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The Seldon Plan



Last Updated: 12/6/2009

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City: Baltimore/Washington
Country: US
Signup Date: 8/15/2004

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Wednesday, July 22, 2009 
"Having already reached my “Top 40” with their previous LPs, 2005’s Making Circles and 2007’s The Collective Now, it’s nevertheless delightful to see this Baltimore foursome’s continued maturation. Which is to say they were already satisfying as a post-Dischord-y emo-ish band, but this new slant towards more ringing guitar, delicate sonics, and quickening indie pop adds extra sparkle and shine. A key lineup shuffle has resulted in newcomer second guitarist Dawn Dineen’s female harmonizing wrapping around mainman Michael Nestor’s leads in a burst of new flavor, comparing favorably with melodic pop favorites such as Feelies’ offshoot Wild Carnation, Winnipeg’s wonderful Weakerthans, great Scots Camera Obscura, and Portland’s Dimes, in the aggressive jangle-pop wing. Nestor’s wistful-worried lyrics embed in his group’s divergent playful ambiance track after track, highlighted by the fantastic, rapid-fire title song’s meditations on the lessons of our recession(!), as well as slower tunes such as “Lonely Bridewater,” which vaguely resembles Teenage Fanclub’s “Hang on.” Indie guitar rock isn’t dead, but it takes strong songwriting, resonating vocals, bright production, and something beyond perfunctory blueprints to make the old bird sing like it does here."
-Jack Rabid, The Big Takeover

“...catchy simple melodies awash with lush vocals, hip full guitars, and a hint of Flaming Lips.”
-Mark Degli Antoni (David Byrne/Soul Coughing)

“...smart pop with no wasted space...”
-Brian McTernan (Senses Fail/Piebald/Thrice)

"Last Saturday I went to the Hexagon to see The Seldon Plan for the first time since my friend Mat joined as their drummer last year (and since I've got a lot of personal and business connections with a member of the band I'm just posting about it here and not on the City Paper site). I'd seen a previous lineup of the band when they played with labelmates Private Eleanor a few years ago and heard one of their old EPs, but I didn't really hear the band much until Mat started working with them and they released their new album, Lost And Found And Lost, in June. Their stuff is very warm and jangly, with songs that never wear out their welcome. The Hexagon show was kind of the end of their little tour up and down the northeast, one last hometown show in Baltimore. Not having seen the other shows, I don't know if they had gotten more road-tested and confident or if they always seem to have that much fun onstage but it was a good vibe. My favorite songs from the album, "Fire In Day's Field" and "Ezra Jack Keats," both sounded good live, particularly the latter, which closed the show as it does the album, albeit without the big backup vocal choir on the studio version."
-Al Shipley, Narrowcast

“...I succumbed to the band's playfulness and thoughtfulness by "Fire In Day's Field." The issue of the current economy is delivered in a smart, unique way - we may be lost, but this album reminds us that there is relentless optimism, if we're only willing to find the beautiful things in life. The songs are not overlong, with energetic drum beats and friendly curbside guitar. Whimsical and youthful but also mature and poetic."
-April Larson, Foxy Digitalis

“We are lost a sea with no sense of what went wrong.” What a statement for our age. There always seems to be woes, and to me it’s great that groups like the Seldon Plan meet the woes with happy tunes, bright guitars and luscious harmonies. It’s great that a pop music group can pay tribute to a Caldecott Award winner who wrote and illustrated over 80 books kids of all ages love ("Blending colors on the page taught me ways to feel my age.") Thanks!"
-Eartaste

"The Baltimore power pop scene is about to get a shot in the arm with the latest from The Seldon Plan. This band specializes in "whimsical, nostalgic indie pop" and their latest record, "Lost and Found and Lost", "tells the story of expectant hope and recession blues". "Lost and Found and Lost" is their third record, and for The Seldon Plan the third may well be the charm. The band, a tad older and wiser now, have created a highly consistent, soaring piece of indie pop. Each song features lush arrangements, well-crafted harmonies, and intelligent lyrics. The vocals are gentle and soothing with richly textured music to match..."Lost and Found and Lost" goes down nice and smooth, with no bitter aftertaste. There is a host of creative extras peppered into the songs, such as a bit of trumpet here or cello there, some well placed hand claps or la-las, all of which keep things fresh and surprising. I'd recommend The Seldon Plan for fans of Death Cab For Cutie, Pernice Brothers, Nada Surf, or The Churchills."
-Bills Music Forum

"More smooth, melodic, pleasing guitar pop from the folks in The Seldon Plan. The subtle, unassuming tunes on Lost and Found and Lost remind us of the vastly underrated band The Hang Ups. The folks in this band aren't trying to push the limits of music or to sound like the latest cool and hip band. Instead, they play smooth pop that is easy on the ears...and there are no sudden bursts of noise or harsh technology giving the music an "edge." The band's fans will no doubt be pleased with this twelve track album...nothing but smooth, breezy stuff here. Top picks: "Lullabies for Old Hearts," "Lonely Bridgewater," "Ezra Jack Keats."
-Babysue

"The foursome that makes up The Seldon Plan balances on the cusp of a collegian's slowly developing taste in the indie-rock world and the sophisticated post-grad's easy listening preference. The very timely Lost and Found and Lost emerges at a time when both groups -- those hanging on to their youthful love of post-rock pop and those attempting to devote their ear to more meaningful, inspired lyrics -- are looking to the airwaves to find some meaning in today's world. If you're looking for some witty one-liners, melodic oohing and ahhing, and relaxing guitar lines to pull you out of the summer heat (or keep you motivated while thumbing through the help wanted ads), find yourself a copy of this Baltimore band's reflective, optimistic album."
-Amie St.

"The Seldon Plan are a Baltimore group that specialize in lush indie pop with full arrangements, fans of Death Cab for Cutie, Belle and Sebastian, and Saint Etienne will enjoy this. Lyrically Lost and Found and Lost plays with images of childhood nostalgia to embrace the economic and political pendulum. From the opening chords of "Caldecott" the music relies on sonic textures as much as melody. vocalist Dawn Dineen resembles Liz Phair slightly in approach on "Fire in Day's Field" with an echoing ghostly chorus lead by strong drumming. A highlight here is the title track with chiming guitars and with the soothing chorus "the heart rides again" followed by handclaps. Other highlights include the fast moving "Run, Go!" and the Dineen's lovely harmonics in the chorus of "See A Word."The slower tempo of the lovely "There Are Definite Undertones Here" remind me of those wistful Teenage Fanclub ballads. Overall not a bad mix of jangle guitar and soft vocal harmonies. This is pretty good summer music and deserves your attention."
-Powerpopaholic.com

"These tuneful Baltimore indie poppers are back with their third disc, and it may be their best yet. Calling to mind Nada Surf, The Happies and Matt Pond PA, The Seldon Plan is never short on melody, and "Fire in Day's Field" and the title track will demonstrate that for you right off the bat. Perhaps the track name that best encapsulates their upbeat pop sound is "Run, Go!", but they can also slow things down a bit and still come out with flying colors; the acoustic-based "Philadelphia and a Moment" and the moody "French Cinema" attest to this. Also make sure you check out the catchy "See a Word". Be glad you "found" this one."
-Absolute Powerpop

"While the band members aren't in college, they obviously have a fondness for the earnestness of youth. Consider lines like "French cinema taught me how to love," (from French Cinema), or "we're the hopeful ones who want the springtime back" (from the forlorn Lonely Bridgewater), or "we are young / crossing our legs / looking stern" (from standout Philadelphia and a Moment). Run, Go! recalls a party where people are "having drinks and telling stories." Majestic Mountain explicitly mentions college towns and summers. Lullabyes for Old Hearts captures the impatience of youth. "I can't wait, now!" it exclaims. The album's opening and closing songs help reinforce the fondness for days past. I'm pretty sure Caldecott is not about the 19th century English illustrator who inspired the annual picture book award (I wish I had a lyric sheet), but when taken in conjuction with Ezra Jack Keats it seems to form a tidy bookend. Keats was a children's author and illustrator who won the Caldecott in 1963 for his book The Snowy Day. The latter, by the way, is the album's best and most audacious song, with prominent "la-la-la-la" background vocals, driving rhythms, and an extended trumpet part. The band sounds a little bit emo (in the hushed lead vocals, chiming guitars, and aforementioned shoegazing nature of the lyrics) and a little bit indie pop (in the abundance of choral singing, like a slightly less exuberant and esoteric version of the New Pornographers). Vocalist / songwriter Dawn Dineen is mostly responsible for the latter, her harmonies with singer Michael Nestor being a highlight on several tracks, most notably the title track and There Are Undertones Here. f you are (or fondly remember being) a person who lived in your own head, with daydreams of romance and fate and deeper meanings, Lost and Found and Lost is an album that will speak to you."
-3 minutes 49 seconds

"We're certainly stoked about the recent release from these talented intellectuals and wish them nothing but the best in their endeavors to face crises full-on and turn fear into hope; or, at the very least, damn good music."
-Lindsay Smith, Metromix Baltimore

"The Seldon Plan embrace similar ideals as Death Cab For Cutie; concentrating on wordy, tuneful songs that are emotional enough to border on, well, “emo” but mature and well-crafted enough to attract older listeners.‘Caldecott’ is the first indication of what The Seldon Plan are about; it’s a world where keening vocals and aching guitar melodies combine to create a highly agreeable brand of indie rock. ‘Fire In Day’s Field’ is resplendent with crystal clear harmonies from Dineen and chief songwriter Michael Nestor whilst the second half of the record concentrates on slower, introspective material, exemplified by the achingly lovely ‘Lonely Bridgewater’ and the breezy, Dineen-penned ‘See A World’. The record rarely loses its hold throughout its thirty six minute duration; reaching a towering peak on the supremely infectious ‘Run, Go!’. For all its intricate guitar work, well observed lyrics and effortless harmonies, ‘Lost And Found And Lost’ is first and foremost a great pop album."
-Leonard's Lair

"This Baltimore group, recently bolstered by the addition of songstress Dawn Dineen, makes smart indie pop full of slow melodies, sweet harmonies, and jangle guitar. Lyrics are contemplative, internal, and finely balanced between pleasure and melancholy. Track like "Run, go!" pick it up a bit with trad rock drums and energetic guitar, but always in the service of delicate mood.An accomplished disc."
-Joel Sparks, Original Copy

"Too bad D.C. can't lay claim to this Baltimore group, because they are good, as evidenced on their third release "Lost and Found and Lost." Indie pop, the album soars sonically...The sound lies somewhere between light Pixies and Death Cab for Cutie. Album opener "Caldecott" kicks things off with harmonies and a steady rhythm, easing nicely into the second track, the driving "Fire in Day's Field." The hypnotic balance between instruments and vocals is haunting and alluring, as evident on the solid "French Cinema." "There Are Definite Undertones Here" is also stellar."
-On Tap Magazine

"...what I know of the band is that they produce some sweet jangly pop music. Lullabies for Old Hearts is one of the standouts for me. It just seems really comfortable. I also like French Cinema and See a Word. This is a fun summertime CD. Too bad summer’s almost over. It’s OK it’s a good listen no matter the season, and it’s totally my fault for not getting the review out sooner. This has been in my rotation for months."
-Amy Lotsberg, Collected Sounds

"Looking for some indie pop with lush harmonies and a bright sound? Then you’ve come to the right place. The Seldon Plan’s Lost and Found and Lost is a showcase of melodies easy for the listener to pick up on and enjoy. The album’s opener, “Caldecott,” has punchy verses that lead up perfectly to the slower (but no less catchy) chorus...most of the choruses on this album are gosh-darn catchy. Some of the standout songs on this album are the title track and “Philadelphia and a Moment.” “Lost and Found and Lost” (which is a very cool name, if you ask me) includes irresistible, snappy hand claps (or percussion that at least sounds like hand claps) and a fun keyboard line. “Philadelphia and a Moment” is a bit of an acoustic ballad that picks up the pace and changes toward the middle. Its unique instrumentation, which includes wind instruments, gives “Philadelphia and a Moment” a full feel that nonetheless seems intimate. The group describes the album’s themes as a story of “expectant hope and recession blues.” The Seldon Plan’s Lost and Found and Lost is recommended for fans of Death Cab for Cutie and The New Pornographers."
-Megan Morgan, Independent Clauses
Thursday, June 18, 2009 
Check these guys out. They do real music from the ground up.

http://www.bigtakeover.com/
Tuesday, June 09, 2009 
They just played Fire In Day's Field.

http://www.woxy.com/
Tuesday, June 02, 2009 

Current mood:  accomplished
The Beechfields Record Label is pleased to announce the release of Lost and Found and Lost on June 2nd, 2009. 

This highly anticipated third full-length from The Seldon Plan is now available from The Beechfields Record Label.

Lost and Found and Lost is the first Seldon Plan record to feature new guitarist and vocalist Dawn Dineen and new drummer Matthew Leffler Schulman. The record was produced by Matthew Leffler Schulman and Michael Nestor at Baltimore's own Mobtown Studios.

As Michael Nestor (guitars/vocals) stated on the Umbrella Radio Show last week, "This record represents quite a departure musically for us, we wrote most of the record in the studio, and we tackled some underlying political issues surrounding the listlessness most of us feel about the shaky economy. We intended the record to be a throwback to the early 90's mixtapes, but as a modern interpretation-there is a quilt-like aspect to the songwriting that the band really digs."

The Seldon Plan reemerges with whimsy with their highly anticipated album Lost and Found and Lost, a worthy follow-up to their 2007 record The Collective Now. Praised for its “catchy simple melodies awash with lush vocals, hip full guitars, and a hint of Flaming Lips” by artist/composer Mark Degli Antoni (David Byrne/Soul Coughing) and dubbed “smart pop with no wasted space” by record producer Brian McTernan (Senses Fail/Piebald/Thrice), Lost and Found and Lost plays with images of childhood nostalgia to embrace the economic and political pendulum.

Calling their latest LP “a burst of new flavor”, The Big Takeover’s Jack Rabid expressed delight at the “Baltimore foursome’s continued maturation” and compared it favorably to “melodic pop favorites such as Feelies’ offshoot Wild Carnation, Winnipeg’s wonderful Weakerthans, great Scots Camera Obscura, and Portland’s Dimes”.

The Seldon Plan spent the last few years taking on a busy tour schedule—including shows with Explosions in the Sky, The Stills, Now It's Overhead, The Octopus Project, The Eames Era and Matt Pond PA. The band regrouped in 2008 and entered the studio with a fresh organic approach as a way of rediscovering who they were as a band. With few preconceived songs, much of the album was written in the studio, allowing the record to grow naturally as a whole. Simple focused melodies are textured by intricate harmonies, layered with soulful instrumentation including cello and trumpet, and punctuated by bright choral interludes.

The band’s sophomore effort The Collective Now was quickly named a top 40 record of 2007 by The Big Takeover and one of the “Best Baltimore albums of 2007 by The Baltimore Sun. Tracks from the album were licensed by the massively popular YouTube series lonlygirl15 and by Simplify Media for its top-rated music-streaming iPhone app. Their debut album MAKING CIRCLES was featured on NPR’s All Songs Considered. The Seldon Plan is likened to established alt rockers Death Cab for Cutie, The Posies and Nada Surf.
 

About The Beechfields Record Label:

The Beechfields Record Label is modeled after a non-profit version of the infamous Simple Machines, which had its start not too far from here. We want to put out albums of all kinds, by bands who believe that music is not about money or fame, but about connections with other people through music. We think that the artist should have complete control over their art with minimal input from the label. At the same time, we are looking for artists who like to support each other and create a sense of musical community. We are not looking for a 'sound' in particular and shy away from that sort of exclusiveness -- however, we are trying to put out records that are creative. The buyer should know that a Beechfields release is something limited and special, capturing a context and a moment in time.
 
Sunday, April 26, 2009 
Herez all the details:

Date: Saturday, June 27, 2009

Time: 7:00pm - 11:55pm

Location: Metro Gallery

Street: 1700 North Charles Street

City/Town: Baltimore, MD

Email: info[at] theseldonplan.com

More info? Visit: http://themetrogallery.net/





Sunday, April 26, 2009 
The link is here: http://www.newsday.com/services/newspaper/printedition/bal-al.recession05apr05,0,4023337.story?page=2

The article is below too:

Artists use nation's economic troubles as an outlet for their creativity

By Sam Sessa | April 5, 2009

Web designer Andres Zapata was cleaning out his home office late one January night when inspiration struck.

Zapata came across a zip-lock bag filled with pieces of credit cards he'd chopped up after consolidating his debt last year. Instead of throwing out the clippings, Zapata arranged them in the shape of a spindly hand grasping a credit card and snapped a photo of it. Called Plastic, the villainous-looking piece will be published in a book of recession-themed art later this year.

Plastic "reflects the fake power I was given to purchase things I didn't need and couldn't afford," Zapata said. "It's like facing my own demons."

With Plastic, Zapata joined a growing number of artists and musicians here and abroad who are using the economic meltdown as inspiration. They're creating songs, paintings and photos based on the downturn, and documenting the recession's effect on society.

Nashville-based country music singer John Rich rails against "big shots whining on my evening news" in his heart-wrenching song "Shuttin' Detroit Down." And photos of scathing street art based on bank bailouts and corrupt financier Bernie Madoff appear on the London-based blog Vandalog.

"Sometimes, we're at our best when circumstances are at their worst," said Tom Beck, chief curator at the University of Maryland, Baltimore County. "I would say that's true for art as well as every other realm. It seems like when we're most challenged, we rise to that challenge."

Throughout history, artists have used economic and social upheaval as a muse. Like the photos from the government-sponsored Farm Security Administration and Archibald J. Motley Jr.'s Depression-era paintings, some of the most striking art, music and photography came from turbulent times, Beck said.

In January, Zapata began Recession Nation - a book of art and poetry inspired by the crisis. He has since received 30 submissions from artists in Baltimore, New York, Chicago and even Savannah, Ga. He hopes the book will eventually include more than 100 pieces. Proceeds from Recession Nation will be donated to charity, Zapata said, so he can help people affected by the slump.

"In a nutshell, I got tried of hearing people complain about it and not do anything about it," said Zapata, 33, who lives in Charles Village. "I decided to do something about it."

It's important that artists and musicians catalog the fallout in the moment, Zapata said.

"Time changes history," Zapata said. "We will remember things differently. We will talk ourselves out of how bad it really was or how it really impacted us. It's important to document these things now as they're happening so you get closer representation."

That idea is why Baltimore-based photographer Andy Cook set out on a monthlong jaunt around the nation to take portraits of people affected by the recession. This year, Cook, a freelance photographer who lives in Remington, found himself out of work and itching to take a road trip. He began profiling Baltimoreans who had been laid off and wondered what, if anything, they had in common with unemployed people across the country.

In late February, Cook took his 1991 Toyota Camry on a roughly 7,000-mile journey, looking for potential subjects. He drove to Florida, headed west along the Gulf Coast to Austin, Texas, north to Minneapolis and east to New York before returning to Baltimore.

The trip cost Cook about $1,500. He slept at friends' houses whenever possible to cut down on costs. He brought cans of tuna fish and routinely "borrowed" packets of mayonnaise from fast-food restaurants to make tuna salad in his car. Along the way, he found colorful characters who had been affected - for good or ill - by the recession.

In Texas, Cook met Brad Kittel, a 53-year-old who founded a business called Tiny Texas Houses. True to their name, the houses he designs start at 200 square feet and range in price from $30,000 to $60,000.

Kittel "was envisioning his business as trying to fight against he American mentality of excess and consumption," Cook said. "He had a lot to say and was a classic Texan entrepreneur, all swagger and cowboy hat."

In each city Cook visited, he posted ads about his project on the classified advertising Web site Craigslist and set up shop in a coffeehouse with a wireless Internet connection.

"I figured coffee shops in the middle of the day were good places to find people who weren't working," he said.

All in all, Cook accumulated about 30 portraits with accompanying interviews. He dubbed the project Faces of the Recession and published it on a blog of the same name.

Cook said most of his subjects were hopeful that the economy would turn around in the near future, and that Americans would emerge from the recession with a healthy skepticism of corporate culture and material excess.

"There was a lot of gallows humor," Cook said. "An overall mood was one of uncertainty, obviously, with their own financial situations, but a generally positive feeling. It's causing people to reconsider their basic needs and maybe get back to simpler ideas they'd left behind."

Eventually, Cook hopes to get Faces of the Recession published in print. But he says he's not finished with the project yet.

"What I've got is a really good start," he said. "I want to continue to build it, continue to make it more focused."

Michael Nestor, singer/guitarist for the Baltimore-based indie rock group The Seldon Plan, has a recession story of his own. His wife, Kristin, is a senior associate at Merrill Lynch and he is a post-doctoral fellow at the National Institutes of Health. His wife almost lost her job in the crash, and Nestor saw his grant money dry up. In the past, Nestor was wary of putting social and political commentary into his music. But because the downturn struck so close to home, he broke with tradition.

"It's been a rough six months," said Nestor, who recently bought a house in Catonsville. "Themes of losing so much stuff and trying to find meaning in life through physical and material things started creeping into all these songs."

As a result, The Seldon Plan's third record, Lost and Found and Lost, features songs based on the economy and President Barack Obama. The album's title is a reference to the ups and downs of the stock market, Nestor said. It's slated for release in late May or early June.

Nestor started writing Lost and Found and Lost as the stock market plummeted, Obama won office and the auto industry begged for bailout money. As a songwriter, he said he couldn't help but be influenced by the economic woes.

"Now you hear people talking about things like getting back to basics," Nestor said. "All these things were never gone. People just forgot about them for a while."

In Lost and Found and Lost'stitle track, Nestor looks at how the crumbling economy stunned the public: "We are lost at sea / With no sense of what went wrong." On the song "Lonely Bridgewater," he offers a mixed assessment of the near future: "We're the hopeful ones who want the springtime back / But the ground beneath our feet is falling fast / And the stars we reach for are out of grasp."

"These were the hardest lyrics I've ever had to write - ever," he said. "It took me a while to get them out, but now that they're out, I feel completely liberated, creatively. I feel really energized."

Rebecca Hoffberger, founder and director of the American Visionary Art Museum, sees the economic upheaval as an opportunity for artists and musicians to make lasting impressions in pop culture.

"In the long run, despite the hardships, this is a good thing for society - not a sad thing," Hoffberger wrote in an e-mail. "And the artists among us will most certainly be lighting the way with their gifts."

"Lost and Found and Lost": To hear a track from The Seldon Plan, go to baltimoresun.com/arts. The band is at theseldonplan.com.
Sunday, April 05, 2009 

“Lost and Found and Lost” is the first single from the upcoming record due out May 26th! Please enjoy this free download and share with all your friends. You can also stream it below.

Download MP3 (256 kbps)

Download AAC (256 kbps)

We all want to thank Sam Sessa for such a great article, it was really interesting to see how different artists are reacting to the new economic circumstances we are all in.

As a thank you to you, and in light of the economic times, if you join us at our Facebook, Myspace, or Twitter accounts (or all three) and then message us with your mailing address, we will send you our CD for 5 dollars (and that includes shipping)!

If you email us at info [at] theseldonplan.com, we will also send the CD for 5 dollars. And don’t worry, we are regular working folks like you and hate when we get spam-we won’t do that! We just want to get the CD out there. This offer will expire, so go ahead send away.

The CD will be mailed to you in advance of the May 26 release date.

Mike | Mat | Dawn | Dave


Thursday, March 26, 2009 
Hey guys, we don't want to clutter our myspace page up too much, so we have a pretty active blog over on our webpage, www.theseldonplan.com. Come join in, and you can also tweet at us over on Twitter at: www.twitter.com/seldonplan.

It is all good fun, check it out-we promise we won't fill your inbox with bothersome junk!

TSP


Saturday, November 22, 2008 
We are working on a new record, we hope you like it-it will be pretty different...expect it in 2009.
Sunday, February 03, 2008 
We are in the process of retooling the ship. Just wanted to let you know that we are still around, and The Collective Now made a number fo "Top of 2007" lists.
 
The Baltimore Sun names our record one of the top 5 locals of 2007: http://weblogs.baltimoresun.com/entertainment/midnight_sun/blog/2007/12/fab_five_friday_16.html
Amie St. names our record one of the top 50 of 2007: http://amiestreet.com/blog/post/2007s-best-albums
And they write a great article about it: http://amiestreet.com/blog/post/why-indie-pop-was-fun-in-the-first-place
 
And Redefine Magazine kind of got the idea behind the new record: http://www.redefinemag.com/music/reviews_cover_2.php?artist=The-Seldon-Plan&id=35