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Sunday, September 20, 2009
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After many moons, two early EPs, The Wonderful World of Chemistry and Transparent Tunes, are now available on iTunes and eMusic. http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=332072669&s=143441http://www.emusic.com/artist/Overlord-MP3-Download/11608017.html
Some reviews, from a previous epoch:
ALTERNATIVE
PRESS
"Sounds Scanned: Rating: 9 [out of 10]. Who:
Philadelphia-based indie-rock combo. Sounds like: Fuzzy pop laced with tasty
melodies and retro-style production. How is it? One of those bands that sounds
like a hundred others while maintaining their own distinct sound. This six-song
EP bodes well for Overlord. Kindred spirits: Beach Boys, Magnetic Fields, Joe
Meek." Review by Todd Hutlock. (2001)
CMJ
NEW MUSIC MONTHLY “Don't let Overlord's metallic moniker fool you:
Images of snarling aggro-rockers may come to mind, but that's certainly not the
band's m.o. Instead, the West
Philadelphia trio bubbles to the brim with
melodic pop goodness. The title of Overlord's third full-length, The Wonderful
World of Chemistry, is dead-on: The six George Pasles compositions included
here are not unlike a pop-music experiment, fusing disparate elements that come
together in a graceful, college radio-friendly mix that’s happy, peppy and
bursting with love. "Populist Anthem" fizzles with the jangly guitars
and endless-summer harmonies that make indie-pop kids swoon with delight, and
"Meet the Situation Artist" is the sort of new wave synth pop that
has recently retu
rned to fashion. The pep of those two tracks serves as a pleasant
introduction to the epic Brit-pop mope-fest "The Germ Theory of
Thought" and the breathy dreaminess of "Girls Watching Boys Watching
Girls". Lest anyone still think that musical declarations of death and
destruction are still part of Overlord's repertoire, the EP's final track,
"The 70th Love Song," flagrantly displays love for the Magnetic
Fields much-revered 69 Love Songs, in name, mood, and lovelorn wit. File Under:
Pop goes the world; Recommended If You Like: The Magnetic Fields, Apples in
Stereo, the Smiths” Review by Stephanie Valera. (2001)
SHREDDING PAPER (ZINE) "overlord - The Wonderful
World of Chemistry CD. No, it's not some heavy metal devil worshipping band as
their name might imply, but rather an indie fuzz pop band with plenty of odes
to the Beach Boys on a couple of songs, especially on some of the "ba ba
ba" vocal harmonies. Sounding a lot like the Bats or the Chills in melody
and voice, this Philadelphia area band also has the balls to call their last
song "The 70th Love Song" as an ode to Stephin Merritt's 69 Love
Songs opus, and frankly, it could have easily fit right in. A surprisingly fun
pop release, full of charm and beauty." Review by Steve Yaver. (2002)
MAGNET
MAGAZINE "The Wonderful World of Chemistry EP (Storm Tower) not
only has the most accurate titular self-description since Stereolab's Space Age
Bachelor Pad Music, its six songs spark the ki
nd of tingly chemical reactions
in the listener's brain normally reserved for head-ons with obscure Beach Boys
and Kinks bootlegs, Joe Meek wall of sound productions and the stray
Elephant-6-collective neo-psychedelic jam session." Review by Fred Mills.
(2001)
PHILADELPHIA CITY PAPER "It takes
balls to write a track and name it "The 70th Love Song," an obvious
nod to Stephin Merritt’s 1999 Magnetic Fields three-disc holy grail 69 Love
Songs. Yet there it is, the final track on this six-song EP from Overlord. The
oddly named band (they’re really not a metal band, a point they hammer home
repeatedly) pulls off the trick, however, with an appropriately sappy pop
homage and nifty lyrics about boys, love and science ("Some boys’ lips are
made for smiles/ Some boys’ lips are made for sutures"). Not only is it an
impressive feat of songwriting mimicry, but a bit of a clue to what makes
George Pasles’ band tick… The Craig Wedren-esque falsetto of album opener
"Atonal" makes for an interesting leap to the AM radio jangle of
"Populist Anthem" which in turn leads to the Bats-influenced lo-fi
indie pop of "Meet the Situation Artist." A scientific theme
saturates the proceedings. It’s plenty to convince you that there’s a cold,
crooked smile on the faces of these dour poppe
rs as they toil away in their
lab." Review by Brian Howard. (2001)
THE
BIG TAKEOVER
"Philadelphia's
Overlord pens sweet whimsical, lo-fidelity pop that compensates for its lack of
musical density with effortlessly true multi-part singing harmonies and overall
good taste. Primary member George Pasles pays homage to Guided By Voices' brand
of diverse, pure and short pop via Beach Boys, Kinks, and even early The Cure
on "The Germ Theory of Thought." Actually, the standout is the
sublime "Girls Watching Boys Watching Girls" which is so beautiful in
its so
ft, choral tonality, that it should be a carol. This is an unequivocally
pleasant six songer. " Review by Paul Regelbrugge. (2002)
SSMT "My exposure to Overlord stems from a number of select live tracks and a few tracks off of their most recent album, The World Takes.
I was very impressed by their brand of melancholic, reverb-heavy pop.
From listening to their debut EP, one would be surprised to find that
this is the same band. Not to say that this debut recording is bad by
any stretch of the imagination. Quite the contrary, in fact. While
Overlord, at this stage in its existence, bore a sound that was more
redolent of The Beach Boys and the Apples in Stereo than the Smiths,
there still existed a strong sense of songwriting, not to mention an
almost-epic, wall of sound production, as the deluge of reverb-laden
vocal harmonies would indicate. The album’s centerpiece, “The Germ
Theory of Thought”, is a magnificent track that hints at the band’s
more depressive characteristics. The same can be said about the
almost-shoegazer sounding “Girls Watching Boys Watching Girls”. It is
good to hear that bands such as the utterly incredible Arcade Fire and
Overlord are here to give us an interesting take on old ideas. This is
an interesting, all-too short EP that should be heard by all fans of
good pop music." Review by Alec A Head. (2005)
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