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Witches In Bikinis



Last Updated: 11/18/2009

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Status: Single
City: Brooklyn
State: New York
Country: US
Signup Date: 8/1/2005

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Friday, November 13, 2009 

Category: Music

NYC Horror Film Festival – Opening Night

Wed. Nov. 18


Live music, horror movie shorts between sets....

Doors open: 8 pm

Festivities start at 9

WIB on around 9:30/ 9:45


$10

21+


BLVD

199 Bowery NYC   10002

- at Spring St

F train to 2nd Ave

Or

#6 to Bleecker


Bands/Performers:

Hayley Griffiths (Riverdance)

Witches in Bikinis (glam pop/rock)

Tarantinos NYC (surf / Quentin Tarantino movie music)

M-16 (Latin heavy metal)


hayleygriffiths.com

myspace.com/witchesinbikinis

myspace.com/tarantinosnyc

myspace.com/m16metal

.. ..

Festival info:....

Horror Film Festival Site....

.. ..

.. ..

Friday, September 11, 2009 

Category: Music
............

Seeking a drummer to fill in for gigs when our drummer is unavailable; particularly Friday and Saturday nights in the Fall (starting with this Oct 3).  ....

.. ..

We are looking for a male or female (not in a bikini) who:
-is an experienced performer and technically proficient
-is comfortable playing different styles of music
-is not afraid of success or large audiences
-is able to learn songs quickly and navigate unusual changes and rhythms
-has good equipment (transportation a plus but not required)
-can rehearse Monday nights & occasional Thurs. nights in Brooklyn/ Park Slope area (F train)

-is financially stable (not looking for immediate steady full-time income)
-is enthusiastic, has a positive attitude, goes with the flow, and is easy to get along with
-enjoys being part of a creative family of people
-can maturely work through emotional issues, artistic differences, logistical problems, and inter-personal dynamics
-does not have a drug or alcohol problem or any other serious health issues
-has a youthful look, spirit, and energy
-is open to change, experimentation, direction, and incorporating theatrical elements
-has professional and artistic integrity and always does what they say they will do

For information about Witches In Bikinis:
www.MySpace.com/witchesinbikinis
www.witchesinbikinis.com

Please send a note to:

wibaudition@gmail.com


Videos:
Live on Fangoria Radio on Sirius with hosts Dee Snider and Debbie Rochon:
http://fangoria.com/fangoria-entertainment/radio/36-radio-updates/1718-exclusive-video-witches-in-bikinis-live-on-fangoria-radio.html

Live at Two Boots:
http://www.youtube.com/watch?v=EYEZ6UILD3E&feature=related

M.E.A.N.Y. Fest Finals:
http://www.youtube.com/watch?v=fwSyHikzxG8&feature=related

Party Like A Chimpanzee Video:
http://www.youtube.com/watch?v=TVI_N0XeGjU


Tuesday, December 18, 2007 
Links to our interview with Dee Snider and Debbie Rochon
Fangoria Radio Program
Sirius Radio channel 102:

Link on Fangoriaradio.com/main

Go to AUDIO CLIPS, then WiTCHES iN BiKiNiS


Wednesday, November 28, 2007 

Category: Music
Link to blog on AMCTV.com

AMCTV.com
MONSTERFEST

Witches In Bikinis - Need We Say More?

Posted by Matthew Kiernan on November 1, 2007

I took some time out to check out the NYC Village Halloween Parade; actually, I couldn't miss it, since the route starts right where my day job resides, but it's always worth checking out for many outrageous and creative costumes and to gawk upon average New Yorkers making drunken fools of themselves in public. That's one opportunity I'm never going to pass up.

There were certainly a lot of cool outfits and floats, plus a lot of obvious ones, too (various Ugly Bettys and Captain Jack Sparrows about). I usually get a kick of those who poke fun of current events, like the guy dressed as Britney Spears in her 2007 MTV Video Awards outfit dragging two kids behind her, or those who just decide to have some fun, like the trio dressed as the recently deceased Luciano Pavarotti, Beverly Sills, and Marcel Marceau or the two women dressed as the "widows" of Charles Nelson Reilly. I was looking for two guys dressed as Ingmar Bergman and Michelangelo Antonioni, but alas, they were nowhere to be found.

What I did find, however, was the sort of thing you hope to find at a Halloween parade: Something new, something fun, something different. Riding the back of a flatbed truck at the tail end of the parade was a musical sensation from Brooklyn that I'd never heard of or seen before but I sure was blown away by them. Their name? Witches in Bikinis.

OK, so a group of shapely and attractive young ladies dancing around in nothing but bikinis (be they witches or not) may seem to be an easy sell, but I honestly was taken aback by their sound (early 60s girl groups/Spector influence), their talent (they really could sing!) and by their professionalism, which was in full force as some very cold winds made the parade a chilly event, though they never once stopped dancing to bundle up. Their songs are fun to listen to, they all have horror themes to them (how can I not love a band that has a song called "Horror Flick Chicks"?), and, oh, I've already developed a bit of a crush on JoJo, the witch in the orange bikini. Hi, JoJo!

Todd, can we get these fabulous ladies on The Horror Department ASAP? And can I attend the taping?
Thursday, August 02, 2007 

Current mood:  cheerful
Category: Parties and Nightlife

By Kyle Spriggle
Staff Writer, Shinbone - shinbone.net

When your editor tells you he wants you to cover a group called "Witches in Bikinis," a great deal of things flutter through your mind. Honestly, I wasn't sure what to expect when there's that kind of gimmick and hook involved.

Gullifty's Underground in Camp Hill was the host venue. My last visit here I had experienced heavy screaming metal; this time it was a far calmer scene.

Actually, it had the mood of a dinner theater complete with mood lighting. The dim light and almost theatrical atmosphere in the venue that night lent itself well to the group.

Upon introducing myself, one of the waitresses, a beautiful young lady named Joann, led me to a large table right up front where another fan and his friends were sitting. I grabbed a seat by Rick Stevens and his fiancé Tamara from Lemoyne. The two were huge Witches fans and even have personally befriended the band. I took a few minutes to get the lowdown on what to expect before I actually talked to the group themselves.

When asked how to describe "Witches in Bikinis" (known as WIB for the rest of the article), Stevens explained his favorite band was kind of like the B52's meet the "Rocky Horror Picture Show." As the night wore on I would say he was right on in his description.

I used the opportunity of the downtime before the show to talk with Bill Rozar who's the genesis of the concept and music for the group. I hesitate to call them a band as the band itself is more a prop. The ladies are nothing short of amazing. Well polished, very believable and theatrical. Not at all what I expected. But more about this later.

The processes that eventually led to the creation of WIB actually started more than 20 years ago with songs that Rozar had penned. At first they were for Halloween or family get-togethers but as the popularity began to build he thought more seriously about maybe taking it somewhere else. He then met up with the "first witch," Janelle. They began performing the songs and things just snowballed from there. Rozar had so much material they actually began recording the songs in his home studio before performing at their first major show on Halloween 2005.

It's amazing to think Bill was planting the seeds for this two decades ago — writing the songs, using his expansive musical talent and history to build the experience that is WIB.

Rozar's the first person to point out that the band is not the focus; rather the theatrics of the show itself is what it's all about. Sometimes when you talk to someone you can see the dedication and vision come through in their mannerisms. With Rozar, he was excited and somehow seemingly very laid back about the whole thing. The guy who had laid building blocks so long ago and had pulled together such amazing talent now had all the acumen of Hannibal from the A-team (if you get the reference, you get my point).

As Rozar excused himself to finish preparation I looked around the crowd. There were all walks of life here. From business dress to jeans and T-shirts. There were people here who surely must have been carded twice to get in the door to retirees who certainly needed no identification.

One thing I noticed — the most startling — there were witches in the crowd. Of course, being a curious and nosey type, I had to investigate. I had the pleasure of speaking with some WIB fans whom had actually never seen them perform. Instead they were turned onto them via MySpace. These girls, or "witches auxiliary" as I called them, were Kori Miller, Robin Snyder, Trudi Kelley, Sara Young and Tracy Keister, who drove as far as two hours away just to come see the show based solely on MySpace communications and hearing the songs. I also spoke to some other fans who had seen the group perform in New York and made the trip to Camp Hill all the way from New Jersey.

I'll be candid at this point, I was excited and not sure what to expect. If they have this kind of draw, there has to be a reason. It was at this point I realized the Gullifty's staff had read my previous articles. When I ordered my rum and Coke, Joann, that amazing waitress, explained it was happy hour and delivered to me a pitcher of rum and Coke with a straw. I would marry that girl.

I set down my pen and paper and prepped my camera. Now, I thought I was ready but I couldn't be prepared for what happened. I was actually asked by the Witches to be a monkey. Of course I said yes (more on this later). I also donned a tiara handed out by Bill's wife Julie, the WIB manager, a very sweet lady who you can tell goes out of her way to arrange things.

After attaining my volunteer monkey status and preparing the camera and tiara —all helped by a pitcher of captain and Coke — I was ready for the show.

What I experienced I just wasn't ready for and was very, very pleased. Like going to see the Rocky Horror Picture Show live there was audience participation. There was theatrics, all with that Horror/Sci-fi/Surf theme.

The performers themselves, witches clad in neon bathing suits with matching hair, were polished and just amazing with their vocal work. Very quickly the band faded away half the time unnoticed while the ladies danced in well-choreographed numbers and crooned in a 1960s style. I felt like they had just stepped out of a John Waters movie.

The songs themselves were catchy and campy, perfect for a show with titles like "Witches in Bikinis", "Zombies on the March" and "Horror Flick Chick." — all of which were executed flawlessly and with great stage presence. Granted, the fact that you have some amazingly attractive women in neon bikinis doesn't hurt.

But the key is, with this group, that their "camp" and the "gimmick" is smoke and mirrors for a truly amazing show. I'd go so far as to say a theatrical experience more so than seeing a band play. And the enthusiasm they draw from the crowd is intoxicating. Between sets they had a contest with the audience for the "wickedest witch in a bikini contest." Tamara, Rick's fiancé, was so enthused that when no one volunteered, she raced home, donned a bikini and wig (I never did ask why she had those at the ready) and came back to collect her $50 prize and strut her witchery stuff. The ladies themselves were great sports, teaching her some choreography during the break and encouraging her.

The second set was again very smooth, very well done...and then I found out what I had been volunteered for. Let's just say I was the best damn monkey there and they knew it! I recommend when you go see these guys make sure you pre-designate your chimpanzee. They'll thank you for it later.

With well over 20 songs in the night and groups of people laughing and at the same time singing along, the influence of the performers was obvious. No one was disappointed at show's end except that it had to end (I hadn't killed off my pitcher of captain and Coke). I had one of the most fun experiences going to a show I'd had in some time. So much so, in fact, I began calling my friends trying to round folks up for their next show.

I'll say this and mean it — if you want a fun, silly, yet very classy experience with camp and cheesiness being worshipped and not depredated, this is where you and your friends should go. This should be experienced with a group. Hell, dress up as witches or warlocks. Be a part of it; you will not regret it.

Witches dates and shows can be found at www.witchesinbikinis.com.

Saturday, May 19, 2007 

Category: Music
The following interview has been posted by Paul Autry, of Spotlight Music, a reviewer who always finds the best music first and person extraordinaire!
Ballbuster Music
Scroll down to the VOICE OF THE UNDERGROUND section (about halfway down the page, left side) and you'll see it.

Here is the text, if you just want to GET TO IT.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Interview with Witches in Bikinis Founding Member: Bill Rozar

by Paul Autry

At first glance, Witches In Bikinis have a concept that's rather simple. Six beautiful woman, dressed as witches...in bikinis...sing and dance to Halloween style music. But, if you take the time to look a little deeper, you'll quickly notice that there's a lot more going on here. It's musical theatre, it's camp, it's rock 'n' roll, it's pop, it's performance art, it's 70's girl group, it's pure entertainment...the complete package. It's Elvira: Mistress Of The Dark meets The Rocky Horror Picture Show with a little Betty Boop thrown into the mix. It's all that and much, much more. When they put it all together, there's no other way to describe it...it's just magical...and it works very, very well.

When I first thought of doing an interview with this band, my original idea was to do one with each witch so you could get to know them a little better. While I still plan on doing that, I thought it would be best to introduce you to them by way of founding member Bill Rozar since he's really where it all began. In my opinion, it's the best place to start. Having said that, it gives me great pleasure to introduce you to Witches In Bikinis.

Let's begin...shall we?

Paul Autry: You had mentioned that your two main passions are music and art. So, let's talk about that first. What got you interested in that?

Bill Rozar: Comic books. Spiderman, Fantastic Four, The Incredible Hulk, etc. I used to read them all the time as a kid and draw the different characters and make up new super heroes.

Paul Autry: How would you describe yourself as an artist and how would you describe your artistic style?

Bill Rozar: Eclectic. I like to work in different media and employ different techniques. Mostly, I enjoy drawing and painting people, figures and portraits. But, I also like to do abstract paintings.

Paul Autry: I saw some of your work on your page and I thought it was pretty good. Now, do you do this for fun or do you (or have you) done anything on a professional level?

Bill Rozar: It's just for fun and relaxation. A few years ago, I started an artist community in Brooklyn that's called the Mindafloon Artist Group. We meet at my home studio and draw. We always have a model, listen to some music, have some snacks and beverages, then usually hang out afterward. It's nice. I've met a lot of great people through it, like Janelle and Joanna, who then became performers in Witches In Bikinis and others who have been involved with Witches In Bikinis in various, behind the scenes capacities, like Albie Bruno, for instance, who designed our logo, did much of our photography and artwork AND designed and built a special "Witches In Bikinis" electric guitar for me!

Paul Autry: How did you become involved in the music scene?

Bill Rozar: I'm only involved in the music scene through Witches In Bikinis. I have not put much effort into promoting my own piano/electronic music, samples of which are on my MySpace page, as I'm so busy with Witches In Bikinis. I just put it on MySpace in the hope that some people discover it and are touched by it.

Paul Autry: What are your musical influences?

Bill Rozar: I started studying classical piano when I was very young and then got interested in rock music as a teenager. The first bands that really got me interested in music were Black Sabbath, Led Zeppelin and Alice Cooper. For the rest of my coming of age period in the sixties and seventies, I mostly listened to what is now called classic rock. But, back then, was just rock. My favorite bands were The Beatles, The Who, Jethro Tull, King Crimson, Pink Floyd, The Beach Boys and Emerson, Lake & Palmer. In college, I started out as an Architecture major, but then, switched to music composition and piano performance. My two most influential professors were the great jazz pianist Kenny Barron and the minimalist composer Phil Corner. They really broadened my horizons musically.It was under their tutelage that I became a primarily improvisational musician and began honing my own style. Probably the biggest inspiration for much of my "personal" electronic music is the work of Walter Carlos (now Wendy Carlos) who did the soundtrack for "A Clockwork Orange" and "Switched On Bach." It made me appreciate classical music in a way I never did before.

Paul Autry: What instruments can you play?

Bill Rozar: Keyboards and guitar. I've been playing piano pretty much my entire life. But, I have only recently begun playing guitar seriously...and I'm having a blast with it!

Paul Autry: Since I got to know you through Witches In Bikinis, could you explain how that all came together?

Bill Rozar: Most of the music I have written over the past twenty years or so is like the music you hear on my MySpace page. I have hundreds of electronic and piano pieces written and recorded. But, I also wrote many pop/rock songs...and there was a group of songs that became known over the years as my "Halloween Songs." These were songs like "Hold Me, My Little Ghostie," "Monster Woogie," "Haunted Mansion," "Goblin Gaboom" and "Cemetery Boogie." Originally, most of these songs, including "Witches In Bikinis," were intended for a male voice. I actually started recording them myself before I met Janelle Lannan. But then decided they would sound a lot better with her singing them. I met Janelle through my Mindafloon Artist Group. I knew her first as a model and artist and we became close friends. One night, my wife Julie and I went to see her perform with a theater group she belongs to called The Anonymous Ensemble. We were knocked out by how well she sang. Right after the show, Julie suggested that we get together and record some of my "Halloween" songs. So, we recorded "Witches In Bikinis." It sounded great and was a lot of fun, so, we continued recording and figured we would do a whole album's worth of music. As we were nearing completion of the album, we decided to put together a live show and have a big Halloween party. We enlisted other dancers and singers that we knew and put together a whole show and performed it for about two hundred friends on Halloween. It was such a success and we had such a good time that we continued to do shows around Manhattan and Brooklyn and then it just kept growing and evolving.

Paul Autry: What was the inspiration/influence behind Witches In Bikinis?

Bill Rozar: The very first Witches In Bikinis song I wrote was "Goblin Gaboom," which was inspired by Jonathan Richman. I saw him perform live in Los Angeles in 1980, doing songs like "Ice Cream Man" and "I'm A Little Airplane" and I just loved it. From there, I somehow got on this kick of writing songs about Halloween. I was always into horror music and science fiction. I used to watch shows like Chiller Theater, Outer Limits and The Twilight Zone. I loved movies like "Plan 9 From Outer Space," "Forbidden Planet" and "Attack Of The 50 Foot Woman." The Wicked Witch of the West scared the crap out of me when I first saw "The Wizard Of Oz" at age three, it was years before I could watch it again. I was also a big fan of The Addams Family. I still remember watching the very first episode on television in 1964.

Paul Autry: How did you arrive at the current line up?

Bill Rozar: Most of the people are friends that I know through my artist group or friends of friends or people that responded to casting notices. A lot of people have been involved in the group to one degree or another. But, we now have a stable group of performers that I'm totally happy with. They are all very talented and we get along very well.

Paul Autry: In your opinion, how you would describe each Wtich and what does each one bring into the band?

Bill Rozar: In order of them joining the group....Joya, the dark blue haired witch, played by the spicy and stunning Janelle Lannan, is the director of the group. She has a powerful and versatile voice and a commanding stage presence. She actually did all the singing and voice characterizations on the first album, which many people find hard to believe. She will be singing "Alien Surfer Babes," "Party Like A Chimpanzee" and "O.O.B.E." on the new CD. Jojo, the tangerine colored witch is played by the charming and adorable Joanna Walchuk. Joanna sings and dances but is primarily an actress. She was actually the very first witch in a bikini and came up with the idea of wearing colored wigs. She can be heard reciting "All Hallow's Eve," which is a hidden track on our first album and will be re-released as kind of techno rap. Sinira, the purple witch, is played by hot hardbody Julie Betts. She is an accomplished professional dancer and occasional singer of "Subway Spooks." She is the group's dance captain and is usually the one who keeps us in balance when things get crazy. Kerinine, the green witch, is played by romantic beauty Emily Reiter. She is our "healer," onstage and off, and is also an accomplished professional dancer. She has a wonderful comedic sense and plays the serial killer in "Horror Flick Chicks" and Jennifer in "Jennifer Of The Jungle." Jupitheria, the pink haired witch, is played by the lovely and alluring Carolyn Demisch. She has a beautiful voice and can be heard singing "Video Vixen Vampire," "Dear Dr. Frankenstein" and "Jennifer Of The Jungle" on our upcoming album. Lunapheria, the light blue haired witch, played by the lusciously enchanting Karen Weatherwax, has a great voice and is an excellent dancer. She sings our title song, "Witches In Bikinis," at our live shows and can be heard singing "Calling King Kong," "Mermaids In Outer Space" and "Scary Kind Of Love Song" on our upcoming album.

Paul Autry: Speaking of the band, can you tell us a little about the musicians in the group? Who they are, what they play and how you all came together?

Bill Rozar: Luis Schittone, the bass player, was the first to join the band. He is an artist and toy designer by profession, who I met through the Mindafloon Artist Group. Then came our drummer, Arnold Aprea, another artist and craftsman by profession who came to us via Joanna. The last musician to join the group was Jon Hall on lead guitar. Jon is a friend of Arnold's from a previous band they both played in.

Paul Autry: Since so many people are involved in Witches In Bikinis, does that make it harder to find shows with a big enough stage and, on top of that, I'm sure getting to the show is quite a task as well. So, how do you do it?

Bill Rozar: Honestly, we're still figuring it out. It's definitely a challenge. Most of the places we play in New York City have small stages designed for rock bands with four or five musicians. We have ten performers, six of whom are dancers and need a lot of space to move around. Often we wind up clearing an area in front of the stage for the dancers. As far as getting to shows goes, most people in New York City do not have a car and our band is no exception. Usually we squeeze all the equipment and as many people as we can into our minivan (dubbed the WIB-mobile) and the rest take the subway.

Paul Autry: While we're on the subject of shows, for someone who hasn't seen Witches In Bikinis in action yet, how would you describe the live show?

Bill Rozar: There are six beautiful women dressed as witches in bikinis singing, dancing and acting out original pop/rock songs like "Horror Flick Chicks," "Zombie March," "Alien Surfer Babes," Party Like A Chimpanzee" and "O.O.B.E. (Out Of Body Experience)" with backup by a solid four piece band. And did I mention gorgeous girls wearing bikinis?

Paul Autry: From what I've seen, each song seems to have its own little routine. How hard was it to come up with something for each song?

Bill Rozar: We put a lot of time and effort into the dance routines. Most of the choreography was done by Angela Harriell and Amir Levi, with some of it done by the performers themselves.

Paul Autry: Witches In Bikinis has, in my opinion, an exceptional full length release. Everyone who knows me knows that it's all I've been talking about. But, what about other people, regular fans, the press...what kind of reaction have you gotten from them and are you happy with how people have been responding?

Bill Rozar: Wildly enthusiastic! I am thrilled with all the articles, blogs, reviews and interviews about us! I love getting e-mail from people telling us how much they like the music.

Paul Autry: What can we expect from future Witches In Bikinis material and can you give us some idea of when we might be able to hear some new tunes?

Bill Rozar: We are working on the second album which we expect to finish this spring. I have already written most of the songs for the third album. But, we have not recorded or performed any of it yet. The first album was mostly Halloween and witch related songs that I wrote mainly on keyboards. The songs on the second album explore different themes and ideas and tend to be more guitar oriented. The third album will expand the concept further while also re-visiting witch themes. We also plan on doing remixes of many of the songs with different singers, arrangements and musical styles.

paul autry:="" how="" far="" do="" think="" you="" can="" take="" the="" witches="" in="" bikinis="" c.."">

Bill Rozar: There is no end in sight. We've only been performing for a little over a year and the band only got together this past August. So, we're really just getting started. In fact, the recent Millenium Conference in Harrisburg was the first time we performed outside of New York City...and it was fantastic. Great audience, big stage, good sound. We want to eventually take the show on the road and play to bigger and bigger audiences. And there is a musical play in the works as well.

Paul Autry: What are your thoughts on file sharing?

Bill Rozar: I understand the pros and cons but I'm mostly concerned that young people today are getting too accustomed to not having to pay for recorded music. It's getting more and more difficult for musicians to make money from their recordings and that's not good. For myself, I hope to make enough money from my music that I can spend all my time writing, recording and performing and not have to have a day job. So, anything that helps make that happen, I am for...and anything that stops that from happening, I am against.

Paul Autry: What has been the highlight (so far) of the whole Witches In Bikinis experience and what else do you hope to accomplish with the band?

Bill Rozar: The positive response by the Millenium Music Conference community, Patriot News press, PennLive.com, OSHRadio.com and other MySpace blogs, interviews, subsequent invites and, of course, being invited back by John Harris to Camp Hill to play at Gullifty's. As for the future, I want to continue writing, recording and performing with Witches In Bikinis and make enough money so that I don't have to do anything else.

Paul Autry: Final comments?

Bill Rozar: People who have not seen us sometimes have weird preconceptions. They think we're actual witches or a burlesque show or they think that if we have girls on stage in bikinis then the music cannot possibly be good or the girls must not be able to sing or dance. All of these things are, of course, not true. So, I would ask that people come to the show with an open mind and just be prepared to enjoy something that's different from anything they've seen or heard before. Thank you, Paul, for all your suppost and enthusiam. It means a lot to us!

http://www.myspace.com/billrozar
http://www.witchesinbikinis.com
http://www.myspace.com/witchesinbikinis
paul>
Tuesday, May 16, 2006 

Current mood:  hungry

While I am in a writing mood I thought I would share about the origin of Witches In Bikinis (and a bit of my life story).  It all started a long, long time ago in the summer of 1980.  I had just graduated college with a not-so-useful degree in music composition and piano performance.  With no job prospects and nothing better to do, I joined a summer program that I had heard about to sell dictionaries door-to-door in Pomona, CA for a company called Southwestern.  Looking back, the whole experience was very bizarre, but I got to make some money, live in California, meet lots of interesting people and have a unique experience my 23rd summer that taught me a lot about life, positive mental attitude, and selling.

While I was out there, I met a girl named Lori Marthe who I became friends with.  I would hang out by the pool at her house practically every day after work, go to movies, clubs, etc.

One night we went to a club in L.A. to see a group I had never heard of that was highly recommended to me called Jonathan Richman and The Modern Lovers.  Well, I was just knocked over by them.  I loved the songs ("Ice Cream Man", "I'm A Little Airplane", etc.) and loved Jonathan's rapport with the audience.  I also loved that he couldn't really sing, but sang anyway.

Anyway, his music inspired me to write "Goblin Gaboom", which is a song about a little kid being alone in his bedroom and frightened by the noises and shadows all around him.  After that, I wrote the similarly-themed "Monster Woogie", followed by the similarly-titled "Cemetery Boogie".  I had also been writing lots of "normal" songs (and still do) but these marked the beginning of what became known as my "Halloween songs".

Fast forward about twenty years.  I had worked as a computer programmer on Wall St. for about five years, married Julie Kostryba, had two children, then started a business called "The Music Line" which was a telephone-based music previewing service and online community that flourished for a couple of years in the early nineties just before the internet-as-we-know-it-today came into being.  It was an idea whose time had not yet come that nearly bankrupted us.

So after the internet took off and STILL nobody was making money with music, I decided to fold up the company and get back into the corporate world as a database consultant for a very cool company called Sapient.  After a few years I left them to work for AIG (the fourth biggest company in the world for those of you who never heard of it).

I continued writing music, mostly electronic instrumental music, but still kept coming back to my "Halloween songs".  By now we had moved into a new house in Brooklyn and had bought a used Steinway piano (that was made the year I was born) and set up a recording studio in the basement.  I wrote a bunch of new songs, including "Witches In Bikinis", "Spooks On The Loose", "Subway Spooks", and "Horror Flick Chicks".

In 2003 I started an artist community called Mindafloon (a made-up word that means "any time or place where one feels totally safe to fully express oneself").  I had been taking art classes around the city and was frustrated with how expensive they were and how they all came to an end just as I was getting to be friends with people in the class.  So I decided to start a painting/drawing group in my house that would be ongoing and inexpensive.

The group proved to be quite a lot of fun, with all kinds of people partaking.  It was as much of a social thing as it was a serious artist workshop. 

One of the people who came to the artist group was Janelle Lannan.  We got to be good friends and hung out a lot outside of artist group.  One night, my wife Julie and I went to see Janelle perform with her theater group "The Best" at The Chocolate Factory in Long Island City.  We were blown away by her vocal abilities.  We had no idea she could sing so well!

Right after the show Julie told Janelle about my Halloween songs and insisted we get together to record them.  Janelle was like, "Yeah, sure.."

So we then spent the next year recording what would become the first Witches In Bikinis album.  During that time we enlisted the help of Mindafloon model and friend, Joanna Walchuk, to be the first Witch In Bikini.  She and a friend of hers named Havilah performed with Janelle at our very first "gig" at The Slipper Room on the lower east side of New York.  It was a fund raising event for another Mindafloon participant's (Julie Baber) theatrical group, The Twenty Percent Theater Company.  That was in March of 2005.  We did not perform again until Halloween at "The First Annual Witches In Bikinis Halloween Ball", a big party where we invited about six hundred of our closest friends. 

My beautiful and amazing wife Julie took the reins as producer/manager/make-everything-and-anything-happen person.  She made the CD happen, the party, and all our subsequent performances, press coverage, etc.  She had absolutely no prior experience doing any of this but was still the best person, by far, for the job--and continues to be.

Finishing the album was quite a big deal for us.  Albie Bruno, a long-time, dedicated member of the Mindafloon artist group and an amazing artist, photographer, craftsman, designer, did all the graphics for the album cover. He shot all the pictures and did all the graphics used on the album cover and on all our subsequent marketing material.  He shot the now-fairly-famous picture of Joanna Walchuk that has become our "branding" image.  Erin Kurnik, another friend and Mindafloon model/artist also appears on the album cover as an honorary WIB, though she is not actually a performer.

During the early fall of 2005 we really focused on developing the live act.  We enlisted Amir Levi and his dance company, "The Poisonous Ladies" to be part of the troupe, i.e., coven.  Amir brought with him Emily Reiter, Christina Johnson, and Annemeike Farrow.  Julie Betts was a friend of Joanna's and Zoe Scheiber answered an ad in Craigslist (by an amazing coincidence, it turns out that Zoe and Amir knew each other as children in Atlanta, GA).

Our very first performance as a full-blown group was at Arlene's Grocery at the Mondo Porno Halloween Party.  We were referred by "Dirty Lenin", a rock band already booked for the party that Janelle was friends with.  It turned out to be a pretty weird night.  The girls went on right after the screening of a horror/slasher/porno movie that was pretty...different.  They performed very well, but the whole performance was marred by a substandard sound system that was meant for shouted vocals only and could not carry the full music load (as we had no onstage amplification). The evening climaxed (and I DO mean climaxed) by a band called Erocktica which lived up to its name.

Our next gig was the Halloween Ball that we put on ourselves.  We rented a huge hall on the lower east side and rented lights, sound equipment, and spent lots of money on decorations, drinks, and snacks--like candy eyeballs and chocolate insects. 

Following that we did some more performances around Manhattan and Brooklyn, most notably a winter solstice performance at Galapagos in Williamsburg, Brooklyn.  After that, Janelle, and then Annemeike, left the group because of scheduling conflicts and other commitments.  Joanna also left to go on a national Equity theater tour.  We placed ads in Backstage and auditioned lots of very talented singers, some of whom performed with us briefly (Erika White and Carrie Thorson) before finding our current trio of singers, Carolyn Demisch, Jules Hartley, and Karen Weatherwax.

A big break came when we got a month-long stint at Don't Tell Mama, the premier cabaret club in New York.  That went very well and we were extended and are now back again for another month.

That pretty much brings things up to date.  We are planning to incorporate live musicians, develop the story and characters of Witches In Bikinis and continue playing fun places.  The group is evolving into a cross between a rock band and musical theater.  We look forward to doing concert tours and releasing albums for years to come (the second album is well on its way) as well as one day telling our full story in a Broadway musical.  In the meantime, we are having a blast!

Bill Rozar
May 2006