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Last Updated: 11/26/2009

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Status: Single
City: HOUSTON
State: Texas
Country: US
Signup Date: 9/19/2007

Blog Archive
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Tuesday, November 03, 2009 

Current mood:  devious
Category: Music
Thank you to the I Shot Andy Warhol bloggers for the great review!

I SHOT ANDY WARHOL    <---- link to review

Still on the AfroPunk international tour, still blowing shit up!

Coming to set fire to a city near you!
Currently listening:
The Bronx
Release date: 2007-05-01
Friday, September 04, 2009 

Current mood:  adored
Category: Romance and Relationships
Wednesday, May 20, 2009 

Current mood:  devious
Category: Music
American Fangs AP Magazine
Photobucket

AP 251 (June '09)
Friday, April 24, 2009 

Current mood:  aroused
go read bia bias:

http://www.spacecityrock.com/features/americanfangs1.shtml
Currently listening:
Astrological Straits
By Zach Hill
Release date: 2008-08-12
Thursday, March 26, 2009 

Le Kick - American Fangs - 2009


by iguanamind on Jan.29, 2009, under 365 songs

Le Kick on MySpace
There was a flop house for a punk band on Houston’s east side in
like 1985.  Depending on the day, you would find any number of people
there.  Because of lifestyle concerns (meaning most of the residents
were up all night and slept all day), the windows were rigged to keep
the sunlight out with wood and duct tape.  This also helped with
containing the noise, because if there wasn’t a stereo blasting punk
music, then there was a punk band blasting out of one of the bedrooms. 
Most people would be hard pressed to remember what the outside of the
house looked like.  No one can recall ever having arrived or left the
house during the day.
Punk bands from out of town would stay there while in town.  And
while today one can imagine that bands would meet online and
communicate logistics like, “Hey we’re coming there.  Can we crash at
your place?”  In 1985, I have no idea how bands would communicate
concepts like these or how they would meet.
The nights spent at this house were confusing for many reasons. 
Especially on the weekends or if a band was there from out of town. 
You could be sitting on the couch and someone that you didn’t know
would walk up and ask something like, “Hey can I use your bathroom?” 
or “Can I crash in your bed man.  I’m beat.”  Knowing it was useless to
say that you didn’t live there, you might answer in the affirmative
just for expediency.  “Sure man, it’s right over there.”
One night in particular, a bunch of people went to the Grateful Dead
concert at Southern Star Amphitheater in Astroworld (that’s a story on
it’s own).  This strange older guy named Jack that did these amazing
psychedelic paintings was staying at the house at the time.  So he went
along to this show.  When the show was over, Jack was definitely on his
own journey.  He decided he was going to walk back to the house. It was
confusing, because everyone was certain that Jack didn’t know the way
back to the house.  He wasn’t from Houston.  And he definitely was in
no condition to be finding his way to a house in a bad neighborhood in
an unfamiliar city.  Especially on foot!
Everyone went back to the house without Jack.  A few hours later
with everyone on their own journeys, it was uncharacteristically quiet
in the house.  Then the door started rattling as Jack fumbled with his
keys in the door.  And voices  could be heard, like he was talking to
someone.  To everyone inside, the sound built as the lock turned.
“m on that other baby girl know where i can get more?

crash ready to burn so you know what it do”
Then Jack walked in with about 6 girls. All of them about 20 years
younger than him. “Hey I found these girls on the way home and I have
to do a Tarot reading for them.” A knock on the door. “Hey there you
are!” Another 10 people came in.
“and shes a dime, just watchin for her man in the back”
More and more people kept arriving.  There was loud music.  The band
that actually lived in the house started playing in the rehearsal
bedroom.
“everybody knows where you keepin at”
The place was hopping.
“you keep walking by”
Jack did about 100 Tarot card readings.  The core of people that
were there when it was quiet were kind of huddled on the floor.  Jack
came over and did readings for them too.  It was like a circus had
descended.  It wouldn’t have been surprising to see sword swallowers
and fire jugglers.
“100 grand that his mattress can hold”
Perhaps the strangest part of the whole scene was how no one
acknowledged that they didn’t know each other.  The people that arrived
would sit on the floor with the people that were there from the
beginning and vice versa.  The mood in the sit on the floor group was
mild awe and muted intense conversations and the mood of the rest was
loud party.  People kept asking who lived in the house.  No one knew
how to answer, “I thought you lived here.”
“walkin round the town with a red carpet on”
And it turned out that the later arrivals didn’t know each other. 
Jack had managed to meet about 10 separate parties of 5 or 6 people
while walking home and gave them all directions to the house.
“everybody knows where you keepin it at.”
At some point, the party just stopped.  The last person to leave
that was going to leave opened the door on the gray dawn and closed the
darkness back in.  A jug of orange juice was passed around and everyone
fell asleep where they sat.  In the morning, people sat around
chuckling to themselves about the inexplicable nature of the evening.
“you keep on walkin by”
Jack was really intense and bizarre with this long brown beard and
hair with streaks of gray.  He was round and short and his art was
amazing.  He would wander from place to place and never hung onto or
sold his artwork.  He did some covers for some Houston punk albums and
crashed on a floor.  When he was done with Houston, he just left. 
People told stories about hearing that he was in the swamps in
Louisiana doing more artwork.  But he never stayed anywhere for long,
and that story about the swamps went on for years.  He just disappeared.
Holy shit!  Sometimes I am just so happy to hear something the first
time I hear it.  There is so much energy and momentum in this song. 
And there is a good fusion of influences here.  There’s punk, rap, 70’s
and 80’s metal with maybe some Rage Against the Machine and Nirvana
mixed in.  It’s so much fun to listen to how each of these influences
are recognizable and indistinguishable at the same time.  The song
starts driving in the beginning and drives itself right through the end
with this paste of abstract lyrics that coalesce into a punk rock
anthem melody in the choruses.  The energy level of the drums and bass
is crazy and then they just pile this raw guitar mayhem on top.  The
singer’s voice sounds like he chewed some nails before grabbind the
microphone.  This song is why punk was created and why it has
survived.  A lot of the time, I hate the way punk can be rehashed for
no good reason.  This is no rehash.  This is something new.
The song for me obviously is the embodiment of this one night.  All
of the chaos.  All of the metaphors with no explanation and no meaning
that end up creating meaning in their meaninglessness.  Who knows where
this ends up?  Who knows where Jack ended up?  Who knows where anyone
ends up?  We are all just a handful of dice thrown in the air.  Let
them fall how they fall.  It’s also the embodiment of Houston punk
rock.  These guys are kick ass!
“you keep walkin by”
This weekend should be interesting.  Two release shows that I really
want to see.  American Fangs at Rudyards on Friday the 30th and Ume at
Walters on Saturday the 31st.



Thursday, March 26, 2009 

American Fangs - American Fangs (8.2/10)


by Tyler McGinnis

When I was first given American Fangs’
self-titled EP to review, I had no idea what to expect. Having never
heard the band, I could only make guesses on what they sounded like
from their name, which helped me almost none. So to prepare for what I
was about to listen to I decided to head over to SmartPunk and see what I could find. What I found on the presale page for the EP were comparisons of the band to bands like Nirvana, Rage Against The Machine, and Every Time I Die. Needless to say I still had no idea what to expect.

After
my initial listen to the EP I felt a little confused. I could remember
some catchy hooks here and there, but all in all the full weight of
American Fangs hadn’t hit me yet. It was a few listens later that I
finally realized where the comparisons to the aforementioned bands came
from, and I couldn’t believe how right these comparisons were.

With
their inaugural release, the members of American Fangs deliver an
eclectic mix of songs that draw from influences far and wide. Though
only six songs in length it’s easy to hear allusions to many genres of
music ranging from rock and pop to metal, punk, and grunge. The
well-produced EP grew on me after every listen until I found myself
singing its hooks hours later.

“Leukoplakia”, the
EP’s opener, is a punchy introduction to the highly original blend of
styles that American Fangs seems to be about. The second track, “Duke”,
is filled with catchy hooks and is one of the best representations of
the band as American Fangs continues to rid our minds of the idea of
genre barriers. “LeKick” is another catchy one and is the perfect track to follow “Duke.”

“My Two Richards” and “Sorry”
continue to diversify the band’s portfolio as they mix the now
signature heavily distorted guitars with more melodic elements. These
two tracks are a perfect change up for the middle of the EP and keep
things fresh. The closer, "Get The Hell On”, is another
punchy track much like the EP’s first track and I think it’s fitting
that American Fangs ends things similar to how they began.

American
Fangs offers up a sound filled with originality not heard in many
bands. It’s obvious that the band isn’t afraid to incorporate many
different styles into their music and this fearlessness sets it apart
from many other bands. The band’s self-titled debut is filled with
short but worthwhile tracks that somehow had me singing the band’s
hooks long after listening. Whatever it is American Fangs is doing, the
band is doing it right.

Artist: American Fangs
Album: American Fangs
Release Date: January 27th, 2009
Label: Unsigned
Purchase: Smartpunk.com
Reviewed By: Tyler McGinnis


Posted by matt.pagirsky on December 27, 2008

Wednesday, March 25, 2009 

Current mood:  adored
http://www.spacecityrock.com/reviews/rev-0309.shtml#americanfangs1


How do you come up with what's bound to be one of the rawest, most crushingly addictive rock songs to come out of this just-started year? If you're American Fangs, you begin with a stomping, challenging rhythm and some guitar scrapes and throw on slurring, snarling, semi-threatening vocals that're kin to Tim Armstrong or maybe Whole Wheat Bread's Aaron Abraham, for starters. Then you kick in with a roaring, amps-on-10 wall of guitars-and-drums fury and shredded (yet still pump-your-first anthemic) howling Dave Grohl would be proud to own, and cram in lyrics that sound like they're halfway of a warning to a cocky junkie that everybody on the block knows where they keep their stash. And holy fuck, you've got yourself two minutes and forty seconds of fucking badass rock, no prefixes necessary.
Consider the rest of American Fangs' debut EP a bonus, beyond that (okay, "Le Kick"'s actually the third track, but it's the high point, nonetheless). Opener "Leukoplakia" holds up nicely, melding sludgy, doom-y bass with thundering drums and sneering vocals that bring to mind Alice in Chains' Layne Staley in his prime; this is music that could pretty much instantly kick off a circle pit, and I mean that in the best possible way. Same goes for "My Two Richards," although that one's a bit of a slower, more meditative grind -- I swear to God, when vocalist Gus roars, he pulls it off like few people out there truly can -- and EP closer "Get the Hell On," where the band gives the finger to our horrifically consumption-/fashion-obssessed society, declaring, "This song ain't for you!"
"Duke" shows off a softer, more post-emo side to the band, actually veering closer to Stadium or Sunday's Best territory with its melodic breaks, but even then the band holds tight to a current of bitter fury; the result is a jaded, sarcastic jab at people who've got money but still aren't happy, with the Fangs boys sounding like they're just barely restrained. "Sorry" is somewhat in the same vein, a beautifully melancholy slow-burn of a song that could easily lapse into sentimentality but never does, instead coming off like a gothic-tinged burst of real emotion.
And hey, the best thing about an EP like this? At six songs in just under 18 minutes, it's way too damn easy to just let it roll on back around to the beginning again, ready for the jaw to hit the floor again. Where the hell did these guys come from?
[American Fangs is playing 3/28/09 at the Free Press Houston Westheimer Block Party, along with a ton of bands.] (Jeremy Hart // 03/18/09)
(self-released; American Fangs -- http://www.myspace.com/americanfangs)
Wednesday, January 28, 2009 
it's a dang fang interview via the Docks studio downtown.
You can find out more about Audio ADD right cheer:




Friday, January 23, 2009 
le kick:

im on that other baby girl know where i can get more?
crash ready to burn so you know what it do
and shes a dime, just watchin for her man in the back

everybody knows where you keepin it at
lookin for strange yo know the talent is hot
poppin on the corner gotta pound for the block
i gives a fuck about your honeys and cash
everybody knows where you keepin at


you keep walkin by
keep on walkin by my friends
all this time walking by
all this my friends


100 grand that his mattress can hold
walkin round the town with a red carpet on
sayin that time equals money
matter fact everybody knows where you keepin it at
it is what is aint said i'd pay for shit

ya boys gotta problem man they know where im is
i aint got time ya feel me? you know its like that
everybody knows where you keepin it at.



hahahahhahahahahhahaha
----------------------------------------------------------------------
"Leukoplakia" (a
disorder of a mucous membrane characterized by one or more white
patches, occurring most commonly on the cheek, tongue, vulva, or penis:
often medically insignificant but sometimes becoming malignant.



It ain't us
and them bodies ain't ours

i'm just watching your chest trying to breathe again.

it's shame boy they're taking your name and it's out of my hands



watch the door

lock it too
i'm watching you

oh it's just the start, don't you dare doubt it too



i dont think i have your fever

i dont ever want a seat right beside your throne

wait until you see it

it's outta my hands

we can drag you out here backwards

it aint hard to put your family inside a hole

just wait you wont believe it

it's outta my hands
-------------------------------------------------------

"Duke"

a house of gold
don't make it a home
in a house of gold
them drapes are foul
you gotta great life you got it great

and I'm cheering you on
'cause it's what you want and it's what you're sold till the price goes down
you gotta great life you got it great


being married to the mob
buried in your arms are the hopes that i'll be freed
from the debts that i can't pay or the payments i can't keep
but you come into my home and take whatever you fucking please

'cause you can, yah.

Its you're house of cards
you can make it tall
as the house of god
the ace is foul
you gotta great life you got it great

and I'm leading you on 'cause it's what you want and it's what you're sold is the price just right?
you gotta great life you got it great


being married to the mob
buried in your arms are the hopes that i'll be freed
from the debts that i can't pay or the payments i can't keep
but you come into my home and take whatever you fucking please

'cause you can, yah.

what about my home?
what about my gold?
what about my god?


you can keep your sale.
--------------------------------------------------------------------
Get the HELL on
we're dressed up in suits with no place to go and nothing to spend
with no one to know lets get down to brass tacks and cardboard sacks
is it holy?
is it easy?
is it fashion at it's best?

with your tongue down the throat of consumer goods
i'm leavin the ball, leavin the ball for the rest
this song aint for you

you're all so fancy yah

get the hell on.

no you're preachin like you'd imagine they'd do
you'll do it again and again
and all you sinner take of the suit

is it holy?
is it easy?
is it fashion at it's best?
with your tongue down the throat of consumer goods im leavin the ball for the rest.
---------------------------------------------------------

"My 2 Richards"

Lord, you're the shape of a bill

count it till that you know they're saved
you don't know why you're here
BUt i know why
its a curse
its a blessing count em in your purse
and you know its stria's

you don't know why you're here
But i know why
they don't want you to feel
what i need you to feel
want you to fear about..
Call em what you will

you don't lead  them there
you don't know why you're here
but i know why
you can count them until
you wait to exhale
you don't ever fail
you don't know why you're here

but i know why
they don't want you to feel
what i need you to feel
want you to fear about
all that i was told all i was shown 
where to go when it's time


You're liar
but you're everywhere

Your riches serve me well
what little we'll come to share.

you don't know why you're here
--------------------------------------------------------------

"Sorry"
bury me in very white.
i had to keep my faith inside.
all you ever want to say
is that a broken clock is right twice a day.
you'll be sorry for yourself but not for me.


take us back to 83
they used to come for me but now im use to freezin
sayin boy you always want to sing
but a broken song is all you have to  sing


you were falling from the other side.

you know you've never been here before
you can say
you will wait in the fire


easy come as easy goes
you say you know you've been here before.
---------------------------------

thanks for listening. thanks for reading. thanks for thanks.