Gender: Female
Status: Married
Age: 49
Sign: Scorpio
City: LOS ANGELES
State: California
Country: US
Signup Date: 12/7/2007
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Monday, June 01, 2009
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Sunday, May 31, 2009
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Thursday, May 28, 2009
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Hi Friends:
We've opened up the western store for summer. Stop by and get bargains just in time for Father's Day. For horse enthusiasts, buy $50 in tack and get a free rope halter, too.
We are open from 11:00 am to 7:00 pm M-F, Sat/Sun 11:00 to 4:00 pm.
SW Hill Country Western Store 1412 Colorado Blvd. Eagle Rock (Los Angeles), CA 90041 323-256-2500
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Wednesday, May 20, 2009
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Don’t miss the opportunity for a free SqueezeFest preview at two of the Ford’s J.A.M. (Jazzed and Motivated) Sessions. Free activities include a Zydeco J.A.M., an evening of Zydeco dancing at the Ford on Monday night - June 1 at 7:00 p.m., with dance instruction by Karen Redding of LouisianaDanceLA.com. On Monday night - June 8 at 7:00 p.m., Conjunto Los Pochos’ Otoño Lujan hosts an Accordion 101 J.A.M. covering the basics of accordion. Both events are free to the public. Reservations can be made at www.FordTheatres.org or 323 461-3673.
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Wednesday, May 20, 2009
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Don’t miss the opportunity for a free SqueezeFest preview at two of the Ford’s J.A.M. (Jazzed and Motivated) Sessions. Free activities include a Zydeco J.A.M., an evening of Zydeco dancing at the Ford on Monday night - June 1 at 7:00 p.m., with dance instruction by Karen Redding of LouisianaDanceLA.com. On Monday night - June 8 at 7:00 p.m., Conjunto Los Pochos’ Otoño Lujan hosts an Accordion 101 J.A.M. covering the basics of accordion. Both events are free to the public. Reservations can be made at www.FordTheatres.org or 323 461-3673.
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Friday, May 01, 2009
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http://losangeles.going.com/event-599215;SqueezeFe...
Accordion takes center stage for an exciting evening of freshly squeezed sounds from Vagabond Opera, Conjunto Los Pochos and Feufollet. SqueezeFestLA, presented by the Los Angeles Accordion Festival, Sun, Jun 28, 2009 at 7:30 p.m. at LA County’s historic Ford Amphitheatre. www.fordtheatres.org or www.losangelesaccordionfestival
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Sunday, April 05, 2009
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LOS ANGELES — The multiple cultural streams of the Los Angeles region converge at the Ford Amphitheatre - LA’s oasis - in summer 2009. The 23-week season opens on June 6 with the City Ballet of Los Angeles’ Peter and the Wolf Jump Cool, a ballet with verve which moves the children’s tale to swinging 60s London and sets it to iconic organist Jimmy Smith’s jazzy interpretation of Prokofiev’s classical score. The Ford’s first evening devoted to Chinese culture closes the season October 10 as the DreamDance II company fuses ancient dance of the Han/Tang Dynasties with contemporary movement styles. Other highlights include: - The Ford’s first Latino mural arts presentations: a trio of multimedia evenings features life-size murals of Diego Rivera, Rufino Tamayo and Miguel Covarrubias narrated by Latin American art expert and former Director of the Museum of Latin American Art Gregorio Luke (June 7, July 12 and August 16). The L.A. Times called him, ”…one of the most dynamic and interesting figures in the local Latino arts scene with a reputation as a charismatic lecturer.” - SqueezeFestLA (June 28) is about making fresh squeezed accordion cool with works from bohemian 1920s Paris to Tex Mex to the Cajun flavors of the Louisiana bayous. - Two evenings celebrate the dance, music and lore of Hawaii - Na Ali’i: Hawaiian Monarchs (August 29), featuring authentic hula including an all-male ensemble of dancers, and AlohaFest! Music & Magic from Paradise (September 19). - Korean techno dance craze pioneer and pop legend Shin Hae Chul, who innovated pop music and mixed it with traditional Korean instruments, makes his L.A. debut (July 4). The Ford Amphitheatre season is a program of the Los Angeles County Arts Commission and is produced in collaboration with Los Angeles County-based arts organizations. Tickets are now on sale at www.FordTheatres.org or by calling the Ford box office, 323 461-3673 (GO 1-FORD). County Supervisor Zev Yaroslavsky, whose Third District is home to the historic outdoor amphitheatres, said that “The Ford provides an intimate setting where patrons can sample the whole spectrum of arts and culture. This year’s summer program offers a feast of options from flamenco to hula and jazz to Broadway. Everyone will find something to enjoy when they take in an evening concert at the Ford.” TARGET DANCE SERIES AT THE FORD In addition to City Ballet, Na Ali’i: Hawaiian Monarchs and DreamDance II, the Target Dance Series at the Ford includes the return of flamenco with Fountain Theatre’s Forever Flamenco: LA Olé! (August 1) and a Hip Hop and Laugh-Off interactive talent competition presented by Kollaboration (June 12) during which the audience votes the winners. Viver Brasil performs jubilant samba (July 3), Tia Chucha’s Celebration of Community and Culture (August 2) explores the Mexico-Philippines connection with guests Kayamanan Ng Lahi and Culture Shock Los Angeles Dance troupe stakes out the frontier where technology and human interaction collide in “iConnect” (September 4). The Second Annual J.U.i.C.E. Hip Hop Dance Festival showcases dynamic street dance choreography, DJs and live graffiti painting (October 3). For the third year in a row, Target’s sponsorship of the dance series makes possible $5 tickets for full-time students with ID and children 12 and under for dance events. Target strives to make the arts affordable and accessible to youth and families because the arts help foster an appreciation and understanding of various cultures and points of view. ¡VIVA MÉXICO! Gregorio Luke’s multimedia tour of Mexico’s muralists is just the beginning of a season-long salute to the treasures of Mexican visual art, dance and music. Star Entertainment & Education Group, in addition to its annual Fiesta Mexicana (September 26) and Homage to Agustín Lara, the prolific author of “Granada” and countless other familiar melodies (June 13), introduces an evening honoring composer Manuel Esperón named after his biggest hit “Tequila con Limón” (August 15). Sounds from the state of Veracruz are in the spotlight at the Second Annual Noche Veracruzana, uniting Mexico’s Los Cojolites with some of the best Southern California exponents of sones jarochos and huastecos (September 5). CONNECTING BACK TO THE ROOTS Join the samba party headlined by Latin Grammy nominee, singer Diogo Noguiera, and Bossanova pianist Marcos Ariel in an evening capped by an electrifying capoeira display at the 16th Annual Brazilian Summer Festival (June 19). The Los Angeles Jewish Symphony’s L’Chaim (To Life!): A Musical Celebration of Eastern European Culture (August 9) will feature the music and wry humor of Yiddish culture. The Celtic Arts Center presents the 6th Annual Celtic Concert Series, with music and dance including Seattle’s The McKassons, Slugger O’Toole and Irish step dancers (September 20). INVENTIVE VOICES In addition to SqueezeFestLA and Korean pop sensation Shin Hae Chul, discover the most talented emerging indie singers and songwriters at An Evening of Independence: A Celebration of Singers, Songwriters and Music offering the hottest new artists and special guests including Alex Band from The Calling (July 25). From the steamy coast of Colombia to the streets of L.A., Very Be Careful, a traditional, rump rousing Colombian music band, joins Tia Chucha’s Celebration of Community & Culture (August 2).Kollaboration’s Acoustic 3 produces an evening part American Idol, part open mic, featuring refreshingly original music from the heart of L.A.’s Asian communities (August 22). JAZZ Experience two days of non-commercial, cutting edge jazz at the Angel City Jazz Festival (September 6-7), moving to the Ford for the first time. Shimmy to hot Latin jazz featuring José Rizo’s Jazz on the Latin Side All Stars and special performances by aspiring artists from the Los Angeles Music and Art School in a benefit for the school (August 6). PACIFIC WAVES In addition to the Hawaiian evenings – Bahay Kubo Center for Philippine Culture and Arts show features Jasmine Trias (American Idol finalist) and salutes top Filipino composer Ryan Cayabyab (August 8). CABARET NIGHTS Reprise Theatre Company presents Broadway Under the Stars (June 27), a sampler from the Golden Age of American musicals through the present and beyond. Upright Cabaret’s Wicked Summer Nights go Beyond the Yellow Brick Road with a trio of shows directed by Billy Porter that celebrate life beyond the Wicked stage – with Shoshana Bean (June 11), Eden Espinosa (July 24), Stephen Schwartz (August 23). FAMILY FUN – FREE FOR KIDS! The Big!World!Fun! Family Series encompasses eight Saturday morning hour-long performances in July and August designed for children ages 4 to 10 and their parents and grandparents. These family friendly events, presented by the Ford Theatre Foundation, offer popular multidisciplinary, multicultural programming. “The Four Elements – Earth, Air, Water and Fire” is the series theme and highlights include Grandeza Mexican Folk Ballet Company’s native dances (July 4), the irresistible tsunami of sound from the On Ensemble’s Japanese drumming (July 11), the invigorating mix of Masanga Marimba’s Musical Raindrops: Songs Stories & Dances from Zimbabwe (July 25), the reverberating footbeats and high intensity of Celtic Spring, finalists in the first season of America’s Got Talent (August 15), and Hawaiian Breezes, the final event that engages all four of the elements through the graceful and expressive elements of hula (August 29). Big!World!Fun! events are free for children; adults pay $5. FILM OUTDOORS The Ford is the biggest venue in which the Los Angeles Film Festival presents premieres, interactive screenings and live musical performances patrons can enjoy under the stars. In the past, the festival has hosted L.A. premieres of such films as “March of the Penguins” and “Joe Strummer: The Future is Unwritten.” The festival’s 2009 programming, including the June 20-21 and 24-26 Ford screenings, will be announced by June 1.OUTFEST 2009 Under the Stars, L.A.’s oldest continuous film festival showcases a range of films depicting the LGBT experience as well as the beloved annual sing-along (July 15-19). Film information will be available June 8. J.A.M. (Jazzed And Motivated) SESSIONS – LEARN FROM THE ARTISTS After last year’s successful debut, the Ford’s FREE J.A.M. Sessions offer participants the opportunity to sing, play and dance under the guidance of Ford 2009 artists. There are nine evening sessions between June 1 and August 24 covering Zydeco dance from the bayous of Louisiana, songwriting workshops with indie’s hottest singer/songwriters, Brazilian dance, Do It Yourself drumming, SqueezeBox 101 with accordions, hip hop arts including dance, deejaying, emceeing and graffiti art as well as tango, flamenco and bluegrass jamming. The Los Angeles County Arts Commission, Laura Zucker, Executive Director, provides leadership in cultural services of all disciplines for the largest county in the United States, encompassing 88 municipalities. The Arts Commission, in addition to programming the John Anson Ford Theatres, oversees the County’s Civic Art Program for capital projects, provides leadership and staffing to support the regional blueprint for arts education, Arts for All; administers a grants program that funds more than 300 nonprofit arts organizations annually; funds the largest arts internship program in the country in conjunction with the Getty Foundation and supports the Los Angeles County Cultural Calendar on ExperienceLA.com. The Commission also produces free community programs,including the L.A. Holiday Celebration broadcast nationally, and a year-round music program that funds more than 50 free concerts each year in public sites. The 2008-09 President of the Arts Commission is Betty Haagen. LINKS AND PHOTO INFORMATION: For Chronological listings of summer season events, go to www.fordtheatres.org, click on "Events" then "Monthly Listings" then click through to "June" and subsequent months on the calendar grid. To view season events by Artistic Discipline, go to www.fordtheatres.org, click on "Events" then "Event Types" and choose the discipline you want to see. To download photos of the Ford, go to www.fordtheatres.org, click on "About Us" then "News & Press Room." High resolution images of season artists are available upon request by emailing communications@arts.lacounty.gov
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Monday, January 19, 2009
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Texas Folklife is presenting the 3rd annual BIG SQUEEZE ACCORDION THROWDOWN competition. If you are from the states of Texas or Louisiana, and you are 25 years or under, please go to the Texas Folklife website:
www.texasfolklife. org No fee to enter!
Grand prizes. Hohner Accordion and an all expenses paid trip to Germany, courtesy of Hohner Inc. Winner will also gain a free recording session in Houston @ Sugarhill Recording Studio and will also be invited to perform on a variety of LIVE shows.
Semi-finals are in Austin TX. The Finals will be @ Houstons Miller Outdoor Theatre on June 6th. There will also be a big ACCORDION concert to tie in with the contest.
All genres of ACCORDION music welcome and encouraged!
Please pass this info on to any and all ACCORDIONISTS you may know in these 2 states who will qualify. Yours truly has been a judge for the BIG SQUEEZE for the past three years and will do all I can to promote the continuation of this wonderful event. This is an excellent opportunity for up and coming young ACCORDIONISTS!
www.debrapetersmusi c.com
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Saturday, September 06, 2008
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Squeezboxes rule at the American Accordionists' Assn. festival in Arlington, Va., where the once-popular instrument is part of a revival. By Cynthia Dizikes, Los Angeles Times Staff Writer August 18, 2008 ARLINGTON, VA -- . -- When he was 5, John Moceo announced that he wanted to play the accordion. Chalking it up to childhood whimsy, his mother pushed him to play something else, anything else -- guitar, piano, even baseball.
"He came home from school, shoving this paper in my face, saying that a music teacher was offering lessons," Deanna Moceo said. "He had already checked off 'accordion,' and I said, 'No. What's an accordion?' "
But Moceo persisted, his kindergarten tenacity besting his mother's uncertainty. Now, a decade later, he is a rising star in a fringe group of young Americans who are trying to revive a part of musical history.
To some, picking up the pleated instrument -- perhaps best known as the backbone of polka bands -- may seem an eccentric waste of time. But to Moceo, who joined more than 100 of his compatriots at a national competition here last week, the accordion isn't a punch line or some strange contraption that Grandpa used to play. It's cool.
"The accordion was my first love for music," the Staten Island teenager said. "I wish more people would play. I wish I could go back to New York and jam with my friends."
Life as a young accordionist in the 21st century can get a little lonely at times. As Cory Pesaturo, 22, put it: "I had a musician's mullet and I played the accordion. And, no, girls where I'm from do not like the accordion."
But at the American Accordionists' Assn. festival, which ended Sunday, young people like Moceo and Pesaturo found themselves in rare company.
The conference rooms and hallways of the competition site -- a Holiday Inn -- vibrated with the hum of bellows moving air in classical undulations, staccato bursts of jazz and, of course, the familiar trot of polka. As the competitors milled from room to room, parents shouldered the instruments for children too small to bear their suitcase-sized load. All the while, the old guard of accordion players running the festival looked on with hopeful eyes.
"In order for an instrument to survive, there must be ongoing teaching and performance," said Faithe Deffner, who is a former president of the association and has been in the accordion business for more than 50 years.
Once among the most popular instruments in the United States, the accordion began its fall from grace sometime in the 1960s (depending on whom you talk to) and has never recovered.
"During the '50s, I mean, you picked up the Yellow Pages and any city of size had a dozen schools," Deffner said.
Accordion players like Dick Contino, Charles Magnante and Art Van Damme were the equivalent of the rock 'n' roll heartthrobs that would eclipse them in the following decades.
Contino "was one of the top 10 entertainers in the country," said Joe Petosa, chief executive officer of Petosa Accordions, which has manufactured the instruments since 1922. "He was going to concerts and girls were ripping off their clothes to be with him."
The nation, apparently, could not get enough squeezebox swagger. Then four lads from Liverpool crossed the Atlantic.
"Once the Beatles hit, everyone wanted to play the electric guitar instead," said Mary Tokarski, a professional accordionist and music teacher from Connecticut.
Whether it was the lure of that electric sound, the nature of the 1960s counterculture revolution, the introduction of the synthesizer or the 1980s economic slump, the accordion faded into the background. Many accordion schools closed, and the depiction of accordion-toting uber-nerds -- think Steve Urkel on the 1990s sitcom "Family Matters" -- didn't help the ones that remained.
"The instrument is made to accompany itself. It doesn't need any other instrument, but it does need an owner," said Alexander Chudolij, a U.S. distributor of accordions.
Despite a nostalgic resurgence of accordion enthusiasm, mostly by those who played as children and through ethnic music such as Tex-Mex/conjunto and zydeco, it remains somewhat of an orphaned instrument. But in recent years there has been a concerted effort to pass the instrument on to a new generation less influenced by old stereotypes.
"We want to turn the reins over," said Robert Paolo, who has operated a Rhode Island accordion school for about 45 years.
One success story in the outreach effort came about four years ago when Roland, the music manufacturing giant, began making accordions. Roland's instruments are digital, which initially caused a bit of a stir among purists, but they have been picked up by the likes of Madonna, Bruce Springsteen and Paul McCartney.
Compared with some traditional high-end accordions, which can cost as much as $20,000, the digital models are less expensive -- about $2,500 to $6,000, depending on size and complexity. Like a synthesizer, they offer a variety of settings to create different sounds.
Last year, Roland began a pilot program in Europe, offering instruments and teaching guides to music schools, and it is planning on bringing the program to the United States next year. The company is also working on plans for a model specifically tailored for beginners.
"The goal now is to bring it back," said Pesaturo, who works as a Roland accordion demonstrator. "We can reintroduce it to the world."
Until that happens, there is an element of allure in the fringe image that has helped recast the accordion in a hip light. Accordions can be found in the arms of indie and folk-rock bands such as Arcade Fire and the Decemberists.
"There is a recognition of it being cool again," Deffner said.
For some young accordion players, their skills have yielded some pretty decent perks.
Pesaturo became Bill and Hillary Clinton's unofficial go-to accordionist after playing at a White House Christmas party in 1997. In 2005, Moceo, then 12, performed Green Day's "American Idiot" on Ellen DeGeneres' television show.
"Growing up in New York, it's hard to be different," Moceo said last week. "That's what I love about the accordion. I'm doing something that no one else is."
cynthia.dizikes@
latimes.com ..
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Monday, May 05, 2008
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http://calabash.typepad.com/world_music_advocate/2006/06/international_a.html
Did you know June is International Accordion Awareness Month!? In honor of the occasion I have grabbed some of my favorite accordion tracks to share from the Calabash Music catalogue. San Franciscan Accordionist Tom Torriglia petitioned the accordion loving city for official recognition of the instrument and thus June is a month for squeezebox lovers everywhere. Bravo! As many accordion enthusiasts know, the accordion is a remarkable instrument. It's full sound can emulate both the great pipe organs of Europe and the humble harmonica. The Accordion traveled far and wide during the 19th century with missionaries, explorers, traders and sailors on their journeys and back again carrying with it music to and from all corners of the globe. From the US to Madagascar, Brazil to Spain, Sudan to Belgium, accordions are making music!
Listen to the Playlist!
liner notes:
Clifton Chenier - Intro & Louisana Shuffle "Clifton Chenier - the king of zydeco. Chenier made his name playing dance halls and juke joints in the Mississippi river delta. This track is from a live performance at the 1966 Berkely Blues Festival."
Amestoy Trio - La steppe "The Amestoy Trio swings with Mediterranean flair. Their music highlights the versitility and depth of the instrument."
Robertinho Do Acordeao - Coroné Pereira - Toinho da Serrinha - Ze da Onça - O Xamego da Mulata "An international accordion playlist could not be complete with out some Forro!"
Regis Gizavo - Kadiroky "Regis Gizavo is one of the few holding the torch of Malagasy accordion. Growing up in Tuléar he absorbed the tradition and continued by researching accordion in other regions of Madagascar. Since he moved to Europe his music has been in high demand."
Chango Spasiuk - El Prostibulo "We travel now to South America to hear Chango Spasiuk and the sound of chamamé, a regional dance music in Argentina. The swing is deep and the playing sublime..."
Wafir - Nilo Azul "'Nilo Azul' and Wafir bring us to the Sudan and the great civilization and culture that surrounds the Nile."
Turlu Tursu - La Galinette, Pierre La Chabrette "Turlu Tursu's agressive and humorous brand of music is based in the many accordion traditions on Europe and beyond. La Galinette is off of the album 'Accordion n' Drum n' Bass'!"
Dominican Merengue - Compadre Perdo Juan - Rafaelito Arias "You may not realize it if you listen to current merengue from the Dominican Republic, but the accordion, along with the tambora, was the main instrument of the music in the early days. Hear Rafaelito Arias play the lines that would now be orchestrated with another reed instrument, the saxophone."
Mr. Peters' Boom & Chime - Rub mi Belly "Rub a dub dub! Props to DJ SpinCycle for the tip on this caribbean flavor!"
http://www.typepad.com/t/app/weblog/post?__mode=edit_entry&id=11165103&blog_id=26520
Charanga Cakewalk - Tu Y Yo "'Tu y Yo' brings the accordion into the modern sounds of Latin America. Michael Ramos' project Charanga Cakewalk remixes the accordion south of the border."
Hear the Playlist...
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