Gender: Female
Status: In a Relationship
Age: 22
Sign: Libra
City: Minster/Canterbury
State: London and South East
Country: UK
Signup Date: 10/12/2007
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Sunday, December 13, 2009
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Current mood:  lethargic
Category: Pets and Animals
My last remaining guinea pig died in her sleep last night, gone to the giant carrot field in the sky. She was four and a half, which is a pretty good innings for a guinea pig. I think I'll do a painting of her and her family when all the drama of my deadlines is over. I've had ten guineas throughout my life: Winnie, Scruffy, Pepsi, Storm, Thunder, Lightning, Sprite, Tizer, Stella and Tango. As you may have already guessed, I am a bit of an animal lover. Here are a couple of pictures.
L-R: Tizer, Stella, Tango and Pepsi, after a bath a couple of years ago.
Out on the grass, Tango having a scratch.
Pepsi and Tango when she was quite young.
Tizer in the bath!
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Saturday, October 17, 2009
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Current mood:  sleepy
Category: Writing and Poetry
Come, my fine cat, against my loving heart; Sheathe your sharp claws, and settle. And let my eyes into your pupils dart Where agate sparks with metal. Now while my fingertips caress at leisure Your head and wiry curves, And that my hand's elated with the pleasure Of your electric nerves,
I think about my woman — how her glances Like yours, dear beast, deep-down And cold, can cut and wound one as with lances;
Then, too, she has that vagrant And subtle air of danger that makes fragrant Her body, lithe and brown.
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Monday, October 12, 2009
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Current mood:  animated
Category: Art and Photography
So, what do I think my work is about? What have I been told it is about? What have people seen or felt in it? Come to think of it, what do YOU see in it? I'm focusing on my teacups for the moment so let take one of those babies for a spin and see what we wind up with.
This is a work in progress. Prismacolor pencils on brown paper. Nothing more, nothing less.
Fragility Ephemeral Transience
Momento mori Cracks, breakages, spills Teetering towers
Delicate Floral Intricate Dainty Detail
Impossibility Dreams Alice in Wonderland Surrealism Unreal Weightlessness, defying gravity Giorgio de Chirico Alberto Savinio Salvador Dali
The ‘Ping!’Shine Translucency Sheen Glazes
Threat
Freud's The Uncanny Ominous Looming Disturbance Defiance Distorted perspective Intimidation Harsh Fear Silhouette Shadow
Comfort
Warmth Homely Everyday Tradition Afternoon tea Mary Cassatt Routine Keeping Up Appearances Twee English
Mismatched Disjointed Kitsch Junk shop Towers Compare and contrast Odd Old Dusty Collections Repetition Mass-production Juxtaposition Hording Throw-away society Landfill
Claustrophobia
Enclosed Pressure Trapped Searching Surrounded
If you'd like me to explain any of these ideas further, don't be afraid to ask. I need to practice talking about my art if I want to be rich and famous and interviewed on the TV about it! Please refer to my photographic portfolio, here on my profile, for more of my teacupping.
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Monday, June 01, 2009
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Current mood:  relaxed
Category: Quiz/Survey
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| Name: | Kellie Hogben | | Date of Birth: | 2nd October. | | Birthplace: | Margate, Kent. Bleurgh! | | Current Location: | Canterbury, Kent. | | Eye Color: | Green, with blue round the edge and a brown centre. | | Hair Color: | Brunette. | | Height: | 5' 4 ish. | | Heritage: | English. | | Piercings: | Both ears, twice. I might get more. | | Tattoos: | None; it's near impossible for a girl to pull them off. | | Favourite: |
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| Band/Singer: | Red Hot Chili Peppers. | | Song: | Scar Tissue perhaps, or Bohemian Rhapsody! | | Movie: | O Brother, Where Art Thou? | | Disney Movie: | The Little Mermaid or The Lion King. | | TV show: | Neighbours. | | Color: | Red or green, but never together! | | Food: | Chinese. | | Pizza topping: | Anything except olives, anchovies or egg. | | Ice-Cream Flavor: | Stacciatella. | | Drink (alcoholic): | Gin and tonic. | | Soda: | Lemonade. | | Store: | H&M. | | Clothing Brand: | H&M? | | Shoe Brand: | Office. | | Season: | Autumn. | | Month: | October. | | Holiday/Festival: | Summer. | | Flower: | I like orchids. | | Make-Up Item: | Mascara is vital. | | Board game: | Treasures and Trapdoors | | This or That |
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| Sunny or rainy: | Sunny. | | Chocolate or vanilla: | Chocolate. Vanilla is too sweet. | | Fruit or veggie: | Fruit every time. | | Night or day: | Night. | | Sour or sweet: | Sour! | | Love or money: | Love. | | Phone or in person: | In person. | | Looks or personality: | Definitely a bit of both. | | Coffee or tea: | Coffee! Tea is foul. | | Hot or cold: | Hot. | | Your: |
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| Goal for this year: | Sell a painting! | | Most missed memory: | Not having a care in the world. | | Best physical feature: | Most people (guys) would probably say my bum! | | First thought waking up: | I have so much to get done today... *hits snooze button* | | Hypothetical personality disorder: | Schizophrenic, without a doubt! | | Preferred type of plastic surgery: | I loathe plastic surgery, but if I had to... Nose job. | | Sesame street alter ego: | Elmo - the little annoying one. | | Fairytale alter ego: | Alice in Wonderland | | Most stupid remark: | 'It's got a fanny brush with grippy bits on the side so you can hold on!' | | Worst crime: | Drunk and disorderly! | | Greatest ambition: | To make a living from my art. | | Greatest fear: | Clowns. | | Darkest secret: | If I announce it on MySpace it's hardly a secret, hence undermining the question... | | Favorite subject: | Fine Art. Painting. | | Strangest received gift: | Pringles. | | Worst habit: | Being disorganised. | | Do You: |
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| Smoke: | No. | | Drink: | Yes. | | Curse: | Abso-fucking-lutely. | | Shower daily: | Yes, when possible. | | Like thunderstorms: | I love snuggling up inside to watch them. | | Dance in the rain: | Never had the opportunity actually... | | Sing: | Yes. | | Play an instrument: | Flute, guitar, keyboard, piano, recorder. | | Get along with your parents: | Yes. | | Wish on stars: | I saw a shooting star once and I wished on that. It came true! | | Believe in fate: | No. | | Believe in love at first sight: | Not at all, you need to get to know someone. | | Can You: |
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| Drive: | Yes. | | Sew: | Within reason. | | Cook: | I do an awesome flapjack. I'm a sauce-out-of-a-jar kinda girl though. | | Speak another language: | French and German, and I can swear in Swedish. | | Dance: | Not at all. | | Sing: | Yes. | | Touch your nose with your tongue: | Yes! | | Whistle: | Yes. | | Curl your tongue: | Yes. It's genetic don't you know? | | Have You Ever: |
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| Been Drunk: | Yes. | | Been Stoned/High: | Yes. | | Eaten Sushi: | Yes. | | Been in Love: | Yes. | | Skipped school: | Yes. | | Made prank calls: | Yes. | | Sent someone a love letter: | Yes. | | Stolen something: | No. | | Cried yourself to sleep: | Yes. | | Other Questions: |
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| What annoys you most in a person? | Knuckle cracking or eating loudly. | | Are you right or left handed? | Right! | | What is your bedtime? | Always later than it should be. | | Name three things you can't live without: | Art, music, people. | | What is the color of your room? | Magnolia. *yawn* | | Do you have any siblings? | One sister. | | Do you have any pets? | A guinea pig called Tango and some fish. | | Would you kill someone you hate for a million dollars? | No. | | What is you middle name? | Amanda | | What are you nicknames? | Boggie, Kel-C, Bogbin, Captain Bogwash, Smellie, Kels. | | Are you for or against gay marriage? | For! | | What are your thoughts on abortion? | It's okay if it's early enough. | | Do you have a crush on anyone? | My boyfriend? | | Are you afraid of the dark? | I like to know what's going on around me. | | How do you want to die? | Ironically! | | What is the largest amount of popsicles that you have eaten on one day? | I have no idea. | | Would you take a bullet for the one you love? | I'd like to think so. | | What is the last law you’ve broken? | Speeding. | | In a Member of the Opposite Sex: |
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| Hair color: | Anything but ginger! | | Eye color: | Blue or brown. | | Height | Taller than me so he can put his arm around my shoulder and I can rest my head on his. | | Weight | Not skinny, but not muscle- or fat-bound either. | | Most important physical feature: | Eyes or smile. | | Biggest turn-off | A hairy back! | | Take this survey or other MySpace Surveys at PimpSurveys.com |
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Wednesday, May 27, 2009
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Current mood:  hungover
Category: Art and Photography
Upon initial inspection, painting and film appear to be vastly disparate disciplines, separated by a massive contrast in applications, theories and practices. A more thorough examination is required before the parallels between the two mediums, and their influence upon one another can be noted. In order to encourage a meticulous study I intend to focus solely upon the way in which painting has influenced film makers, despite there being innumerable examples of film having a similar impact upon the work of painters.
A text which will be key to my understanding of this topic will be Cinema and Painting: How Art Is Used in Film (1996) by Angela Dalle Vacche, which goes into great detail about specific films. In order for me to determine which films I should focus my study on, I will have to first ascertain which works provide the most comprehensive examples of the influence of painting. I may choose to focus on a group of films all from the same genre, director, country, or decade, with the intention of refining my area of study and making my research more precise. However, after viewing my potential films for studying, I may decide that a more successful methodology would be to compare films from contrasting sources, though this may prove to be disruptive of my focus.
After viewing a selection of films I will be sufficiently familiar with them to be able to decide which would be most appropriate to my area of study. The films from which I must make this choice are as follows: Pierrot Le Fou (1965), Andrei Rubleov (1966), Nosferatu (1922), Thérèse (1986), An American in Paris (1951), The Marquis of O… (1976), Five Women Around Utamaro (1946), Red Desert (1964), Akira Kurosawa’s Dreams (1990), Barry Lyndon (1975), Days of Heaven (1978) and the complete works of Alfred Hitchcock. Those which are chosen can then be reviewed in more depth. My subsequent research into painters will depend upon which films are used. Through my analysis of the films, I hope to compare and contrast the different ways in which directors have reacted to the common stimulus of paintings.
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Wednesday, March 18, 2009
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Current mood:  animated
Category: Art and Photography
I am currently doing a case study on the Folkestone Triennial for my art degree. If any of you reading this live in or near Folkestone, or anywhere in Kent for that matter, I would be forever endebted to you if you can answer these few short questions, whether you're interested in art or not. Everyones answers are as valid as each other - that's the point of a questionnaire! Okay, here goes: 1. Do you live in Folkestone or the surrounding area?Yes/ No - please state where you live2. Have you heard of the Folkestone Triennial?Yes/ No3. Did you purposefully go and view the exhibits during the Triennial?Yes, all/ Yes, some/ No, not intentionally/ Not at all4. How many of the 22 artists that took part can you name?WITHOUT GOOGLING THEM 5. Did you notice an increase in the number of visitors to the town throughout the duration of the Triennial?Yes, considerably/ Yes, slightly/ No/ Don't know6. Do you believe that the intention of the Triennial, to help regenerate Folkestone, was achieved, or will be achieved with future events?Yes, it has helped/ Yes, it will with future events/ No, not at all/ Don't know7. Are you aware of anyone, yourself included, who has benefited from the scheme? For example, an artist who has gained a studio, or a business that gained custom.No/ Yes - Please give detailsIf you have any other thoughts about the event, do feel free to share them!To everyone who responds, a very big THANK YOU!
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Monday, March 16, 2009
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Current mood:  frustrated
I get it. eBay is an auction site. People bid against each other and whoever bids the most wins. It's like a super fun game, a competition, and, yes, I have to admit I do get a bit of a kick out of winning an auction. But there's just one things that pisses me off. Some people have no idea how to get a bargain. And that would be fine, if it didn't affect anyone else, but it does, oh my how it does. You get these idiots who will bid every time someone places a higher one. Why don't they just chill out for a second. I am a lurker. I lurk on the peripheries of an auction until the final seconds, when I will swoop in with my winning bid. Nice and simple, if a little risky at times. Why do people start bidding right away? Why do they keep having their little bidding wars, boosting the price up to an unreasonable scale for the rest of us? I lost a glove the other week. A leather one. From Accessorize. £18 I paid for them and I bloody lost one when I was running for a train. To my delight I saw that the exact pair were listed on eBay with a 99p starting price! That was five days ago and the auction comes to a close in about twenty-five minutes. Already the price has gone up to £8, thanks to the actions of Bidder 2 and Bidder 3. Why don't they stop until the auction's nearly done? They're going to be sitting staring at the screen until then anyway, so why not be patient? Those incoherent bastards are probably incapable of thinking such sense through. This of course, is why eBay makes so much of a profit though, thanks to these illogical fools. No doubt I will be thanking them when I come to put up some items for sale, but for now, they are my enemies. I will crush them, I will thwart them, and they will regret doing battle with me. Not as much as I will regret doing battle with them. That price just keeps going up!
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Sunday, March 15, 2009
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Current mood:  busy
Category: Art and Photography
Rightio, I've got two weeks to finish my practical work for this project and what do I do? Write a blog. Please read my previous one to get an idea of where my project was headed originally.
A tutor told me oil was not at all 'organic' enough, and that if I used egg tempera it would be more in fitting with my rustic painting and my earthy pigments. The painting technician has since contradicted him however, pointing out that linseed is drawn right from the flax, and also that linen, which oil should be painted on, is also made from flax! My tutor was wrong but the painting technician did agree that I should make tempera, as oil is, in his words 'not worth the mess'. So this is where I'm at, trying to make my own tempera and then paint with it, without having any prior experience of any of this. This project is very definitely a learning curve. 
The other thing my tutor said is that I was over complicating things by choosing to paint my 'sites' with the pigments I collected from them. He said that my pigments represented the site specific element to the work, and from then on I could paint whatever the hell I liked. I could carry on painting my teacups if only I could find a suitable white pigment (chalk was unsuccessful)!
My first few tries with tempera have been.... varied. I seem to be improving with each new attempt. It is a skill learnt through practice and not out of a book! I have been painting random mainly from photos I have taken over the years and always meant to do a painting from. The ones that make the shortlist are the ones which don't involve colours outside of my limited palette! I will post images of some of the work when I get a spare moment.
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In other news, I am waiting, waiting, waiting for my copy of John Frusciante's The Empyrean, his new album, through the post from America. I think it's going to be awesome; I've heard a couple of tracks. I have also sadly got behind on my viewing of Neighbours by about a fortnight so once this is all handed in I'll have a nice catch-up. Over Easter I will also be having a massive Mighty Boosh session because I just got all three series on DVD! My leek costume for the fruit and veg fancy dress party is now completed. I will share a photo of it with you all at some stage...
Now, I really must get down to work!
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Monday, February 02, 2009
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Current mood:  adventurous
So, yeah... Had the brief given to us for this semester's project. It's called 'From Location to Site'. By this it basically means that I have to find a/some location(s) which I can use to inspire some artwork, and through the process of creating this artwork the 'location' will be transformed into somewhere specific, a 'site'. Or that's how I've interpretted it anyway. I had heard about this project before Christmas, and had originally intended continuing with my teacup paintings. Having spoken to a tutor about it, I was planning on trying to get some of my teacups exhibited in a coffee shop/cafe/crockery-selling shop, thus making the work 'site specific'. However, the possibility of this happening was cut down when one of my potential 'sites', Whittakers, shut down, and I didn't want to pin all my hopes on one of these places accepting my work, because if they didn't, I'd be screwed (metaphorically speaking, lol). So, once we'd had the formal introduction, I was back to square one. I'll save the teacuppery for our 'Ateliers' unit in the summer, when we can basically do whatever the hell we like! Huzzah! We were given a lecture last week about site specific artwork, focusing mainly on earthworks/land art by artists such as Robert Smithson and Michael Heizer. The photographs that we were shown were frequently in black and white, which exacerbated the drama of the works, but left me wanting more. I wanted to see the colours, see it more 'realistically', if that's the word I'm looking for. And I really wanted to see the colour of the earth, the dirt. One of the photos we were shown in colour was of Robert Smithson's Spiral Jetty. The grand scale of the pieve is impressive but I was more interested in the way it had been formed, out of mud, rocks and grass. In this colour photo you could see the sediment in the lake being caught within the form and collecting towards the centre of the spiral. It was the dirt which fascinated me. Dirt! And that's when it struck me, as I studied that dirt suspended in the water of the lake; pigments! While I was doing my foundation course at UCA (then known as UCCA) we, the group that specialised in Fine Art, were introduced to the idea of making your own paints, from pigments/dirt we collected on a field trip to some local woodland. I didn't participate, choosing to take my work in an alternate direction, but the idea suddenly returned to me, almost exactly two years later. My plan started out pretty basically: I can collect dirt from different locations, and use the dirt, once properly processed, to make paintings of the locations from where the pigments originated. I could visit different places myself, and ask friends, who are off all over the country at different universities, to bring me back dirt from their localities. However, since I started researching the pigment-extracting, paint-making process, I have developed my ideas. Firstly, while thinking about the earth pigments, ochre, sienna, umber, I remembered that of course I could alter the colours, darkening them, by baking them in the oven (Not to self: Must ask housemates' permission). Hence; burnt umber. Secondly, having googled something along the lines of 'make your own paint pigments' I came across a forum discussing the use of rust and other metal oxides to make fabric dye. I think perhaps this is something I can make use of when making oil paints. On my desk I now have three jars of salt water, each containing a different selection of metallic objects. Fingers crossed they won't take the couple of months to rust as described in the forum. I don't think I'll be able to use any organic pigments, say vegetable matter, as these apparently break down very quickly. However, during a discussion with a housemate we stumbled across the possibilty of using curry powder, or other dried herbs and spices. After all, that is the exact process that pigments must go through. I will experiment. Perhaps I could paint a kebab shop? If anyone reading this has any experience with such matters, please, your input/advice/tips/know-how will be gratefully recieved!
 | Currently reading: The Liar By Stephen Fry |
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Wednesday, January 21, 2009
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Current mood:  hungry
Category: Art and Photography
So I got 69 for my essay 'Is painting really dead?'... One mark away from a first! Somewhat frustrating seeing as I lost one mark just because I didn't use 1.5 line spacing! The feedback pissed me off a bit though. We had to meet certain criteria, one of which was 'a critical and accurate engagement with a chosen aspect of contemporary art.' The comment about this aspect of my essay is as follows: 'The essay demonstrates a strong critical and accurate engagement with a somewhat neglected area of contemporary practice (Stuckists)' Now, this puzzled me. I wrote a fair bit about the Stuckists, as well as writing about other, very much contemporary artists, such as Mark Wallinger. So I didn't 'neglect' contemporary issues at all. Some people did their essays on Duchamp and he's been dead for ages! So I am presuming that my tutor was simply not happy with my inclusion of the Stuckists. Why? I haven't the foggiest. I'm pissed off about it though. I shall have to 'have words' with him. I got 2:2s for both my practical units, one of which was only one mark off a 2:1 (bloody typical) but the average mark winds up as a 2:1 so I guess I'm happy for now. Especially since that was my first assessment here in Canterbury. I didn't learn anything at Middlesex, what with only writing about 500 in the whole year and never being graded beyond a 'pass' or a 'fail', so I guess I was always going to be at a slight disadvantage. Now don't get me wrong, I'm not trying to make excuses, but if I've NEVER been told that there's a recommending spacing of lines in an essay, how was I supposed to be able to do that? Well, at least I'll know for next time. These three marks add up to about 9 marks towards my final degree so it's not too big a deal at the moment. In other news, since I haven't posted in a while: I have a bitching cough/cold/throat infection/earache/Black Death... Not sure exactly but it's making me fel like crap. So excuse me if I'm a bit cranky, lol. My latest peev is people selling an item of clothing on the internet, Ebay or whatever, and describing it as 'vintage' because it's a few years old, and to excuse it from being a bit tatty. That is not vintage! That's second hand crap!! Rant over. Enjoy your day, folks!
 | Currently listening: The Game By Queen Release date: 1994-02-07 |
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