Gender: Male
Status: Divorced
Age: 89
Sign: Leo
City: San Pedro
State: CALIFORNIA
Country: US
Signup Date: 7/15/2004
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Saturday, June 06, 2009
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Category: Writing and Poetry
(this is what made Buk Great... he didn't write this, and unfortunately, neither did I. Cheers, Mike)
“What’d you get up to last night?” “Got wicked drunk.” “Yeah? Where’d you go?” “I didn’t go anywhere. I drank at home.” “You had a party and didn’t invite me? Who showed up?” “No one. I got drunk by myself.” “No shit? What’s wrong, man? You wanna talk about it?” I do wanna talk about it. Not about what my friend wrongly assumed was the dark motivation that would drive me to drink alone, but the very act of drinking alone. Somewhere along the line people got the idea that solitary boozing is a sure sign that the drinker is about to slip over the edge into something dark and sinister, whether it be suicide, skid row or a staff position at a drinking magazine. And on the surface, it makes sense. Alcohol is the original social lubricant, after all, it makes any gathering loose and friendly, it has the unique and beatific ability to spin laughter and camaraderie from the dry straw that is the strained silence of the sober. Strangers become friends, friends become cliques and cliques become vast drinking scenes. It is the golden bond that connects you with most of your friends and acquaintances. It sure as hell isn’t a collective interest in stamp collecting that holds the gang together. Drinking alone, on the other hand, is a much more pure and forthright form of imbibing, and I say that because it focuses entirely on the simple act of putting alcohol into your bloodstream. It tosses aside all the half-hearted pretensions about merely using alcohol as a social tool. It gets down to what drinking is all about: getting loaded, and by doing that, getting down to the inner you. The inner joy, the inner madness, the subconscious you, the real you. Now, there are those who abhor the very idea of spending a moment with themselves. Put them in a quiet room for five minutes and they’re picking up the phone or turning on the TV. “Deep down in his private heart, no man respects himself much,” Mark Twain was fond of saying, and he was dead right. Why should those people want to hang with their inner selves? That entity is, for all intents and purposes, a stranger, and worse, a stranger who knows all their deepest, darkest, most terrible secrets. Which, ironically enough, is exactly why you have to hang with him, because sooner or later that bastard will turn on you. The longer you keep him locked up by himself, the weirder he’s going to get, and he will eventually manifest himself as a nervous breakdown or very self-destructive behavior. That’s where your old pal booze comes into play. You already knew the sauce is the supreme moderator, a perfectly charming go-between when dealing with friends and strangers, but did you also know it is as equally adept at opening up internal lines of communication? Whiskey is the key that sets the monkey free, goes the old saw, and that monkey is your Id, your subconscious mind, the inner you. Instead of letting that monkey out in public, where he tends to go berserk (or so they tell you the next morning), set him loose in a calm room. A quiet place bare of predators and prey. Get to know him. You might be surprised. You might even start liking the little bastard. Find Your Circle of Solitude “So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn’t have you by the throat.”—Charles Bukowski
Just as it is nearly impossible to write anything worth reading while someone is looking over your shoulder, it is just as nearly impossible to tap the subconscious mind while drinking in the company of others. Which is a shame because never is the subconscious mind more lucid and willing to speak than when you are loaded. So find your quiet space. Lower the lighting and unplug the phone. And for the love of God, turn off the TV. That evil box is the antithesis of inner thought, it is a jabbering knave that never shuts up or listens, it is expressly designed to steal your attention and direct it to its own petty needs. Turn it off or, better yet, throw it out the window. A dining table, in my opinion, is the best place to drink alone. There is something about having the glass and bottle sitting right in front of you, ready for action, it brings to mind Bogart in Casablanca, except you don’t have Sam sitting at the piano, tickling the ivories. But that doesn’t mean you can’t have some music to set the mood. The Soundtrack of Isolation “The only thing better than one of my songs is one of my songs with a glass of scotch.” —Jackie Gleason While you may prefer metal, rap, punk or, egad, techno when you’re out swinging with the gang, the point of drinking alone is not to get pumped up but to hunker down with the inner workings of your psyche. Slow and melodic, even nostalgic music is best. Tom Waits, the Jackie Gleason Orchestra, Johnny Cash and Portishead work for me. You know what puts you in a meditative mood. Find your slow inner beat and cater to it. Choose Your Moderator “I let my drinking do the talking.” —Humphrey Bogart Whiskey on the rocks is Johnny Carson. A cocktail is Conan O’Brien. A strong burgundy with some bite is David Letterman. Beer is Jay Leno, which is why I stay away from it. And make sure you’re well stocked. The last thing you want is Johnny, just when the show is starting to roll, taking a powder on you. Now that you’ve picked your host, you’re ready to start rapping with your Id, right? Wrong. Before you can get acquainted with yourself, you have to get acquainted with the bottle. Befriend the Bottle “A well-made Martini or Gibson, correctly chilled and nicely served, has been more often my true friend than any two-legged creature.” —M. F. K. Fisher
After three or four drinks you’ll start realizing there are clear advantages to drinking alone, namely: You’re the bartender. Drinking alone means you can drink exactly what you want. Let’s admit it, what we drink in public is not necessarily what we really want to drink. There are social norms to conform to, there are reputations to maintain, there are friends to impress. Your mouth will order a shot of tequila when your soul wants a Black Russian. You control the pace. Want another? Pour it. No standing in line for a drink, no pressure to take yet another sham shot of girlie juice, no bouncer telling you you’ve had enough. The bottle in front of you never says no. Only yes, yes and yes! Booze tastes better. Read a good book alone in a quiet place and you will absorb and understand the beauty of a perfectly worded sentence. Read in a crowded and loud room and you will skim the beauty and absorb nothing. The same goes for drinking. There are no distractions to divert your attention from the rich bite of a mouthful of bourbon. You will notice the vast array of flavors and aromas. You will realize hidden depths of taste in a cocktail you had imagined a shallow pond. Show me someone who is drinking alone, without any desire to seek out human companionship, and I’ll show you a drunk who truly enjoys alcohol. The bottle doesn’t jabber. One of the greatest pleasures in life is a comfortable silence between friends. You know what I’m talking about: you’re having a quiet drink at a table with an old friend, and both of you feel absolutely no need to engage in idle prattle, there is a fine understanding that nothing needs to be said, you merely sit and bask in the light of each other’s company.Those moments, unfortunately, are few and far between. These days we’re so damn afraid the other person will think we’re boring and start looking for someone a little more chatty to sit with, or, worst of all, yawn. And it’s from the belly of that fear the current plague of pointless small talk was born. I’ve gone out drinking in the company of a great number of people and at the end of the evening I won’t be able to recall having a single inner thought of value. Or a single valuable outer thought, for that matter. When you’re jabbering at friends and they’re jabbering at you, the inner drunk is neglected, he merely sits there and broods. When you are drinking with the bottle, however, you are rewarded with a vast, gently rolling plain of comfortable silence. The bottle never gossips or tries to interest you in stereo speakers it is planning on buying, it merely sits there in pristine silence, filling your glass instead of your ear. You can act any damn fool way you wish. The bottle will not condemn you for laughing out of turn or pounding the table like a bad character actor. It will quietly salute you. You can get as maudlin, dramatic and sentimental as you wish, without anyone telling you to snap out of it, cheer up, or cool out. Meet Your Monkey “You don’t know a damn thing about a man until you’ve gotten stinking drunk with him.” —Charles Russell After about five drinks the monkey will start rattling the cage. Let him out. Examine his fine smile. This is the giddy you that is so charming with the ladies at the bar. Note the wily gleam in his eyes. This is the happy-go-lucky sport that comes up with wholly improbable, yet wildly optimistic schemes while loaded. Sense his light heart. This is the jovial soul that will laugh at the worst bar joke ever told. Doesn’t seem like such a bad guy at all, does he? Introduce yourself. Buy him a drink. Let him buy you a drink. Anyone who buys you a drink can’t be all bad, right? It is now that you will recognize the monkey for who he truly is: he is you without social constraints. A slave unchained. He is you without the worry of what other people think. He is what you want to be, not what your parents, friends, lover, boss and God want you to be. After a couple more rounds, a rich warmness will settle upon you as the alcohol rallies your collective self esteem. At this point you’ll start to think, Hell, this guy is a fucking prince. Understand that this is the guy who has stuck with you every step of the way, he stood with you in every fistfight, he was there when you were struggling through the blackest shadows of depression, he helped you plant the flag on the tallest peaks of success. All this time you were hoping everyone else was watching, and all along it was always you, gazing from within. Wallow in nostalgia. Everyone loves a good story and your inner self remembers them all. Revel in all the good things you’ve done, laugh off the mistakes you’ve made. Realize that every step and misstep of your life has led you unremittingly to this single pristine moment: Drinking with the best friend you ever had or ever will have. Don’t be afraid to get emotional. In a crowd you are not likely to follow your own emotional path, you adopt the emotional direction and tone of the gang. Now you can feel anyway you want. Laugh. Cry. Do whatever the hell you like. If you catch yourself feeling self-conscious or foolish, pause and remind yourself you are your only audience. Who’s going to tell on you? The bottle? No. I know the bottle, and the bottle ain’t talkin’. As you dive deeper into the bottle, and deeper within yourself, you will start feeling a strange wholeness. The surface you will blend with the submerged you, and though the pair will never entirely merge (if you pull that one off, you should put in an application for the position of Dalai Lama), they will mingle and they will learn to like each other. And that’s the whole point. Before your inner journey ends, make certain you realize exactly what you’ve pulled off. Look at yourself in the mirror and fairly tremble with your newfound power. You have built bonds and allied yourself with the one person who will determine more than anyone else on the planet whether you fuck up or seize your dreams. * * * In the morning you may not remember much of your adventure, but that’s okay, because the monkey never forgets. And a stranger who genuinely likes you is a very powerful ally, because he will come to your aid when you least expect it. The next time you get loaded with the gang, gaze into your drink, your secret mirror, and think: “Hey, old friend. Remember our quiet time together? Remember the thoughts we shared? We’ll meet up again down the road. Just you, me, and the bottle.” —Frank Kelly Rich
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Sunday, March 15, 2009
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Category: Writing and Poetry
the rivers the dogs won't swim, we cross. the women other men don't want, we love. sit me down at a bar with 3 women: one, faintly obnoxious; one, generally stupid; and the third, a killer: the killer will leave her stool and come sit next to me. the gods always make sure. the gods watch over me. they fix me up real good. "hi, honey," she asks, "how ya doin;?" "what're ya drinkin'?" I ask. she states her drink. I order her a drink and another for me. outside, it's much nicer: cars are crashing; buildings burn; future suicides whistle through their teeth while walking west or east or south or north. "whatcha got on your mind?" she asks. "I hope the Dodgers lose," I tell her, then I get up, go to the men's room, sneak out, then slip through the rear exit. there's an alley out there. I walk west whistling through my teeth. another from "the night torn mad with footsteps" pg 220
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Thursday, March 12, 2009
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Category: Writing and Poetry
I can't see anything but mutilated twilight. I would like to venture forward with hope not only for human survival but also for the survival of human thought and music and art and painting and even our history, but you know it's like a tip I got once from my bookie: don't bet on it. I see it all now turning to burnt bacon crippled van goghs begging pennies from crippled bankers, everything going like that everyone begging and drifting down the twisted landscape into the valleys the condemned audience wailing:
you know, all this is what we deserve.
the dark is empty; most of our heroes have been wrong. found in: the night torn with mad footsteps pg 198
(I think it's a typo, but maybe it's not, my spell checker didn't recognize the word. In line 14 in my copy of the book, it's written "cripped" van goghs begging pennies... can anyone confirm this? Thanks and enjoy! Mike)
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Tuesday, March 10, 2009
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Category: Writing and Poetry
the faulty immersions bake and spark they seed my relevance into a spongecake that tastes like sewer smag. while I still believe in beached mammoths ability to breathe without enough water to swim in.
the lies usually tell the truth and the truth is never really listened to. by Mike Kowalski NOT Charles Bukowski... sorry for misleading.
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Friday, January 16, 2009
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Category: Writing and Poetry
there is enough treachery, hatred violence absurdity in the average human being to supply any given army on any given day
and the best at murder are those who preach against it and the best at hate are those who preach love and the best at war finally are those who preach peace
those who preach god, need god those who preach peace do not have peace those who preach peace do not have love
beware the preachers beware the knowers beware those who are always reading books beware those who either detest poverty or are proud of it beware those quick to praise for they need praise in return beware those who are quick to censor they are afraid of what they do not know beware those who seek constant crowds for they are nothing alone beware the average man the average woman beware their love, their love is average seeks average
but there is genius in their hatred there is enough genius in their hatred to kill you to kill anybody not wanting solitude not understanding solitude they will attempt to destroy anything that differs from their own not being able to create art they will not understand art they will consider their failure as creators only as a failure of the world not being able to love fully they will believe your love incomplete and then they will hate you and their hatred will be perfect
like a shining diamond like a knife like a mountain like a tiger like hemlock
their finest art
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Wednesday, January 07, 2009
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Category: Writing and Poetry
the words have come and gone, I sit ill. the phone rings, the cats sleep. Linda vacuums. I am waiting to live, waiting to die. I wish I could ring in some bravery. it's a lousy fix but the tree outside doesn't know: I watch it moving with the wind in the late afternoon sun. there's nothing to declare here, just a waiting. each faces it alone. Oh, I was once young, Oh, I was once unbelievably young!
found in: Betting on the Muse - pg. 402 - 1996
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Wednesday, December 31, 2008
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Category: Writing and Poetry
After reading nearly every Bukowski poem ever published, and I have hundreds of second best favorites of his, I'll post again for the third time in five years "consummation of grief", it remains to be my number one favorite Bukowski poem ever. What's yours? Then, if you like, feel free to read on beyond this number one Buk poem in my eyes. I wrote "blasphemy of love" last night, any comments on mine would be greatly appreciated on my page if you have any thoughts on it. Thanks and enjoy, Mike
consummation of grief
I even hear the mountains the way they laugh up and down their blue sides and down in the water the fish cry and the water is their tears. I listen to the water on nights I drink away and the sadness becomes so great I hear it in my clock it becomes knobs upon my dresser it becomes paper on the floor it becomes a shoehorn a laundry ticket it becomes cigarette smoke climbing a chapel of dark vines. . . it matters little very little love is not so bad or very little life what counts is waiting on walls I was born for this I was born to hustle roses down the avenues of the dead.
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blasphemy of love
in my beginning as with every human being, we're born early into the truest sense of the word NEED. I was given the sustenance of existence until I was able to live without any further original need and so I boldly, naively believing and brightly blazing thrust myself forward into life, filled with an insatiable apatite for self reliance, with an almost curiously anti-dependant desire; to be whole without any outside force, to rely on nothing and no one else. I searched and settled and pondered and cursed thin air and most often through the years I've found myself in life continuously fighting an almost insurmountable surreal desire- to be needed by another...
I've finally come to know now unequivocally that I am NOT, never have been and never will be.
I am a man, but I am not a leader nor a follower or a Father.
through disenchantment and heartbreak, through disappointment and disillusionment, through false promises given by and taken from me through the whole of my self-sustained life it has ultimately led me back within myself-
clarity has come for me through a disintigration of truth an obliteration of hope a caricature of self a malignancy of soul and a blasphemy of love
most people know every fire needs fuel to continue, or it must succumb to an inevitable cool weightless ash and a dissipating smoke.
my dilemma has been that I feel no need to seed another human into being in need of original love to survive, to endure another plight of life in utter ultimate useless needlessness...
so to those I've loved I can only say this:
"I knew I wanted to be with you, but I never needed you, I thought you might have needed me, but you didn't and you don't. I apologize for not knowing that better back then. but I promise you this My Loves,
it'll never happen again."
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Tuesday, December 30, 2008
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Category: Writing and Poetry
the wind blows hard tonight and it's a cold wind and I think about the boys on the row. I hope some of them have a bottle of red. it's when you're on the row that you notice that everything is owned and that there are locks on everything. this is the way a democracy works: you get what you can, try to keep that and add to it if possible. this is the way a dictatorship works too only they either enslave or destroy their derelicts. we just forgot ours. in either case it's a hard cold wind.
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Thursday, December 25, 2008
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Category: Writing and Poetry
I've kept this page for nearly five years now, and I can't ever leave it alone for long. I read his poetry, and it's like he's written everything personally for me/to me. He sees through all the bullshit posturing better than any writer I've ever read, he tolerates nothing and everything and rejoices in painting raw reality.
The Man will continue on. I honestly believe he's in me. He's in everyone who ever connected with his words... and this little experiment has proven beyond a shadow that we, though in the big scheme are not many, exist. We are the best of humanity by embracing everything about our breed.
Yours thru Buk,
Mike
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Tuesday, December 23, 2008
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Category: Writing and Poetry
the illusion is that you are simply reading this poem. the reality is that this is more than a poem. this is a beggar's knife. this is a tulip. this is a soldier marching through Madrid . this is you on your death bed. this is Li Po laughing underground. this is not a god-damned poem. this is a horse asleep. a butterfly in your brain. this is the devil's circus. you are not reading this on a page. the page is reading you. feel it? it's like a cobra. it's a hungry eagle circling the room.
this is not a poem. poems are dull, they make you sleep.
these words force you to a new madness.
you have been blessed, you have been pushed into a blinding area of light.
the elephant dreams with you now. the curve of space bends and laughs.
you can die now. you can die now as people were meant to die: great, victorious, hearing the music, being the music, roaring, roaring, roaring.
found in Betting on the Muse - pg. 13 - 1996
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Monday, November 24, 2008
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Category: Writing and Poetry
either peace or happiness, let it enfold you.
when I was a young man I felt these things were dumb, unsophisticated. I had bad blood, a twisted mind, a precarious upbringing.
I was hard as granite, I leered at the sun. I trusted no man and especially no woman.
I was living a hell in small rooms, I broke things, smashed things, walked through glass, cursed. I challenged everything, was continually being evicted, jailed, in and out of fights,in and out of my mind. women were something to screw and rail at, I had no male freinds,
I changed jobs and cities, I hated holidays, babies, history, newspapers, museums, grandmothers, marriage, movies, spiders, garbagemen, English accents, Spain, France, Italy, walnuts and the color orange. algebra angred me, opera sickened me, Charlie Chaplin was a fake and flowers were for pansies.
peace and happiness to me were signs of inferiority, tenants of the weak and addled mind.
but as I went on with my alley fights, my suicidal years, my passage through any number of women-it gradually began to occur to me that I wasn't different from the others, I was the same,
they were all fulsome with hatred, glossed over with petty greivances, the men I fought in alleys had hearts of stone. everybody was nudging, inching, cheating for some insignificant advantage, the lie was the weapon and the plot was empty, darkness was the dictator.
cautiously, I allowed myself to feel good at times. I found moments of peace in cheap rooms just staring at the knobs of some dresser or listening to the rain in the dark. the less I needed the better I felt.
maybe the other life had worn me down. I no longer found glamour in topping somebody in conversation. or in mounting the body of some poor drunken female whose life had slipped away into sorrow.
I could never accept life as it was, I could never gobble down all its poisons but there were parts, tenous magic parts open for the asking.
I re-formulated I don't know when, date, time, all that but the change occured. something in me relaxed, smoothed out. I no longer had to prove that I was a man,
I did'nt have to prove anything.
I began to see things: coffee cups lined up behind a counter in a cafe. or a dog walking along a sidewalk. or the way the mouse on my dresser top stopped there with its body, its ears, its nose, it was fixed, a bit of life caught within itself and its eyes looked at me and they were beautiful. then- it was gone.
I began to feel good, I began to feel good in the worst situations and there were plenty of those. like say, the boss behind his desk, he is going to have to fire me.
I've missed too many days. he is dressed in a suit, necktie, glasses, he says, "I am going to have to let you go"
"it's all right" I tell him.
he must do what he must do, he has a wife, a house, children. expenses, most probably a girlfreind.
I am sorry for him he is caught.
I walk into the blazing sunshine. the whole day is mine temporailiy, anyhow.
(the whole world is at the throat of the world, everybody feels angry, short-changed, cheated, everybody is despondent, dissillusioned)
I welcomed shots of peace, tattered shards of happiness.
I embraced that stuff like the hottest number, like high heels, breasts, singing, the works.
(don't get me wrong, there is such a thing as cockeyed optimism that overlooks all basic problems just for the sake of itself- this is a sheild and a sickness.)
The knife got near my throat again, I almost turned on the gas again but when the good moments arrived again I didn't fight them off like an alley adversary. I let them take me, I luxuriated in them, I bade them welcome home. I even looked into the mirror once having thought myself to be ugly, I now liked what I saw, almost handsome, yes, a bit ripped and ragged, scars, lumps, odd turns, but all in all, not too bad, almost handsome, better at least than some of those movie star faces like the cheeks of a baby's butt.
and finally I discovered real feelings for others, unheralded, like latley, like this morning, as I was leaving, for the track, I saw my wife in bed, just the shape of her head there (not forgetting centuries of the living and the dead and the dying, the pyramids, Mozart dead but his music still there in the room, weeds growing, the earth turning, the toteboard waiting for me) I saw the shape of my wife's head, she so still, I ached for her life, just being there under the covers.
I kissed her on the forehead, got down the stairway, got outside, got into my marvelous car, fixed the seatbelt, backed out the drive. feeling warm to the fingertips, down to my foot on the gas pedal, I entered the world once more, drove down the hill past the houses full and emptey of people, I saw the mailman, honked, he waved back at me.
found in : Betting on the Muse - pg. 378 - 1996
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Tuesday, November 18, 2008
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Category: Writing and Poetry
she's young, she said, but look at me, I have pretty ankles, and look at my wrists, I have pretty wrists o my god, I thought it was all working, and now it's her again, every time she phones you go crazy, you told me it was over you told me it was finished, listen, I've lived long enough to become a good woman, why do you need a bad woman? you need to be tortured, don't you? you think life is rotten if somebody treats you rotten it all fits, doesn't it? tell me, is that it? do you want to be treated like a piece of shit? and my son, my son was going to meet you. I told my son and I dropped all my lovers. I stood up in a cafe and screamed I'M IN LOVE, and now you've made a fool of me. . . I'm sorry, I said, I'm really sorry. hold me, she said, will you please hold me? I've never been in one of these things before, I said, these triangles. . . she got up and lit a cigarette, she was trembling all over.she paced up and down,wild and crazy.she had a small body.her arms were thin,very thin and when she screamed and started beating me I held her wrists and then I got it through the eyes:hatred, centuries deep and true.I was wrong and graceless and sick.all the things I had learned had been wasted. there was no creature living as foul as I and all my poems were false.
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Thursday, November 13, 2008
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Category: Writing and Poetry
shot in the eye shot in the brain shot in the ass shot like a flower in the dance
amazing how death wins hands down amazing how much credence is given to idiot forms of life
amazing how laughter has been drowned out amazing how viciousness is such a constant
I must soon declare my own war on their war I must hold to my last piece of ground I must protect the small space I have made that has allowed me life
my life not their death my death not their death...
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Monday, November 10, 2008
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Category: Writing and Poetry
Van Gogh cut off his ear gave it to a prostitute who flung it away in extreme disgust. Van, whores don't want ears they want money. I guess that's why you were such a great painter: you didn't understand much else.
(sorry I haven't been around much at all to post, work is basically slowly killing me. I'll do better. I promise. Mike)
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Friday, September 26, 2008
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Category: Writing and Poetry
to end up alone in a tomb of a room without cigarettes or wine-- just a lightbulb and a potbelly, grayhaired, and glad to have the room. ...in the morning they're out there making money: judges, carpenters, plumbers, doctors, newsboys, policemen, barbers, carwashers, dentists, florists, waitresses, cooks, cabdrivers... and you turn over to your left side to get the sun on your back and out of your eyes.
from "All's Normal Here" - 1985
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