Status: Single
City: SHERMAN OAKS
State: CALIFORNIA
Country: US
Signup Date: 8/17/2004
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Sunday, November 22, 2009
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http://www.youtube.com/watch?v=HfcvCo8FO5A
Adrian Galysh plays at Cozy's in Sherman Oaks CA. Nov. 19, 2009. Maureen Baker on keyboards, Glen Sobel on drums, Philip Bynoe on bass and special guest Mark Boals on Vocals.
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Friday, August 21, 2009
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Tuesday, August 05, 2008
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Category: Music
The "Interstellar Café" shred fest is what you'd expect on an instrumental guitar album by a hotshot who pegged Ted Nugent bassist Marco Mendoza and Frank Gambale drummer Joey Heredia to comprise the rhythm section on Earth Tones, Adrian Galysh's third CD. But the California dude, thank goodness, loads this thing with enough musical diversity to silence players with half his talent. Instead of more tracks like "Interstellar Café," this guy gives listeners a dark sense of foreboding in the misleadingly titled "True Happiness," a good-time hoedown (complete with barnyard-animal noises) in "Defiance, Ohio" and a crying electric guitar in the piano-based closing ballad "Vocalise." The melodic title track sounds fat and airy, and "Ave Maria No Moro" is a reverent and lovely piece. Hell, Galysh even invited latter-day Supertramp guitarist Carl Verheyen to duet with him on the fast and furious "Terrestrial Races." These are actual songs, my friends, not just excuses to solo. For some reason, though, Galysh messes with the track listing – which only runs to 9 on the packaging but is pushed to 13 in your CD player, thanks to four brief and inconsequential "Sound Effect" pieces. They're not needed, and they only detract from an otherwise impressive recording. Track Listing: 1) Contact 2) Earth Tones 3) Terrestrial Races 4) True Happiness 5) Defiance, Ohio 6) Planetary Cycles 7) Ave Maria No Moro 8) Interstellar Cafe 9) Vocalise Added: June 30th 2008 Reviewer: Michael PopkeScore:    Related Link: Official Adrian Galysh Web SiteHits: 63 Language: english
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Thursday, July 31, 2008
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Current mood:  awake
Category: Music
Hello,
So the Shredstock mini-tour is finished! It was fun and exhausting, and quite a learning experience. As some of you know, Doug Doppler, Steve Smyth and myself put this tour together ourselves, drove our own vans, loaded in and out etc...
All the venues were great, and the staff was friendly and helpful.
I would like to thank in no particular order:
Doug Doppler and his wife Melissa for helping with the merch sales.
Stve Smyth and his band The EsseNess Project.
My band: Maureen Baker, Chuck Wright and Charlie Waymire for keeping it fun and interesting and for playing great, not to mention for help navigating!
Tour high points for me:
101.7 FM The Fox in Santa Rosa, It was great to get interviewed and perform on air for the busy drive time last Thursday, thanks Scott!
Ireland's 32 in San Fran. - Great vibe, great attendence, great bar tenders, and we had a great performance with some comedy to boot!
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Saturday, July 19, 2008
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Current mood:  excited
Category: Music
Guitarist Adrian Galysh returns with a follow-up to the 2002 release, 'King Friday' called 'Earth Tones'. It seems that the six year wait was spent with mostly local touring here in Southern California. He's still very different to the "guitar god" title, in fact he's beyond that because he doesn't rely on flashy fast shredding. He's one of the very few guitarists that knows when and where to add his gifted fret work. Joining Galysh on 'Earth Tones' are Marco Mendoza (Ted Nugent and Thin Lizzy) on Bass, Joey Heredia (Stevie Wonder, Frank Gambale, Scott Henderson) on drums. Special guests include Chuck Wright (Quiet Riot, House of Lords) on bass and Glen Sobel (Jennifer Batten, Gary Hoey, Tony MacAlpine) on drums on the track, "Planetary Cycles", and Carl Verheyen (Supertramp) on second guitar on the track, "Terrestrial Races". While not 100% progressive, he does utilized genres in his music not associated with hard rock. In my limited association with guitar-driven rock instrumental albums, I believe Adrian is more on par with say Jeff Beck, than say Yngwie Malmsteen. Main reason is the passionate soulful guitar playing found especially on this album. For quality, memorable and fun instrumental guitar playing, take a chance on Adrian Galysh and buy 'Earth Tones' as soon as possible. There's enough rocking guitar and different styles to keep everyone happy. It simply doesn't get any better than this. Reviewed by Ron Fuchs on July 13th, 2008
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Wednesday, April 30, 2008
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A review of Earth Tones from www.classicrockrevisited.com:
"Adrian Galysh is a West Coast guitar player who is making a name for himself in 'guitar god' circles, mostly for his tasteful, melodic instrumental songwriting style. He mixes it up between rock and jazz but the colors seem to blend more than separate. Galysh is a gifted soloist who has no problem using the guitar to express emotions and feelings generally associated with a vocalist.
His bag contains many tricks and he pulls them out when needed. He can be flashy, groovy and powerful all within the same track. Other times he can lay back and have the coolness of Jeff Beck as seen in the track "Planetary Cycles." On "Earth Tones" the guitar player shows off his passion while "Terrestrial Races" sees Galysh go for broke and play his ass off. "Defiance, Ohio" is a tongue-in-cheek title that features fast riffs that set the stage for Adrian to have some fun showing off his guitar heroics. The most interesting tune on the album is Galysh's take on the classic Rachmaninoff song "Vocalise." Adrian proves he is a multi-faceted player by dancing between a soulful, melodic tone and all out in-your-face rock solos, all the while staying classy with his musical voice.
Joining Galysh on the album are Marco Mendoza (Ted Nugent and Thin Lizzy) and Chuck Wright (Quiet Riot) ensuring the album keeps it's rock groove throughout. Take my advice, take a chance on a guitar player you may not have heard of and buy this CD. Galysh puts his own unique spin on the instrumental electric guitar genre that features enough rocking guitar and different styles to keep everyone happy.
– Jeb Wright"
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Wednesday, April 30, 2008
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Category: Music
A new review of my recent release, Earth Tones from 20th Century Guitar magazine: "One of the finest proponents of orchestral rock fusion guitar, Adrian Galysh brings it back home with his 2008 Earth Tones CD. Galysh earned the respect of listeners and guitarists alike with his 2002 King Friday album and he outdoes himself with 2008's Earth Tones. In addition to pairing with the rhythm section of Marco Mendoza (bass) and Joey Heredia (drums), Galysh bolsters his sound thanks to guest appearances by top players such as Carl Verheyen, who lends his guitar talents on a track here. Commenting on his 2008 album, Galysh adds,"Earth Tones is a bit more focused than King Friday was. With Earth Tones I had the idea of making an instrumental concept album that included influences of world music from many different cultures. I also included natural sounds of elements like rain, fire, wind, and the ocean as segues between tunes, which added to the Earth Tones theme." Galysh is a powerhouse electric guitarist and he puts jhis fretboard finesse and compositional strengths to fine use on Earth Tones." Click here to by your copy today, or if you already have Earth Tones, please post your review! 


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Thursday, October 04, 2007
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Adrian Galysh: King Friday I Presume! by Jeb Wright It is a rare day indeed when Classic Rock Revisited features an unknown player on our main interview page but with any luck and some support by hard rock fans Adrian Galysh will be a recognizable name in no time. His new CD King Friday is an instrumental feast of fret board heroics. If you like Steve Vai, Larry Carlton, Michael Schenker and the like then you need to check this dude out. Read on as we discuss the music as well as the Mr. Rodgers connection. _____________________________________________________________ Jeb: The obvious question is ARE YOU CRAZY? No one is buying guitar-oriented music from someone who really can play!! Seriously, from a marketing standpoint instrumental guitar is a tough sell. Why do you embrace it as your medium? Adrian: I just love to play guitar. I like to challenge my ears and myself. I can't write good lyrics and it is hard to find great, original sounding vocalists. I grew up listening to instrumental guitar music as well as classical and jazz. Jeb: Influence time: Vai, Satriani, EVH... Who I am missing? Adrian: I am greatly influenced by those guys. I like Ritchie Blackmore. Uli Jon Roth, the old guitarist for the Scorpions, inspires me. His phrasing is amazing. As much as I practice I just can't sound like him, that's what I like in a guitarist. Jeb: Unlike some of your shredding peers you don't just stick to pentatonic, double pull offs and the neo-classical bit... You throw a lot of Spanish and even some pop riffs in at a lot of places. Any comment? Adrian: I write song-oriented instrumentals. Whenever I put a song together, I arrange it just like a vocal tune, with intros, verses, bridges and choruses. I can't stand to listen to music that meanders or doesn't get to the point. I try to make concise statements with the melodies, arrangements and solos. Jeb: King Friday huh? Is the next CD going to be Trolley Trolley? Seriously, is there a Mr. Roger's connection to the name of the CD? Adrian: There is. I lived in Pittsburgh for 4 years, where Mr. Rogers was filmed. I am a friend with Joe "Handyman" Negri, who is an accomplished jazz guitarist. The name King Friday just struck me as powerful yet could be interpreted in a number of ways. Also notice the tune, "Lady Alaine" --another character from the show. Jeb: "Ventura Blvd" has some real Larry Carton groove to it. I detect a jazz background? Adrian: I have a Bachelor's Degree in Jazz Guitar from Duquesne University in Pittsburgh, PA. "Ventura Blvd" was co-written and played as a duet with session ace, guitarist from Supertramp, Carl Verheyen. To me the song is Larry Carlton/Jeff Beck playing "The Thrill is Gone"! Jeb: Let's talk about the remake of "Green Eyed Lady." This sucker smokes. I love how you control the wah in the song. How did the idea to do this instrumental come about? Adrian: A long time ago, I heard some metal band do a cover of it. Five years ago I decided to cover it in an earlier incarnation of my band. I've included it in my set ever since. I just love the syncopated riff and I just knew it would kick ass if I made it a bit more rockin'. Jeb: You have the guy who wrote the song actually playing on the track right? Adrian: Yeah, Jerry Corbetta was the keyboard player and vocalist in Sugarloaf. I happened to meet his current bass player, Dennis Noda. While talking about recording my new album, I mentioned that I was covering "Green Eyed Lady." Dennis suggested I call Jerry and he agreed to play organ on my version. Jeb: The more I listen to the CD the more impressed I am. Is it frustrating as an artist to have a limited ability to get the music heard due to the mainstream music business catering to ignorant hip-hop loving morons? Adrian: It can be frustrating. I do think there is an audience for it. I stopped paying attention to music trends a while ago. If an artist attempts to be something that they are not, just to "make it" in the music business, they are only going to be disappointed when it doesn't happen. I like my music, and if I have any successes, then I will feel that much more satisfied. Jeb: Seriously, the state of popular music sucks. Why doesn't anyone in a pop band play solos anymore? Either they can't play them or they are not allowed to play them. What is your take? Adrian: Well, first off not all songs need a solo. Certainly, it seems like no one is doing it. If a solo is good than it can't hurt the song. Hopefully guys like John Mayer, who is a fabulous guitarist, with a strong Stevie Ray Vaughn influence, is making pop tunes with bluesy guitar solos. Hopefully the trend will head in that direction. Jeb: "Black Coffee" is Jeff Beck meets the Allman Brothers. Any story on the inspiration to that song? Adrian: The riff, I've had for a while. The melody just sails over a hyper rhythm section. I like that contrast. I know I wanted to do an over the top boogie tune. I would consider this tune to be my "Hot For Teacher" or "Satch Boogie". Jeb: What are your goals as a guitar player? Adrian: I would to be able to practice more! I don't practice as much as I used to. I want to be able to play anything that comes to my head. I tend to be interested more in writing cool tunes. Tunes where the melody or the chord changes just give me shivers. That's what I get off on. Jeb: You are very talented and are the total package: Chops as well as melody. Which is most important and why? Adrian: Melody. People might remember how great your technique is, but you can't hum or whistle technique. Jeb: I will name a bunch of guitar players and you give me your take on each. Rate them 10 being the best and 1 being the worst: Randy Rhoads: 10. I would not be playing guitar if it weren't for Randy. Jimmy Page: 7, as a guitarist he is sloppy but man his albums sound spectacular. Coverdale/Page...buy it now. CC Deville: 2. He is a funny guy though...lives up the street. Steve Morse: 10, amazing. He can do it all. Steve Vai: 10, chops meets emotion. Great composer. Eddie Van Halen: 10, don't make 'em like him anymore. Angus Young: 7, he rocks...EVERYONE likes AC/DC. Jimi Hendrix: 10 Mick Mars: 5. I like him though, he is irreplaceable in Motley Crue. Martin Barre (Jethro Tull): 6 Steve Howe: 10. He does it all. Get "Turbulence" Trevor Rabin: 10. I like him too! Rick Neilson: 6. Cheap Trick is great. Keith Richards: 4. He plays like his wrist is broken. I appreciate his laid back style. Leslie West: 8 Brian May: 8 Matthias Jabs: 7. I love the Scorpions. I saw them 3 times this summer. Michael Schenker: 9. He in an influence. Mick Box: Who? Rod Price (Foghat): Dunno Dave Hlubek (Molly Hatchet): Uhhhh..... Frank Zappa: 9 Jeb: "The Walls Inside" has an emotional feel to it. How does a song like this come to you? Adrian: Oh...anybody who has broken up with someone could write that tune. Girls...if it wasn't for them, the album would be only half its length. Jeb: "Glacier Lake" is a special song to you. What is the inspiration and story behind it? Adrian: Five years ago I took a vacation to Ireland. While I was there I went to out to the country to the Glacier Lakes. They are really beautiful with tall mountains on either side of them. Just enormous and breath taking. I came up with the melody, which has a Celtic feel to it, shortly after. Jeb: How do you know when a song is done? I would think it would be tempting to tweak it until you went insane. Adrian: I do tweak them till I go insane! I tend to write most of the song on the guitar and then as I record it is gets fleshed out until it's done. It took about 8 months to finish writing and recording this album. Jeb: Are you solos written in advance or done on the fly? Adrian: I hash out the solo as I record. I keep playing till I find a lick that I like. I then see if I can expand on that lick, then connect it to another...and another and another. By the end of the process they are "written out". I tend to play them the same way live.. Jeb: Last one: Future goals: what are they? Adrian: I would love to go on tour, either on my own or with an established band. David Lee Roth, are you reading this??? Jeb: Okay really the last one: Who gets the best pussy: Lead singers or lead guitar players? Adrian: The singer in my experience L .
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Thursday, October 04, 2007
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Category: Music
Uli Jon Roth & Friends - The Sky Academy Concerts August 24th & 25th at the Musicians Institute Hollywood, Californiaby Jeb Wright On August 24th and 25th guitarist extraordinaire Uli Jon Roth hosted the second annual Sky Academy at the Musicians Institute in Hollywood, California. Roth created the Sky Academy as a way to teach guitar players the importance of improvisation, creativity and spirituality in music. The two-day event featured Roth performing with many special guests including Robby Krieger, Jeff Scott Soto, Stuart Smith, Mark Boals, Paul Gilbert and Tony Franklin. In addition to the live performances, Roth spent a week with the students conducting group seminars. Guest vocalist Jeff Scott Soto summed up Sky Academy and Uli Jon Roth best when he stated, "The guy is a legend in every sense of the word. He has inspired many guitarists including the man I got my start with Yngwie Malmsteen. His Sky Academy is a great thing for young and old to get a personal experience of his mastery. He has always been a gracious gentleman to me since the day I met him. It's an honor to be a friend and colleague." Day I: August 24th Best Song: We'll Burn the Sky Best Guitar Solo: Highway Chile by Paul Gilbert and Uli Jon Roth Biggest Surprise: Sky Brothers by Greg Vaughan Best Vocal Performance: Mark Boals on Child In Time Upon landing at LAX we (friend of CRR Sean Turner and myself) rambled through the airport to find our shuttle to the Thrifty Rental car lot. We were excited to see Uli Jon Roth and check out the music that the Sky Academy event had to offer. Just the chance of seeing Uli perform Scorpions classics like "We'll Burn the Sky," "Sails of Charone," Virgin Killer" and "Catch Your Train" makes the three-hour flight worth it. Plus, we were going to Hollywood. This is the Mecca of the entertainment industry. We planned on checking out the Hollywood Bowl, Capitol Records, Pink's Hot Dog stand, the Walk of Fame and cruising the Sunset Strip. We had no idea where we were going as I forgot to MapQuest the directions. Once we got our rental car we knew we would have to figure out where the hell Hollywood was. We were booked into the Hollywood Holiday Inn. I looked up as we left the rental car agency and saw another Holiday Inn. We went inside and explained our plight to Jose, the concierge. He looked up the address and printed us off directions. We hit the road and went in search of La Brea street. We stopped for gasoline across from the famous Randy's Doughnuts. We took some pictures, bought some cheap cigars and headed to Hollywood. We quickly learned that Jose was a moron. He gave us directions to a beat up hotel called the Quality Inn. What the hell was he thinking? Was it the language barrier? Was he an idiot? Or was it both? Either way, we still had no idea where the hotel was. Luckily, the Quality Inn was in Hollywood so we knew we could not be too far from our destination. Like typical men we opted not to stop and ask anyone for directions. Instead we figured we could find it ourselves. We found Hollywood Boulevard and Grauman's Chinese Theatre and we even ended up at Hollywood & Vine and Capital Records but we saw no Holiday Inn. We decided to travel a different direction and ended up getting on the 101 and into a huge wad of traffic. We quickly got off at Universal Studios and got out the cell phone and called Sean's office for help. As we were guided back to Highland Drive I saw the hotel. We cheered with joy and hung up the phone. We had arrived. After check in we walked up Highland to Hollywood Boulevard. While we were in town to cover the event, we could not resist a bit of sightseeing before we went to the venue. We went up to the third story of an outdoor mall where people were gathered to view the famous Hollywood sign nestled into the famous Hollywood Hills. We took some photos and then went to the Walk of Fame and compared our hand and shoe sizes with the Marx Brothers, Marilyn Monroe and Jack Nicholson outside of Grauman's Chinese Theatre. We walked around the block and looked at the star's names on the sidewalk. For some reason we were impressed that Winnie the Pooh made the list. Eventually, we made our way down the street. We were taken aback by the amount of homeless people along our path. They were mixed in with tourists, street performers, students from the Musicians Institute and people dressed as super heroes. The Institute, from the Boulevard, looks like a regular store front. It is only when you enter it that you realize that this is where some of the worlds future best musicians get their training. As we walked down the open air corridor, we were blessed with different forms of live music coming at us from the adjacent classrooms. One room featured a jazz trio while the next featured a woman singing rhythm and blues with her band. There were guitarist jamming ferociously by themselves in small rooms. The entire area oozed of a passion and love of music. We got directions to the auditorium where Uli was teaching a seminar. As we entered Roth was on stage talking to the group about meditation techniques. He was dressed colorfully in a blue overcoat and tight pants with his Sky Guitar strapped to his torso. A headband hides thinning hair as his long locks drape down his back. He speaks with his entire body. His hands explain emotions as his outstretched arms display passion for the subject of which he speaks. His words flow through the auditorium as several dozen students sit in awe with their guitars wrapped in their arms. Roth is a fairly tall man and he commands attention without demanding it. One is drawn to his knowledge of the guitar and he delivers his message with a German accent that is both inviting and intimidating at the same time. It is apparent that he takes these classes very seriously. He is passing along his legacy and making sure that musicianship, creativity and spirituality are seen as the building blocks of the craft of being a total guitarist. One need only look into his eyes to see the dedication and love he has for Sky Academy. He speaks from experience and even shares tales of his past career with the Scorpions with the awe-struck crowd. Uli has earned the reverence and respect that is given to him throughout the entire event. He is one of the best guitar players on the planet. He can play in any style and at any tempo. He blasts hard rock, metal, classical, blues and even jazz with ease. As the seminar ends, preparation for the first Sky Academy performance begins. In typical rock n' roll fashion the event is running behind. In true Spinal Tap fashion the stage is too small and the backstage area is nonexistent making it very difficult to perform changeovers quickly. Uli realizes this but shakes his head and moves forward. Throughout the two days Roth will play emcee stopping short of telling Vegas lounge jokes but admitting that everyone in attendance will be getting his life story. As annoyed as he is with the problems, he handles himself with grace and actually makes the venue's shortcomings into a running joke that both he and the audience laugh at out loud. The show begins with Uli and keyboardist Corvin Bahn doing an improvisational jam. This is a daring way to begin a concert. Uli and Corvin feed off each other as the keyboard player pounds out full orchestral sounds and Roth thrills those in attendance by dancing around the entire fretboard. Next is the Electric Sun classic "Fire Wind" followed by "Land of Dawn." Joining Uli on bass was Ule Ritgen. The Sky Academy concerts marked the first time Ule and Uli played together in the United States. The crowd came alive when Roth introduced "We'll Burn the Sky" and dedicated it to Monika Dannemann, who wrote the lyrics. The band played the Scorpions classic better than the Scorpions ever did. Roth's rendition of the song left all in awe of his skills. Uli then went for the jugular and succeeded in slaying the audience with a tune titled "Hiroshima." The rest of the first set didn't live up to the amazing start of the show. Michael Batio played a two necked guitar to a backing track and while it was amazing it was a bit too much of a circus act for the serious setting of the event. The first set came to a close after a Hendrix-influenced version of "All Along the Watchtower" and an inspiring keyboard solo by Bahn. The only disappointment in the entire event was that Don Dokken was unable to perform due to health reasons. Bass player Rob Pagliari filled in for each of the songs slated for Dokken. Rob admitted he felt odd as this was the first time in his career that he went on stage without his bass. He need not fear though as he did a great job. After a few songs he got used to being on stage without his bass and even made some lead singer moves. This is the kind of spontaneity that happens at Sky Academy. The entire ensemble lives on the edge. Being seasoned pros they thrive on this kind of danger and the excitement sends the music over the edge. During the break we retreated to the greenroom where we met up with Stuart Smith and Richie Onori of Heaven & Earth and guitarist Adrian Galysh. As we were shooting the breeze Tony Franklin and Jeff Scott Soto entered the room. There were hugs and smiles from all the musicians. Original Electric Sun Bass player Ule Ritgen had us all in stitches with his spot on impersonation of Scorpions guitarist Rudolf Schenker while Galysh joined in and did a great job mimicking vocalist Klaus Meine. The break was soon over and we headed back to our seats to check out Act II.  Corvin opened the set with another amazing keyboard solo followed by Roth and Stuart Smith performing a Bach piece. Next up several of the students came on stage with Roth and preformed a classical piece. Uli allowed each student to get his moment in the sun and jam. What followed was the surprise event of the day. Student Greg Vaughan composed a song titled "Sky Brothers" and performed it solo acoustically. He possesses a unique vocal style and is a gifted player. The song touched Uli and the crowd and Vaughan left the stage to thundering applause. Roth introduced Chicago guitar player George Bellas who performed an incredible instrumental he had written. Bellas plays with a Clapton sense of melody and a Malmsteen sense of shred. Needless to say the song was filled with many tempo changes and many shades of fire and ice. The event was now heating up and it was time for Uli to bring out the guests and start the fretboard fireworks. Roth introduced Jeff Scott Soto and went into the classic Scorpions track "In Trance." Soto was smiling ear-to-ear as he sang the song in his best Klaus Meine voice. He owned the audience with his energetic performance and his stage presence. Soto and Roth were also joined by Adrian Galysh who traded licks with the Master. The band went into "Pictured Life" and delivered another jam-soaked rendition that left everyone speechless. Galysh commented, "Uli has a large musical vocabulary and a fountain of musical ideas. Most musicians use up their good ideas and stock licks in the first few minutes of improvisation but Uli has an endless source of ideas. He is really amazing. Personally, Uli is very kind, and generous. He is a serious musician, but has a laid back personality." The Sky Academy magic was at work and the few hundred in attendance in the small venue were full of energy. The event was already over three-hours long but it felt like we were just getting started. Roth introduced Paul Gilbert who took the stage and went in Jimi Hendrix mode. "Foxy Lady," Highway Chile" and "Purple Haze" took about thirty minutes as Roth and Gilbert traded licks and kept the entire crowd on the edge of their seats. "Highway Chile" featured the two virtuosos dueling it out. Each man would listen intently to the other and then try to up them with a ferocious guitar lead. In the end, a draw was called. Gilbert told me that, "Uli is a great electric guitar pioneer. He is legendary for what he played and composed in the 70's and he continues to play and write incredible music. As a musician, he has such a beautiful vibrato and his technique is incredible. I have to thank him for speaking English because I can't speak German." Chris Poland, the original guitarist for Megadeth, and now in a band called OHM with Rob Pagliari, joined Uli for a rousing rendition of the classic "Spoonful." The Cream classic never sounded like this! Next up was Johnny Hiland, a legally blind and heavyset guitar player from Nashville, went to town on "Going Down" and "Mercury Blues." Signed to Steve Vai's label, Hiland is a talented man. He threw out blues licks, country licks, hard rock and jazz licks and even some two-handed Eddie Van Halen style tapping. He scored major points as a crowd favorite and it was fun seeing Roth play blues for a change. Drummer Michael Ehre played the entire event and handled Hiland's blues, classic Scorpions metal and everything else that was thrown his way. Shredder Joe Stump put on a technical clinic that left no portion of the guitar unplayed. Stump is talented player, a good showman and a huge Roth fan. "There's a very cool, very supportive vibe among all of the players involved. It's a treat to see so many killer musicians interacting and it's always inspiring to watch Uli play and a thrill to get up and perform with him. Uli`s a wonderfully warm and cool person and as a musician he's world class. He's a tremendous guitarist who's influence can be heard over generations of players. Uli helped write the book when it comes to classically influenced, European style hard rock guitar. In addition to being a great guitar hero he's a tremendous musician and true artist in every sense. I have nothing but admiration and respect for him both as a person and musician." Stump went on to add why the experience is so important to him as a musician. "For me it's a chance to watch one of my all time heroes and to play and perform with him. What could be better than that? I've been lucky enough to get up and do my own thing at the shows so it's nice for fans of mine to get to see me stretch out and do some damage as well as introducing my guitar work to some new fans. There's always a bunch of great musicians involved in the thing so taking it all in and watching all the other players, in addition to Uli and his band, is very inspiring. I'm proud to have been part of it both years." Next up was Mark Boals who brought the house down with "Child in Time" and the Scorpions classics "Sails of Charon" and "Catch Your Train." Boals vocal prowess is amazing to witness as he hit notes that Ian Gillan would be jealous of. The night ended with several guitar players talking the stage with Roth and blasting out the Chuck Berry classic "Johnny B. Goode." Once again it was interesting to see Roth show a side of his playing that he does not often let out of the bag. Five hours after it began the first Sky Academy concert of 2007 had ended. To be honest, it certainly didn't feel like five hours had passed as it was an honor and a pleasure to witness such talent gathered in one place. The best part of the show being over was that we were that much closer to Day II and the arrival of Rock n' Roll Hall of Famer Robby Krieger.  Day II: August 25th Best Song: Sails of Charon Best Guitar Solo: Timeless Inspiration by George Bellas Biggest Surprise: Hand by Andrew Shulman Best Vocal Performance: We'll Burn the Sky by Piero Leporale We began day two with Sean going down the block to Starbucks while I caught a few extra moments of sleep. Sean returned with my French Vanilla Cappuccino and told me of a homeless woman who was walking around in the most filthy socks he had ever seen. She passed the time by picking up cigarette butts and smoking them. Once we were buzzed with caffeine we made our way back to Hollywood, having to step over a sleeping homeless woman to cross the street. We met an interesting couple visiting from Australia. The older couple told us that they were starting in Hollywood and were going to fly across the United States and see as much of it as they could for three weeks. They were looking for the Walk of Fame and we told them where they could find it. We mentioned it was past a mall and they perked up with excitement as their luggage was lost and they could do for a change of clothing. The man spoke of the USA fondly and said Australians knew more about our country than we did of theirs. This prompted a barrage of comments from Sean and I on topics ranging from Australian Rules Football, the Aborigines, the Sidney Opera House, wallabies, kangaroo and boomerangs. With a full day to kill we drove up in the Hollywood Hills, Beverly Hills and Los Angeles in general. We ended up back on Hollywood Boulevard at the Hollywood Hooters for dinner. Our cute and perky waitress kept calling us Mister as she took our order of hot wings and fries. Sean ordered a beer and I ordered a lemonade. She looked at me and shook her had and said, "Lemonade. That is so sad." Sean found this to be hilarious. I made a mental note to never again order lemonade from a cute waitress! Once dinner was over, we went back to the Institute and sat in on one of Uli's seminars. This was an open question and answer session. A bit later one of the students took the stage to be critiqued by Roth. The student was nervous and gave a subpar performance filled with difficult licks and runs that he was not able to quite pull off. Roth gave him excellent feedback but the student insisted that it was the amp's fault and not his. Roth did a very professional job of explaining that playing on stage is not like playing in your living room and told the student that in order to give a great performance sometimes you have to pull back and play within your own limitations. At this point Robby Krieger of the Doors entered the auditorium. Uli invited him to join in the session and Krieger agreed. Students were thrilled to be able to ask Robby about being in the Doors, writing songs and putting up with a live wire lead singer on stage. Once the session was over the venue transformed from classroom into concert hall and the second night of the Sky Academy concerts was about to begin. People shuffled in to pack the house and the lights dimmed. Roth opened with several Scorpions classics including those played the night before as well as "Polar Nights" and "Fly to the Rainbow." The latter brought a thundering applause from the Scorpion's fans in attendance as this is the title track to the band's second album and the first Scorpions album to feature Roth as the guitarist. "Fly to the Rainbow" is a long forgotten song and we got to see it come back to life before our very eyes. Much of the set was a repeat of the day before, however, the individual performances were even better than the previous days. This was in part due to the fact that there was very little rehearsal for these concerts. Day I was amazing but saw many of the performers on stage with each other for the first time. With show nerves out of the way and having played together the night before, the musicians loosened up and had fun. The improv leads on Day II were exceptional. "We'll Burn the Sky" was again blasted out with fury and this time Italian vocalist Piero Leporale opened his lungs and put on a vocal display. George Bellas once again thrilled the audience with his original song "Timeless Inspiration" written specifically for the Sky Academy event. The song of the day, however, belonged to classical cello player Andrew Shulman. He plugged in an electric cello and traded licks with Uli to his original tune titled "HAND (Have a Nice Day)." Shulman and Roth traded distortion soaked classical licks showing that if the classical gig doesn't work out Shulman could become a rock star. All joking aside, Shulman is one of the most talented composers, performers and conductors in the world of classical music. His participation in Sky Academy shows the reach, range and respect Uli Jon Roth possesses amounst his peers . As grand as all the performances were the highlight of Sky Academy Day II was Robby Krieger playing four classics by the Doors. "Roadhouse Blues" was the opening number followed by "Riders on the Storm," "LA Woman" and "Light My Fire." Robby has a unique style. He does not burn up the frets but he has a very strong sense of melody and is a student of the blues. All in attendance knew they were witnessing something special. Once done it was time for an intermission and everyone went back to the greenroom where photographs were taken of all the guests artists with Uli. Adrian Galysh commented "I have loved Uli's guitar playing since I was about 10 years old, he is definitely a guitar hero to me." This sentiment was true for all who came to the event. Paul Gilbert was going to be there no matter what. "I was in the middle of moving so I was very busy. Plus they didn't offer any money but I love Uli's playing so I did it for the music. That's always the best reason." Jeff Scott Soto agrees with Gilbert's sentiment. "[Sky Academy] continues the legacy of Uli's style with new generations to carry forward as well as giving us the chance to come together annually to celebrate his work. It is great to hang out with old and new colleagues before & after the event. It's like a miniature version of the NAMM show."  The show moved along at a quicker pace and was done in only four hours. The event actually made time stop while you were in the audience. Song after song and solo after solo the players incredible talents put the audience in a trance. Guitar player Adrian Galysh put it best when he explained the importance of the Sky Academy concerts, "The importance to me is to be able to expose an audience to musicians that can really play their instruments while at the same time are very musical. Guys like Uli, his band, Tony Franklin, Chris Poland, Paul Gilbert and the rest of the guests have really big ears. They listen to what is going on musically and can either compliment, back off or add to the music. The improvisations can go in any direction and surprise the audience. These concerts, if you think about it, bring to the audience elements of rock, country, jazz, and classical music. It's not every day someone can go to a concert and get that." In the end we look forward to Sky Academy III in 2008. Keep checking www.sky-academy.com for the latest news. All serious guitar players can benefit from Uli Jon Roth's seminars and all music fans will rejoice at his, and his guests, performances. This is an event that showcases some of the top talents in the world and is very important to the future of music. If you are one who loves music then you need to be at Sky Academy 2008. Special Thanks for a Job Well Done: Uli Jon Roth, Jeff Agins, Paul Gilbert, Jeff Scott Solo, Adrian Galysh, Joe Stump, Sean Turner, Stuart Smith, the Musicians Institute, the students, the stage crew, the musicians and the sound man.
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Thursday, August 30, 2007
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Current mood:  accomplished
Los Angeles-based guitarist Adrian Galysh was one of a number of special guests who performed with legendary guitarist Uli Jon Roth (SCORPIONS, ELECTRIC SUN) at this year's Sky Academy concerts, which was held August 22-26 at Musician's Institute in Los Angeles.
The concept of Sky Academy was conceived by Uli. He wanted a medium to teach his own unique approach to musicians wanting to take their playing to that next level.
Uli performed two concerts, titled "Uli Jon Roth and Friends", in conjunction with his Sky Academy Seminar. Uli played lots of SCORPIONS and playing tribute to many classic bands, such as CREAM, JIMI HENDRIX, THE DOORS, and others.
Commented Galysh: "This year's [Uli Jon Roth and Friends] concerts went very well, with a great venue (Musician's Institute Auditorium), great sound, amazingly talented special guests, and of course Uli Jon Roth and his remarkable band.
"Besides getting to play guitar alongside Uli on some classic SCORPIONS tunes, specifically 'Pictured Life', 'Fly To The Rainbow' and 'In Trance', some highlights of the weekend for me were witnessing singer Mark Boals wail on 'Sails Of Charon', 'Child In Time', and 'Catch Your Train'... he is an absolutely amazing singer, whose range and power has to be witnessed in person! It was also great to meet and hear Robbie Krieger from THE DOORS, who played some classic DOORS numbers. A special treat for everyone was hearing my old friend Johnny Hiland, a country picker from Nashville, play along with Uli Jon Roth on 'Down, Down, Down' and 'Mercury Blues'... what a contrast of styles, but they are both such good listeners that they really complimented each other. Paul Gilbert brought the house down with some great renditions of the JIMI HENDRIX tunes 'Purple Haze', 'Highway Chile', and 'Foxy Lady'. Again, such a contrast of styles between Uli and Paul, but the results were very musical.
"All in all it was great to see some old friends, meet new ones, and get to jam with some very talented musicians. Everyone involved was so nice, what a great hang... it's events like this that remind me of why it's so fun to be a musician."
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