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Eric Bibb



Last Updated: 1/6/2010

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Status: Single
City: NEW YORK
State: New York
Country: US
Signup Date: 10/4/2005

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Monday, November 16, 2009 

BOOKER’S GUITAR



Some years ago, after one of my concerts during a UK tour, a fan approached me as I was signing cd’s and said: “If you’d like to see and play the National guitar that belonged to the famous Delta bluesman Bukka White, I could meet you at your hotel tomorrow morning”. He was a man in his sixties with an earnest, pleasant manner and I could tell he was sincere. He went on, “I’m a big fan of your music, Eric, and I’m so glad a new generation is keeping this great acoustic blues tradition alive. I’m a professional photographer and I’d be happy to take some pictures of you with the guitar.”


So, I thanked him and arranged to meet him at my hotel the next morning at ten…


…Sure enough, he showed up with his son, carrying a brown leather guitar case and some camera equipment. My new friend’s name was Keith and he introduced me to his son, Richard. I remember thinking that maybe Richard had come along to provide security for the guitar while it was beyond the safety of their home. After all, the instrument I was about to behold was very valuable, if not priceless…


Keith proudly opened the case and reverently handed me Booker’s guitar. It was a steel-bodied instrument and it was heavy. Keith said, “Booker used to call it Hard Rock. Go on, play it.”


Just holding it filled me with wonder. It felt alive…


The sound was big – rich and mellow. I put it in Drop D tuning and began playing ‘Needed Time”. Keith pointed out the heart-shaped charm that Booker had adhered to the headstock. “The guitar was made in 1934 and at some point Booker had the steel body re-chromed”…


It had obviously been well cared for over the years. The personalized headstock looked weathered and wise. I also noted a hand-written set list taped on the upper side.

Realizing that this was indeed the very same guitar Booker White had played and recorded with throughout his career sent a thrilling shudder through my soul.


Keith continued: “I once showed it to Booker’s famous cousin B.B. King and he said he remembered seeing it at Booker’s place in Memphis years and years ago. B.B. called it the Holy Relic.”


Keith took some nice pictures and promised to send them to me. It was time for me to hit the road, so I reluctantly placed the guitar in its velvet-lined case and ran my finger across the strings before closing the lid. “If you ever want to record with Hard Rock, let me know”, said Keith as we said our goodbyes…


…”By the way, Keith, how did the guitar wind up in your possession?”


“Booker, who never really liked the nickname Bukka, first came to England with the American Folk Blues Festival. Being an avid fan of the music, I jumped at the chance to see some of my heroes in person when they came to my town…


…After a great show, I made my way backstage to meet and photograph the performers. And that was the beginning of my friendship with the great Booker White.”


“He returned to the UK a few more times and we kept in contact in between visits through letters and phone calls.

I made some cassettes of Booker’s earliest recordings from the 1930’s and sent them to him in Memphis. He was very moved and grateful to me for that. He’d not heard those records in many years. I remember he called me and said he spent hours listening to them while sitting on his porch with friends…


…Not long before Booker passed on, in 1977, he packed up Hard Rock and shipped it to me as a token of his friendship. He was a wonderful, thoughtful man and I’ll never forget him.”


“What an amazing story”, I said.


Keith and I kept in touch over the next few years and one day the song “Booker’s Guitar “ came to me. I called Keith and he was eager to hear it. I sent him the lyrics. He placed my hand-written words in Hard Rock’s case so they could get acquainted…


My touring schedule, by this time, was hectic – but I knew that, before too long, I would have to make time to record “Booker’s Guitar” with –Booker’s Guitar!


Friday, November 07, 2008 

OCT 5th 2008

Vancouver BC

Yesterday, I flew from London to Vancouver, one of my favourite cities, for a 5-day visit with my dad. Usually, I'm here to perform – which means a quick stop over and then onto the next tour date.

Spending 5 days of quality time hanging out with Leon feels so luxurious! Something about this cosmopolitan town situated on the water with the mountains in the near distance soothes my soul.

Last night in an almost altered state of mind due to mild jetlag and little sleep, my Dad and I and a friend named Sid, had the pleasure of hearing Ron Sexsmith in concert. I rarely seem to have time to go hear other artists perform (if it's not apart of a festival appearance) and it's always a treat to watch a contemporary do their thing. The venue was the wonderful Chan Centre at the University of BC. I fondly remember performing there in a shared concert with my Dad 10 years ago.

To hear another singer/songwriter/guitarist is always educational. Ron singing, playing songs were enjoyable and inspiring as well. Right off the bat, I liked his air of self-effacing – shyness blended with his obvious self – confidence. I dug the way he played his Taylor guitar (with and edge but melodic at the same time) and particularly enjoyed his unique singing style. There's that plaintive vulnerability together with solid (but not over – the – top) chops – delivered in a seriously sincere yet off hand manner – that really works. His way of putting a lot of melody into a single word or two I also found really cool.

His sidemen were a drummer and Fender bass player. Together (as my Dad commented right at the start) they made a lot of music for 3 guys. The sidemen also sung some discreet backing vocals that worked well. Most enjoyable however was when Ron played solo – accompanying himself on guitar and piano. He did a couple of songs at the end with lovely guitar parts – one about a cemetery and one about how experiences go by in a flash – that really moved me. My Dad and I left the Chan Centre singing part of the last melody. It really stuck with us.

So, thank-you Ron Sexsmith and Co. for a truly enjoyable evening of poetic music.

Also, on another note, you will see that the on-line BIBB SHOP will be up and running as of this week! We are looking forward to this and have merchandise that is not always available at retail, check out the website!

We have some dates coming up in Germany, Sweden, France, America and Canada from now until the end of the year. We will have some shows that are solo, and other shows with our wonderful friends, Staffan Astner on electric guitar, Larry Crockett on drums, Trevor Hutchinson on bass and Danny Thompson on bass. We are looking forward to getting back on the road and hope to see you at the shows!!

' Til next time,

Peace,

Eric

Tuesday, October 24, 2006 

Thursday, October 19, 2006

 

Quote of the day:

"Silence is a song" – Lizz Wright

 

Friends,

Today, October 19 2006 is definitely a "Diamond Day"!

 

I just finished a radio interview with the legendary dj Johnnie Walker at the BBC in London, and it sparkled. It flowed like a conversation between friends at a bar – touching on subjects, both light and heavy, with ease. I played unplugged versions of two tracks from the new Diamond Days CD – the title track and "Forgiveness Is Gold" and Johnnie played "Shine On" from the disc. Keep an eye on the website for a link so you can check it out in a few weeks. It was the kind of high-profile media moment an artist dreams of.

 

Thank you Mr Walker and thanks to Sue Williams, my publicist in the UK for making it happen.

 

Hast Manana,

 

Eric

 

PS. The show is due for broadcast Sunday October 29th 5pm-7pm

http://www.bbc.co.uk/radio2/shows/walker/

Monday, November 14, 2005 

Courier-Post Eric Bibb extravaganza - Cover/interview
Category: Music

The NJ Courier-Post, an influential Newark-area newspaper, recently featured this great 1,400-word cover-story interview/preview for Eric Bibb's upcoming performance. 

Praise & Thanksgiving

Musician Eric Bibb credits divine collarboration for songwriting success

http://www.courierpostonline.com/apps/pbcs.dll/article?AID=/20051111/ENT/511110314/1069

Her 'Wedding' sidebar piece:

Eric Bibb's 'For You' finds special place in couple's courtship

http://www.courierpostonline.com/apps/pbcs.dll/article?AID=/20051111/ENT/511110316/1069

Additionally, you can listen to the entire interview online in MP3 or Quicktime formats (former is linked below):

http://www.courierpostonline.com/assets/mp3/BZ113001111.MP3