On December 28, 2006 the Contra Costa Times declared that the Fainting Goats had the "Great Band Name of the Week." Here's an excerpt:

GREAT BAND NAME OF THE WEEK

Fainting Goats, on the bill Saturday at Starry Plough, 3101 Shattuck Ave., Berkeley. 510-841-2082. For a hilarious 'explanation' of the Santa Cruz alt-rock band's origin, go to www.gotlocalmusic.com/music/bands/465; for more info on the band, see www.myspace.com/faintinggoats.

http://www.topix.net/content/kri/2857401049153228214809559668162548926593

December 23, 2006 Santa Cruz Sentinel


 The Fainting Goats keep their feet in a difficult scene for locals  by Graham Haworth

We all know that when it comes to the live music scene, Santa Cruz is an anomaly. With an average of 20 national touring bands stopping by our fair county each week, we match and exceed the entertainment choices of many a much larger city.

That's the good news. The bad news? With so many national acts playing the clubs, many Santa Cruz-based bands get left in the lurch. It used to be that club owners would hook a local band up with an opening slot, but these days tours are often two- and three-band package deals so that bookers don't even have an option of tapping local bands to open. And with venues like the Aptos Club and the Mediterranean closing their doors in the past year or so, bands are having an even harder time finding places to hone their stage chops and gain a local following.

"There was a time in Santa Cruz when there was a happening local music scene, but that was a long time ago," said David Roda. Roda is the drummer/vocalist for the Fainting Goats, a Santa Cruz indie rock band that has a knack for writing supremely catchy, slightly offbeat songs. "Now the only places we can get a gig are the lower-end clubs and bars on a weekday night."

I recently stopped by the Fainting Goats rehearsal space to chat with the foursome — Roda, guitarist/vocalist Don Roland, guitarist/vocalist Dave Harrah and bassist Ken Stockett — and to hear some of their newer songs. I came away from the meeting thinking to myself, "Why aren't these guys a buzz band around town?"

"If a band can get a big local draw, you can get better nights around town, but how do you get that when you can't get into clubs in the first place?" asked Roland. "It's a Catch-22."

The Fainting Goats aren't bitter about their luck getting gigs in Santa Cruz. The situation has forced the band to look elsewhere for shows, something that "local" bands often have trouble with. They're regulars at the Starry Plough in Berkeley, where they play their next gig Dec. 30. They also play pretty frequently in San Francisco at places like the Hotel Utah; catch them at the Edinburgh Castle, also in the city, Jan. 12.

The Fainting Goats released their first CD, titled "Native Sounds of the Golden West," back in July. With three songwriters in the band, the impressive thing about the disc is how cohesive it sounds. It's not like the band members are all childhood friends; they've been a band for three years, and most of the members didn't really know each other before the band. But Roda, Roland and Harrah's songwriting styles are remarkably well-suited to each other.

"What I like about the band, you can't tell who wrote each song on the CD without looking at the liner notes," said Roland.

You'd think that with three guys fighting for space on each album, ego would get in the way. Not so at all, and that's a rare thing to find in a band where songwriting duties are shared.

"I always have ideas for my songs that I present to the band with a grain of salt, because I don't expect them to play it exactly that way," Harrah said. "I feel like we're all mature enough musicians that we don't have to worry about each other so much."

Roda nodded his head in agreement, saying, "When I bring in a song and show the band the chords, nine times out of ten, the first time we play it sounds pretty damn close to what I heard in my head."

Even with a CD that's less than six months old, the Fainting Goats have been plowing ahead, writing numerous new songs that the band feels strongly about. They still retain the quirky twin-guitar, three-part vocal harmony attack that gives the band their uniqueness. Still, don't wait for their next CD to be released; head down to Streetlight Records in downtown Santa Cruz for "Native Sounds of the Golden West," or visit to www.CDBaby.com/faintinggoats. To learn where the band name came from, search for "Fainting Goats" on YouTube for a few amusing videos.

And keep an eye on this column; I intend to introduce numerous local projects over the next few months.

Contact Graham Haworth at ghaworth@santacruzsentinel.com.

On the Net

Check out the Fainting Goats online at www.faintinggoats.net and www.myspace.com/faintinggoats

We're very proud to have had our CD reviewed in the premier entertainment newspaper in Santa Cruz, Good Times. Released August 17, 2006:

Fainting Goats
Native Sounds of the Golden West
Independently released

For the lover of addictive hooks, perfect choruses and tight harmonies, modern times have become a desperate Mad Max scenario, with melody-parched pop fiends roaming the musical wastelands in search of that scarcest of commodities: the catchy tune. So who'd have guessed that right here in Santa Cruz, a well-kept secret of a band was bogarting a handful of gleaming alt-pop gems and flexing a likeable sense of wit to boot? The two most infectious songs on Fainting Goats Native Sounds of the Golden West CD come courtesy of drummer/vocalist David Roda, whose Lemonade and How Do You Groove It? will stick in your head until surgically removed. With a voice that lazily wafts irony into the atmosphere, Roda sometimes sounds so much like Camper Van Beethoven/Cracker frontman David Lowery that most listeners probably wouldnt bat an eye if you told them it was the same guy under a different name. The CVB similarities don't stop there, though; like the members of that band, Fainting Goats have their tongues so firmly planted in their cheeks that they might as well have them sewn in. The styles of the Goats' three songwriters are as compatible as cigarettes, sleeveless shirts and tabloid TV, though it would've been nice to hear more from guitarist/vocalist Don Roland; his two contributions, Burt's Boy and Cry On Cue, are sterling-solid, with the latter weighing in as one of the album's standout tracks. On the whole, an impressive, miles-above-average first effort.  Damon Orion

Get your copy of "Native Sounds of the Golden West" here:

http://cdbaby.com/cd/faintinggoats

For those of you in the Santa Cruz area, be sure to pick up a copy at Streetlight Records.

The Goats thank you for your support!

Michael's Nervous has just posted their 13th Podcast and it includes your favorite little band from Santa Cruz! Many thanks to these guys who produce the podcast and support local music. Visit http://www.michaelsnervous.com/podcast.html today to check it out.

Also, we'll be sharing the stage with Michael's Nervous in June at The Hotel Utah. Stay tuned for more details!

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