Status: Single
City: Detroit
State: Michigan
Country: US
Signup Date: 10/8/2005
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Sunday, September 13, 2009
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Current mood:  fabulous
Dr. Bristol ...the coolest and most relevant MUSIC/Rock n roll blogger on the planet , gives Detroit's Howling Diablos a nod: SEPTEMBER 12, 2009...10:00 PMUnder The Radar – Howling Diablos Gonna do me some howlin'...If you have heard of The Howling Diablos and have been enjoying their stew or soul, funk, rock and blues, I have one question to ask of you. Why didn’t you tell me? Al Kooper defined them as a cross between Howlin’ Wolf, Captain Beefheart and Canned Heat, and that’s a damned accurate description, although I’d add a healthy dash of Sly Stone and P-Funk to the mix. Tino Gross’guttural growls spearhead their powerful sound, with the whipcrack rhythm of Mo Hollis on bass and the legendary Johnny “Bee” Badanjek on drums as a thundering pulse. The flavor is peppered by guitarist Erik Gustafson and harp/sax player Johnny Evans. It’s a gritty, urban street sound, tangents of Delta blues, hip-hop and even classic jazz brass bubbling up and popping for a sensual mix. But yeah, baby, they do rock. How about “ Gloria“? The Howling Diablos have a handful of releases available (I can’t find their early release Beatnick Mambo): Car Wash, Live, Green Bottle, Christmas In Jail and this latest gumbo crockpot, Divine Trash Highway.Featuring guest spots from Calvin Cooke (sweet sacred steel highlights the opener “If You Love Someone”), Vinnie Dombrowski, keyboardist Jimmy Bones and a host of Detroit luminaries (Bobby East!), this is an album that justoozes groove. “Check It Out” is a perfect example of soul/funk hybrid that makes it impossible to sit still, although it’s the cut “Josephine” that really has mebobbing my head like a park pigeon. “Dodge Main” rocks as does the blues blower “Leaving In The Morning”, and even a fairly reverent cover of Randy Newman’s “Mama Told Me Not To Come” succeeds. I’m not as high on “Mom” and “Hobo Jungle”, but I will admit that the latter sounds like mid-period Jeff Beck crossed swords with Sun Ra. “Junkyard Jesus” sounds like the missing sibling of Marah’s brilliant track “ Catfisherman” ( really – play the two songs back to back – that’s a compliment to both tunes. And if you’re not skanking to the title track…well, there’s something wrong with you. In addition, they’re included on the Sun Records tribute Good Rockin Tonight (the Diablos cut “Wine Spo Dee O Dee” with a guest appearance fromKid Rock) which led to a film for the American Masters series on PBS that includes a performance by the band. (Reportedly Kid Rock – then Robert Ritchie - was a band member in the embryonic days when the nucleus of the band got together to jam and back up other artists). Tino Gross also produces records for Fat Possum – is that enough cred for you? But as much as their albums are rump-quaking, ass-shaking, rocking good times, like most bands they turn it up several notches when they hit the stage. They’ve toured with and opened for a ton of bands, and although I have yet to sweat in the same room with these guys – and I will - there are visual testaments out there thanks to Al Gore’s invention. All it will take is one song to convince you…check out this video for the song Car Wash. Folks, this is greasy. RawPowerMagazine The Rock and Pop uncompromising ...
Sunday, October 11, 2009 Chronicle:
Howling Diablos - Highway Divine Trash (2009)
We have already had occasion to talk to you about this great group of Detroit head of a splendid album, Car Wash, released in 2005 with Alive Records (here). The Divine Trash Highway released this year is not strictly speaking a new album but a compilation of tracks recorded between 1995 and 2003 and the various studios and producers. One would fear a patchwork that would have affected the consistency of this disc, and yet it is not.Better we find the group in a new, far more catchy concerns, more punk blues, Car Wash. The group is more groovy, more funky or downright jazzy. You take a word a phenomenal up listening to most of the 14 securities in this disc. The group joins the time of two compositions ( "If You Love Someone", "Junkyard Jesus") to Calvin Cooke, brilliant musician wielding steel as a person and that literally boosts the introductory "If You Love Someone". Note also a splendid recovery "Momma Told Me Not To Come" by Randy Newman, where the banter Tino Gross and the inspired gospel choirs give new life to this classic (surpassing aisemment version of Three Dog Night and more recently that of Tom Jones with Stereophonics ...). The approach also different styles while maintaining some form of musical identity reminiscent of the Dirtbombs. Besides the "Moonshine" or even "CIA" the parallell is quite striking: one would swear that Mick Collins jamming with the band!The groove shown by the Howling Diablos on "Check It Out" takes us back in full in Harlem full seventies! The music as usual is impeccable, the contribution of the sax of Jonny Evans as bringing on Car Wash a great character by multiplying the side resolutely funky compositions, developing a beat that remémorre the glorious days of Sly & The Family Stone ( "Josephine"). The group did not forget his part as rock'n roll nuggets like "Dodge Main" are there to testify. Even on the ground often rolling the bluesy ballad, the Howling Diablos carefully avoid pitfalls and manage to convince ( "Rainin 'In Mississippi"). Despite this chorus of praise, not everything is perfect and reminds us that the group is still human and therefore subject to Fourvoirie by now: the unbearable intro on keyboards of the "Hobo Jungle" somewhat missed or what "Mom" hesitant between blues and r'n'b and turning quickly round.Curiously, "Mexican Laundromat," which could be on Blowback Tricky, while using the same musical direction as "Mom" succeeds him his shot, finishing demonstrate the group to more than one string to his bow. Nothing, however, will affect our enthusiasm and are quick to forgive these few choice group found (with all our subjectivity) questionable. Especially since the end of the album takes on a high base "Leaving In The Morning" off kind of blues bayou, a "Junkyard Jesus" and the hypnotic "Divine Trash Highway hallucinating when an epileptic rhythmic group suggests a boogie / ska, nothing here! In the end, and until a new album in 2010, the Howling Diablos confirm they are a separate group, apart from all modes. They represent an outstanding alternative to the mediocrity that we want to water the record industry. This must be why we love them all! Frank Published by RawPowerMagazine Howling Diablos
“Divine Trash Highway”
Funky D Records
The Howling Diablos is a band that has been on the verge of being the next big thing out of Detroit since their inception. Starting out as a loose collection of the best sidemen in Detroit who would gather together whenever legends like Hubert Sumlin, Bo Diddley, Earl King or Johnny Johnson were in need of a back up band. They soon staked their claim as Detroit's most popular party bands in the the mid 90's when their drummer Tino Gross stepped to the front as their master of rhythm and rhyme. Gross who's also produced records for RL Burnside and Little Freddie King adding a contemporary feel to their muddy Mississippi delta blues and has now incorporated these roots into his own swampy urban sound. Recently they have been the opening band of choice for ZZ Top, J Geils, the Obama Inaugural and Kid Rock who started his career spinning turntables in this band. The current Diablos with Tino firmly behind the wheel has the driving rhythm section of Mo Hollis on bass and the legendary Johnny “Bee” Badanjek of Detroit Wheels and Rockets fame on drums keep their pedal's to the metal as guitarist Erik Gustafson and tenor sax / harp player Johnny Evans fills out the melodic landscape. Their newest CD a cruise down the “Divine Trash Highway” is a musical collision of funky rockin' blues and a sideswipe of hip hop that may just drive them into an upper level of the music biz.
This big mess of highway trash starts out doing the legal speed limit on “If You Love Someone” adding the divine sounds of Calvin Cooke's sacred steel guitar trading lick's with Johnnie Evans sax
before leaping into over drive when they discover their sweet baby likes “Moonshine” as the guitar runs down those dirty back roads. From here they are on cruise so they can “Check It Out” hip hop style as Jimmy Bones' organ and Gustafson's guitar make it a hard rock hip hop. These devils flip into a time warp of '80's sound with a touch of vocorder, as if the vocals are being wire tapped by the “CIA.” The hard core Motor City blues of “Dodge Main” jumps in with an irate female shouting “All you know how to do is play the blues, you good for nothing” as they “just try to make a living and not go insane” an echo of many auto plant workers. These good for nothings jump into a straight cover of “Mama Told Me Not To Come” though Johnny's wha wha sax takes it were your Mama may not tread. Tino covers “Rainin' In Mississippi” a song he wrote and produced for the last Kenny Brown CD filling out this back hills lament with some urban tears. Those tears turn into a nightmare on “Mom” a horror story for kids living in the ghetto today. The guitar has a Mississippi slide and the background vocals sound like classic Funkadelic but listen to the lyrics at your own risk. The dark inner city vibe continues on “Mexican Laundromat” and “Hobo Jungle” like a car crash on the highway that you can't help but slow down and gawk at, until the Bo Diddley flavored “Leaving In the Morning” brightens the mood. Calvin Cooke returns to lift “Junkyard Jesus” above these denizens of debris as they cruise through the “Divine Trash Highway.”
The Howling Diablos newest CD is a tough blue collar jaunt that criss-crosses reality based lyrics and driving rhythms that propels the listener on a cruise that never puts on the brakes. So hold on tight your in for one hell of a ride. Big City Blues Magazine
Roger & Margaret White
bluestime@sbcglobal.net
DIVINE TRASH HIGHWAY Dr2 View:If we had to describe the recipe for the new Howling Diablos', 14-track collection, Divine Trash Highway, we would tell you to take a healthy dose of Delta Blues, add a good amount of MC5, and top it with a dash of Cream (the band), and you come close to the mixture that is The Howling Diablos. Their particular brand of funky, in-your-face, jam band, blues-rock is as recognizable as it is unique. The blues have always been about the universal themes of life's hardships, pain, adversity, and struggle. No exceptions here, all the misery you could want is in these songs, but the HD's have a very "Detroit" way of expressing it. This city has always been a blue-collar paradise where the workingman's, day-to-day, grind has been about the work hard, play hard, way-of-life. This lifestyle has been widely acknowledged as the root of so much of our musical history. Giving birth to both Motown, and inspiring/influencing many rock stars. But underneath all this there has always been a thriving blues underground. The Diablos combine all of these diverse elements in their music, creating something uniquely their own. They mix traditional blues tracks like If You Love Someone, andRainin' in Missippi with jazzy tunes likeCheck It Out and Mexican Laundromat to create a disc that is the ultimate expression of the ultra-cool, and we have to say, incredibly fun to listen to. Leading off the disc, the previously mentioned, If You Love Someone, puts a fresh turn on the classic blues theme with the hooky lyric "If you love someone, You got to treat them right, If you don't,... somebody else might". Featuring Calvin Cooke's smoking, sacred pedal steel guitar licks, and Johnny Evans wailing sax, it is indicative of what The Howling Diablos' bring to the blues. Cooke and Evans also combine their efforts on, A Dr2 favorite, Junkyard Jesus, weaving their way through front man, Tino gross' gritty, spoken word/rap styled lyric. Detroit references abound in Howling Diablos' music. Anyone who knows Detroit does not need an explanation for the inspiration for the Detroit anthem Dodge Main, the iconic assembly plant at the heart of our auto industry. The songs hook says it all. "Working at Dodge Main, trying to make a living and not go insane....workin', livin', workin, livin'". Divine Trash Highway is, simply put, Detroit Blues. In the intro to Dodge Main, a sample from the Queen of Soul herself, Aretha Franklin, lifted from The Blues Brothers movie, laments, "...All you know how to do is play the blues..." That's all the Diablos' do and they do it well. Catch the Howling Diablos this weekend at the Ye Olde Saloon in Royal Oak for their Halloween Show on Saturday or catch them at the all inclusive Cherry Hill Theater in Canton on November 25th where you'll be able to snatch your own copy of Divine Trash Highway. Of course you can download it from the internet via theRhapsody Site or even Amazon, or you can always order it directly from their website by clicking on the Dr2 Links or just head on over to the Dr2 MySpace page where you'll find them listed in our "Top Friends". DetroitRockReview.com - The Only Place For Local Music News & Reviews!
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Tuesday, August 25, 2009
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Current mood:  blessed
Category: Music
Diablos PRESS
The Howling Diablos album ‘Car Wash’ won an award for ‘Best National Indie Release’ at the Detroit music Awards 2006 in the Outstanding National Small/Independent Label Recording category and singer Tino Gross copped the Outstanding Record Producer award.
Formed about 10 years ago, with service to Albert Collins and Earl King under their belt, the five-member Diablos in Detroit give blues an exciting full-court press of urban grit and grunge understandable to Iggy Pop and the MC5. Tino Gross, producer of two R.L. Burnside albums, does the singing and writes songs that are the testimonials of someone who feels the sordid truth behind "Mean Little Town" and "Broke Down." The band absolutely nails Burnside’s "Gone So Long." – Frank-John Hadley / DownBeat Magazine April 2006
 This bluesy rock and roll band succeeds where jillions of tohers have failed for many reasons over the years. Some outfits are too imitative, a lot are over produced many are just plain too squirrely for me to warm up to. Detroit’s Howling Diablos have a zero squirrel factor and have found a warm funky groove that’s natural and rocking at the same time. The title track, "Car Wash." Kicks off the disc. One of my favorite contemporary authors George Pelecanos judged (in a website commentary if I recall) the film Car Wash to be the black American Graffiti; I agree. I wondered if these Detroit boys were gonna cover the theme? They didn’t, but their "Car Wash" had me struttin’ around my living room to their righteous take on the world of hot wax and minimum wage pay. As the CD cooked along I decided that these guys are like a perfect blend of Stones-y rock and Curtis Mayfield. Some of the tunes, like "Dope Man," "Broke Down" and "Prison Train," seem to be steeped in the wisdom Mr. Mayfield laid down back in the day. Meanwhile, guitarist Mike Smith tastefully churns out licks that range from Dixie-fried mellow to over-the-top face slap a la Keith Richards in the early ’70s. The whole band contributes though. The vocals by Tino Gross are tasteful and always enjoyable he doesn’t come off like a clone or a clown. He is what he is and that’s enough and quite a bit. I’m usually very critical of modern day sax players, but Johnny Evans blends in with a to-the-point Memphis style honk. Of course my favorite track is the final one, "Elvis Lives," which is the best tribute I’ve heard in years to the King. It’s the final track and is the icing on ye olde frigging cake. This band, from what I can tell, is successful (they’ve shared the stage with people ranging from Hank Jr. to George Clinton and numerous blues legends) and it should be easy to go check them out live for you Midwesterners. If they come down to Austin, Texas I’ll be there. – Thee Whiskey Rebel / Carbon 14
Pretty much a stroll through America’s roots rhythm ‘n’ blues stuff that’s fired up many a rock band since the whole shebang took off, most notably another band from their town: Five Horse Johnson. These guys are closer to the root though, gigging as a blues club house band in Detroit (Sullys) is no surprise. Hefty harp/sax/slide action topping a rockin’ pushy ass-end and a pretty good phlegm growler up top works well. There were ’60s garage bands that leaned on this stuff hard, especially the ones with Mexican heritage and other rock-identified bands like The Rationals, also from Detroit rock city, and a cultural forebearer of our boys. Most of the "blues rock" bands of the ’60s and ’70s and on were more Cream/Hendrix-degenerated rote bar rock and less greasy r’n'b, which is a shame, and maybe even a sin. Without genius, the grooveless blues rock trip undercut the physical/sexuality of the r’n'b groove. Car Wash definitely has straight-up piles of groove and should appeal to anyone who digs the straighter ’60s Beefheart stuff, fucking, the roughed-up side of Chicago blues, Hound Dog Taylor, Grand Funk, The Lee County Killers, and a buncha those Fat Possum folks. These guys have gigged with the Dirtbombs, George Clinton, Albert Collins, Bocephus (that’s Hank Jr., for you young people), and about a half a billion other respectable units. Fun for the whole family, no irony involved. – Craig Regala / Lollipop Raw ass HONKY blues in the Black Keys mode and tough as nails in the Detroit/Ann Arbor style. Gritty and groovin’ blues on the rough, but funky side. The Diablos blues credentials run deep, honing their chops in D-Town blues clubs and working with funk legend George Clinton, cowboy baddass Hank Williams Jr and recently passed juke joint god R.L. Burnside. This is the real stuff and the disc drips of the stink and sweat of the dirty blues! – Craig Goossen 9/11 Culture Bunker
‘Car Wash’ made Al Kooper’s 2005 Best list at #50 "If ya don’t get to hear enough Howling Wolf, Captain Beefheart or old Canned Heat, just slip this on," Kooper wrote. "It’s da real thing in its own way. Glad this crossed my path – like an old black cat." – Al Kooper
(Music legend who produced Lynyrd Skynyrd, played on Bob Dylan’s best sides and founded Blood Sweat & Tears)
RIFF2 CELEBRATES THE VERY BEST OFDETROIT WITH THE DETROIT 101COUNTDOWN! RIFF2 collected your votes for your favorite Detroit bands for the DETROIT 101 COUNTDOWN, which ran on RIFF2 on New Year’s Eve to celebrate the very bestMotor City rock and roll! # 52. HOWLING DIABLOS – CARWASH
TOP ELEVEN of 2005 By The Barman – I94 Australia
(72 Blues and) "Car Wash" by the Howling Diablos (also from the Motor City, coincidentally) were two of the most simultaneously arse-kicking and soulful chunks of music to come out in 2005.
Track two points us in the right direction, R.L. Burnside’s "Gone So Long" in an early Beefy style by a band out of the mean streets of Detroit. It’s rough and tough, written mainly by singer Tino Gross and powered by slide guitarist Mike Smith. Even the covers as bleak as the music. Don’t know if it’s Nu-Blues but it’ll do for me. Not pure blues but lots of the right elements; "they found a body floating in the river, musta been some wino slipped in an’ drowned. And all the boys are laughin’ over at the barbers shop on main street, that’s the way they do things here in this little town". "Mean Little Town" say no more. "Dope Man" borrows heavily from Beefy’s "Sure "Nuff n Yes I Do" with a lyrical content that’s been part of the blues through every generation. "Elvis Lives" concludes this action packed half hour plus and ok. I believe it. "Dean & Frank called him a clown" but Elvis had the last laugh. Elvis Lives Anagramsinteresting. Howling Diablosanagramsvery, very interesting. – Al Tait / Blues Matters (UK)
Serious, shredding blues-rock from a band that sounds like it has spent years in smokey, sweaty bars playing to meth-addled tweaksters. Tino Gross sings with razor tonsils, Johnny Evans jowls on sax and harp, Mike Smith stakes out a guitar territory somewhere between Stevie Ray Vaughn and Howling Wolf. The sound drips with swamp water, but, with lyrics obsessing about drug deals and dead girlfriends, never leaves the noir-black heart of the city. Grab a long-neck Bud and charge the stage, kid, but watch out for broken glass and barbed wire. – T.J. Wolfsbane / The Sentimentalist
From ROCKS OFF, The Rolling Stones Message Board : Annual Year End Music Awards Extravaganza 2005 posted 11/18/05 by Sir Stonesalot : Best Blues album: "Car Wash", The HOWLING DIABLOS.
I’d say this is White Boy Blues but there’s a black guy in the band, so I can’t. The Howling Diablos are a one trick pony. Fortunately, it’s a pretty fucking good trick! This is lowdown, nasty, swamp running music. You got loud nasty guitars, thumping bass; a driving beat, and gravel worn vocals. Check out this lyric: I’m going down to the car wash, Going down there to pick up my check That is the very first lyric that you hear on the record! Too fucking cool. If the present-day Mississippi blues-and- boogie crowd hasn’t already heard the footsteps from up North, it oughta. A particularly nasty fivesome from Detroit has been generating some of the strongest hoodoo energy around, and in the tradition of the original Mississippi-to-Motown boogiemeister John Lee Hooker, has put a rough-and-ready urban spin on its sound. The Howling Diablos beat on the blues with the best of ‘em, and, true to the band’s hometown, the group makes great attitude music. Vocalist Tino Gross possesses one of the scarier growls around, and one can’t help but hear a bit of Iggy in her, alongside the blues. Guitarist Mike Smith can play the blues straight or amp it up, and drummer Shannon Boone is a basher supreme. The band made its bones in the mid-’90s, opening for and backing up touring blues acts at Sully’s, a Detroit blues haven. Since then, the Diablos have shared the stage and the studio with Parliament/ Funkadelic, Hank Williams Jr., the late R.L. Burnside, and Kid Rock. The band has laid down a few self-produced discs, and its latest, Car Wash, is a gem worth tracking down. – Duane Verh / Cleveland Scene
Read Tino’s interview with Todd E. Jones for MVRemix
Incredibly raw, dirty, in your face and up-yer-arse blues rock from Detroit/Ann Arbor-based, Black Keys-affiliated blues rockers (and when we say blues, we do mean BLUES, as opposed to white middle-class Claptonesque drudgeries) but filtered through the RAWK influences (AC/DC, Humble Pie, New York Dolls, Lynyrd Skynyrd, Little Feat and of course the Stones) that were the music’s next logical development, with a touch of Clinton funk thrown in. Fans of true Detroit garage psych will be, er, psyched (GRRRRRR! -Ed) to hear that original Mitch Ryder drummer Johnny Badanjek appears on and co-wrote no less than three tracks. Rock and muthafukin’ roll. – Freak Emporium (UK)
Alive’s best release since the Black Keys launched their career on the California label. – Upbeetmusic
Detroit’s Howling Diablos are better known for who they know (Uncle Kracker, George Clinton, Ahmet Ertegun, who put them in the Sun Records tribute film) that what they do. But the cracker quintet honed its raw, funky blues rock backing the likes of Albert Collins and Johnny Adams in Detroit clubs, so it knows its business. Nobody’s going to mistake ‘Car Wash’ for a Muddy Waters record, but bandleader Tino Gross’s raspy growl, Mike Smith’s gnarly bottleneck guitar and the rhythm section’s deliberately primitive thump keep it far away from the universe of Jonny Lang and Kenny Wayne Sheperd. Plus the Diablos cover RL Burnside’s "Gone So Long," which automatically gives ‘em a third leg up in a juke joint world. – Michael Toland / High Bias
Howling Diablos = The Dirtbombs + Muddy Waters I was cruising around Detroit the other day in an El Camino wearing a fedora and mirrored sunglasses as my Schlitz spilled into my lap and mixed with cigar ash. Oh wait, that was just a fantasy built from listening to the Howling Diablos. Point is, Car Wash makes you feel like a badass no matter where you are. Yes, even at your five-year-old cousin’s birthday party, you goddamn sissy. It’s blues, rock, a little cocaine, a little electric chair and a smidgen of screwin’ in the back of a Cadillac pressed into one soundtrack to sin. What the hell are you reading for? Go get me a Schlitz bitch! Shane Farver / Slug Magazine
While I can’t pretend to have had as much familiarity with the music of Detroit’s Howling Diablos as I have with the name, it seems as though my life must have been seriously lacking. This disc has been lodged in the CD player for the best part of a month, and I can’t get over just how absolutely filthy it sounds. In 2004, singer Tino Gross produced an RL Burnside album for Fat Possum, and was so moved by the experience that he decided to apply a more rootsy blues brush to his band’s already well-established style of turntable-assisted urban/blues rock. (Apparently Kid Rock was once a member of their line-up.) If this is back to their roots, then they’ve been planted in dark soil fertilised by rotting human remains. By the sound of "Carwash", the Howling Diablos haven’t so much done a deal with the devil as bought a shelf company with the old bastard and seed-funded a national franchise chain of dope houses and knock shops. "Oh, it’s a damn shame the way you treat me, baby," warns Tino Gross on the self-titled opener, and you know by the tone in his voice that he is NOT fucking around. A treacherous backbeat (this album features the best sounding drums I’ve heard in years) anchors a menacing, black-hearted sax refrain from Johnny Evans, and slidework so hot that guitarist Mike Smith must have to play with asbestos gloves. And that’s just ONE track (there are nine others). – The Barman/ I-94 Bar (Australia)
Amazing Detroit blues-funk band plays it down and dirty. Produced by singer Tino Gross (who also produced two albums for Mississippi blues legend R.L. Burnside). The band was originally formed as a house band in a Detroit blues club, and in their time backed the likes of Albert Collins and were included in the Sun Records tribute film. Their cover of R.L. Burnside’s "Gone so Long" conjures up whiskey from a hip flask and cigarettes with nowhere to go and all day to get there. – Kulture Mutt
This is down’n'dirty blues rock’n'roll that sounds great. – Lollipop
Veteran blues-rockers the Howling Diablos have been mashing-up roots blues and modern-day urban music for more than a decade. The band started life as a pickup band backing blues legends like Hubert Sumlin and Bo Diddley at a Detroit nightclub. With the addition of an unknown turntablist named Robert Ritchie – better known to you as Kid Rock – the band helped create a hybrid style that has sold buttloads of records (for other people). Now, with "Car Wash," the Diablos eschew the loops-and-beats approach and instead kick out some blues jams so funky you’ll wonder who left the lid off the garbage pail. This approach was largely inspired by frontman Tino Gross’ ongoing production work for Mississippi-based Fat Possum records. He has brought a modern touch to records by R.L. Burnisde and Little Freddie King. In return, he was inspired to return to his own roots as a blues player. He let the band loose in the studio, and it doesn’t disappoint. With droning slide guitars and propulsive bass and drums, the Diablos take country blues and put an innovative big-city spin on them. Making a guest appearance on three songs is the great Johnny "Bee" Badanjek of Mitch Ryder’s Detroit Wheels. While "Car Wash" is a straight-ahead blues record, the blues have never sounded so contemporary. – Brian J. Bowe / 168Mag and Creem magazine
This Detroit quintet serves up gritty electric bar blues, adding a funky edge to a style derived from Albert Collins, Steve Ray Vaughn, and others. Their second album features a solid rhythm section, with Shannon Boone’s drums mixed favorably hot it gives the album the sort of punch you’d expect to hear in a club setting. Mike Smith’s guitar and Johnny Evans’ harp and sax each provide memorable riffs and solos, and vocalist Tino Gross sings with both swagger and grit. Howling devils, indeed! – Eli Messinger / Amazon.com
Pure and direct, a rootsier version of the Dirtbombs. – Triggerfish (Germany)
Un album blues avec un son sale provenant du fond du garage. – Inouille (France)
Ce qui ce fait de mieux dans le Blue Rock contemporain. – Walked in Line (France)
Revitalized with two new and wildly talented band members both in their 20s, Mike Smith on guitar and drummer Shannon Boone, Diablo veterans Johnny Evans on harp and sax, Dr. Mo Hollis on electric bass, and general ringleader and front man Tino Gross now emerge as one hell of an on fire five piece ensemble about to break out big time on the strength of this explosive new recording. The fact that this blues really rocks is good for the blues, good for rock music, and it’s great for anyone wise enough to grab up a copy of ‘Car Wash’ and give it a listen. Spellbinding enough to show that the blues is more than just a rigid genre, fans of Morphine and Iggy Pop will experience a major adrenaline rush when they get their hands on a copy of Car Wash. Sax player Johnny Evans frequently treads close to Morphine’s dark rock, built as it was on a deep blues noir foundation. "A Woman (Like Mine)" followed by the album’s final track, "Elvis Lives," share some stunning "Stooges moments" in the lyrics and vocal delivery. Tino explained that Iggy started off as a blues drummer, just as he himself did, and that the spontaneous music the Stooges laid down was close to the blues in many ways. The heart of any great recording gets down to the songs and the producer. This one was executed by design as an essentially sparse, lean, loud, live and red hot recording by veteran producer Tino Gross. The sound he created is particularly road ready as the band demonstrated at their recent well attended CD release party at the Magic Bag in Ferndale, Michigan. Tino also either wrote or collaborated on nine of the album’s 10 songs, with R.L. Burnside’s "Gone So Long" (track 2) the sole cover. Yet Burnside’s finger prints are everywhere. The title cut sets the pace for that distinct sound augmented further by tight, rousing performances by all five Howling Diablos. "Broke Down" (track 3) contains a barely audible underpinning of spoken word street rants performed by Tino (in the style of a wino who has broken with reality) to expand on the song’s outward desolation and deep blue lyrics. "Prison Train" (track 4), a blues murder ballad, is among the album’s most striking achievements: "Well you know I shot my baby, shot her full of dope, early tomorrow morn I’ll be swinging from a rope…" Those lyrics set against the song’s cheerful and crisp guitar-driven instrumentation are what great art is all about. Recorded on an antique microphone at the White Room studios in Detroit, "Mean Little Town" (track 6) has some of the most stark, austere vocals the blues has ever known. This recording signals a whole new chapter in the life of one of Detroit’s great bands. Expect extensive touring soon to support this no nonsense scorcher of a CD. – George P. Seedorff / Big City Blues
Detroit’s Howling Diablos sound like a band of veteran bar musicians who have been honing the same sound for years and have now found their style in vogue. Car Wash drop-kicks the asses of just about all of the newer stripped-down blues-rock bands. The Black Keys and the White Stripes may be working in the same territory and will certainly sell more records, but the Howling Diablos smoke both of those bands on pure chops and power and carry on the gritty, industrial blues reminiscent of John Lee Hooker’s days in the Motor City. Lyrically, instead of sounding like poses, the songs about working crappy jobs, hard drugs, and prison have a spooky air of authenticity. This band is probably too old and unpretentious to appeal to the young hipster crowd, but people who genuinely dig low-down, raw blues should certainly check this out. Their version of R.L. Burnside’s "Gone So Long" is alone worth the purchase of the record. – Andy Smith / Pop Culture Press
This is one of the most energetic and fun blues bands I’ve ever had the pleasure of hearing. If you don’t believe me just give a listen to "A Woman (Like Mine)" and "Elvis Lives" then name a band that’s got more energy and is more fun to listen to. The Yardbirds had the energy but they didn’t have the tongue in cheek humor of the Howling Diablos. Other highlights are "Dope Man", "Mean Little Town" and the title track. – Ear Candy
Totally drained of all fat and extraneous shite it’s as refreshing as a nice cold Guinness on a, well, any day, to hear something so resiliently blues in this day and age (how old am I?) without it being horrendous teeth grinding AOR/MOR Clapton/Cray safe as houses businessman blues. Their simple trick is playing us some songs, not using them as foundations to spray fountains of noodling guitar squawl at us. In this they come on a lot more like Lynyrd Skynyrd’s insatiable Southern street party, tho a Detroit one, where they stand around burning oil cans, drinking rotgot whiskey to keep warm. This is reflected musically, a sound as hard, dry and lean as a dried up riverbed, echoing the tough, cold urban blues climate. Skynyrd shines thru’ on ‘Prison Train’, which sees the chirpy little riff almost crashland into the tune from ‘Sesame Street’ (!), and the equally Stonesy and possibly Little Feat too, country-honkin’ ‘Mean Old Town’, like a glint of sunshine through the trees on a winters day. The rhythms are pretty damn tough, possibly from their years as house band, playing night after night over people arguing, fighting and generally not listening. Guaranteed to put the shake in George Clinton’s funkadelic ass. Mike Smith’s guitar playing is understated yet perfectly weighted, mirroring the melody line a la ‘Voodoo Chile’ on the opening title track, Stevie Ray slinky Albert Collins simmering on ‘Gone So Long’, and some sledgehammer slidework on ‘Stop Runnin’ Your Mouth’, ‘Dope Man’ and ‘Broke Down’. Vocalist Tino Gross has a superb blues voice, reminiscent of even Howlin’ Wolf and Muddy Waters at times and all stirred in to their street punk suss and wagger attitude it kinda makes me think of The Gories grandparents. Fantastic roadhouse shaboogie blues. – Sleazegrinder
Dirty, greeezy, funky blues-rock from long-time Detroit scene dudes the Howling Diablos. This baby reeks of barroom, booze, smokes and an unhealthy familiarity with any number of rare blues and rock records, and too many late nights on the expressways of the Motor City. – Colin Bryce / Mohair Sweets
Wow! Another release from the good folks at Bomp/Alive Records has me staring at my speakers in disbelief. Not that I can see anything comin’ outta them, but I don’t know where else to look. As always, I’ll be honest with ya, up until now I had no clue as to who, or what, the "Howling Diablos" were. (…) What appears on "Car Wash" however is some of the most arresting Blues-Rock you’re even gonna hear. Now, anyone who follows Blues or Rock can tell you that there are at least a gazillion bands out there claiming to be blues-rock, or blues influenced rock, etc. However, every time I hear one of these bands, it’s always a let down, either it’s rockers who ain’t got a clue when it comes to the blues, or blues musicians that couldn’t rock even if they were simultaneously possessed by the ghosts of Elvis and Hendrix. Well, the Howling Diablos will not disappoint. The songs are full of emotion, they’re hard, dirty, simple, grungy, and sweaty! The band (Tino Gross – vocals, Johnny Evans – sax/harp, Mo Hollis – bass, Mike Smith – guitar, and Shannon Boone – drums) really seems to be giving every ounce of passion and ability they can muster. Finally the real deal, this should appease fans on both side of the spectrum. Great stuff! – Urotsukidoji Pad
The dirty groove of "Car Wash" leads off the record with Tino’s low growl lamenting washing Lincoln Continentals for a living. The next song is an R.L. Burnside cover, "Gone So Long", which takes a body into a whole ‘nuther place. It’s gritty and funky with North Mississippi red clay all over it. The Howling Diablos don’t need to just cover the blues great though "Broke Down" would fit right in to any Mississippi juke joint with Mike Smith’s slide guitar supplying soul power shake appeal. Mississippi isn’t the only part of the South that the Howling Diablos translate Michigan style. "Prison Train" gives off a good time New Orleans feel despite the songs darker lyrics. A few more highlights: "Mean Little Town" exudes an Exile On Main Street vibe, "Stop Running Your Mouth" has Tino laying it down right, and the legendary drummer from Mitch Ryder and The Detroit Wheels, Johnny "Bee" Badanjek, makes a guest appearance on three tracks. Johnny Evans’s work on saxophone and harmonica are also stellar throughout Car Wash. So if you’re looking for some good, funky blues to listen to while dancing with your lady or maybe just drinking Pabst Blue Ribbon, heading to the Car Wash would be the right thing to do. The Howling Diablos play the blues with sweat and feeling. It makes me think of what they would say if anybody ever asked them this line from "I’m Waiting For My Man", "hey white boy, what you doing uptown?" The Howling Diablos would probably answer, "playing the blues, listen to us, and watch your worries disappear." – Wally Bangs / Blogcritics.org
Dirty ass electric blues from D-troit. (…) Tino Gross sounds like Captain Beefheart before the weirdness set in. Johnny Badnajek from Mitch Ryder’s Detroit Wheels steps up, or sits down rather, for some drums and you can tell strictly from his playing that his ass is the dirtiest of all. – Junior Mackbrough / The Nerve
Detroit’s contribution to rock & roll has long since been its own distinct thread, holding the closest relationship to blues and soul roots more than just about anywhere else. The Howling Diablos fall full square in this lineage, both on their own and as a backing band, and on Car Wash they keep on keeping on in that vein (going so far as to collaborate on three songs with original Mitch Ryder drummer Johnny Badanjek). Sticking for the most part to quick, snarling strutters — no grotesque Blueshammer nonsense here, thankfully; instead there’s sly humor and focus — Car Wash rides the line between older styles and more modern recording. John Smerek’s engineering captures the dirt and snarl in the arrangements perfectly — at points Mike Smith’s guitar sounds like a buzzing, angry fly (keep an ear out during some of the breaks on "Prison Train"), while Shannon Boone’s drums are big without being overbearing, a solid series of punches. At points the band sounds like what a combination precursor and follower of AC/DC would be like. – All Music Guide
With a vocalist who growls like an old, gnarled black man who spent half his life on a chain gang, the Howling Diablos sling out a mannish, down ‘n’ dirty abundance of grit-encrusted po’-boy Rock ‘n’ Roll birthed from misery, inebriation, and shady midnight pacts with the devil. The locomotive-chuggin’ hambone guitar, wailing hellhound harmonica, burly street-struttin’ sax, mud-swirlin’ steamboat bass, and stampeding smokestack drums make me think of the Howling Diablos as the barroom-brawlin’ white-trash cousins of Howlin’ Wolf. -Moser / Under The Volcano
Folks, the Diablos are here to tell ya: Relax, take your shoes off, dance, have a good time and put your cares aside, cuz it ain’t nothin’ but a Detroit party, yo. The set was an hour’s worth of head-bobbing, booty-shakin’, foot-stompin’ funky rock they do so well, delivered with a big grin and a lot of bouncing around on stage. From a thumping rendition of R.L. Burnside’s "Gone So Long" to the straight funk of "Broke Down" to the Rolling Stonesish old-school rocker "Mean Little Town" to the soulful gem "Raining in Mississippi," Detroit’s favorite bar band has definitely found their niche. Each song seemed to start out with its own thing, then morph into their signature ballsout jam, with blistering slide guitar solos and honkin’ sax work by Johnny Evans alongside Tino Gross’ boozy growl and Mo Hollis’ percussive bass lines. If you haven’t seen a Diablos show, get thee to the next one. And wear comfy shoes, because you’ll spend a lot of time stomping about. – Diana McNary / Detroit News
If you are a fan of gritty grungy smokey nightclub blues this CD will not disappoint. The music drives the vocals and the vocals drive the music all through this CD. You ain’t shit unless you listen to Rock and blues like this. On a side note, the cover is extremly cool. It makes me want to go to Detroit, get a tune up and catch some great blues. – Jeff Jackson / Music Filter
This disc has a more primitive blues sound yet still delivers the funky groove we’re used to from the Diablos. By far the band’s best effort to date. – Rachel May / Detroit Free Press
This album has a slithering sound, the guitar chilling out and doing its own thing while smooth vocals lay down like it doesn’t matter either way. Drums sprinkle themselves in to get listeners’ heads moving from side to side. I would be better at shooting pool with Howling Diablos in the background-this I know. This band is turning heads along the warpath, apparently having already made quite a name for themselves opening for such names as Hank Williams Jr. and George Clinton. If you like the whole hot-rod thing and have an eight ball for a stick shift, give it a shot. - Thomas Murray / Skratch magazine
Alive! Records Latest Release Proves the Detroit Music Scene Is Still On Fire Detroit legendary blues rockers, The Howling Diablos, produce a raw and gritty new CD, "Carwash", that is sure to kick open the back door of the music industry and put its dirty feet on the designer couch of the "cookie-cutter" music trends. - PR News Wire
Chronicle: Howling Diablos - Car Wash (2008) Posted: 27 Jun 2009 03:29 AM PDT The Howling Diablos have all the fantasy for rock fans. First, the group from Detroit, the Mecca of rock and roll of the 2000s (White Stripes, Von Bondies, Detroit Cobras, Dirtbombs, etc etc ...). Secondly, the group practices a blues rock at its rough in line with the Black Keys. Thirdly, the group signed with Alive Records, without doubt the record company that will retain the decade (Buffalo Killers, Brimstone Howl, Black Diamond Heavies, Hacienda, Radio Moscow, Thomas Function, Left Lane Cruiser ... ). The group has existed since the early 90's, and another between opened for George Clinton, Albert Collins, Ben Harper and Alice Cooper, which earned them a good reputation due to incandescent live performances. The title track opens the album sets the tone: repetitive riff, a few notes of sax, bass line elastic front and mid song the song takes off. That's the mark and the talent of the group.They take time to build their pieces without worrying about any format, even if most songs are between three and four minutes. The voice of Tino Gross is reminiscent of a certain Captain Beefheart strengthening the side roots of blues performed by the Howling Diablos. The musicians, Johnny Bee (drums), MO Hollis (bass), Erik Gustafson (guitar) and Johnny Evans (sax), are no exception. If they have a flawless technique, they show never too overt. Their technique is to use compositions, and never turn to the demonstration. It must be said that the Howling Diablos have the blues in the skin and have understood the essence ( "Dope Man"). On this very good album, the songs of bravery are many. Although it is difficult to highlight one piece over another, we note nevertheless also "Car Wash" and "Dope Man", an "Easy Street" carried by the drumming while fine Johnny Bee. The kind of pieces that permanently encrusted in our minds. The contribution of sax on the tracks also providing a refreshing breath on certain songs like "Prison Train" or special "Elvis Lives".The latter piece, fabulous musicians are letting go, playing guitar saturated extreme Gustafson meet so masterful sax of Johnny Evans. This CD lasting 35 minutes, provides a lot of fun in a genre that seems to come through in recent years. If you love the Black Keys or you have cracked for The Muggs, this album is for you. PS: the group recently released (late April) a new album Divine Trash Highway. There's plenty more as soon as we will be provided!-Mr. Rock - Raw Power-France
This quintet from Detroit led by singer Tino Gross recorded his best album in the winter of 2004-2005. Originally trained resolutely funk, Howling Diablos have chosen to put their identity and their influence in the service of rock compositions. The result is amazing, and draws on such sources, as indicated by the resumption of RL Burnside ( "Gone So Long", whose version of Howling Diablos is very successful). The rhythm section is flawless, precise guitars and contribution of the saxophone is absolutely brilliant. On the last song on the album, "Elvis Lives" as "Stop Runnin Your Mouth," we find the notes of the saxophone Stooges Fun House. The title song is unstoppable.The piece is a perfect example of the style that the group chose for this album: the guitar riff is catchy, typing impressive battery ... Singing (here provided several voices) prepares the arrival of saxophones, which are gradually becoming more important. The set is applied and confident: a change of tempo announces the arrival of solos before the return of the riff to start. The disc has all the elements to be a big pout disk: sticky riffs, moods salacious groove and plenty of pieces ( "Prison Train"), boogie that task ( "Dope Man") plus orchestration that illuminates the compositions in a new light - in particular parts of harmonica and sax extraordinary. Outlaw imagery is used excessively, especially during the bridge's memorable "Mean Little Town" (a song that owes much to the Rolling Stones). The five members of Howling Diablos assume full image dirty and dangerous usually attributed to the city of Detroit, and the themes of certain songs are chosen accordingly:"Dope Man" and "Prison Train" deal with the drug - most members had recognized the problems of heroin and cocaine. For this record, the group Tino Gross has found a perfect alchemy between original songs and perfect sound. The result is an impressive record, not to be missed. List of songs: Car Wash * Gone So Long * (RL Burnside) Broke Down Prison Train * * Dope Man Mean Little Town * Easy Street Stop Runnin 'Your Mouth * A Woman (Like Me) Elvis Lives * Planet Gong Webzine/Magazine France...
"Xmas In Jail," Howling Diablos (Funky D Records) It's always a party with the Howling Diablos, even "locked down in Jackson, doing Christmas in jail. This EP kicks off with a bluesy take on the Clarence Carter song "Back Door Santa," and includes two versions of the Tino Gross-penned "Xmas In Jail," one live, featuring Johnny Evans on sax and Jeff Grand on guitar. The stand-out song is the melancholy "Another Xmas Story (Ten Below Zero)" sung-rapped by Tino: "Christmas Eve in the city, the streets are turning white, I lay down in the doorway on this Christmas night..."Featuring a stellar guitar solo by Jimmy McCarty. Grade: A- Sue Whitall - Detroit News
Divine Trash Highway-The math is simple: funk + rock +blues = Howling Diablos. That is a winning formula. Johnny Evans - sax/harp, Johnny Bee – drums, MO Hollis – bass, Erik Gustafson – guitar, Tino Gross – vocals. The well loved, well known, well respected Detroit band formed in the 90’s, touring with the likes of Detroit’s Alice Cooper, the amazing George Clinton and the Parliament Funkadelic, Ben Harper, Incubus, Hank Williams Jr. as well as headlining their own sold out shows. The Diablos are all over the city, and that's a good thing: they’re engrossing and organic in a way other city drive-by projects rarely are. They'd also sound cool in one of those scenes from a Tarantino movie where a guy with a head wound still wanders down a California highway shooting people with insane accuracy painting the town (literally) red. They have that je ne sais quoi, that tangible quality that makes them mysterious yet wonderful. Their albums include Beatnik Mambo, Green Bottle, Good Rockin Tonight, a tribute to Sun Records also includes an appearance by Detroit boy Kid Rock. That record birthed a PBS film for their series “American Masters”, and has a performance by the band. These guys are masters.- Nicole Breanne - Detroit Underground Music Examiner There's a good reason the Howling Diablos were enlisted as opener on this weekend's J. Geils Band dates. If anyone competently carries the torch for upbeat, everything-and-the-kitchen-sink rock, it's this long-running Detroit outfit. With "Divine Trash Highway" (3-out of 4-stars, Funky D Records), the feel-good flag flies high on the most well-rounded record yet from a band deep into its second decade on the local scene. The album will quickly transport listeners back to festive weekend nights at late-hour bars. All the familiar elements are here: Johnny Evans' distinctive sax wailing, the funky underpinning of drummer Johnny (Bee) Badanjek, the gang vocals led by front man Tino Gross. It's not inaccurate to call the Diablos a party band, but it's also not complete-the fun isn't incidental, but it's not the whole picture either. These 14 tracks showcase an ensemble that skillfully navigates its way through a host of sounds, faithfully digging its claws into '70s funk and rock without sounding crammed into a time capsule. The album comes nearly four years to the week since the gritty "Car Wash," a disc that played up the band's boozy-blues inclinations. The new record is a return to familiar territory for the group, a polished collection of elevating message songs, liquor-charged romps and streetwise characters straight out of an old Robert Crumb comic. There's the fronch porch fip-hop of "Mom," the roadhouse crunch of "Dodge Main," the ska-laced bounce of the title track. It's very much a Detroit thing: The extensive guest list reads like a who's-who of the local music scene, with appearances from such veterans as Vinnie Dombrowski, Luis Resto and Bobby East. Calvin Cooke, the gospel steel guitarist who has emerged as one of Detroit's most respected players, anjoys a pair of starring roles, with a particularly stellar performance on the album-opening "If You Love Someone." Golden-touch producer Mike E. Clark, who helmed Kid Rock's "All Summer Long," mans the board here on a frisky rendition of Three Dog Night's "Mama Told Me (Not to Come)." Brian McCollum - Detroit Free Press
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Friday, May 29, 2009
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Current mood: blessed
The Howling Diablos have dropped a brand new joint called, "Divine Trash Highway" this month. The title track has been picked up by MTV for use in their show "Challenge:Duel 2". The episode is airing as we speak. Also on TV this week, "Keeping Up With The Kardashians" is using the Diablos' "Car Wash". The new CD is NOW available on Itunes, Rhapsody, eMusic, Amazon, Napster, and all download sites. The album contains a cover of the Three Dog Night's "Mamma Told Me Not To Come" produced by Mike E. Clark. Mike just hit big with his production of Kid Rock's All Summer Long!!
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Wednesday, April 29, 2009
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Current mood:  chill
The new CD "Divine Trash Highway" is gonna be available May 1st...be sure and pick it up at I Tunes or wherever you go to buy music.
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Saturday, March 29, 2008
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Category: Music
Detroit’s own Howling Diablos music on "The Supernatural" WB Channel Sci Fi television show...
check out "Mean Little Town" featured on episode "The Magnificent Seven" along with AC/DC and BTO...get down
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