Status: Married
City: Darlington
Country: UK
Signup Date: 7/28/2005
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Thursday, May 14, 2009
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Hosted By:THE FIDDLERS ELBOW,KENTISH TOWN When:23 May 2009 Where:FIDDLERS ELBOW 1 MALDEN ROAD LONDON NW5 3HS Description:SKAVILLE UK FEATURING EX MEMBERS OF THE SELECTER & BAD MANNERS WILL PLAY THE FIDDLERS ELBOW, 1 MALDEN ROAD, KENTISH TOWN,NW5 3HS ON SATURDAY 23 MAY 2009. SPECIAL GUEST WILL BE RHODA DAKAR WHO WAS THE FORMER SINGER OF ALL GIRL 2 TONE BAND THE BODYSNATCHERS & THE SPECIAL AKA. DOORS OPEN 7.30 TICKETS PRICED £8.00 Click Here To View Event
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Monday, December 08, 2008
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Category: Music

SKA DANCE CRAZE PRESENTS...RODDY RADIATION & THE SKABILLY REBELS @ THE BONGO CLUB, EDINBURGH DEC 5TH 2008 There is a song by Roddy Radiation that features the line "It's a long, long road before you get back home." and that was certainly true for The Skabillies on Friday. It took a 7 hour drive from Coventry up to the Ska Dance Craze club night in Edinburgh, Scotland for their much anticipated gig at The Bongo Club. Doors opened at 10pm and a steady stream of people filled up the venue. The diverse audience were first treated to a rousing performance by great support act Big Fat Panda. Fronted by the larger than life Big Andy, their driving ska and catchy original material was a superb opener and the perfect start for the gathered throng. This paved the way for the Skabilly Rebels, who entered the stage to a packed house. With new bassist Mac in tow (previous player Lee has left to be more at home with his young family), the Rebels blew the top off the venue. Tight is the word, their performance was honed to perfection. The crowd first danced, then rioted, then went berserk - for the first time we saw a Skabilly mosh pit and crowd surfing!! As the crowd showed their appreciation the band responded by cranking up their action, with Roddy climbing on the monitors and Sam Smith almost playing in the crowd. Musical mayhem at its best. The Skabilly tunes sound fantastic (roll on that album) and Roddy's Specials creations were thrown in to good measure as were 'Gangsters', 'Do Nothing' and 'Little B-i-t-c-h' (which makes a good rock-a-billy song). Every so often you get THE perfect gig and this was exactly that. Sax player Drew Stanstall added to the cool rockabilly edge as the crowds enjoyed the likes of 'Bonediggin'', 'Man With No Name', 'Forgive & Forget', 'Black Zodiac', and the brilliant 'Blues Attack' plus a rip roaring rendition of 'Johnny' before the set was closed by the blistering 'You're Wondering Now'. The crowd showed their appreciation with a long standing round of applause. The night was completed with aplomb by the resident SDC club band 'This R 2Tone' belting out 2Tone classics including the compulsory stage invasion during 'Longshot Kick The Bucket'. They lapped up the atmosphere and played a cracking show to the appreciative audience. With plenty of bounce and enthusiasm they bring the 2Tone experience to life. The Skabillies are now on top of their game and its a great time to catch them, they have dates in Jan and Feb 2009 so make it a new years resolution to seek out a gig.
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Thursday, September 11, 2008
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The Specials play Bestival
For the first time in 27 years, six members of The Specials stood together in unison on the dramatic Main Stage of Bestival on the Isle of Wight.
Playing to a mud-filled field full of hard-core festival goers, through the pouring rain the big screen introduction by actor Nick Moran (best known for Lock Stock & Two Smoking Barrels) was accompanied by "Jerusalem" which really stirred the blood and built the tension to those famous opening lines "Bernie Rhodes knows…don't argue!" and the six Coventry boys slammed straight into the classic track "Gangsters".
Sounding just as tight and with as much vigour as the vintage Specials circa 1980 the years ebbed away and the band put on a performance that befits the Specials' name. The finale of "Gangsters" burst into a searing version of the very apt "Dawning Of A New Era". Roddy Radiation's lead guitar thrashing masterfully over John Bradbury's beat perfect drums, rolling and thumping the tune along. Terry Hall's trademark, almost reluctant, stage presence belied his fantastic vocals and lyrics still filled with venom. His dry wit and sarcasm shining through in his address to the crowd: "I've waited 27 years to perform in front of a field full of prawns". Neville Staple and Lynval Golding rolled back the years with an energetic run-a-round stage show, Nev whipping the audience up into a bouncing mass of mud and umbrellas. Horace Panter's bass rhythmically vibrating through the crowd with his famous looping boom sounding even better this time round. The matter of an absent Jerry Dammers is band business but credit has to be given where credit is due and replacement keyboard player Nikolai Torp's performance was delivered with proficiency and style, he even broke his keys in the process!
"Do The Dog" rattled with power and precision and then Neville really worked the crowd during "Monkey man". By this time the view from the Main Stage was filled to bursting with brightly coloured rain macs, umbrellas and strangely dressed sea creatures as far as the eye could see. Brad really made "Blank Expression" his own, drumming out big, beefy pure rhythms.
Lynval Golding proved that the message of the original band is still relevant today with a heartfelt plea to the crowd regarding the knife crime culture in the UK, he spoke about his own experience back in 1982 when he was knifed outside a club in Coventry: "I would never pick up a knife." he said, and introduced the track that had the crowd going berserk - "Message To You Rudy". The track saw the inclusion of the 3 piece brass section consisting of Jon Read, Warren Middleton and a guy called Tim, who walked very confidently in the footsteps of original brass line-up legends Rico Rodriguez and Dick Cuthell.
To the sound of the crowd chanting "Specials!" "Concrete Jungle" saw Roddy take up lead vocals, as he had on the first album, and his archetypal guitar solo never sounded better. "Its up to you" was rollicking and the placid but effective "Doesn't make It Alright" slowed proceedings down before a superb version of "Too Much Too Young" exploded out across the gathered 30,000 converts in the immense crowd. Obviously relishing every second, the lads kept up the vigorous pace and gave us "Little Bitch 2008" and then changed pace again with "Nite Klub" and its' sleazy, crawling intro. The band mastered the stage and wowed the crowds, Horace's sublime bass-line was played with aplomb. The crowd had time to gather their breath one more time as the set finished with a rousing rendition of "You're Wondering Now" complete with audience sing-a-long. With that it was over and the band were gone to the sound of the roaring crowd shouting for more and massive rallying cries of "Rude Boys!" echoing around the Bestival arena.
It cannot be denied that it was an utter success and leaves me in no doubt that it can be followed up just as proficiently. What better way to test the public's reaction than by playing to a 30,000 strong crowd of non-ska fans? The crowd were quickly converted! People you had better believe it- the rude boys are back in town. About time too!
Paul Willo & Ruth Lilico

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Thursday, September 11, 2008
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NICK WELSH - "THE SOHO SESSIONS" - MoonSka World Records
"The Soho Sessions" is the long awaited acoustic solo debut album of arguably one of the best songwriters, not only on the ska scene, but in UK music. Nick Welsh could have had a number one hit a long time ago had he gone mainstream and not chosen to give over his time to the ska and reggae genre. The man who brought tuneful songs back to Bad Manners; resurrected The Selecter (and helped maintain their 15 year career since their re-birth in 1991) and made Skaville UK the hottest ska band in the country with two classic albums and exuberant live show; production work for many others and prolific song writing attributes, has finally released a collection of his own.
"The Soho Sessions" reveal the real Nick Welsh, his unique arrangements breathe new life and new direction into what were originally ska tracks from across his career. This album is all his own work, literally; the lyrics, the tunes, the instrumental and vocal performances, truly a one-man band! The album is littered with resplendent easy listening reworks of Nick's classics classics. Breaking down the album by Nick's career:- his Bad Manners days are reflected in ragged acoustic chugger "Return Of The Ugly". "Skinhead Love Affair" is a plaintive acoustic, Welsh's vocals differentiating the track from its' original raucous brother. Everyone's favourite "Memory Train" sounds very Weller-esque, it sticks in your brain and leaves you whistling. "Since You've Gone Away" is a skanky track displaying vocal skill and precision. Then we are treated to the up tempo strumming of "Rosemary", a great sing-a-long. "Non Shrewd" is actually better than the Bad Manners/Busters Allstars version, acoustically bouncing along with the Welsh lyrical growl. His Selecter days are covered in what for me is an album highlight "Symphony Of Love", a tale of lost love and bitterness soulfully performed, a classic in its own right, as is the King Hammond monster "Stay With Me Baby" which gives me the shivers every time I hear it, beautiful! Welsh's stint in Big 5 is represented in the catchy "Outrageous" co-written with Jennie BelleStar. The track is a beauty, always has been, but this version lends depth and character. Skaville UK are present in this mix too, with " Thank God I'm Not Like You" sounding so different in a melodic acoustic style, and the beefy "Bad Man" rocking its way into your ears. The album closes with a brand new track "Johnny Don't Take Your Gun To Town", a dark tale of youth violence with a message, a great end to great album.
Nick Welsh is a true ska chameleon and should be cherished. This album showcases the talent and the creations that many of us have owned in ignorance of their origins. Close the curtains, pull out that reclining chair, pour yourself a glass of your favourite tipple, crank up the stereo and revel in the album. Another Nick Welsh gem.
Full Track Listing-
Return of the Ugly / Symphony of Love / Skinhead Love Affair / Thank God I'm Not Like You / Memory Train / Bad Man / Since You've Gone Away / Stay With Me Baby / Rosemary / Outrageous / Non Shrewd / Johnny Don't Take Your Gun To Town
If you fancy hearing the album live then pop along to Filthy MacNastys in Islington, London on Saturday September 20th for the official album launch. Its free admission!

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Tuesday, June 24, 2008
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Current mood:  animated
Category: Music
"...... The rain had poured down all day in the North East so the mood was somewhat dreary as we ventured to The Studio in Hartlepool. The Studio is a very intimate but cracking little venue, with superb stage and sound. With a big ska event happening just up the road in Newcastle we were pleased that there was a generous crowd to greet The Skabilly Rebels onstage.
I have seen the band a number of times since its creation and can safely say that the current outfit recruited by Roddy Byers are without a doubt the tightest. The set, which consisted of plenty of original Skabilly material from the much awaited debut album, interspersed with a number of Specials tracks, was definitely the best I've heard and seen and drew many accolades from those attending. A powerful blend of Ska, Rock, Country and Blues were blasted out to perfection and were relished by one and all. Skabilly classics such as "Man With No Name" (A truly fantastic track), "Blues Attack", "Blue Angel", "Johhny" , "Forgive N Forget and "Black Zodiac" were played at full tilt and greeted with hearty cheers from the up-and-dancing crowd. "Keep On Learning" and "Tears In My Beer" from the 90s Specials days and of course the Radiation legends of "Rat Race", "Concrete Jungle" and "Hey Little Rich Girl" sounded great alongside versions of "Little Bitch", "Gangsters" and "Do Nothing" which the Skabillies have tweaked with their own unique stamp.
A combination of good band-to-crowd banter, a warm Hartlepool crowd and the swilling of copious amounts of beer made an intimate gig and rocking night out. The band are flying at the moment and long may it continue. Forget the tribute night down the local, get out and see Roddy and the lads - real music by real musicians, moving forward...."
Paul Willo SF Promotions


More Info www.myspace.com/skabillyrebels1
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Monday, April 21, 2008
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"..THE STEADY BOYS - THE BELVEDERE , BISHOP AUCKLAND
SATURDAY 12TH APRIL 2008
Twas a night of ska, punk n oi on the cards at the Belvedere club in Bishop Auckland for this event, which saw Darlington's GMen as headliners. The couple of Oi bands that began the night were pretty much run of the mill and failed to impress me, but one of the support acts were the Steady Boys who hail from Bishop Auckland. I was instantly taken by the band. Think The Specials meet Rancid meet the Clash, throw in a bit of Spunge and youve got a real eclectic mix. They really pulled it off. Their boundless energy (they are young lads mind haha!) goes with the quality of their original material which is expertly crafted. Their sound is well honed and delivered in their own inimitable style. There are many bands out there in the same mould but for me these guys stand out and are destined for bigger things.
The singer has a distinct air of Joe Strummer about him, in his voice as well as his mannerisms.They played a cracking set, full of driving rhythms and their tunes were well received. They played a couple of covers, a well rendered "Rat Race" by The Specials with their own heavy guitar and skanky twist; "The Prince" by Madness (not so well done but it got the crowd up and dancing!) to top a great performance. Their own songs are stomping good tunes and well worth a dance!
These are a must see but don't sit and tap your foot to em, get up and skank. Superb.
CD Review
"1969" - THE STEADY BOYS
This is the new CD from Northeast Ska punkers The Steady Boys.
If you like your music loud, thrashy, skanky and well performed then this 6 track CD is for you! Litterd with echos of The Clash at their best and provoking lyrics reminiscent of The Specials, the collection rallies through at an unrelenting pace, with great guitar work and foot tapping ska rhythms.
The sound of the angry young man, the top track for me is "Rewind the mess".
Its a great recording and believe me the band sound just as good live.
Keep ur eye on this band, if they keep it up then they have a big future!
Track Listing- Run To The Guns/ Dead End Jobs / Proper Education / open Your Mouth / Rewind The Mess / North By North
Check them out at-www.myspace.com/thesteadyboysuk
Paul Willo- Street Feeling Inc.
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Sunday, March 23, 2008
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Category: Music
This gig saw the first ever appearance oop north of those late 80s UK ska legends The Hotknives.The gig was made more interesting by the fact that the support band were the one and only G Men- local to Darlington and reformed after a 5/6 year abscence and this was their returning debut gig so we were guaranteed a quality night and both bands didnt fail to deliver.The night was a great high-tempo affair,just what the doctor ordered.The G Men ,a 9 piece ensemble,were first up and to be honest,you’d think they hadnt been away.From the off,the band,eager to impress, did just that and whats more they played their own fine array of original material to boot."Freedom Train",a personal fave of mine was first off and a fantastic skanky train-like rhythm to start.With lead man Andy Dinsdale rolling back the years and the astute prescence of the bowler hatted vocalist the Reverend Sausage (aka Chris Wardell aka Dell!!),the show trundled on at a smooth pace as tune after tune was played out in a very cool polished style.The crowd responded well and filled the dance floor before the raucous finale of "Inner London Violence" brought the curtain down on a fine debut gig.The band have obvious talent and the only way is up from this great start.
Set list - Freedom train/Shout Out/Tory Girls/Valley of The Kings/Sunshine Boy/Wrong with it Johnny/Pink Panther/Victims/Teenage Nightmare/Time Bomb/The Snake/Stop The Clock/Bottle Of Dog/Inner London Violence

The Hotknives were next and it was hig octane ska all the way with their superbly crafted kitchen sink drama tunes belted out for all to enjoy.The band were spot on and professional and endeared the crowd with good time banter.Lead man Mark Carew sounded very close to former front man Mick Clare (now with Squid 58) and delivered a superb personal show as in essence did the rest of the group. Simply ,no one else sounds like The Hotknives and their unique style was a winner here in Darlington.They burst in with the hi -energy "Locked Away"and from there it was non stop,no- pausing- for -breath ska and a great night was capped off with their "Holsten Boys" encore.The Hotknives are up there with the best of the UK ska acts-catch them if you can.
Set List- Locked Away/Doin Alright/Papers Today/Man In The Cellar/Bad Boyz/Another Day/Trudis Kitchen/Bedsit Land/Accidently Human/W.L.N./Julie Julie/Singing To The Moon/Home/So Blind/You Again/In My Dreams/Driving Me Mad/Dave N Mary/Crying/Holsten Boys/Dont You Go Away

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Friday, February 01, 2008
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HAVE A READ....... interesting stuff. Cheers Roger.
PW - You were a big part of the music scene in Coventry before you started your production work. It seems Coventry has always been a hive of musical activity, something was bound to take off at some stage, so was it any surprise about the success of 2Tone?
RL - Not surprised at all ... I was working with The Specials in early 1979 doing their front of house sound, it was obvious to anyone attending their gigs that they were going to make it.
PW - What was it like in Coventry at the time of 2Tone's coming?
RL- I can't remember 2Tone being a bigger buzz in Coventry than anywhere else.
PW- How did you come to produce the b-side of The Specials "Gangsters", "The Selecter"?
RL - I actually recorded "The Selecter" in 1977 in my small 4 track studio at the end of my garden. Neol Davies was a friend of mine way before 2Tone. He wrote "The Selecter" (previously titled "The Kingston Affair") and couldn't afford to make a demo, so asked me to help out. After hearing the track I thought we should try our best to record a 'master' rather than a demo, as the song obviously had masses of potential.
PW- Was it good working with the Selecter? Especially as the tracks you produced were hits?
RL - It's always good to be confident that the work you are producing is going to sell and I was totally confident that The Selecter's records would be hits, however, their constant bickering and differences of opinions did not make it a pleasurable experience.
PW - What's your verdict of the sound of the "Celebrate The Bullet" album? Was it what you aimed for?
RL - I love the sound of "Celebrate The Bullet" although at the time I had absolutely no preconceived idea of how the album should sound.
PW- You became principally famous for being the Bad Manners man. Was that a manic time working with them?
RL - Working with Bad Manners was fantastic. Rarely a dull moment. We mostly went into a studio with not much of an idea what was going to come out, but thankfully the chemistry between us all somehow made it work.
PW - Was it your idea for putting Desmond Dekker and four Coventry based Specials together for "King Of Kings"? and do you think the record deserved the criticism it got?
RL- I was asked by Trojan Records to record an album with Desmond Dekker, but not his band, so I thought it would be a good idea to team him up with as many members of The Specials as possible. The four members who played on the record (Lynval Golding, Roddy Radiation, Neville Staple & Horace Panter) were the only members of The Specials (at that time) who were prepared to work with each other and as they were the majority (four out of seven members) of a band that equally own the name, they were legally entitled to use the name The Specials alongside Desmond Dekker. So if the criticism you are referring to, is regarding the use of the name, then NO, I don't believe it was deserved, as they only did what thousands of other bands do to help maintain their careers ... They worked for it !!!
PW - Were The Specials albums "Skinhead Girl" and "Conquering Ruler" good to work on? and a good idea in essence?
RL -They were both good albums to work on, but a good idea in essence? in hindsight ... possibly not.
PW - You got a grammy for the Jamaican ET album for Lee Perry. Was that the highlight of your career or just one of many?
RL- Highlight of my career? Definitely! Grammy's don't come along every day, although as you suggest, one of many.
PW - You've worked with lots of good artists, who are your favourites?
RL - No favourites. When you are in the lucky position of earning a successful living from your hobby every job is satisfying, although there are a few people (no names mentioned) who I would not choose to work with again.
PW - What music do you listen to for your own enjoyment?
RL - I don't listen to music for enjoyment and haven't done so since I was a teenager. I get all of my musical satisfaction from working in music.
PW - Have you any plans to produce more Ska tracks in the future?
RL - No plans to record any Ska tracks, at the moment...
PW - Should the seven original Specials have reformed when the chance came in 2004?
RL - There are only two reasons, in my opinion, why any band reforms; one, because they want to (for a variety of reasons) or two, the main reason, because they need to financially. In the case of The Specials, I don't think any of them particularly want to reform, for any reason, but some of them could do with a few extra quid in their pockets. Therein lies the problem for The Specials. Because of what The Specials were all about in the first place, I don't think they could be seen to be getting back together for monetary reasons.
PW - Do you still produce your own music? do you keep your hand in, so to speak, as a musician yourself?
RL - I very rarely "keep my hand in" as a musician these days. I should do really I suppose. Haven't produced any of my own music for years.
PW - Who's your favourite 2Tone band and why?
RL - Again, no favourites, I love 'em all.
PW - Do you think 2Tone should be celebrated more in Coventry like Liverpool are proud of The Beatles & Merseybeat etc. The 2Tone label had a massive effect on the UK music scene and was responsible for spawning probably one of the last true youth movements this country has seen?
RL -YES!! Coventry should celebrate 2Tone more than they do at present, BUT, if the truth be known, the majority of 2Tone band members do not give a shit about Coventry anymore. If they did and made their presence known in Coventry a bit more, then maybe the powers that be in Coventry would do more to remind the people of Coventry about 2Tone. Not that they haven't tried in the past though, a couple of years ago Coventry City Council tried to organise a huge concert/party at the city's SkyDome Arena to celebrate the 25th Anniversary of 2Tone. They (the Council) had even cancelled the annual New Years Eve celebrations to fund it. Obviously, how can you celebrate such an event without the band members themselves? Unfortunately, The Specials declined to appear, neither as a band or as individuals. How could the Council possibly hold a concert of this size without the main players? Inevitably, it was cancelled. A huge disappointment to Coventry 2Tone fans.
PW - Anything big musically ever going to break out from Coventry again? Do you keep an eye on the city's music scene?
RL - Who knows? I Don't keep a musical eye on the local scene as much as I should.
PW - What are you working on at the moment production wise?
RL - Most of my time these days is producing, recording and sometimes remixing the audio for 'live' music DVDs most of which are also released as 'live' CDs. Recent projects included: Echo & The Bunnymen, Happy Mondays, ELO (remix), The Bluetones, Ozzy Osbourne, The Farm, Bad Manners, The Beat, The Tubes, Hazel O'Connor etc.
PW - Thanks for your time Rog. Any final words for up and coming ska bands looking to capture the right sound?
RL- Yes! Ditch the black & white cheques and pork pie hats and do your own thing! Leave the old image to the original 2Tone bands..
WilloInc would like to thank Roger for his time.

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