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Conjunto Progreso



Last Updated: 12/11/2009

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Status: Single
City: Miami
State: Florida
Country: US
Signup Date: 9/12/2005

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Thursday, October 29, 2009 
Thursday, October 08, 2009 


http://www.youtube.com/watch?v=J1RtW5tUIEs

Johnny Aguiló: vocals, maracas. Rolando Perez" vocals, clave. Jose Elias: tres, electric guitar. Miguel Gomez: bass. Michelle Fragoso: piano Chaing Liang: congas Edel Perez: timbal. Juan Marquez: trumpet. Yasmany Roque: trumpet. Ulices Del Toro: guitar, tres. Ed rosado: bongo. Chad Bernstein: trombone. Mercedes abal: flute.

Monday, July 13, 2009 


http://www.youtube.com/watch?v=wYBr7Zwqwo0

Arturo Sandoval with Conjunto Progreso

Thursday, April 16, 2009 
Tuesday, April 14, 2009 


http://www.youtube.com/watch?v=caMGFk40jCA

Arturo Sandoval playing with Conjunto Progreso

Monday, April 06, 2009 


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Monday, March 17, 2008 

Category: Music

THE GRAMMYS | 8 TONIGHT ON WFOR-CBS4

Nominations delight local artists

Some little-known local Latin artists will be vying for Grammys in tonight’s competition. They’re surprised and delighted.

By JORDAN LEVIN
jlevin@MiamiHerald.com

He may not be playing stadiums, but singer and musician Johnny Aguilo has been pretty happy with the following he and his band, Conjunto Progreso, have built in Miami playing the traditional Cuban son that Aguilo’s father and grandfather played.

But he never expected their self-produced album, Masters of Cuban Son -- with a 13-minute version of the Cuban classic Lagrimas Negras that was almost guaranteed to never get on commercial radio -- to be nominated for a Grammy.

’’I was pretty shocked,’’ Aguilo says. ’’It was nothing we or I expected.’’ People magazine called recently, and European labels have shown interest in picking up the record.

Aguilo is not the only local musician who’ll be holding his breath when the Grammy Awards are broadcast on CBS tonight. Five Miami Latin artists are nominated for Grammys this year, all South Florida acts on small independent labels.

While Miami-based artists are often a presence at the Grammys, they tend to be bigger names with more label muscle behind them, like Juanes and Carlos Vives (who are associated more with their native Colombia than their part-time South Florida home).

Sharing nominations for Best Traditional Tropical Latin Album with Conjunto Progreso is another Miami orchestra, Tropicana All Stars with Israel Kantor, on Regu Records, another tiny, Miami-based label. Local drummer Sammy Figueroa -- who has played with many artists, including Miles Davis and Mariah Carey, and often plays local venues -- is up for Best Latin Jazz Album along with such revered names as Ray Barretto and Eddie Palmieri.

Tiempo Libre, made up of Miami-based musicians who’ve accompanied bigger local names like Albita and Arturo Sandoval, is nominated for Best Salsa/Merengue Album.

HONOR FOR CHIRINO

So is Willie Chirino, the local salsero who’s exulting in his first Grammy nomination, for Son del Alma, after more than 25 albums and 35 years as a musician -- a hero in the Miami Cuban community who is little known outside South Florida.

Awards for Latin music, along with other smaller categories, will be given out in a ceremony before tonight’s telecast, which will mostly feature mainstream stars like Jay-Z, Linkin Park, Madonna, Kanye West and Coldplay. But that doesn’t lessen the excitement of being nominated for the music industry’s most prestigious honor for the first time.

’’My first -- can you believe that?’’ says Chirino, who has never been nominated for a Latin Grammy either. ....It is very rewarding, very satisfying. To get a Grammy nomination after 35 years is not very common.’’

Some industry sources said competition in the Latin categories was not as fierce this year, leaving the field open to lesser-known acts. But even people in the music industry are hard put to explain why so many little-known Miami names -- the most South Florida Latin artists honored in recent years -- have made it into a national arena this year.

’’I don’t have a real answer,’’ said Mel Carmona, whose Pimienta Records has Conjunto Progreso and Mayito Rivera, singer for famed Cuban band Los Van Van, in contention. Pimienta has racked up 14 Grammy and Latin Grammy nominations since 2002, spread among Miami artists and those from the island.

Carmona thought perhaps because the big record companies were not putting much effort into the traditional tropical, Latin jazz, or salsa/merengue categories -- which are not big commercial sellers -- that left space for independent labels and artists. ’’Maybe people are tired of the same names,’’ he said.

....You don’t see the big multinational labels putting money behind these new artists or some of the old artists.’’

EXPLANATION

The noncommercial nature of these genres suggests an arcane organizational explanation. The Grammys honor 108 categories of music, from polka to classical crossover. Because most members of the National Association of Recording Arts and Sciences, who vote for both Grammy nominees and winners, are unfamiliar with specialized genres like Latin music, the Recording Academy appoints committees of specialists to make sure a Tex-Mex act doesn’t get nominated alongside the salseros.

Those specialists are more likely to know obscure and local artists.

’’Whoever votes in the nomination committee, they totally know who these [artists] are,’’ says Gabriel Abaroa, president of the Latin Recording Academy, which produces the Latin Grammys.

....To the experts, Willie Chirino is very well known. So maybe it’s that, or maybe people fell in love with an independent album.’’

Friday, December 21, 2007 

Current mood:  accomplished
Category: Music

Their latest album, Master Sessions: Descarga and Son, is an attempt to immortalize not only the music but also the members. Thus Aguiló contracted local Cuban artist David "LEBO" Le Batard to create the album's artwork, including a cover depicting each player's face. Taking his cues from Cuban album art of the Fifties, LEBO depicted bandmates on a boat watched over by the Virgin of El Cobre in order to play up the group's folkloric sound, which he describes as "soulful and organic."

He's right on key. Although Aguiló started out playing with popular freestyle and rock outfits like Exposé, Erotic Exotic, and Young Turk, Conjunto Progreso echoes three generations of Aguiló's Cuban family. The album is also an homage to his father, trumpeter Rolando "El Ruso" Aguiló, who passed away earlier this year after recording several tracks for it. In fact Aguiló named the ensemble after Havana's Radio Progreso, where El Ruso spent years as the house bandleader before seeking exile in the United States. Aguiló's grandfather, bassist Mario "El Chicho" Aguiló, backed up Nat King Cole at Havana's Tropicana nightclub, and his great-grandfather, Arturo Aguiló, pioneered the danzonete, a kind of Cuban country music. "Music's the only thing I've ever known," says Aguiló.

The other bandmates can trace similar rich lineages. Lead vocalist Rolando Perez got his cords from his Cuban mother, Sextet Colon singer Amanda Milian, and his inspiration from family friend Pio Leyva. He would later sing for Estrellas Juveniles, Los Dandys de Cuba, Roberto Faz, and Lady Castro y la Llave in the United States. "He's one of the few soneros left — just ask Albita," says Aguiló, recounting how the Cuban diva begged to sing with Perez during a Conjunto Progreso show at Hoy Como Ayer.

Meanwhile José Elias, the group's guitarist and trés player, is also a veteran member of the Spam Allstars. He produces the annual local Afro Roots World Music and Women and Culture festivals as well. Trumpet player Juan Marquez, nephew of legendary Cuban guitar player and composer Juanito Marquez, played with numerous sextets back on the island. Bassist Miguel Gomez studied under Cachao's renowned nephew, Orlando "Cachaito" López. Pianist/organist Michel Fragoso's strict music education in Castro's music schools landed him gigs with Arturo Sandoval. Also keeping time are bongo player Edel Perez and his congo counterpart, Angelito Cardero, who share the stage on América TV's El Show de Fernando Hidalgo. Finally there is guiro player Pepe Cabral, a mainstay from an earlier local legend, Conjunto Universal.

Still, it's Aguiló who is credited with putting the con in the junto. He left Cuba at the age of seven, but the island's music played on through his childhood in Harlem, where his father directed the music at Los Violines nightclub and sometimes opened for members of the Fania All-Stars. Aguiló often fell asleep waiting backstage for artists like Héctor Lavoe and Willie Colón, but their rhythms easily made their way into his subconscious. He was soon singing and banging on everything from drums to timbales and congas. "Even though I played in rock bands, I was always a Latin percussionist," he says.

In 1998, just as Buena Vista Social Club's Compay Segundo and Ibrahim Ferrer were shuffling their way back into the limelight, Aguiló had his own musical epiphany. He and Elias decided to drop their Santana-esque rock band Red Road to delve into the kinds of long-winded descargas, or raw, son-inspired jam sessions typical of Cuban music in the late Fifties and Sixties. "There was a necessity for this kind of band," Aguiló says.

"This has been a way for me to channel tradition," confirms Elias, who was born to Cuban parents in the Dominican Republic. "The young guys bring some kind of a fire to the group, and the old man is like the aged wine."

In 2004, after years of low-paying bar gigs, Conjunto Progreso released its first album, Masters of Cuban Son, on Universal. A year later, the album was nominated for a Grammy in the Best Traditional Tropical Latin Album category. World-renowned pianist Bebo Valdés ultimately took the honors, but Conjunto Progreso, now signed to Warner Elektra Atlantic, remains tickled by the experience.

"We were very humbled by it, but it was more the experience of taking me and José and eight Cubans who've hardly been out of Miami to the Grammys," says Aguiló.

"Most of these musicians are living off their day jobs, so for them it's like a dream come true," seconds Elias.

Conjunto Progreso still hasn't made it huge, but the band members have moved on to music festivals and other high-profile concerts; they'll be headlining the New Year's Eve Celebration at Bayfront Park. They've also been performing at fancy gringo weddings and corporate shows like this year's Revlon party at Donald Trump's Mar-a-Lago in West Palm Beach, where they opened for Alicia Keyes. Meanwhile they're getting airplay on public radio stations from Tampa to Denver, whose serious music connoisseurs stay tuned for 13-minute jam versions of classics like "Suavecito."

A December 7 Travel Channel filming of their show at Transit Lounge didn't offer many economic perks, but Aguiló is confident this accumulated slow and steady recognition is enough to keep the bandmates committed to the cause. "What keeps us going is our love for music. It's caused relationship and work problems, but I'm gonna do what I'm gonna do. This is what my dad, my grandfather, and my great-grandfather did, and they all had two jobs," he says. "No other band is as traditional as we are. We pay respect to the people who did it before us."

 

Details:

Conjunto Progreso performs Sunday, December 23, at the Homestead-Miami Speedway as part of Noel's 225 Kilometer Ride, sponsored by United Fence in memory of George Collazo. The speedway is located at 1 Speedway Blvd, Homestead. The concert starts at 6 p.m., and admission to the all-day event is $15. Call 305-230-5000, or visit www.homesteadmiamispeedway.com. Conjunto Progreso also performs Monday, December 31, at Bayfront Park's free annual New Year's Eve concert, 301 N Biscayne Blvd, Miami. Gates open at 7:30 p.m. Visit www.bayfrontparkmiami.com. The band then performs late-night at Transit Lounge's New Year's Bash, 729 SW 1st Ave, Miami. The show starts at 11 p.m., and tickets cost $50, which includes a champagne toast. Call 305-377-4628, or visit www.transitlounge.us. For more info about the band, visit www.myspace.com/conjuntoprogreso.
Tuesday, November 06, 2007 

Category: Music

REVIEW:
Sabor!!
author: Richard A. Diaz
These cats bring the son. Stripped of the glossy, cookie cutter "salsa" sound prevelant today, this group exposes the roots of son and the nuances that give each successive listen beautiful color. Cuban music is alive and smoking in the capable hands of these musicians. Adelante amigos!


REVIEW:
Best I've heard since Buena Vista!
After the passing of most of the Buena Vista Social Club members. One is left with a desire for more. To my surprise this traditional Cuban Son outfit based out of Miami, Fl. resembles that nostalgic sound that has brought life to the traditions of Cuban Music. I see Conjunto Progreso as the next generation or the torch bearers of Traditional Cuban Son.

REVIEW:
2006 Grammy Nominee
Conjunto Progreso is the hottest Cuban band in the U.S. their CD Masters of Cuban Son has been nominated for a 2006 Grammy for best Traditional Tropical Latin Album.

REVIEW:
Conjunto Progreso is by far the most succesful Cuban Son group in the United States. Their live shows are full of energy. I recommend this CD for lovers of real Cuban Son.

REVIEW:

Conjunto Progreso

Masters Of The Cuban Son
CD (Universal/Pimienta 360639), Released 2004;
Editor's Pick:
Here's a nice, unpretentious little record of son, played by a band based out of Florida. The album starts out with "Bilongo (La Negra Tomasa)" and wanders through a series of standards, including "El Cuarto De Tula," "El Paralitico" and "Maria Cristina." Two tunes are recorded live. (Peter Watrous, 2004-10-07) DESCARGA.COM
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Review:

Traditional Cuban Son...
One of the evening's surprises came with the performances by Conjunto Progreso and their Traditional Cuban Son.  People jumped from their seats and danced anywhere they could.  I saw people dancing by their tables, at the refreshments' corner, on the hallways...the room was filled with emotions; the melodies of  Jose on the "Tres" and the tremendous conga beats of one new member of the band, (who happens to be the brother of the group's lead vocalist-percussionist.) 
A great combination and superb sounds from these fine musicians
who were in true sync that night. RUMBA ON 6


 

 

Tuesday, August 21, 2007 

Category: Music
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