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Ella Blame



Last Updated: 11/20/2009

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City: Milwaukee
State: WI
Country: US

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Saturday, October 17, 2009 

Current mood:  gloomy
Lilac

 
I have been there with you

Before it happened

You put lilac in a vase

Lilac from our place

Now I am waiting

For you to come home

And I hope you will be

A survivor.

 
I could see the lilac

In the mirror

Where our lives

Ran backwards.


I threw the photo away

With your hand

Holding the lilac

This hand that

Can only touch me

When they

Allow it.


When you come home

I will be there with you

Again

And your hands

Will awake those feelings

That I learned to

Cover.


Written By EB - October 09





Thursday, March 12, 2009 

Current mood:  relaxed
Category: Music

Ella Blame comes from a different place entirely. She's one of the most
original musicians I've ever heard. Honestly, listening to her CD Baby clips
will give you a better impression than I can explain in words, but I'll
try: weird and wonderful, usually electronic music with depth. That's a
terrible description, but seriously, go listen.

Her performance
on "Bitter Tears" (from her 2008 album of the same name) sounds like
Sarah Brightman on two different kinds of acid, and when Sarah
announced that her next record was going to piss off her record label,
I hoped it'd sound a lot more like this. You've got drama already from
the title and strings, and then those vocals come in, processed into
the uncanny valley, operatic and brassy and commanding. The music has
plenty of twists, of course, but this song's all about the singing.

For
those of you who prefer things a bit more accessible at first, "Last
Emotion" (not on either album, I checked) is more of a traditional
dance song, although not without its quirks - the various vocals,
whispered and otherwise, are like Enigma stripped of everything
annoying.

These don't even begin to sum her music up, though, so
again, just go to CD Baby and listen. I sound like a shill and I guess,
in this case, I am. This is worth it though.



http://selfasfractal.blogspot.com/









Wednesday, March 11, 2009 

Current mood:  okay
Category: Music

[March 2009]


Some say that it's possible
for anyone to release one good album, now Ella Blame
proves that she's more that an easily forgotten one-time
newcomer and that she deserves to be considered a true
artist in her own fashion. And i mean that because her
fashion is indeed her own: that 2nd record deepens that
very personnal, truly unique style that she created with
the first CD. 4 years later, Ella has gained some
maturity and "Bitter Tears" is even better, if possible,
than its predecessor. The only thing that saddens me is
that Ella is still a self-produced, underground artist,
when she's deserve to be a major star. Don't hesitate
one second and get "Bitter Tears", it is the work of an
achieved artist with her own, very personnal universe.
Let's hope there'll be many other Ella Blame records in
the future. This woman deserves your attention!
-

Shaomi
from Lyon, France








Saturday, February 07, 2009 

Current mood:  calm
Category: Music
Sunday, January 04, 2009 

Current mood:  thoughtful
Category: Music
Review by Mark Newman @ Progression Magazine
 
 











Wednesday, October 08, 2008 

Current mood:  awake
Category: Music

Review "Bitter Tears" by Anna Maria Stjärnell @ the Ectophiles' Guide

Ella Blame continues to make edgy yet accessible music. She's still a strong presence vocally and is not afraid of experimenting. The densely throbbing "Cyberlover" is stuff to be proud of. Blame is not one to take an easy way out when she can throw a curveball. The spooky "Incurable" tiptoes delicately round its melody like Björk can do. "Bitter Tears" is haunted and dramatic, and Blame's acrobatic vocals don't let it down. It's another song that would easily fail in less assured hands. The closing "Hymn of Goodbye" is a suitable song to end the album. It's almost celestial and sweet, Blame's vocals angelic.








Saturday, August 16, 2008 

Current mood:  thoughtful
Category: Music
Ella Blame crosses over and conquers inner space


Both albums by Ella Blame left me captivated and speechless from the very first notes. Writing a review would not be a simple task I knew.
The first association that sprang to mind was: the "LaGrange-point" ... which is any point in space between two planets where both forces of gravity are equal or zero. For example the point between earth and moon where one escapes earth's gravity and gets caught by the moon from thereon.
This is what Ella Blame accomplishes with her music - when listened to at the appropriate volume (!) - she takes you out there, gets you floating and pulls you in.

The albums are definitely connected, sequelled, building up to what I hope a third one.
The first album "Ineffable Desire" kicks off with "Fast Life" and will move any dance floor into harmonic vibrations. It is followed by 11 very compact songs, each stating their point with sweeping rhythms alternated with warm instrumental textures.
The songs seem to have the overall lyrical theme of conflicting emotions, both concerning one's individual doubts as well as conflict with other persons. Even in a song like "Dance With Me" there is a battle going on between surrendering and independency, reflected in lyrics and music.
"Crossing The Border" is probably my favourite because it holds all these elements.
Ella Blame collaborates with various musicians and she is careful to choose the particular sound and feel the songs need. The rhythms on "Swamp Of Lead" are brilliant as Ella's voice sighs, moans and cries in a desperate way and haunts you long after the song's faded.
This is not an album aimed to please at first play, it grows on you, it challenges.

The second album "Bitter Tears" shows a more introverted side of Ella, the songs tend more towards ballads - but with a sting. The lyrics dive deep into the emotions that come with infatuation, saying goodbye, disappointment, grief and being empowered.
Again each song gets its own signature rhythm and texture. Ella composes some songs with Shinji Imai who has a wonderful sense for counter pointing when it's needed and harmony when required. Michael Temple also contributes a solid beat and synth.
All 11 songs are gems. I couldn't pick a favorite, but "Incurable" stands out for its obstinate, angry point. On the other end of the spectrum "I'm Just Dreaming" distinguishes itself by its intimacy and desperation.
Again this is an album that you'll want to keep close to your CD-player because it has an array of moods, so you'll find a song for every hour of the day to affirm you or shake you up.

I have played both albums over and over for the past 10 days, sometimes shuffling through both, and I can assure you: this is precious ore from an off-world planet, ready to be mined. You should of course be ready and willing to lift off and succumb to Ella Blame's gravity. -
- Thon Huijser, Den Haag, Netherlands








Saturday, August 02, 2008 

Current mood:  thoughtful
Category: Music


[01 August 2008] ProgFiles Artist Spotlight:


Ella Blame (Milwaukee, WI) was born into a family of musicians and was already singing when she was just 3 years old! Before she decided to become a singer, her biggest passion was painting (and it still is a big passion for her). At the age of 6 she started playing violin. She has an incredible vocal range: her voice covers the entire baritone, tenor and contralto ranges and exceeds the upper limit of the soprano range. She can produce sounds that are very similar to synthesizers, with no effects. Sometimes angelic, sometimes satanic, the many colors of her voice can be described as Billie Holiday meets Bjork and Loreena McKennit... yes these three names together sound very absurd, you just have to hear it for yourself.

Right from the first song "Cyberlover" you will feel like you entered a hidden territory where there is a lot to discover. As if you are listening to a modern day Billie Holiday, you'll find that it is not just the well written lyrics and her voice that create this feeling but it is also her phrasing and intonations. The song "If I Could" is a very good example of that.

You will hear a fusion of many different genres in her music. It is sometimes psychedelic, sometimes trip-hop, sometimes pop and sometimes jazz.

When you are listening to her sing, you will often feel like you are listening to a choir with sopranos, mezzo-sopranos and contraltos. It is Ella all by herself producing those vocals, especially on "Incurable".

Her new CD "Bitter Tears" has 11 songs and each and everyone of them can easily be your most favorite one. Listening to Ella is like being in a big mansion, each song opens up the door to a different room... with different colors, different decorations, different time frames. By the time the CD is over you ask yourself "Where was I just now?" ... that is if you think you are back... -- Hande Burdg

(read more @ http://www.theprogfiles.com/ellablame.php)








Wednesday, July 16, 2008 

Current mood:  intense
Category: Music

Ella Blame

Earth's Lullaby

It was way back in time

When an old lady told me

The story of Earth's lullaby.

A very sad story but nonetheless full of hope.

Mother Earth was really tired and weak.

She was wounded all over,

Her wounds covered her surface

Like cancerous ulcer.

"What can I do?",

Earth asked herself.

This was the only question she put up,

Again and again.

And she became tired and always more tired.

Thousands of years went by.

Earth said to herself:

"I will sing myself a lullaby.

Who else would do it for me?

I just want to sleep long,

Very long, forever."

Humans weren't tired,

And they were many enough

To continue destroying Earth.

But one day, it happened:

Earth sang her own lullaby.

There was rushing, roaring,

Sizzling and thunder.

Earth's voice trembled,

And the highest tones

Became great fires.

Earth sang her lullaby

For a long, a very long time.

And when Earth finally slept,

There was absolute silence.

Only a few microorganisms had survived.

It took billions of years

Until Earth woke up.

She felt relaxed and

Relieved from a big load.

Somewhat distrustful, she looked around,

Watched the bustle of the tiny

That would, how she knew,

Develop very slowly

Into the creatures

That had tortured her a long time ago.

These tiny organisms are my ancestors,

And the story of Earth's lullaby

Can be heard by all of us.

The story of Earth's lullaby

Shall be a warning for all creatures.