the glorious voice this man possesses and lets it wash over every audience member.  Thrilling, just thrillling."
VARIETY / William Sparks

Town Hall, New York City
"Last year I had the privilege to hear tenor John Easterlin for the first time in Siegel's Night at the Operetta - and thank goodness he came again.  To say that Easterlin once again walked away with the evening is an understatement.  He is in such a refined, elevated league that it's really almost unfair to judge the other singers about an artist on the international level of Mr. Easterlin.  His German rendition of Lehar's Dein ist mein Ganzes Herz will be remembered by every audience member - and certainly this critic - for years and years to come.  I said he was a 'prince' last year - well this year he took the crown as 'king'."
NY1 / Roma Torre

Town Hall, New York City
"Metropolitan Opera tenor John Easterlin who works as a character tenor showed nothing short of star quality with his rendition of Dein ist mein Ganzes Herz from Franz Lehar's "The Land of Smiles" done auf Deutsch in a nod to the European operetta tradition.  As a critic, I'm supposed to keep a fair, even tone but Easterlin has made me a true bona fide fan.   While my knowledge of opera is slight, he can be assured I'll be watching him at the Met and also in his upcoming Carnegie Hall debut."
THEATER WORLD / Michael Dale

Reviews as Soloist in A NIGHT AT THE OPERETTA AT TOWN HALL

Town Hall, New York City
"If one performer rose to the top that night – and one clearly did – it had to be opera tenor John Easterlin. He closed the Act I with Serenade from The Student Prince, off the mike, eliciting the song's heart with simple sincerity, beginning gently and building as the song's emotion intensified. It was a thrilling rendition. Easterlin returned later to join Christianne Noll in closing the show with 'Deep in My Heart, Dear', also from The Student Prince. To Easterlin's credit, he did not overwhelm Noll, who sang beautifully but does not share Easterlin's perch of excellence. The audience justly rewarded Mr. Easterlin with a standing ovation."
CABARET SCENES / Elizabeth Ahlfors

Town Hall, New York City
"The supreme tenor of John Easterlin (from the Metropolitan Opera), closed the first half with a perfectly beautiful 'Serenade' from The Student Prince that left the hushed audience enthralled with his every note and phrase. He returned to close the evening with a spine tingling rendition of 'Deep in My Heart, Dear" that brought the audience to their feet."
NEW YORK POST / Gregg Culling

Town Hall, New York City
"Like cream rising to the top, the evening's star rested in the stunning, thrilling voice of Metropolitan Opera tenor John Easterlin. Singing without a mike, he started gently, tenderly – and the audience gave him the courtesy of silence as he shaped each word and phrase. Never before has this critic seen or heard an audience so still and attentive to a performer. He closed both acts with two of operetta's most beloved arias, both from The Student Prince. As everyone around, I was reduced to tears listening to his sterling, world class performance."
USA TODAY / Robert Bianco

Town Hall, New York City
"John Easterlin, who sings regularly at the Metropolitan Opera, emerged as the clear and justifiable audience favorite. His rich, thrilling tenor permeated every inch of Town Hall, first with a sterling 'Serenade' from The Student Prince and at the show's end, 'Deep in My Heart, Dear' from the same work. From his heart felt, tender beginning to the glorious, powerful – and unamplified – ending of both pieces, he proved why this art form is still alive and well in his golden vocal chords." 
VARIETY / William Sparks

Town Hall, New York City
"Sarah Jane McMahon was clearly operetta's queen for the evening. And every Queen deserves her King or in this case a King. John Easterlin delivered not one but two selections from Romberg's The Student Prince that left the packed Town Hall in tears and cheers. His rich, thrilling tenor filled every inch of the theater. And what a pleasure to hear such a glorious voice unamplified. A special bravo, indeed, to Mr. Easterlin in his Town Hall debut."
NY1 / Roma Torre

Town Hall, New York City
"Opera star John Easterlin stopped the show not once, but twice, mining two classics from The Student Prince to a perfect diamond. First, he won over the audience at the end of the first half with a goose bump-inducing 'Serenade' and at the show's conclusion, 'Deep in My Heart, Dear'. It was pure magic."
WOLF ENTERTAINMENT / David Wolf

Town Hall, New York City
"Metropolitan Opera tenor John Easterlin ended the first half by commanding downstage center in a formal white dinner jacket for his perfectly rapturous rendering of The Student Prince's 'Serenade'. He combined a gorgeous vocal sophistication, a sparkling stage presence, and an intelligent sense of lyric phrasing in his return to the stage at the show's end for 'Deep in My Heart, Dear'. Perfection in every way."
THEATER WORLD / Michael Dale

September 7, 2008 - Sunday 

Category: Music
Opera Pacific, Costa Mesa, CA
"Even though the opera's title is Susannah, the evening belonged completely to John Easterlin and his astonishingly rich performance as Little Bat McClean. Easterlin did more than walk away with the show - he galloped, stampeded and engulfed the story, the theater, and the audience in what to this critic is the finest portrayal of this role to date.  He simply should be asked to do this role all over the world and as quickly as possible.  With Hollywood just miles away, it wouldn't surprise this critic if he was cast in the next Oscar winning film."
OPERA NEWS / Daniel Gavenfort

Opera Pacific, Costa Mesa, CA
"John Easterlin made a perfect debut in a layered and deeply moving performance as Little Bat - the character responsible for Susannah's troubles. I had to remind myself I was watching an opera singer because Easterlin's detailed presentation was just beyond anything I've experienced in an opera house. But then he would open his mouth and a huge, warm sound would fill the auditorium and I knew I was in the hands for a truly world class artist."
OPERA NOW / Catherine Ziegler

Opera Pacific, Costa Mesa, CA
"But the triumphant performance of the night went to John Easterlin as the deeply troubled and troubling Little Bat McClean.  What a gem Mr. Easterlin is to this industry to bring such a rich and studied character to the opera stage. His voice just about blew me out of the theater and his dramatic portrayal worthy of the Academy Award left me in tears. Bravo!"
OPERA / Wells Thompson

Opera Pacific, Costa Mesa, CA
"John Easterlin made the pathetic Little Bat, who hangs around Susannah and is bullied into lying to the Elders about her promiscuousness; seem like trouble from the start. A deeply layered, textured, and nuanced performance as good as anything you'll see in an Oscar winning film, Easterlin's muscular tenor voice has no trouble filling every inch of the theater."
LOS ANGELES TIMES / Mark Swed

Opera Pacific, Costa Mesa, CA
"As Little Bat, the town's simpleton, tenor John Easterlin gave a potent performance, layered in character and searing of voice. I have never seen so richly drawn, astutely performed, or expertly sung a Little Bat in all my years of opera reviewing.  He should be on every "Short List" for Susannah productions in the next decade. An absolutely riveting and tremendous performance."
ORANGE COUNTY REGISTER / Timothy Morgan

Opera Pacific, Costa Mesa, CA
The most vivid stage presence is that of John Easterlin as a frantic 15-year-old who gets entangled in the zeal.  It is hard to understand all his frenzy, which he plays wildly but sharply.  But his piercing, finely tuned tenor voice says it all.
LAGUNA BEACH INDEPENDENT / Gene Warech

Opera Pacific, Costa Mesa, CA
Little Bat, the slow-witted but sexually curious offspring of austere church elders, whose impulsive lying sets off the string of events that end in disaster for Blitch, Sam and Susannah, is one of the great character tenor roles in American opera.  John Easterlin performed it with great accomplishment.
OPERAWARHORSES.COM

May 2, 2008 - Friday 

Category: Music

Metropolitan Opera

John Easterlin as Prince Nilsky made heads turn with his stunning, lyric tenor voice.  A small role, yes, but one from which he mined a memorable performance, leaving me wanting more, much more.

NEW YORK TIMES / Anthony Tomassini

 

Metropolitan Opera

Among the supporting roles, tenor John Easterlin's Prince Nilsky was the true standout.  This is a voice which continues to grow and stun with each production.

OPERA NOW / David Shengold

 

Metropolitan Opera

And what a pleasure to see and hear tenor John Easterlin as Prince Nilsky.  He proves it's not the size of a role but what you do with it – and he did this one to perfection.

USA TODAY / Robert Bianco

 

Metropolitan Opera

While a small role, John Easterlin's Prince Nilsky proved an audience favorite and one which left audience members asking after the curtain where he could be heard next.  A glorious, rich, and vocally elegant performance to a true underused talent.

CLASSICAL MUSIC NETWORK / Andrew Treeton

 

May 2, 2008 - Friday 

Category: Music
Lyric Opera of Chicago
Fine Brothers Three indeed, but only one true standout: tenor John Easterlin as the Hunchback thrilled with soaring and searing high notes that make me wonder if there is a Kaiser in his future.
CHICAGO TRIBUNE / John von Rhein
 
Lyric Opera of Chicago
There was dynamite casting right down to the three horrific Brothers, but special kudos to John Easterlin as the touching, enduring, and manic Hunchback.   Physically covering every square inch of the stage, he never missed one note – and what a golden voice!
CHICAGO SUN TIMES / Wynne Delacoma
 
Lyric Opera of Chicago
Although the Dyer's handicapped brothers are powerfully sung by Daniel Sutin, Andrew Funk and John Easterlin, it is the latter, Mr. Easterlin, who deserves special praise for a knockout performance as the Hunchback.
DALLAS MORNING NEWS / Scott Cantrell
 
Lyric Opera of Chicago
Daniel Sutin, Andrew Funk, and John Easterlin as Barak's three misfit Brothers proved why one should never let relatives outstay their welcome.  Easterlin, in particular, brought unexpected humor and pathos to the Hunchback.
OPERA NEWS / Mark Thomas Ketterson
 
Lyric Opera of Chicago
Among the supporting roles, tenor John Easterlin was triumphant as the Hunchback Brother.  I look forward to seeing him take on this same role next month in his Paris Opera debut.  What a great pleasure to watch.
OPERA NOW / Heidi Waleson
 
Opéra National de Paris (Bastille)
Among the impressive secondary roles, John Easterlin makes a wonderful debut with the company as the Hunchback Brother.  Combining a beautiful lyric voice with excellent comic skills, he was clearly an audience favorite.
LE MONDE / Jacques Beaumonde
 
Opéra National de Paris (Bastille)
And I must give special attention to the excellent debut of John Easterlin as the Hunchback Brother – a big, resonant voice which filled the Bastille, bravo.
PARIS GAZETTE / Cecille Privotte
 
Opéra National de Paris (Bastille)
I had the pleasure of seeing John Easterlin's Hunchback Brother at the Lyric Opera of Chicago in December and am happy to report that it is even more breathtaking in his Paris debut.  He has added a tremendous comic edge to this 'clown' brother and was the hands down standout of the three – just ask the audience.
OPERA NOW / Heidi Waleson
 
Opéra National de Paris (Bastille)
Humor was present too, in the guise of Barak's ghastly ne'er-do-well brothers, here portrayed as clowns. Their vocalization was as impressive as their staged portrayal, indicating commendable attention to detail in depth as well as breadth of casting.  An added nod to John Easterlin as the Hunchback – what a glorious voice.
THE BOULEZIAN / Mark Berry
 
January 1, 2008 - Tuesday 

Category: Music
Mr. Easterlin makes this role debut with the Glimmerglass Opera in 2008/9.
January 1, 2008 - Tuesday 

Category: Music
Mr. Easterlin makes this role debut with the Opéra National de Paris (Bastille) in 2009/10.
January 1, 2008 - Tuesday 

Category: Music
Mr. Easterlin makes this role debut with the Metropolitan Opera of New York in 2009/10.
January 1, 2008 - Tuesday 

Category: Music
Mr. Easterlin makes this role debut with the Lyric Opera of Chicago in 2009/10.