MySpace


Nightsky Recording Studios / Ron Vento

Nightsky Studios Ron vento


Last Updated: 11/18/2009

Send Message
Instant Message
Email to a Friend
Subscribe

Gender: Male
Status: In a Relationship
Age: 35
Sign: Virgo

City: Waldorf
State: MARYLAND
Country: US
Signup Date: 8/31/2005

Blog Archive
[Older      Newer]
 /  / 
Saturday, December 19, 2009 
Just some quick advice to bands out there.  Especially younger bands with not so much studio experience.  Its tough if you have never recorded in a professional environment so i would like to help out with some quick words and thoughts. Hopefully this will be helpful in some way. 

Before getting in touch with a studio you should.

A. Sit down with your entire band, treat yourselves like you are your own record label because in fact you are if you are self financing or self releasing your own cd. 
Ask yourselves "what is our budget ?what do we not want to go over cost wise in the studio?" Have a plan on how much you want to spend. If you were on a label this would be essential to them so it should be to you. If your engineer is legit he will talk to you and tell you what is possible for your budget. 

B. Try and figure out what realistically can be done for your budget. Remember quality over quantity any day of the week.  
There is no reason to try and cram out an albums worth of material at the cost of inferior quality. If your budget is tight pick a few of your best songs and really focus on them. How you represent yourselves with your recording plays a big factor into how professional people perceive you to be. 
There is no worse call a studio guy can get than "hey we want to do album but we only have two days worth of money"  Of course this can be done but why bother.  Make a High grade demo that has an album quality sound with 3 of your best songs.  

C. Have a plan of attack when you finally decide on a studio. Figure out ahead of time with your engineer or producer things such as, Will the drummer use a metronome, Will the parts be done separate (ie Drums, bass, guitar, keys, vocals etc overdub style. ) Or will you try and do a live recording. (my personal opinion in the first is always the best scenario of which i don't have enough space to go into details on why) All these little decisions not being made the day of will help the sessions go much more smoothly. 

D. Have all your gear up to par. This is a no brainer but you would be surprised how often this is overlooked. Make sure you have new drum heads, new and extra Guitar strings, string instruments properly intonated etc etc. 

E. Have a plan after you record the cd.  Will you press your cd? Just as with the recording of the cd the package you put on your product factors big into first impressions of your band. 

F. Have a distribution plan.  Wether it be shows, internet, consignment, buy in, or distribution deal with a label have a way to sell your cds to make back the cost of studio time. Be sure to also set some aside for promotion to magazines, internet promo sites, and indie labels that will accept your package.   Don't bother with major labels, they will not open your package without you being present with an attorney. 

I have had quite a few calls lately from bands with not so much studio experience  so i thought this may be helpful to bands prior to calling a studio.

Thursday, November 19, 2009 
The New Recording and Workshop Dates have been announced by CSM. They will be taught at Nightsky Studios.  Info on each class is below.

Basic Live Sound Operations
PEP 5000-82070  February 1 – February 4, 2010, 6pm - 9 p.m.
Learn the operation of a basic live sound PA system in this course.  Topics covered will include mixing console operation, PA design and system setup, equalization, amplifiers, crossovers, loudspeaker design, microphone techniques, and monitoring.  This course is ideal for sound crews from nightclub, churches, and reception halls.

Introduction to Basic Studio Recording
PEP 6840-82071 March 8 – March 11, 2010, 6 p.m. - 9 p.m.
Come and be introduced to basic recording equipment and procedures in a studio recording setting. This class will prepare you to advance in the field and will include pertinent instruction on the essential elements for a studio, which include consoles or mixers, recorders, and monitors. You will also learn how to identify which microphones to use and how to place them, as well as a basic mix after recording.

Basic Studio Recording Lab
PEP 6170-82072 March 22 – March 25 2010, 6 p.m. - 9 p.m.
This class is the follow-up lab course to PEP 6840, Basic Studio Recording. Complete a recording project from start to finish. Learn how to set up Pro Tools for an actual recording process and build computer templates. Gain new vocal recording techniques and complete a final mix to ready for the mastering process. The end result will be a finished CD the band can take home and use for an actual demo for shopping purposes.

For more information or to get a registration form, 
call Vickie Grow at  301-934-7652 or e-mail vickieg@csmd.edu
For Class info call Ron Vento @ 301 910 6163
Saturday, October 31, 2009 
I wrote this after receiving yet another horrible home studio recording where the guy asked me to make his really really bad project sound "radio ready"  Needles to say it was done in his basement.  Sorry for my rant ahead of time. And if you do indeed have a good or at least reasonable home studio recording we would love to help you with it, but if its bad please keep it at home.

Let me start off by saying save the emails and complaints for another day.  I do not mean to offend anyone, I just want to point out some things that have been on my mind and overlooked the last few years. Since the DAW became the go to method for recording way to many people, articles and magazines are focusing on how to DIY and really are forgetting what makes a professional a professional. 
If you are a true aspiring engineer please just skip this read. Proceed with the home studio, keep getting the gear, keep recording, bands, keep interning and never stop learning, get that studio you always dreamed of. I wish you nothing but luck. We all started at home so it’s not all bad but for god’s sake take it seriously!!  For you other guys please read on.
With the advent of all the low budget recording methods becoming available many people are deciding "Hey I can just make my own album now".  Well this will focus on why NOT to make that next album yourself.
Now I know there are some great guys out there that do make their albums at home and can engineer circles around me and their albums come out great, they are the exception.  They are the guys that have put in work and learned over the years and took this job very seriously. 99% of the guys that attempt to make those albums end up redoing it or just end up with a mediocre album at best. I can’t tell you how many CDs I have redone over the years from bands who made that mistake.
We all know there are many positives that can come from having a recording set up at home, The Pre Production value alone is worth more than I could ever say.  Getting ideas down on the spur of the moment is priceless.  I really don’t need to hear about all the great things a home studio brings to the table, I already know because I have one myself.  In fact I think every band should have a means to record their ideas and such.
Let’s face it, not until the home studio went to a computer based platform did people really try and make their CD’s at home. Maybe some did but I am speaking about the majority.  The ADAT started the trend but the DAW took the idea and ran with it. People used to write and pre produce their songs at home and when it was time to record leave it to the guys that do it for a living every day to make their records. As an engineer now for over 15 years I really get a little agitated when I get that call every other month from a band that I have recorded in the past or even a new band and they say "hey we got a little set up at home now and want to make our CD, how do we do this or what tips can you give us " etc.  Here is a tip for you, come back to a professional weather it be me or someone else to make the CD. In the end you will be much happier. It seems I have been handed more garbage in the past 5 years than ever before. All I hear is "hey can you mix this for us", or "can you master our CD and make it radio ready, we did it ourselves".  Well my answer is usually NO I cannot. Why?  Because your levels are clipping, your recording or master is mixed with way too much compression, there is no headroom, the tracks are not separated, no filtering was used and all the mids are scooped out. There is an air condition, a dog  barking or baby crying in the background among a hundred other things. No I cannot make this sound Radio ready. Remember the old attitude "Garbage in Garbage out?” I sure do.
Now don’t get me wrong I hate to turn away work but sometimes the stuff you put out with your name on it can hurt more than it can help the business. I just pass on that stuff and luckily I stay afloat. I am going into my 10th year of business with virtually no advertising.  What leaves my studio with our name on it is a direct reflection of us. That should be appreciated by the bands we record.  If they sound bad so do we. Sure I am lacking some gear and a half million-dollar console as most smaller studios are but the stuff I do have is great and very high quality gear. Sometimes you have to know when to say No to a project. 
On another note please don’t write in and say “you don’t have a big analog console so you aren’t even a real studio”. Please don’t tell me times are changing and just 20 years ago a smaller studio like yours didn’t even exist. I know that already.  I know without the advent of the DAW and more cost effective recording mediums I wouldn’t be running a studio myself.  This really doesn’t come down to a gear thing so I don’t want to make it sound like that.  It comes down to an experience thing.
This business is one of the most undervalued professions I can think of. People think Hey I will buy a DAW and Bam!! I am a recording engineer. I’m going to make and mix a record.  I have never heard of a guy buying a wrench and saying "I am now a mechanic" or a guy who buys a light bulb and says, "Now I am an electrician".  Hey I have a hammer now I am a homebuilder.  Just like those professions it takes years to develop your craft and turn into a good engineer, mixer, or mastering engineer. No one seems to realize that in today’s world. Does anyone value the guys that have spent years developing their skills and devoted their lives to this field? What happened to the internship and trying to learn the ropes from a real professional? Its called “putting in the work”.
 Now I am not saying for a second that if you want to be an engineer to not get gear and start somewhere, we all had to.  I have no issues with that. The bottom line is if you are the drummer in your band, focus on drums or if you are the guitarist focus on guitar. In the music world it’s hard enough to do anything and make a living, so try and be the best at what you do. Don’t be the typical “jack of all trades” but an ace of none. How much time can you really be playing and practicing those drums if you are worried about learning proper compression ratios, or learning what frequencies reside where or all the little nuances of your DAW. The ear training for mixing alone takes hundreds of hours.  All that time could be refocused on your band and song writing. I think you will see that while a ton of engineers come from a music background most have decided to not be in a touring band or they say their band is not their number one priority. Yes I know there are exceptions to the rule. I still make albums for my band as well but as a whole my job is an engineer. That is what I focus on and spend countless hours developing.   Yes I think my music could be better if I put just as much emphasis on that as I do learning production techniques or mic placement, or just the DAW itself.
Lets delve deeper into why not to DIY. Is your basement really the best place to record? The acoustics alone we could write an entire article on. How well did you refine that room you are tracking in, or the room you are mixing in? Did you analyze it and treat it properly? For drums, I am guessing the ceilings are likely way to low.  From a creative standpoint not being fluid on the DAW  the stopping, tracking and punching in alone would be enough to stop creativity cold. Do you really like your kids and wife’s coming in while the band is trying to track. How about that dog that keeps barking and the stomping on the ceiling.  When bands create music most of them like to get in a zone and not have interruptions like the phone going off. Usually the band makes this mistake one time and then the smart guys demand they go to a studio. The call I usually get from those guys goes something like this "man we tried doing it our selves but it just didn’t turn out right, we decided to go into a studio this time around". Smart guys…. but you can be smarter, just skip all of that and save yourself time and money now.
Lets now look at some of the financial issues. Even though cheaper than ever before, you have to spend a few thousand dollars to have even a reasonable recording rig for a home studio. If I were in a band I would ask myself, can this money be better spent?  If your band is your life please take that money and replace your pearl export drum set with a pearl masters series. Or take your Squire guitar and buy yourself a real American strat. This alone will make any recording better. Maybe you should be a buying a PA for better rehearsals.  How much merch do you have? Maybe you could use more.
Even if you have a nice little budget of say 5 to 10 thousand, do you really think you should get a set up worth that much when you will come out mediocre at best without the years of training.  Just take a couple hundred and get that Mbox for pre production as we talked about earlier.  I think taking that $5000 to a pro studio and letting them cut your record will yield much better results in the end. Besides your band is your life right? Why accept mediocrity on your new CD. The $5k you just spent may cover maybe 2 pieces of gear in a decent studio.  Did you really think you were going to get that radio sound quality at home with low dollar converters, pre amps, and mics? Not to mention the many other things as well as the experience of a guy who does it every day. Remember even though the gear matters somewhat you are paying for experience. Ask yourself is your goal to make a living playing music or recording it?
If you are just a hobbyist at home great, have fun but don’t bring it to us and say make it radio ready.  How serious do you think your band will be taken by that A&R guy, Club Promoter or Record Exec, etc when you present them a CD that sounds like trash? They have thousands of CD’s they go through. Don't you want to stand out with a great recording? Maybe having a great sounding CD will get you the cash you spent at the studio back. Your CD sales will improve, you may get more or better paying shows, or better yet a nice little record deal. Maybe you won’t but it can’t hurt. The same can even be said about they way you present your CD.  Does it look pro, or is it a cd-r with a label. Remember the better you look and sound on your CD, the better you look and sound in real life.  
I know everyone has money issues in today’s economy but lets face it if you are in a band with 4 or 5 other guys and you cant get a few hundred together from each guy then maybe there are some other issues. Here is a thought, give up those bad habits you have (you know the ones) and invest it in the band. I know this doesn’t apply to everyone, once again I am just making a comment because I see this everyday. Its bad enough the quality of music, musicians and bands that have gone on a downward spiral since the advent of pro tools with the DAW making bands not really even want to play their instruments "hey can you fix that later" but now they want to record their albums as well.  Once again focus on your writing or playing not recording. Please don’t say music is your life when its not. 
It is just so frustrating to me getting these calls asking to make garbage sound like a half million dollar recording. It would be nice to get back to a time when bands were bands and engineers were engineers. Don’t be that band that spends time and money trying to DIY and then realize man we just wasted tons of time and cash.  I guess this has turned more into a rant than anything else but it needs to be said. I talk to many other long time engineers that feel the exact same way but don’t want to say it.
I think in the end when it comes down to it and you ask yourself "Can we afford to go to a quality studio"? The question you need to be asking yourself is "can we afford NOT to"
Ps   This is not directed to nor a shot to those bands that I have recoded over the years that have got the Home recording rigs. You all have my respect,  just make sure you are using them for pre production.  If you get the bright idea to make that next album yourself, well………  good luck.   
Tuesday, October 06, 2009 
That is correct, now we have added an API 5500 EQ to our gear. This is a Superb Mastering EQ as well as general tracking EQ. Please check out our Gear list for the recent addition, as well as the photo section for all pictures.
Friday, September 25, 2009 
We now have to offer a VHT Ultralead Pitbull to out guitarist in addition to our Mesa Triple Rec and Marshall JCM 900. Bass players we have also added a Great SVT4 PRO rig as well.  Remember All of our amps are now free to any bands recording with us. Check out the photos for pics.
Saturday, August 29, 2009 
I am currently in the market for any good amps such as Soldano, VHT, Budda, Bogner, Matchless, Hiwatt  Etc. I am not interested in any Mesa or marshalls unless you have an old JCM 800.
I will buy outright for a reasonable price or I am willing to tradefor studio time.

Sunday, June 28, 2009 
Each month we will be running a studio special to a specific genre. This month we are extending the special to all NEW Rap / Hip Hop Artists. This applies to anyone who has NOT recorded with us before.  We are looking to earn your business. Once you record with us we are confident you will want to come back. Book  any  day in July and your first session will only be $35 per hour.  It can be up to a 10 hour session  or as short of a session as you like.  This rate will only be for the month of July and you must let us know that you saw this when making your booking. These rates are like home studio prices except you get superior sound and quality with true top gear and engineers that do this for a living every day.  If you would like to come hear what we do or see the studio prior to booking just let us know and we can arrange it.  We have recorded artists such as Genuine, Deangelo Redman (making the band) , Scarface & Devin the Dude to name a few. Give us a call at 301 910 6163 or email at aurora4dth@aol.com for any additional info.

Once again we will be doing a new genre every month. We want to see you soon.
Tuesday, June 16, 2009 
The college of Southern Maryland has just announced the dates for the fall classes/ workshops that will taught at Nightsky studios.

The dates and times are as follows


Basic Live Sound Operation (learn how to set up and run a live sound, concert, or church event, as well as other techniques)
09/14/09 to 09/17/09  6 to 9PM
 
Basic Studio Recording (from the ground up for basic pro tools & recording techniques)
09/21/09 to 09/24/09  from 6 to 9 PM
 
Recording Lab ( Set up and record a band start to finish and give them a finished demo of the work) Basic recording class is not required but is recommended before taking this lab.
10/05/08 to 10/08/09
 
Contact Ron Vento at 301 910 6163 or Vicki Grow at 301 934 2251 for more information.
                                 www.nightskystudios.org
Monday, June 15, 2009 
I had a band locked into next week (22nd through the 28th) for pretty much the whole week and they recently canceled so I am offering $35 per hour recording to the first band that gets in touch to do some recording.  This is almost half of what we usually charge. THIS IS ONLY FOR THE FIRST GROUP THAT HAS TO DO SOME SERIOUS RECORDING (NOT A FEW HOURS). Basically, I am looking for a band to fill at least 20 hours or so. If you cannot fill close to 20 hours please do not email. This is hundreds off what we usually charge for that amount of time.  Contact 301 910 6163 or email aurora4dth@aol.com for details.

On another note, this has brought me to another idea to get new clients into the studio.  Starting in July, I will be selecting a genre of music and for that monthly only first time clients will get their first day of recording for $35 per hour. Each month I will pick another genre.  This will apply only to NEW clients and their first session only. Check back often.
Friday, June 05, 2009 
Well its been about 5 months since the last update so here is what has been going on at Nightsky.  I know we have missed a bunch of people so my apologies.
 
HydraFX returned to Nightsky to do the their new full length cd. The cd turned out great. They should be posting song samples in the next few days. Only one is up at the moment (nothing else remains) and it is a rough mix,  check out their site www.myspace.com/hydrafx  in a day or two to hear the final mixes on a couple tracks. This was the most fun we have had in a while working on a cd.
 
Sam Grow finished his new ep. It turned out so well that we will be going back in to do another 4 or 5 tracks to turn it into a full length cd. Unfortunately it will be a few months before we finish the last few songs so the cd people were waiting on will  be delayed a little while longer. It will be well worth the wait. One of the tracks from the ep (holding back)  is up at www.myspace.com/samgrowacoustik 
 
Northbrook after a very long time have finished their cd. As promised here is the link to check out the tracks for the new cd. www.myspace.com/northbrook  Great indy style rock.
 
Adalaine a new metal band came in for a one song demo, they are in need of a vocalist, check out the track here www.myspace.com/adalainemusic  
 
Blynd Faith have completed their new double cd. It should be released coming in the next month or so. One cd will be a studio recording and the second will be a live recording. Check out the tracks (Harsh Reality & Good Morning America) from the new cd at  www.myspace.com/therealblyndfaithmovement 
 
Reverie returned to the studio to start rough tracking and mapping out the songs for their new cd which will be recorded later this summer. We got the bulk of the roughs done and the new cd should be exciting. Check out the older tracks from the last cd at www.myspace.com/thetruereverie 
 
Dynamic Superiors newly reformed and Once signed to Motown records in the early 1970’s are in Nightsky working on their cd. We should have the cd done later this year. No samples are up as of yet but check out the site here www.myspace.com/thedynamicsuperiors  
 
Amy & Heather Howes  Completed their new EP, samples will be posted shortly.
 
Elisa dOlivier has been working on some new stuff. check it out at www.myspace.com/elisadoliviermusic 
 
Upperdeck were back in the studio in feb to add a couple tracks to their new cd. Check out current tracks at www.upperdeckmusic.com
 
Bombaye came back in to do another couple tracks, you can check them out at www.myspace.com/theinsurrection  
 
Sickened by the Grey are still in the process of recording their full length cd. This started out as an ep and now is a full cd. They are still in need of a bass player. Check out some tracks at  www.myspace.com/sickenedbythegrey  
 
Butterfly Chuck came in for a 3 song ep samples can be heard here www.myspace.com/butterflychuck  
 
Failing Kurtz came in for a one song demo it can be heard here www.myspace.com/failingkurtz  
 
Below Sixth, Others May Fall, Minus One, We have the Summer, Left Lane Committee & Arsenic  have finally released their cds we completed earlier this year. I know these are older recordings but I just wanted to make sure everyone knew they were out for sale now. Check out their sites at  
 
 
Remember cd replication prices are now lower. Also be on the lookout for our article in this months issue of tape op magazine.  We look forward to working with everyone who has upcoming sessions and we encourage any bands looking to record to come to the studio and check out what we have to offer, call 301 910 6163 or email aurora4dth@aol.com for info.