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Saturday, March 28, 2009
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Their bio claims that they’re “making slow and boring even more slow and boring.” Thankfully, Nanda Devi are a bunch of rotten liars and Fifth Season is neither particularly slow, nor is it boring. Now if I was to lazily state that these guys are simply another in a long line of acts taking their cue from the likes of Isis, Cult of Luna etc. or dare utter the ‘p’ word, at best you’ll probably roll your eyes in complete indifference or at worst, want to throw a shoe in my general direction. So instead I’m going to point how this band is different from your typical Neur-Isis clone and why you should bother with Fifth Season. The most obvious thing to point out is the vocals. The combined efforts of bassist Ryan Whyte and guitarist Aaron Schomaker are easily the nastiest, most harrowing and evil-sounding vocals I’ve heard from a band of this type. Aaron Turner may have sounded quite gruff on those early Isis records but he’s got nothing on the growls, shrieks and howls that Nanda Devi offer up. It really is their standout element and gives the band a darker, more visceral edge than their contemporaries.
The other aspect of Fifth Season that impresses me is how tight it is. Out of the eight tracks, three are brief, untitled segues. Whereas on other albums such passages are often absolutely useless, here they have a genuine ‘what comes next?’ feel and actually serve their purpose of linking the main songs together. As a result, weightier numbers like “Abandoned By the Sun” and the excellent “Blood and Iron” are more easily digestible and hence enjoyable. As much as I love my plodding, atmospheric metal, it’s a sad fact that I rarely have the time or energy to invest in a seventy-minute concept album, so to have Nanda Devi do their business with me in less than forty is a real plus. Also, the fact that these guys don’t have the same level of innovation or full-on artistry as their peers is another reason why the modest, streamlined approach of Fifth Season serves them well.
Ironically, Nanda Devi are one of the bands I'd most readily suggest to those who normally find this particular strain of modern metal too 'slow and boring'. Fifth Season is by and large a dark, heavy and gutsy affair with some suitably haunting atmospherics thrown into the deal. It cleverly avoids some of the pitfalls that can dampen albums of this kind, thereby affording itself some real cross-genre appeal. There, and I didn’t mention ‘post-metal’ once.
-Metalreview.com
http://www.metalreview.com/Reviews/4943/Nanda-Devi-The-Fifth-Season.aspx
Buy Fifth Season at http://cavityrecords.bigcartel.com
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Saturday, March 28, 2009
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At first glance the Portland, Oregon band Nanda Devi looks to be another worshipper at the altar of Neurosis, plying a brand of crusty, dark sludge-metal with nebulous mystical overtones and an appetite for slow, crushing riffage. This debut album has some interesting quirks up it's sleeve, though, and Fifth Season ends up one of the more interesting debuts that I've picked up so far this year. The music is mostly slow and punishing when it's at it's heaviest, and the band's mix of grim hardcore and doom metal references Buzzoven as much as it does early Neurosis. Guitars are massively distorted and saturated, grinding out hulking detuned drone-riffs and gluey slow-motion crustcore, the sludgy metallic riffing corroded and rich in texture, and these heavier passages are made even more crushing by being contrasted with fantastic melodic riffs and leads that give Nanda Devi's music an epic, panoramic feel. It's similiar in some ways to the moving melodic doom metal of Thou and Samothrace, but with lots of spidery, angular guitar parts appearing between the sludgy riffs, alternating the grinding downtuned crush with tendrils of Slint-like math rock.
The drumming also stands out on this disc. Beginning with "The Circumpolar Current", Fifth Season combines more straightforward dirges with thunderous walls of awesome, churning tribal drumming, and the constant surge of polyrhythmic battle drums across these songs turns Nanda Devi's epic math-sludge into something even more ferocious and epic. The vocals are utterly brutal, spewing chunks of vicious death metal roar and gutteral screams, and the band incorporates some eerie spoken-word samples in a couple of spots that add to the tension. What appears to be one of Nanda Devi's siganture moves is the use of short instrumental pieces that surround their songs, each one untitled, and these range from hypnotic trance-loops of guitar/bass noise and ambient whirr, to dreamy washes of buzzing guitar drone and decayed Basinkski-esque loops of fragmented melody, and floating clusters of melodic minor key guitars that drift over clanking, grinding machine rhythms. These instrumental interludes give the album an almost industrial feel, and along with the tribal drumming, epic melodies, and math rock parts really make these guys stand out from the sludge/doom metal masses. I hear bits of everything from Buzzoven and Buried At Sea to Mono, Godflesh and Japanese hardcore architects Envy in here, but Nanda Devi takes all of these elements, the soaring melodic guitars, the filthy apocalyptic heaviness, the dreamy machine loops and the math rock riffs, and weave it into their own complex, weighty sound.
-Crucial Blast
Pick it up here: http://www.crucialblastshop.net/ or at http://cavityrecords.bigcartel.com
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Tuesday, July 22, 2008
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http://www.last.fm/music/Nanda+Devi
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Friday, July 11, 2008
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 We had to use the old picture, we'll get some new ones asap.
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