Status: Single
City: San Francisco
State: California
Country: US
Signup Date: 1/14/2008
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Saturday, October 03, 2009
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A short film Mary used to show during substitute-teacher assignments at The Center for Elementary Science Educations was released on iTunes, and she is celebrating by making paper origami geodesic domes in her lab. She invites you to take a look and to celebrate in your own way, however that may be. The Link to the video is here. Thanks!
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Friday, June 26, 2009
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Usually we write up some thoughts about the performances we just played, but this time more than usual we should emphasize how much all of the shows we’ve played over the last few months have been more than just random performances. These have all been moments where we’ve met so many amazing people who believe in music and art with such an intense passion that you’d have to be looking really hard to realize it's more than an activity, these are moments in a tradition of a long and sustained revolution. Here, little flourishes of totally unexpected moments clue you in that the collision of art and life has reached beyond the ordinary: Seeing a single toy pony--lit by rainbow light--placed on the empty stage before the Manimal Vinyl show at the Echo in LA; performing on the beach in total darkness with Danielle for one random person who showed up; staying with a dancer who told us about the history of her art and how her discovery of Middle Eastern culture became a portal into another world; meeting a Tuvan throat singer moments before we went on stage in Portland and getting the club to let him play before us; and having a long negotiation with a sound engineer about the possibility of riding the band’s hand painted merchandising unicorn.
There’s so much happening on the west coast right now, there’s not enough time to see it all. We all wish we could have made it to all the nights of the Olympia Experimental Music Festival; we only got to it on Sunday, but each minute of what we saw was riveting. On the way up to Olympia, we played the opening night of the Ella St. Social Club in Portland, the former Towne Lounge space, which is a converted mausoleum. It feels like the Cavern in Liverpool. Chris Bigalke (Showdeer Entertainment) is now booking the space, and it seems really promising. The whole show had a spontaneous feel, and we played with the bands Wroom and Saudade from the label Arena Rock Recording Label based in Portland as well as an impromptu appearance by Soriah (the Tuvan throat singer). It was a blast.
On Sunday, we headed to Olympia for the last day of the Olympia Experimental Music Festival. The film portion of the festival took place in the beautiful Capitol Theater during the day before the music. The program, called Microcosmic Abyss, was put together by Brandon Phelps and consisted of a three hour multimedia performance which was flawless, captivating and naturally flowing. The films ( filmakers included: Devon Damonte, Bridget Irish, Rob Tyler, Eric Ostrowski, Lane Brandon Phelps, Thorsten Fleisch, Sam Spreckley, Michael Robinson, Candas Sisman, International Corporation (that's us.), Genki Ito and Deborah Johnson) were interwoven with live performances by Seattle guitarist Bill Horist, Danish laptop artist Jakob Riis, and Olympia-based collaborative trio Bridget Irish, Carrie Keith ( Gun Outfit), and Heather Hall (White Boss). Hopefully some of it was documented. A new all-ages space in Olympia called the Northern Gallery, part of the Olympia All Ages Project, was the venue for the musical performance part of the festival, and it was a great place to play. Grouper, Desolation Wilderness, and Invisible River are performing there this weekend if you are in Olympia and haven’t been to the venue yet. That would be a great time to check it out. We missed Moodring’s full set but heard their sound check which was great and the first time we heard drums all weekend. Drums!!!! The first set we saw was by Lines: a long drifting ambient mass of sound performed on guitar. We sat on the floor, closed our eyes... next Merdique seemed to be playing a discoball-like custom-made electronic device. We’re really not sure what it was, but here are some sounds. It was amazing. Then Joy Von Spain mastered what could be described as Xenakis Sumac. At one point it felt like listening to an operatic performance in an airplane hanger with all aircraft firing up simultaneously. The Forest Friends, mostly dressed as animals entered the space like a Miyazaki–influenced animist spirit procession, banging slowly on instruments and playing flutes in a random style, somewhere between a Noh performance, Sun Ra, and the Wicker Man. They played in the middle of the room, in the back of the room, in the front of the room, on the side of the room, slowly climbed over and under people, but it wasn’t silly. It was absolutely transportative and amazing. Foxdye’s set was seemingly endless and like a sonic assault. It was simultaneously confrontational and hyper-pop, with mainstream R&B hits played at double speed, chipmunk-esque voices somewhere embedded in a relentless cascade of impossibly high bpms. It was pure insanity.
We turned all the lights out for our set, as we've tried to do for most performances, and it created a really cohesive, full emotional world for our music to resonate through. Playing in the dark in a small, intimate space is an amazing experience; it feels like the music is coming out of and at us from all directions. We seem to fall more easily into our group rhythms and dynamics that way as well, improving the performance for ourselves and (hopefully) for the audience. After a long weekend of driving and sleeping short hours in uncomfortable spaces, this performance was a wondrous experience for us and just what we needed.
After we played our set, Domenica announced that this was her last year curating the festival, and we were absolutely honored and humbled to be the last band of her tenure. It was an amazing festival, and it’s not to be missed when it comes around again next year. We’re planning more performances and can't wait to play again. We hope every time is as weird, magical and unexpected as this weekend.
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Tuesday, June 09, 2009
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Some International Corporation shows coming up: Saturday June 20 at the Ella St Social Club (Former Towne Lounge) in Portland and Sunday June 21 at the Olympia Experimental Music Festival at The Northern. Also from 1-3 PM at the Capitol Theater Journey In Caldecott Short film and Mary St John Short Film will be shown as part of a series for the Festival called Microcosmic Abyss. Sorry we have a lot to announce in the next few weeks; we hope we do not annoy you. Thank you Brandon and Domenica and Chris.
Ella St Social Club 714 SW 20th Place, Portland, OR 97204 Olympia Experimental Music Festival
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Friday, February 13, 2009
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Mary was excited to be on a Future Sound of London mix, but is decidedly confounded by the fact that it is being sold for $6.
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Thursday, January 29, 2009
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 The International Corporation DVD with all 4 albums on mp3 and all the films is available at Amoeba Records in Berkeley( map here) and in San Francisco( map here). It’s the best way to experience what we do, and it's likely the most surreal, transcendental and painless way you can walk out of Amoeba with 4 albums. Locations and details below: About Amoeba Music: The Amoeba building at Telegraph and Haste, ground zero for the Free Speech and Anti-war movements, housed the famous Forum Coffee House in the 1960's, one of the original Cafes in Berkeley where poetry and politics became associated with coffee house culture, and the One World Family Cookery in the 1970's, an early "health food" restaurant and venue where Sun Ra once did a week-long residency. The side of our building is the site of the famous "Peoples Park" mural, illustrating the history of the struggle between the "state" and the "people" for control of a 3 1/2 acre park just a half block away in which, among other incidents, a protester was shot and killed. These iconoclastic spirits live on at Amoeba, and continue to inspire the multifarious musical experimentation that the East Bay is known for. Our staff and shoppers are constantly striking out in as many different directions as possible, creating new sounds and new styles and rediscovering old ones. We're proud to be part of this unique and endlessly inventive family tree. http://www.amoeba.com/....  .... ..| Berkeley Location (Map)Amoeba Records2455 Telegraph Ave.Berkeley, CA 94704510.549.1125 | | San Francisco Location (Map)Amoeba Records1855 Haight St.San Francisco, CA 94117415.831.1200 | ..
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Monday, January 05, 2009
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Sound Projector Issue 17 is out. As always packed with reviews and crits that will keep you reading and getting into more music for months. Mary St John had a very nice review and had a copy delivered to her lab in an air tight contamination free mylar bag. She was very touched and grateful, and elicited a polite and very heartfelt wave of her hand from behind 30 feet of protective glass. From Sound Projector: "A gorgeous record of 14 melodic tunes, played with a charm and slightly off-beat mannered style by St John using electronic keyboards and electronic organs, occasionally with a little beat box to send each piece skipping along on its jaunty path. Fans of certain strains of 1970s German electronic music - perhaps we should suggest the chords and melodies of harmonia rather than the severe experimentation of Kluster or early Kraftwerk - should enjoy this record enormously. Suggestions are made, through titles and artwork, of some interesting fantasy environment which repositions technology and nature in a more harmonious relationship, and suggests future models for sustainability. One image among the CD artworks headed 'Psychometric Chart / Normal Temperatures', locates an enormous cityscape and factory sprawl inside a Geodesic dome, its positioning calibrated by very exacting grid overlays, while two gigantic flowers dominate the foreground. i very much approve of this, something I take to be a nature-friendly update on the ideas of Xenakis and Buckminster Fuller. Every moment of the lovely music, while sometimes darkened with the vague alienation of that strange Atomic Age combination of optimism and apprehension, shows that St. John is a compassionate and caring human being, and keen to outline her plans (albeit in a very oblique and allusive fashion) for a better living environment. "Permanent Autonomous Bases on the Moon" (track 9) is one possibility. "Solar Illumination and Sensor Viewing Condition" (track 14) is another, although even I am not quite clear how that last one would be translated into blueprints for a house somepme could actually live inside. No matter. In St. John's brave new world, "The Flowers are Edible and Delicious", there is a "Vegetation Management Plan", and the artiste herself (on the front cover) lives serenely inside a miniature vivarium surrounded by plenty and verdancy while three friendly small exotic birds cluster around her. This is another release on the strange International Corporation label, who package everything inside luxurious printed envelopes with press release, business card, and other inserted material doing their best to persuade you that they are a giant multinational organisation poised on complete domination of their chosen markets. In their fantasy world, Mary St John is one of their funded scientists involved in futuristic environmental research. All this is an amusing hoax, of course, but its a strong label identity and their family of releases is made stronger with each record as good as this one."
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Friday, December 26, 2008
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Thursday, December 18, 2008
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Hi everyone, we made a very few of these DVDs for the upcoming performances but we're making them available here as well. We're really excited, because not only does it have a new set of recordings of the Lickets as a trio, (recorded just last week!), it's the result of a lot of work, a lot of life, a lot of luck and not a little serendipity. If you can't make it to the performances coming up it will give you a good idea of what you may have missed, and if you're coming out it's a good preview. It's been an amazing three months, and a crazy three years, which is how much work is on this disc. The disc has the new live EP, Journey In Caldecott and Fake Universe Man, in addition to Mary St John: Soil Surface Background, plus a couple of bonus tracks. The disc has 3 films: the Journey in Caldecott short film, Mary St John: Soil Surface Background, and the International Corporation films. All together we think it's the best way to get our work, both visual and sound, like a modern Flower to a Garden, and we're really excited for you to experience it. Click here for details of the dvd. Thanks so much and we wish everyone all the happiness in the world today(…and every other day), and hope to see you soon! 
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Sunday, November 23, 2008
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Mary was very excited to be on the Sound Projector. Mary reads the Sound Projector often, and couldn't say anything about the magazine and radio show any better than these quotes from their page: "There are hardly any mags that I keep for longer than a week. But I've still got all TSP issues on my shelves." ERIK 'ED' BENNDORF, DENSE PROMOTION "This is a fantastic, curious music mag of the sort that us denizens of the margins imagine exist, but seldom do we find them." TILTED FORUM "We happened to be at Rough Trade in Soho on the last day that it was open, and acquired issue 15 of The Sound Projector. It's a music magazine so esoteric that it makes The Wire look like Smash Hits. Page after page obsessively filled with reviews organised in chronological order, featuring rather obscure bands (mostly of the noise and black metal variety) with colourful names such as 666majik999 or Solar Anus. Captured in the magazine is the promise of music as a slightly sinister, potentially dangerous force; a sensation that we haven't felt in a long time. The magazine is edited, designed and written by Ed Pinsent, who also happened to be involved in Escape, a really great British comic that was published in the Eighties." EXPERIMENTAL JETSET, in GRAFIK MAGAZINE 159 (2007)
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Monday, October 06, 2008
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