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charles bukowski

Hank buk


Last Updated: 8/21/2009

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Gender: Male
Status: Divorced
Age: 89
Sign: Leo

City: San Pedro
State: CALIFORNIA
Country: US
Signup Date: 7/15/2004

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Saturday, June 06, 2009 

Category: Writing and Poetry
(this is what made Buk Great... he didn't write this, and unfortunately, neither did I. Cheers, Mike)



“What’d you get up to last night?”
“Got wicked drunk.”
“Yeah? Where’d you go?”
“I didn’t go anywhere. I drank at home.”
“You had a party and didn’t invite me? Who showed up?”
“No one. I got drunk by myself.”
“No shit? What’s wrong, man? You wanna talk about it?”
I do wanna talk about it. Not about what my friend wrongly assumed was the dark motivation that would drive me to drink alone, but the very act of drinking alone.
Somewhere along the line people got the idea that solitary boozing is a sure sign that the drinker is about to slip over the edge into something dark and sinister, whether it be suicide, skid row or a staff position at a drinking magazine.
And on the surface, it makes sense. Alcohol is the original social lubricant, after all, it makes any gathering loose and friendly, it has the unique and beatific ability to spin laughter and camaraderie from the dry straw that is the strained silence of the sober. Strangers become friends, friends become cliques and cliques become vast drinking scenes. It is the golden bond that connects you with most of your friends and acquaintances. It sure as hell isn’t a collective interest in stamp collecting that holds the gang together.
Drinking alone, on the other hand, is a much more pure and forthright form of imbibing, and I say that because it focuses entirely on the simple act of putting alcohol into your bloodstream. It tosses aside all the half-hearted pretensions about merely using alcohol as a social tool. It gets down to what drinking is all about: getting loaded, and by doing that, getting down to the inner you. The inner joy, the inner madness, the subconscious you, the real you.
Now, there are those who abhor the very idea of spending a moment with themselves. Put them in a quiet room for five minutes and they’re picking up the phone or turning on the TV. “Deep down in his private heart, no man respects himself much,” Mark Twain was fond of saying, and he was dead right. Why should those people want to hang with their inner selves? That entity is, for all intents and purposes, a stranger, and worse, a stranger who knows all their deepest, darkest, most terrible secrets.
Which, ironically enough, is exactly why you have to hang with him, because sooner or later that bastard will turn on you. The longer you keep him locked up by himself, the weirder he’s going to get, and he will eventually manifest himself as a nervous breakdown or very self-destructive behavior.
That’s where your old pal booze comes into play. You already knew the sauce is the supreme moderator, a perfectly charming go-between when dealing with friends and strangers, but did you also know it is as equally adept at opening up internal lines of communication? Whiskey is the key that sets the monkey free, goes the old saw, and that monkey is your Id, your subconscious mind, the inner you. Instead of letting that monkey out in public, where he tends to go berserk (or so they tell you the next morning), set him loose in a calm room. A quiet place bare of predators and prey. Get to know him. You might be surprised. You might even start liking the little bastard.
Find Your Circle of Solitude
“So I stayed in bed and drank. When you drank the world was still out there, but for the moment it didn’t have you by the throat.”Charles Bukowski

Just as it is nearly impossible to write anything worth reading while someone is looking over your shoulder, it is just as nearly impossible to tap the subconscious mind while drinking in the company of others. Which is a shame because never is the subconscious mind more lucid and willing to speak than when you are loaded.
So find your quiet space. Lower the lighting and unplug the phone. And for the love of God, turn off the TV. That evil box is the antithesis of inner thought, it is a jabbering knave that never shuts up or listens, it is expressly designed to steal your attention and direct it to its own petty needs. Turn it off or, better yet, throw it out the window.
A dining table, in my opinion, is the best place to drink alone. There is something about having the glass and bottle sitting right in front of you, ready for action, it brings to mind Bogart in Casablanca, except you don’t have Sam sitting at the piano, tickling the ivories. But that doesn’t mean you can’t have some music to set the mood.
The Soundtrack of Isolation
“The only thing better than one of my songs is one of my songs with a glass of scotch.” Jackie Gleason
While you may prefer metal, rap, punk or, egad, techno when you’re out swinging with the gang, the point of drinking alone is not to get pumped up but to hunker down with the inner workings of your psyche. Slow and melodic, even nostalgic music is best. Tom Waits, the Jackie Gleason Orchestra, Johnny Cash and Portishead work for me. You know what puts you in a meditative mood. Find your slow inner beat and cater to it.
Choose Your Moderator
“I let my drinking do the talking.” Humphrey Bogart
Whiskey on the rocks is Johnny Carson. A cocktail is Conan O’Brien. A strong burgundy with some bite is David Letterman. Beer is Jay Leno, which is why I stay away from it. And make sure you’re well stocked. The last thing you want is Johnny, just when the show is starting to roll, taking a powder on you.
Now that you’ve picked your host, you’re ready to start rapping with your Id, right? Wrong. Before you can get acquainted with yourself, you have to get acquainted with the bottle.
Befriend the Bottle
“A well-made Martini or Gibson, correctly chilled and nicely served, has been more often my true friend than any two-legged creature.” M. F. K. Fisher

After three or four drinks you’ll start realizing there are clear advantages to drinking alone, namely:
You’re the bartender. Drinking alone means you can drink exactly what you want. Let’s admit it, what we drink in public is not necessarily what we really want to drink. There are social norms to conform to, there are reputations to maintain, there are friends to impress. Your mouth will order a shot of tequila when your soul wants a Black Russian.
You control the pace. Want another? Pour it. No standing in line for a drink, no pressure to take yet another sham shot of girlie juice, no bouncer telling you you’ve had enough. The bottle in front of you never says no. Only yes, yes and yes!
Booze tastes better. Read a good book alone in a quiet place and you will absorb and understand the beauty of a perfectly worded sentence. Read in a crowded and loud room and you will skim the beauty and absorb nothing. The same goes for drinking. There are no distractions to divert your attention from the rich bite of a mouthful of bourbon. You will notice the vast array of flavors and aromas. You will realize hidden depths of taste in a cocktail you had imagined a shallow pond. Show me someone who is drinking alone, without any desire to seek out human companionship, and I’ll show you a drunk who truly enjoys alcohol.
The bottle doesn’t jabber. One of the greatest pleasures in life is a comfortable silence between friends. You know what I’m talking about: you’re having a quiet drink at a table with an old friend, and both of you feel absolutely no need to engage in idle prattle, there is a fine understanding that nothing needs to be said, you merely sit and bask in the light of each other’s company.
Those moments, unfortunately, are few and far between. These days we’re so damn afraid the other person will think we’re boring and start looking for someone a little more chatty to sit with, or, worst of all, yawn. And it’s from the belly of that fear the current plague of pointless small talk was born. I’ve gone out drinking in the company of a great number of people and at the end of the evening I won’t be able to recall having a single inner thought of value. Or a single valuable outer thought, for that matter. When you’re jabbering at friends and they’re jabbering at you, the inner drunk is neglected, he merely sits there and broods.
When you are drinking with the bottle, however, you are rewarded with a vast, gently rolling plain of comfortable silence. The bottle never gossips or tries to interest you in stereo speakers it is planning on buying, it merely sits there in pristine silence, filling your glass instead of your ear.
You can act any damn fool way you wish. The bottle will not condemn you for laughing out of turn or pounding the table like a bad character actor. It will quietly salute you. You can get as maudlin, dramatic and sentimental as you wish, without anyone telling you to snap out of it, cheer up, or cool out.
Meet Your Monkey
“You don’t know a damn thing about a man until you’ve gotten stinking drunk with him.” Charles Russell
After about five drinks the monkey will start rattling the cage. Let him out.
Examine his fine smile. This is the giddy you that is so charming with the ladies at the bar. Note the wily gleam in his eyes. This is the happy-go-lucky sport that comes up with wholly improbable, yet wildly optimistic schemes while loaded. Sense his light heart. This is the jovial soul that will laugh at the worst bar joke ever told.
Doesn’t seem like such a bad guy at all, does he? Introduce yourself. Buy him a drink. Let him buy you a drink. Anyone who buys you a drink can’t be all bad, right?
It is now that you will recognize the monkey for who he truly is: he is you without social constraints. A slave unchained. He is you without the worry of what other people think. He is what you want to be, not what your parents, friends, lover, boss and God want you to be.
After a couple more rounds, a rich warmness will settle upon you as the alcohol rallies your collective self esteem. At this point you’ll start to think, Hell, this guy is a fucking prince.
Understand that this is the guy who has stuck with you every step of the way, he stood with you in every fistfight, he was there when you were struggling through the blackest shadows of depression, he helped you plant the flag on the tallest peaks of success. All this time you were hoping everyone else was watching, and all along it was always you, gazing from within.
Wallow in nostalgia. Everyone loves a good story and your inner self remembers them all. Revel in all the good things you’ve done, laugh off the mistakes you’ve made. Realize that every step and misstep of your life has led you unremittingly to this single pristine moment: Drinking with the best friend you ever had or ever will have.
Don’t be afraid to get emotional. In a crowd you are not likely to follow your own emotional path, you adopt the emotional direction and tone of the gang. Now you can feel anyway you want. Laugh. Cry. Do whatever the hell you like. If you catch yourself feeling self-conscious or foolish, pause and remind yourself you are your only audience. Who’s going to tell on you? The bottle? No. I know the bottle, and the bottle ain’t talkin’.
As you dive deeper into the bottle, and deeper within yourself, you will start feeling a strange wholeness. The surface you will blend with the submerged you, and though the pair will never entirely merge (if you pull that one off, you should put in an application for the position of Dalai Lama), they will mingle and they will learn to like each other. And that’s the whole point.
Before your inner journey ends, make certain you realize exactly what you’ve pulled off. Look at yourself in the mirror and fairly tremble with your newfound power. You have built bonds and allied yourself with the one person who will determine more than anyone else on the planet whether you fuck up or seize your dreams.
* * *
In the morning you may not remember much of your adventure, but that’s okay, because the monkey never forgets. And a stranger who genuinely likes you is a very powerful ally, because he will come to your aid when you least expect it.
The next time you get loaded with the gang, gaze into your drink, your secret mirror, and think: “Hey, old friend. Remember our quiet time together? Remember the thoughts we shared? We’ll meet up again down the road. Just you, me, and the bottle.” —Frank Kelly Rich
Sunday, March 15, 2009 

Category: Writing and Poetry
the rivers the dogs won't swim,
we cross.
 
the women other men don't want,
we love.
 
sit me down at a bar with 3 women:
one, faintly obnoxious;
one, generally stupid;
and the third,
a killer:
 
the killer will leave her stool
and come sit next to me.
 
the gods always make sure.
the gods watch over me.
they fix me up
real good.
 
"hi, honey," she asks, "how ya
doin;?"
 
"what're ya drinkin'?" I ask.
 
she states her drink.
I order her a drink and another for
me.
 
outside, it's much nicer: cars are
crashing; buildings burn;
future suicides
whistle through their teeth while
walking west or east or south or
north.
 
"whatcha got on your mind?" she
asks.
 
"I hope the Dodgers lose," I tell
her, then I
get up, go to the men's room, sneak out,
then slip through the rear
exit.
 
there's an alley out there.
I walk west
whistling through my
teeth.
 
another from "the night torn mad with footsteps" pg 220
Thursday, March 12, 2009 

Category: Writing and Poetry
I can't see anything but
mutilated twilight.
I would like to venture forward
with hope
not only for human survival
but also for the survival of human
thought and music and art and painting and even our
history,
but you know it's like a tip I got once from
my bookie:
don't bet on it.
I see it all now
turning to burnt bacon
crippled van goghs begging pennies from
crippled bankers,
everything going like that
everyone begging and drifting
down the twisted landscape
into the valleys
the condemned
audience wailing:

     you know,
     all this
     is what we deserve.

the dark is empty;
most of our heroes have been
wrong.
 
found in:  the night torn with mad footsteps pg 198

(I think it's a typo, but maybe it's not, my spell checker didn't recognize the word.  In line 14 in my copy of the book, it's written "cripped" van goghs begging pennies... can anyone confirm this?  Thanks and enjoy!  Mike)
Tuesday, March 10, 2009 

Category: Writing and Poetry
the faulty immersions
bake and spark
they seed
my relevance
into a spongecake
that tastes like
sewer smag.
while I still believe
in beached mammoths
ability to breathe
without enough water to swim in.

the lies usually tell the truth
and the truth
is
never really listened to.
 
by Mike Kowalski  NOT Charles Bukowski... sorry for misleading.
Friday, January 16, 2009 

Category: Writing and Poetry
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day

and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace

those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love

beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average

but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect

like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock

their finest art

 

found in:  The Roominghouse Madrigals  -  pg. 31  -  1988
Wednesday, January 07, 2009 

Category: Writing and Poetry

the words have come and gone,
I sit ill.
the phone rings, the cats sleep.
Linda vacuums.
I am waiting to live,
waiting to die.
I wish I could ring in some bravery.
it's a lousy fix
but the tree outside doesn't know:
I watch it moving with the wind
in the late afternoon sun.
there's nothing to declare here,
just a waiting.
each faces it alone.
Oh, I was once young,
Oh, I was once unbelievably
young!

 

found in:  Betting on the Muse  -  pg. 402  -  1996

Wednesday, December 31, 2008 

Category: Writing and Poetry

After reading nearly every Bukowski poem ever published, and I have hundreds of second best favorites of his, I'll post again for the third time in five years  "consummation of grief", it remains to be my number one favorite Bukowski poem ever.  What's yours?  Then, if you like, feel free to read on beyond this number one Buk poem in my eyes.  I wrote "blasphemy of love" last night, any comments on mine would be greatly appreciated on my page if you have any thoughts on it.  Thanks and enjoy,  Mike

 

consummation of grief

I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
it becomes
cigarette smoke
climbing a chapel of dark vines. . .
it matters little
very little love is not so bad
or very little life
what counts
is waiting on walls
I was born for this
I was born to hustle roses down the avenues of the dead.
---------------------------------------------------------------------------------
blasphemy of love

in my beginning
as with every human
being, we're
born early
into the truest sense
of the word NEED.
I was given the sustenance
of existence
until I was able to live without
any further original need
and so I boldly, naively believing
and brightly blazing
thrust myself
forward into life, filled
with an insatiable apatite
for self reliance, with
an almost curiously anti-dependant
desire; to be whole
without any outside force,
to rely on nothing
and no one else.
I searched and settled
and pondered and cursed thin air
and most often through the years I've
found myself in life
continuously fighting an almost
insurmountable surreal desire-
to be
needed by another...
I've finally come to know now unequivocally
that I am NOT, never
have been
and never will be.
I am a man, but I am not a leader
nor a follower or a Father.
through disenchantment and heartbreak,
through disappointment and
disillusionment, through false promises
given by and taken from me
through the whole of my
self-sustained life
it has ultimately
led me back within myself-
clarity has come for me
through a disintigration of truth
an obliteration of hope
a caricature of self
a malignancy of soul
and a blasphemy of love
most people know 
every fire needs fuel
to continue,
or it must succumb
to an inevitable
cool weightless ash
and a dissipating smoke.
my dilemma has been that
I feel no need to seed
another human
into being
in need
of
original love to survive,
to endure another plight of life
in utter ultimate
useless
needlessness...
so to those I've loved I can only say this:
"I knew I wanted to be with you,
but I never needed you,
I thought you might have needed me,
but you didn't and you don't.
I apologize for not knowing that
better back then.
but I promise you this
My Loves,
it'll never happen again."
Tuesday, December 30, 2008 

Category: Writing and Poetry
the wind blows hard tonight
and it's a cold wind
and I think about
the boys on the row.
I hope some of them have a bottle of
red.
it's when you're on the row
that you notice that
everything
is owned
and that there are locks on
everything.
this is the way a democracy
works:
you get what you can,
try to keep that
and add to it
if possible.
this is the way a dictatorship
works too
only they either enslave or
destroy their
derelicts.
we just forgot ours.
in either case
it's a hard
cold
wind.
 
found in:   You Get So Alone At Times That It Just Makes Sense  -  pg. 23  -  1986
Thursday, December 25, 2008 

Category: Writing and Poetry

I've kept this page for nearly five years now, and I can't ever leave it alone for long.  I read his poetry, and it's like he's written everything personally for me/to me.  He sees through all the bullshit posturing better than any writer I've ever read, he tolerates nothing and everything and rejoices in painting raw reality.

The Man will continue on.  I honestly believe he's in me.  He's in everyone who ever connected with his words... and this little experiment has proven beyond a shadow that we, though in the big scheme are not many, exist.  We are the best of humanity by embracing everything about our breed.

Yours thru Buk,

Mike

Tuesday, December 23, 2008 

Category: Writing and Poetry

the illusion is that you are simply
reading this poem.
the reality is that this is
more than a
poem.
this is a beggar's knife.
this is a tulip.
this is a soldier marching
through Madrid .
this is you on your
death bed.
this is Li Po laughing
underground.
this is not a god-damned
poem.
this is a horse asleep.
a butterfly in
your brain.
this is the devil's
circus.
you are not reading this
on a page.
the page is reading
you.
feel it?
it's like a cobra. it's a hungry eagle circling the room.

this is not a poem. poems are dull,
they make you sleep.

these words force you
to a new
madness.

you have been blessed, you have been pushed into a
blinding area of
light.

the elephant dreams
with you
now.
the curve of space
bends and
laughs.

you can die now.
you can die now as
people were meant to
die:
great,
victorious,
hearing the music,
being the music,
roaring,
roaring,
roaring.

 

found in  Betting on the Muse  -  pg. 13  -  1996

Monday, November 24, 2008 

Category: Writing and Poetry

either peace or happiness,
let it enfold you.

when I was a young man
I felt these things were
dumb, unsophisticated.
I had bad blood, a twisted
mind, a precarious
upbringing.

I was hard as granite, I
leered at the
sun.
I trusted no man and
especially no
woman.

I was living a hell in
small rooms, I broke
things, smashed things,
walked through glass,
cursed.
I challenged everything,
was continually being
evicted, jailed, in and
out of fights,in and out
of my mind.
women were something
to screw and rail
at, I had no male
freinds,

I changed jobs and
cities, I hated holidays,
babies, history,
newspapers, museums,
grandmothers,
marriage, movies,
spiders, garbagemen,
English accents, Spain,
France, Italy, walnuts and
the color
orange.
algebra angred me,
opera sickened me,
Charlie Chaplin was a
fake
and flowers were for
pansies.

peace and happiness to me
were signs of
inferiority,
tenants of the weak
and
addled
mind.

but as I went on with
my alley fights,
my suicidal years,
my passage through
any number of
women-it gradually
began to occur to
me
that I wasn't different
from the
others, I was the same,

they were all fulsome
with hatred,
glossed over with petty
greivances,
the men I fought in
alleys had hearts of stone.
everybody was nudging,
inching, cheating for
some insignificant
advantage,
the lie was the
weapon and the
plot was
empty,
darkness was the
dictator.

cautiously, I allowed
myself to feel good
at times.
I found moments of
peace in cheap
rooms
just staring at the
knobs of some
dresser
or listening to the
rain in the
dark.
the less I needed
the better I
felt.

maybe the other life had worn me
down.
I no longer found
glamour
in topping somebody
in conversation.
or in mounting the
body of some poor
drunken female
whose life had
slipped away into
sorrow.

I could never accept
life as it was,
I could never gobble
down all its
poisons
but there were parts,
tenous magic parts
open for the
asking.

I re-formulated
I don't know when,
date, time, all
that
but the change
occured.
something in me
relaxed, smoothed
out.
I no longer had to
prove that I was a
man,

I did'nt have to prove
anything.

I began to see things:
coffee cups lined up
behind a counter in a
cafe.
or a dog walking along
a sidewalk.
or the way the mouse
on my dresser top
stopped there
with its body,
its ears,
its nose,
it was fixed,
a bit of life
caught within itself
and its eyes looked
at me
and they were
beautiful.
then- it was
gone.

I began to feel good,
I began to feel good
in the worst situations
and there were plenty
of those.
like say, the boss
behind his desk,
he is going to have
to fire me.

I've missed too many
days.
he is dressed in a
suit, necktie, glasses,
he says, "I am going
to have to let you go"

"it's all right" I tell
him.

he must do what he
must do, he has a
wife, a house, children.
expenses, most probably
a girlfreind.

I am sorry for him
he is caught.

I walk into the blazing
sunshine.
the whole day is
mine
temporailiy,
anyhow.

(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
dissillusioned)

I welcomed shots of
peace, tattered shards of
happiness.

I embraced that stuff
like the hottest number,
like high heels, breasts,
singing, the
works.

(don't get me wrong,
there is such a thing as cockeyed optimism
that overlooks all
basic problems just for
the sake of
itself-
this is a sheild and a
sickness.)

The knife got near my
throat again,
I almost turned on the
gas
again
but when the good
moments arrived
again
I didn't fight them off
like an alley
adversary.
I let them take me,
I luxuriated in them,
I bade them welcome
home.
I even looked into
the mirror
once having thought
myself to be
ugly,
I now liked what
I saw, almost
handsome, yes,
a bit ripped and
ragged,
scars, lumps,
odd turns,
but all in all,
not too bad,
almost handsome,
better at least than
some of those movie
star faces
like the cheeks of
a baby's
butt.

and finally I discovered
real feelings for
others,
unheralded,
like latley,
like this morning,
as I was leaving,
for the track,
I saw my wife in bed,
just the
shape of
her head there
(not forgetting
centuries of the living
and the dead and
the dying,
the pyramids,
Mozart dead
but his music still
there in the
room, weeds growing,
the earth turning,
the toteboard waiting for
me)
I saw the shape of my
wife's head,
she so still,
I ached for her life,
just being there
under the
covers.

I kissed her on the
forehead,
got down the stairway,
got outside,
got into my marvelous
car,
fixed the seatbelt,
backed out the
drive.
feeling warm to
the fingertips,
down to my
foot on the gas
pedal,
I entered the world
once
more,
drove down the
hill
past the houses
full and emptey
of
people,
I saw the mailman,
honked,
he waved
back
at me.

 

found in : Betting on the Muse  -  pg. 378  -  1996
 

Tuesday, November 18, 2008 

Category: Writing and Poetry
she's young, she said,
but look at me,
I have pretty ankles,
and look at my wrists, I have pretty
wrists
o my god,
I thought it was all working,
and now it's her again,
every time she phones you go crazy,
you told me it was over
you told me it was finished,
listen, I've lived long enough to become a
good woman,
why do you need a bad woman?
you need to be tortured, don't you?
you think life is rotten if somebody treats you
rotten it all fits,
doesn't it?
tell me, is that it? do you want to be treated like a
piece of shit?
and my son, my son was going to meet you.
I told my son
and I dropped all my lovers.
I stood up in a cafe and screamed
I'M IN LOVE,
and now you've made a fool of me. . .
I'm sorry, I said, I'm really sorry.
hold me, she said, will you please hold me?
I've never been in one of these things before, I said,
these triangles. . .
she got up and lit a cigarette, she was trembling all
over.she paced up and down,wild and crazy.she had
a small body.her arms were thin,very thin and when
she screamed and started beating me I held her
wrists and then I got it through the eyes:hatred,
centuries deep and true.I was wrong and graceless and
sick.all the things I had learned had been wasted.
there was no creature living as foul as I
and all my poems were
false.
 
Thursday, November 13, 2008 

Category: Writing and Poetry
shot in the eye
shot in the brain
shot in the ass
shot like a flower in the dance

amazing how death wins hands down
amazing how much credence is given to idiot forms of life

amazing how laughter has been drowned out
amazing how viciousness is such a constant

I must soon declare my own war on their war
I must hold to my last piece of ground
I must protect the small space I have made that has allowed me life

my life not their death
my death not their death...
 
found in:   Betting on the Muse  -  pg. 401  -  1996
Monday, November 10, 2008 

Category: Writing and Poetry
Van Gogh cut off his ear
gave it to a
prostitute
who flung it away in
extreme
disgust.
Van, whores don't want
ears
they want
money.
I guess that's why you were
such a great
painter: you
didn't understand
much
else.
found in:   You Get So Alone At Times That It Just Makes Sense  -  pg. 303  -  1986
(sorry I haven't been around much at all to post, work is basically slowly killing me. I'll do better.  I promise. Mike)
Friday, September 26, 2008 

Category: Writing and Poetry
to end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.

from "All's Normal Here" - 1985