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QN4 - WORLD MUSIC FUSION



Last Updated: 12/16/2009

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Status: Single
City: Los Angeles
State: California
Country: US
Signup Date: 10/19/2007

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Wednesday, July 15, 2009 
QUARTETONUEVO@GMAIL.COM
Tuesday, July 14, 2009 
CD REVIEWS
QUARTETO NUEVO - EL MUSICO

"This is an intriguing set. Although there have been many types of "fusions" of jazz with other types of music, only a relatively few projects have mixed jazz with World Music from foreign countries. Quarteto Nuevo's music goes through quite a few different moods yet remains gentle, subtle, melodic and often rhythmically complex ... this CD almost seems like a suite, with one number leading to the next."
A JAZZ SCENE - SCOTT YANOW, DOWNBEAT/JAZZTIMES CONTRIBUTING WRITER

"The CD cover art depicts a well-dressed Latin man sitting on a stool with an acoustic guitar in his hand,looking at sheet music. Imagery of a softly performed Spanish serenade comes to mind. However, reality dictates that the band's overall scope and manner of execution is quite a bit more - all encompassing. What this quintet effectively does, is to merge Andean folk, North Indian classical, Latin and jazz with an organic feel that also packs a wallop! They're really a quintet, yet their moniker has a certain, romantic tinge to it. A primary point of interest resides within the group's quasi world-beat/jazz interpretations of drummer Jack DeJohnette's lovely "Silver Hollow,"  Chick Corea and Stanley Clarke's bustling "Song To John", and more.

The ensemble' s razor-sharp precision is enhanced by its jazzy interludes, lightly rumbling percussion motifs and difficult to navigate,  time signatures. With " Todos las estrellas"  the artists' ingrain a distinct of mysticism into series of cross-cultural rhythmic structures amid exotic lines, performed on the Thai flute. They effectively meld the music of ancient worlds and faraway places with a contemporary jazz-based groove. Ultimately, this wonderful outing signifies one of the major surprises of the year! (Passionately recommended)"

Glenn Astarita - ALL ABOUT JAZZ


CONCERT REVIEWS

"One of the larger quartetos out there now Quarteto Nuevo comes from a rhythmic sensibility as might be expected from a drummer-led band. But it is not your usual hit-you-over-the-head snares and tom-toms. For this band Christopher Garcia has discarded much of the ordinary drum kit (no snares, tom-toms, or bass drums) in favor of tabla, a family of lightly struck cymbals, and a variety of oriental instruments. The band often plays in odd meter grooves well served by the percussionist.

 The other players have also rethought their instruments, resulting in a unique but natural band sound. That the music works as well as it does (It is remarkably uncluttered.) is due mainly to how much these musicians enjoy playing together.
Harry Scorzo sat in (his first gig with the band) on about half the tunes and gave the band a complementary, richer sound. He is a strong improvisor. (Garcia announced he is considering joining the band. Here's hoping he does.) He took one of his typically hot solos on "Silver Hollow," an odd meter piece by Jack DeJohnette. "Song to John" by Chick Corea and Stanley Clarke was reminiscent of Corea's Return to Forever band.  Garcia took his tabla solo almost like a conguero. (He usually approaches the tabla closer to the Indian tradition.)
By contrast "Meeting of the Spirits" by John McLaughlin was high-energy (a la  Mahavishnu Orchestra) with resounding  guitar accompaniment. Christopher Garcia dedicated "With his Hat in his Hand" to his father, Don Alberto Garcia. Like much of his other music it was a piece of humility, confidence, clarity, and positive feeling--a pleasure to listen to."

ALL ABOUT JAZZ REVIEW

ROCCOS
Jazz Gumbo, Contemporary, Fusion, and World Beat Happenings
Chris Walker - LA JAZZ SCENE


CONCERT PREVIEWS
"Straddling the worlds of folkloric, jazz, and contemporary composition,
these four virtuosos make a hybrid music that’s greater than the sum of its parts."
LA CITY BEAT

"Quarteto Nuevo, a unit that has gone through a few personnel shifts over the
years but remains intact, led as always by severely accomplished purveyor of percussive diversity Christopher Garcia.  Playing what one might begrudgingly term World Music,
the group is more of a jazz ensemble that uses traditions of different cultures’ musics
as a solid foundation, combining unusual and unique instrumental textures and orchestrations with authoritative improvising. Original compositions are rendered along with arrangements of favorites by a variety of other composers, all blending together to create a consistent ensemble sound and identity."

OPEN GATE THEATER


"QUARTETO NUEVO, Some amazing musicians, who’ve played with a veritable who’s who of world, jazz and avant garde music."
- SANTA MONICA MIRROR

"Quarteto Nuevo demonstrates their rhythmically driving and graceful melodies, fusing jazz with world music. "
- BOSTON COURT

"A group that's creating a buzz is QUARTETO NUEVO. They ambitiously play compositions by Chick Corea, Jack DeJohnette, Egberto Gismonti, Paul Motian, etc., along with original compositions. The musical approach is quite sophisticated.......

 
LA JAZZ SCENE
QUARTETO NUEVO WAS LA WEEKLY'S CONCERT PICK OF THE WEEK


Tuesday, January 06, 2009 
This is what the group sounds like LIVE and without a net.

The following compositions were recorded LIVE IN THE STUDIO,.
i.e, we are all in the same room at the same time playing music,
with little to no "separation", just like a working ensemble,
with everyone's mic "bleeding" into the other,
i.e., you can't go back and "fix" anything.
Does anyone remember when musicians all played together at the same time
in the same room.
It is fast becoming a lost art.

CEGO ADERALDO
composition by Egberto Gismonti with our own arrangement

HECTOR, DESMOND AND TITUS by Damon Zick


JACARANDA by John Bergamo
Originally recorded by the BRACHA TRIO with John Bergamo,
Miroslav Tadic and David Philipson.

John graciously allowed us to add some additional material to this piece
- the cello solo in the middle,
the guitar solo and the guitar/saxophone solos trading at the end.

John Bergamo is a great musician/composer and teacher who happens to play percussion,
check him out if you don't know his extensive work including recordings, and compositions.
Go to http://www.talmala-bergamo.com/.


PARA MI ALEGRIA by Christopher Garcia

I wrote this piece for my youngest daughter, mi Alegria

T'MERSHI D'WEEN
this in our arrangement of a FRANK ZAPPA composition

we will post more as we get it
THANKS FOR LISTENING

feel free to drop us a line and/or leave a comment
EMAIL - QUARTETONUEVO@GMAIL.COM

PAZ=PEACE
cg

Friday, October 03, 2008 

Current mood:  rejuvenated
IS QUARTETO NUEVO A WORLD MUSIC ENSEMBLE THAT PLAYS JAZZ,
A CLASSICAL ENSEMBLE THAT PLAYS WORLD MUSIC,
A JAZZ ENSEMBLE THAT PLAYS CLASSICAL MUSIC?
Yes!All of the above.
Actually we play music where we can improvise within various formats.
Some of them are harmonically based,
some are melodically based,
some are rhythmically based
and some are a combination of all of the above.
We are also working on a set of "classical" compositions within our format.
Something we have not really attempted in the past, but, of course, adding our own unique slant to it.
Most of the compositions
deal with improvisation and we all come from a "hands on" background.

HANDS ON??
We are not a bunch of kids just getting out of school experimenting with "forms"
we have been doing this for quite some time and are very comfortable with and in our instruments.

The ensemble performs original compositions by members of the ensemble
as well as compositions by our favorite composers:
Bergamo, Corea, Gismonti, McLaughlin, Mingus, Satie, Zappa etc.

We rehearse pretty regularly and play thru new music
sometimes it works, sometimes it doesn't
the one thing it has to do is grab us on some level in order for us to work with it

HOW LONG HAS QUARTETO NUEVO BEEN IN EXISTENCE?
Our first performance was in November 1999.

DO YOU STILL THE SAME MEMBERS?
No. We are currently in our 6th live performance incarnation

the original line up was
Luis Villegas - flamenco guitar
Alfred Garcia - electric bass
Alan Lechusza - woodwinds
and
CG - percussion

2nd line up was the same with
Randy Gloss - percussion

3rd line up
Ken Rosser - stringed instruments
Alfred Garcia - electric bass
Alan Lechusza - woodwinds
and
CG - percussion
this is the group on the EL MUSICO CD

4TH line up
Carolyn Tyler ..o replaces bassist Alfred Garcia

5TH line up
Christopher Garcia - kanjira, mbwata, olla,tabla,
marimba, cymbals, percussion
Christopher Smith - nylon & steel string guitar(s),
Jacob Szekely - 4 and 5 string cello
Damon Zick - multiple woodwinds

6TH line up is
same as above with guitarist
Kenton Youngstrom


WHICH IS YOUR FAVORITE ENSEMBLE?
Every ensemble always did a great job of bringing themselves to the table
and putting themselves into it, i.e., it is an impossible question to answer.

WHEN DID YOU DECIDE TO USE A CELLIST INSTEAD OF A BASSIST?
Bassist Alfred Garcia took a sabbatical and I was looking for a bassist when Alan Lechusza invited me to work with his Side A/Side B ensemble which featured cellist Carolyn Tyler.
We did quite a few rehearsals with Carolyn and a handful of performances, and it was very very different - the bottom end opened up sonically, and since Carolyn was a classical musician who improvised, it became a very different ensemble.

We had to find another way to play, it didn't feel like a bass or sound like a bass,
so instead of treating it like it was a bass, we all had to regroup and figure out what worked for us.

You can't play the same way with a cello in the group, as you can with a bassist,
well you can, but what would be the point,
which is something i enjoy doing, the search for what works.

WHAT IS THE MAIN DIFFERENCE BETWEEN WORKING WITH A BASSIST AND A CELLIST?
The lowest thing in the band becomes the bayan, the low drum of the tabla set.
When you are working with a bassist, the bayan has a tendency to get lost with the bass,
because they are fighting for the same frequencies.

So you have to play differently, i.e., you don't play 1 with a bassist
because you won't hear it.

With the cello, I have more choices
I can play tabla and not worry about the timbres clashing, because they don't.

We are now using cellist Jacob Szekely, who is a very different cellist than Carolyn.
He improvises in the bebop language as well as over simpler harmonic languages and frameworks
and we are really utilizing his ability to play either a melody line or a bass function.

WHAT HAS CHANGED?
The music.
We have some new music, because everyone composes,
and we are still doing some of the older pieces with a lot of additional new music added by the band,
new rhythms new harmonies, new approaches to the tunes.

A different set of players, even if they are playing the same written music,
always sounds astoundingly different.
You can listen to any Bartok or Beethoven string quartet by 3 different string quartets and know what I am talking about.
One isn't better than the other just a different take on the same music.
the major difference being that we also improvise.

We are also utilizing the gifts everyone has brought to the table. We are going thru some "fixed" compositions to see what we can learn and do with it.

WHAT PERCENTAGE OF THE MUSIC IS IMPROVISE AND WHAT IS WRITTEN?
That depends on the piece, we are doing "straight" classical pieces, which is a new thing for us,
as well as more "open" pieces.
But we are all grounded in some type of improvisation and each type of improvisation has its own set of ground rules.
The rules of improvisation for flamenco are not the same for jazz and/or North Indian classical music.

WHAT HASN'T CHANGED?
QUARTETO will continue to utilize some of our favorite guest musicians like
Martin Espino, pre-hispanic musician and scholar - www.martinespino.com
Harry Scorzo, violinist extraordinaire - www.harryscorzo.com
Nick Ariondo, monster accordionist - www.nickariondo.com

we have always utilized these great musicians
people should be aware that they exist

WHEN IS THE NEW CD COMING OUT?
We just did a demo, 4 tunes
we have a lot more to do
probably no later than Fall 2008

WHAT NEXT?
We go where the music leads us.
Only time will tell
Friday, July 25, 2008 
Christopher A. Garcia -
tabla, kanjira, mbwata, marimba,miscellaneous percussion, PAISTE cymbals
Chris was born, raised, in East Los Angeles.
His background includes performances in a wide variety of musical settings including; Jazz, Rock, World Music, traditional Mexican music, pre - hispanic music, percussion ensemble, soundtracks, and cartoon music.
He attributes his musical growth to his studies with Professor John Bergamo, Pandit Tarnath Rao, Swapan Chadhouri and Leonice Shinemann where he studied tabla, while attending California Institute of the Arts on a full scholarship.Chris was also a member of the award winning Cal Arts Percussion Ensemble in 1979.
He attributes his "style"(?) to Listening to EVERYTHING, logging in thousands of hours, practicing, rehearsing, performing and touring constantly with musicians interested in stretching and reinventing themselves throughout the Americas, Canada, Europe and Asia including performances in Austria, Belgium, Bosnia, Croatia, Czechoslovakia,Denmark, England, Germany, Holland, Italy, Korea, Mexico, Norway, and Switzerland.
Chris' drumming is unusual in that it incorporates not only the standard rhythmsand their permutations, but also a fluency with odd time signatures and sonic textures, which he seamlessly incorporates into his playing.
He continues to be the drummer/percussionist of several critically acclaimed ensembles including:
CLASSICAL ENSEMBLES
the AHN TRIO - piano trio
VIO FONIK - chamber ensemble of 2 violins, 1 cello and percussion of North and South India

JAZZ and ROCK ENSEMBLES
ABT TRIO - electric violin, electric cello and drumset
CONTINUUM - fusion for the 21st Century, since 1987
THE DEMANIA TRIO, since 2002 with Alex de Grassi, Michael Manring, Christopher Garcia
THE GRANDE MOTHERS RE:INVENTED, since 2001
- featuring Frank Zappa almuni,former members of the Mothers Of Invention including:
Napoleon Murphy Brock, Roy Estrada,and Don Preston
DON PRESTON QUARTET, since 2002 - "atonal jazz(?)"
HARRY SCORZO QUARTET - original jazz by the virtuoso violinist
THE MICHAEL VLATKOVICH ENSEMBLES, 1991 and on - Avant trombonist

WORLD MUSIC ENSEMBLES
ANCIENT GROOVES - world music ensemble
MEXIKA , since 2003,
Pre-Hispanic indigenous ensemble under the direction of Martin Espino
QUARTETO NUEVO, since 1999 - a world music improvising chamber ensemble
and duets with Drummer/percussionist Alex Cline,
guitarist Nels Cline and
multi woodwinds master Vinny Golia.

SELECTED DISCOGRAPHY:
Alex Cline Ensemble - The Constant Flame
Continuum - Passages
Continuum - Continuum
demania - demania
Alfred Garcia - Parallel Realities
Alfred Garcia - Make It So
Vinny Golia - A Gift for the Unusual (2004)
The Grande Mothers Re"Invented - A Grande Mothers night at the
Gewendhaus(2003)
The Moscow Symphony - Outcast
Quarteto Nuevo - EL MUSICO
Luis Villegas - Casa Villegas
Vio-Fonik - VIOFONIK
Michael Vlatkovich Trio - No Zee Two S
Michael Vlatkovich Sextet - Live In Toronto
Michael Vlatkovich Quintet - Why Don't You See Me?
Mark Weber - Obligatos For Terpsichorean Dipsomaniacs

Performance Credits:
ensembles I have been invited to rehearse, record and perform with
Ancient Grooves, the Ahn Trio, John Bergamo, Alokke Dasgupta, the Bergen Filharmonic Orkester under the direction of Kristan Jarvi, Cal Arts Percussion Ensemble under the direction of Maestro John Bergamo,Alex Cline Ensemble, Alex Cline/CG Duo, Nels Cline/CG Duo, Continuum,Martin Espino,Vinny Golia/CG Duo, The Grand Mothers Re-Invented(ex Frank Zappa alumni)Napoleon Murphy Brock, Roy Estrada, Don PrestonAlex de Grassi, the In Flux ensemble, Arthur Jarvinen, Steuart Liebig, MEXIKA, Roberto Miguel Miranda, Patrick Moraz, Michael Manring, The Moscow Symphony, Quarteto Nuevo, Don Preston/CG Duo and quartet, Ali Jihad Racy, Eddie Resto, William Roper, Harry Scorzo's Vio-Fonik, G.E. Stinson, Luis Villegas, Michael Pierre Vlatkovich, Mark Weber,
World Percussion Quartet:
featuring Gustavo Aguilar - percussion from the Americas, Park Je Chun- percussion from Korea,Mochizuki Takinojo- percussion from Japan, UCLA World Jazz Ensemble,
John Zeretzke, & others

Kenton Youngstrom - classical guitars
Kenton  Youngstrom, guitarist, composer, and educator records and performs internationally with the Falla Guitar Trio (with Adam del Monte and Gyan Riley),the Red Quartet (with Philip Vaiman [violin], Marissa Steingold [vocal]and Maksim Velichkin [cello]), and has appeared in classical and jazz solo and ensemble concerts in Europe, the Far East, Canada, Mexico and throughout the U.S. Youngstrom has performed with numerous jazz notables includingflutist Hubert Laws, pianists Taylor Eigsti and Dave Brubeck, violinist Harry Scorzo, bassist Putter Smith and drummer Paul Kribeck.
Recent compositions include the score of "Behind the Mask of Zorro"(History Channel), "Kengyadu - Three Movements for Guitar Trio and Orchestra" (co-written with Gyan Riley and Dusan Bogdanovic), "Mary Pickford - A Life on Film" and "Hollywood: Hidden From View" (Timeline Films).

Recent arrangements include works for the Falla Guitar Trio (including "Noches en los Jardines de España", for guitar trio and orchestra),the Red Quartet, Pasadena Jazz Orchestra, and the film "7 year ZigZag" (Next Step Studios).

He directs the guitar program at the Colburn School of Performing Arts and is on the faculty at Pepperdine University, Pasadena City College and East Los Angeles College.

ADDITIONAL NOTES BY CG
I called Kenton hoping he could recommend a guitarist for Quarteto, knowing how busy he is I wasn't expecting him to have the time and/or desire to be involved in a musical project on a weekly basis. I was pleasantly suggested himself. He comes to rehearsals ready to go with a great set of ears and musicality, not to mention his incredible, musicianship, and we slowly chip away at the marble.

I am always looking for composers who can play. They bring an entirely different attitude to the table, composers tend to hear "globally" instead of just what they are putting out thru their instrument and their playing reflects the band instead of just their technical prowess.If you haven't already, check out the FALLA TRIO on youtube.com., his guitar ensemble with Adam Del Monte and Gyan Riley.

Jacob Szekely  4 string and 5 string cello(s)
Jacob is a true musical rarity. As a performer he's one of the few legitimate improvising string players in the world, and perhaps the only cellist who has developed a true Jazz/funk concept on his instrument.

In addition to his busy schedule as a studio musician, and sideman, Jacob performs with his own groups Supernova (jazz/fusion quartet), The EARTHA AUSTRIA (Jazzed/Rock)
, Quarteto Nuevo (World Music), Leviathan (hip hop), and the Martin East Project (electronica).

Mr. Szekely is also active as a composer and arranger and has collaborated with a wide range of artists and ensembles from string quartets and world music groups to commissions for chamber orchestra and children's choir. He recently expanded his role as musical ambassador through his co founding and artistic directorship of String Project Los Angeles, a music school and resource for the alternative string playing community thoughout the world located in West Hollywood.

Jacob is a Steinberger and Danish Professional Audio artist, and performs regularly on his five string Steinberger Electric Cello as well as several acoustic cellos in different tunings.

ADDITIONAL NOTES BY CG
I first met Jacob at a gig where he was subbing for the regular cellist in maestro Harry Scorzo's VioFonik. The first day we met is the first day we made music. Jacob is a great listener and is comfortable in a variety of roles, whether laying down the bass function, comping, playing soaring melodies and/or soloing on his cello.He is always listening and curious about various musical forms, syntax and substance. Jacob is one of the new breed of so called "classical" string players who is putting himself in an environment not normally associated with cellists. Classical musicians do not usually train to improvise in a "jazz" context, where a soloist is required to "improvise" over fixed harmonic movement and QN gives Jacob a chance to utilize his considerable skills as a composer/musician.
Jaocb is also a founding member of the SUPERNOVA string quartet, and the AWF TRIO featuring Robert Anderson on 5 string electric violin as well as myself on drumset, my first instrument.

Damon Zick -
soprano saxophone, Bb clarinet, flute, alto flute, bass clarinet
Damon Zick, woodwind player, composer and teacher, originally hails from Seattle, Washington. After graduating from the Eastman School of Music in 1997 (B.M. Classical and Jazz Saxophone), he headed south to Miami Beach where he performed flute, clarinet and saxophone with the New World Symphony. Following a brief year in Houston, Texas (not brief enough), Damon headed out west and ended up in L.A.. Where he finished the M.F.A. program in Jazz Reeds at the California Institute of the Arts. Damon has toured the U.S. extensively with his own groups and others and has performed on six continents. He is also active as a teacher and clinician.
ADDITIONAL NOTES BY CG
Damon is a great musician.
He has been a regular member of CONTINUUM for the last few years and was more than open to come into a new musical configuration and play. He has extensive practical experience in a variety of settings - straight ahead jazz, classical and chamber ensembles, and I am lucky that he is willing to add his voice to this ensemble. He is always prepared for whatever may come his way musically and is never at a loss for ideas compositionally, or improvisationally.

PRIOR PERFORMANCES WITH
Toshiko Akioshi, Ralph Alessi, Aspen Jazz Ensemble, Joe LaBarbera, Bob Brookmeyer, Mike Cain,Continuum, Eastman Wind Ensemble, Eastman Jazz Ensemble, Florida Wind Symphony, Vinny Golia, Eddie Henderson, Joe Henderson, Bill Holman, Lee Konitz, Larry Koonse, Dave Liebman, Russel Malone, Bob Mintzer, National Orchestral Institute, National Repertory Orchestra, New World Symphony, Darek Oles, Quarteto Nuevo, Rochester Philharmonic Pops Orchestra, Spoleto Opera Festival Charleston

SELECTED DISCOGRAPHY for Damon Zick
We Are Large Evander Music
The Outing (Solo Debut) 1998 Orchard
New World Symphony Steven Mackey 2000 RCA Victor
Eastman Wind Ensemble 1998 Sony Classical
Saxology w/ Bob Mintzer 1996 Advance
Take The Next Step 1996 E-Jazz