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Sunday, June 07, 2009
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Dance with the Devil
Rosie Perez is pretty goldang talented. In Dance with the Devil (1997, 121 minutes, Perdita Durango), she gets REAL naughty three or four times, but manages to keep most of her clothes ON during the frantic diddling. Apparently, director Alex De La Iglesia didn't have the sort of dinner-o it takes to get Rosie to unleash her talents. But he's smart enough not to give her too many lines, saving us the inhuman torture of her squawky voice -- scientifically proven to make babies cry. Since its release, this movie takes on added curiosity because a huge TV star has a small, but amusing role. That'd be James Gandolfini of HBO's "The Sopranos."
The movie: Despite its kinky-voodo sex and hiney-kicking violence, deep down in its little black heart the picture's a love story between the fiery Perdita Durango (Perez) and her witch doctor Romeo (indie heartthrob Javier Bardem). When he isn't digging up wrinkled corpses for his Santeria sideshow, he's robbing banks (groping gals in the process) or otherwise being a real mean son of a gun. Perdita is into bad boys it seems, but she's badder than most. While sucking on Romeo Dolorosa's toes she suggests that after their bath, they go out on the town and kidnap a couple gringos for a late night snack. No, she ain't taking them out for El Baskin Robertos. She means to eat THEM! Yeah, struck yours truly as weird too, but Romeo just grins that chilly grin of his and off they go.
That's when the fresh meat arrives in the form of two all-American sweethearts, Estelle and Duane (Heather's delicious sister Aimee Graham and Harley Cross who played a pre-teen Martin Brundle in The Fly II). They're pretty good at crying and looking frightened, as hostages tend to do. Some more plot gets interjected when a crime boss by the name of Santos (Don Stroud) decides he wants Romeo to haul a 18-wheeler load of frozen fetuses to a Nevada cosmetics plant. Yuck!
Meanwhile, Tony Soprano is a mustachio'd DEA agent from Dallas (yeah, right) fast on Romeo and Perdita's trail. De La Iglesia mixes in great character actors such as the late Screamin' Jay Hawkins as Romeo's sidekick, Adolfo -- who sorta sounds like a over-the-hill (and black) Bobcat Goldthwait -- and quirky Repo Man director Alex Cox -- who could give Agent Smith of The Matrix diction lessons. The roller coaster of evil finally comes to rest at the happiest place on Earth. That's right, Sin City itself, Las Vegas.
Notables: Five breasts. More than 21 corpses. Grave robbing. Pistol whipping. Rosie Perez fu. Head-on car crash with explosion. Bank robbing. Santeria deviltry. Multiple diddling. Corpse dismembering. Toe nookie. Gratuitous Ab Flexing. Cigar-smoking grannie. Crucifixion. Cigarette to the hand. Knife through the cranium. Exploding ranch. Boot licking. Human fetuses tumble. One road pizza (extra gooshie). Strobe light footage. Yard monster birthday party. Multiple gun battles. Hair pulling. Brain splattering. Electrocution. Broken bottle to the face. Gratuitous urination.
Quotables: Romeo's portly partner in crime worries about their debts, "If we don't pay him soon, he'll kill us! And make a belt with our nipples!" Perdita feels communication is important in a relationship between homicidal maniacs, as she tells Romeo, "We should kill someone. We should kill them, and then we should eat them!" and "I have one or two holes that I need filling myself."
Time codes: Romeo orders bank teller to show her balance (8:50). The great James Gandolfini (as Woody Dumas) joins the movie (17:40). Dumas fails to look BOTH ways before crossing the street (23:40). Estelle explains the evils of smoking to her captor (1:13:40). The legendary Johnny Cash sings "I Walk The Line" on the radio (1:14:40). Dumas tells a "dead baby" joke (1:22:00). Estelle jumps Duane's bones (1:43:28). "Welcome to Fabulous Las Vegas" sign (1:49:20).
Final thought: Probably THE best Rosie Perez action flick EVER made.
What's New?
At age 12, Emily Hagins of Austin, Texas wrote, directed and edited her first feature, Pathogen, a zombie movie. Zombie Girl: The Movie is a wonderful tag-along documentary of Emily's two-year odyssey making Pathogen as well as a charming portrait of a mother-daughter relationship many would envy. Zombie Girl is on the festival circuit and due on DVD soon. Professionally mastered DVDs of Emily's film (complete with commentaries and bloopers) are available for the bargain price of just $8 at CheesyNuggets.com. Pathogen earned the 2009 Texas Frightmare Weekend Audience Award and there's zero doubt CineSchlockers will agree! Emily's next feature, The Retelling, is nearly complete. It's a ghost story.
Also at festivals is The Dungeon Masters, a warts and all, but mostly wart'd look at three "Dungeons & Dragons" role players whose passion for the worlds they create vibrate between triumphant and tragic. Elizabeth Reesman is the standout if only for her proclivity for donning Spock ears, a platinum mane and slathering every visible inch of her flesh with black grease paint. Think Mazes and Monsters meets Crumb.

As if proof were needed, Drag Me To Hell reaffirms Sam Raimi's mastery of all that is evil and dead. Especially the ooey gooey bits. Wormy maggot puke. Geriatric denture slobber. Projectile nosebleeds. Lorna Raver outshines Jason, Michael AND Freddy as a boogeygranny with an evil eye and a can-do attitude. Alison Lohman is the accursed eye candy who won't go down to H-E-double hockey sticks without a fight. ("Here kitty, kitty.") Lots of soundtrack scares to be sure, however what's on the screen is fiercely frightful fun too. Loved, loved, loved the ending. At last the curse of contemporary horror is lifted with this crescendo! There's no Bruce Campbell cameo, but the Delta 88's present, naturally.
While "torture porn" is an overused term, Martyrs more than earns the tag and must surely be the inevitable outcome of depraved and diminishing returns. It has style and Hostel-esque nihilism but frankly, the abuses the audience and the female leads are asked to endure simply aren't justified by the flick as a whole. Not by a tossed-off, religious zealotry ending presumably meant to provide some context to the carnage. Where I Spit on Your Grave answered its horrors with ruthless revenge shared by the victim and the audience, Martyrs inexcusably wallows in sick, senseless sadism masquerading as a brave masterstroke of hardcore horror.
On the surface, The Burrowers has promise as a spurs 'n' six-guns throwback blended with a subterranean creature feature. Below said surface, however, it's just a downright bore. Mostly due to the weird, chomp-now-eat-later modus operandi of the "burrowers" themselves. What little is eventually seen of them is hardly inspired critter craftsmanship as well. Gives The Mole People a whole new street cred.
Texas Frightmare Weekend: Post Script
Sweet baby Jebus, did we ever have ourselves a ball! Fantastic guests. Even better fans. Three frightful days at the southwest's premier horror convention couldn't be restrained by pig virus hysteria, our ever-beleaguered economy or even a flash monsoon. The convention went so well we're returning to the same venue next year on the same weekend: April 30-May 2, 2010 at the Sheraton Grand Hotel (north entrance of DFW International Airport).
Some of my favorite moments: Visiting with Marilyn Burns over obscenely delicious plates of nachos. Yes, shooting Eaten Alive was even harder on her than the notoriously arduous Texas Chainsaw Massacre. (Thanks in no small degree to Neville Brand's state of mind and domineering physicality.) Listening to Teri McMinn, an absolute doll, get the biggest hoot out of trying to pronounce "CineSchlock-O-Rama." (It was off the hook. Get it?) Chauffeuring the incomparable Barbara Steele hither and yon. (She's every bit as rapier sharp and elegant as a fan might dream.) Introducing Emily Hagins to Tobe Hooper who was both gracious and encouraging of the fangirl frightmaker. Finally getting to meet (and booze with) fellow schlockmeisters Rick Popko and Dan West. I discovered them through reviewing Monsturd, so it was a particular treat to host a midnight screening of their latest feature, RetarDead. (The audience loved it!)
Meeting the great Dick Miller ranks right up there too. He signed my Chopping Mall poster given to me by Jim Wynorski at our last show. "Jim Wynorski," he said with a smile. "The only director I ever had words with!" Seems Dick had himself a bit of a Christian Bale moment when Jim persistently gave direction while the camera was rolling. Regardless, the classic "Walter Paisley vs. The Killbot" scene drew cheers during a 20-minute retrospective salute to Miller's 50-year career. (Produced by yours truly.) Check it out on YouTube -- and don't forget Part 2!
More from The Vault
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Sunday, March 15, 2009
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The Convent
It was two years ago at Fangoria's Weekend of Horrors when I first witnessed the opening scene of The Convent (2000, 81 minutes). I watched a Catholic school girl in shades and a black leather jacket strut into church mid-mass backed by Lesley Gore's 1964 pop anthem "You Don't Own Me." With a cigarette dangling from her lips, she took a defiant swig of whiskey before busting the bottle on the floor, pulled out a baseball bat and proceeded to beat and bloody several nuns! Unsatisfied, she doused them with gasoline (in slow mo) and set them ablaze -- then ventilated their flaming bodies with a pump-action scatter gun!!!
Once I relocated my jaw, I knew there was still hope for the horror genre in a post-Columbine reactionary culture. It just takes a heckuvalot longer coming around. The Dead Alive meets Night of the Demons gore-comedy also dropped a lot of jaws at Sundance, but had to find its theatrical home in Germany (?!?) while stateside distribution efforts floundered.
The movie: It's been 40 years since young Christine (Oakley Stevenson) shotgunned a priest, a half-dozen nuns and got carted off for a lengthy stay at the crazy house. Today, the abandoned convent and her story are local legend, which serves to encourage dim-witted college students to go nosing where they shouldn't. Once inside, virgin-hungry demons soon swoop in to possess them one-by-one. The cheerleader. The jock. The stoner. The goth chick. Spotting these devil-fied victims is mighty easy because their faces glow like neon signs and they stagger around like fast-motion zombies while trying to take a bite out of any mortal in reach.
Meanwhile, a ridiculous gaggle of recreational Satanists have also broken into the convent. They're led by Saul, who prefers to be addressed as "The Prince of Evil," and proclaims his father Lucifer desires a human sacrifice. Actor David Gunn grabs the flick's absurdity knob and cranks it into comic oblivion with his over-the-top performance that seems to partially channel Kevin McDonald's Sir Simon Milligan. That'd probably make Dickie-Boy (Kelly Mantle) his swishy Hecubus.
Together, they manage to nudge a nasty situation even further toward all-out mayhem. Goth-gal turned sorority babe in training Clarissa (Joanna Canton) narrowly escapes her possessed friends and runs screaming to the door of the toughest broad in town -- Adrienne Barbeau -- who delivers a double-barreled hasta la vista to them twisted sisters!
CineSchlockers will spot a cameo by Bill Mosely as Officer Ray. Bill earned his B-immortality as the steel-noggin'd Chop Top in Texas Chainsaw Massacre 2 and recently starred in another missing-in-action horror epic -- House of 1000 Corpses.
Notables: No breasts. 18 corpses. Atomic wedgie. Hypodermic closeup. Blood shower. Flying panties. High-speed nun pull. Puking. Knife to the eye socket. Reefer madness. 'Shrooming. Inter-outhouse powwow. Possessed pooch. Multiple decapitations. Satanic rituals. Forceable abortion. Amazing mid-air fry-to-pickle transformation.
Quotables: Officer Coolio lays down the justice, "I'm gonna lock your ass up so tight they gonna have to have a combination to visit yo nuts, white boy!" Clarissa can't believe her ears, "My brother's gonna be the new Anti-Christ?! Mom's gonna be PISSED!!!" This particular form of spiritual change isn't flattering, "You look awful demonic and s@#%!"
Time codes: Gratuitous "Scooby Doo" reference (26:35). Writer/producer/star Chanton Anderson's ample bosom gets bloodied (32:55). Biff takes a magic mushroom ride (36:10). Monica drops to her knees and permanently defelates Biff (37:40). Juicy baseball bat to the brainpan (44:22). Ms. Barbeau joins the picture (51:00) and breaks out her arsenal (58:52).
Final thought: Worth the wait! EVERYTHING works in this gloriously gory and riotous ode to '80s slapstick horror.
Recent guest additions: Blood Feast legend Mal Arnold. Exploiteer extraordinare David F. Friedman. Trick or Treat's Marc "Skippy" Price. Friday the 13th final girl Adrienne King and Jason Lives' C.J. Graham. Plus, grand lady of the silver scream Barbara Steele! Make your plans to attend all three frightful days of the southwest's premier horror convention and film festival May 1-3 in Dallas!
Check out this YouTube reel featuring clips from all our guests!
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Saturday, February 14, 2009
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 Texas Frightmare Weekend   Recent guest additions: The power of Christ compels us to welcome Linda Blair to Texas Frightmare Weekend May 1-3 in Dallas! Tyler Mane of Rob Zombie's Halloween and the upcoming continuation of the Michael Myers saga's reboot, H2. Michael Rooker chilled audiences permanently as real-deal serial killer Henry Lee Lucas in Henry: Portrait of a Serial Killer. Plus, presenting sponsor Anchor Bay Entertainment brings us an exclusive Laid to Rest screening with cast and crew -- including Lena Headey of Terminator: The Sarah Connor Chronicles. Make your plans to attend all three frightful days of the southwest's premier horror convention and film festival! Bones4 of 5 stars / 2001 / B Elvis did it. So did Frank and Madonna. Singers aren't often the best actors, but their public, and sometimes their egos, demand it. Rappers may have the strongest call to the big screen. Perhaps it's the same inner force that compels them to long for Bentleys, speedboats and vintage Miss Pac-Man games. CineSchlocker fave Ice-T makes movies as often as he changes his high-dollar drawers. Ice Cube is no slouch either and has young upstarts like Ja Rule and Pras anxious to follow suit. Are they in it for the loot? The bragging rights? That's anybody's guess. But Snoop Dogg just wants to be Freddy Krueger. That's ultimately the genesis of Bones (2001, 97 minutes). In it, rap's favorite son, The Doggfather, a towering, lanky dude whose stage experience dates back to church pageants as a youngster, cuts a ferocious silhouette as horror's latest and most promising boogeyman. A vengeful spirit sworn to righteously and brutally right them who done him and his wrong, wrong, wrong. The movie: In the '70s, Jimmy Bones (Mr. Dogg) is the beloved sultan of his squeaky-clean urban kingdom. He's driven down its streets, where he occasionally stops to slip candy buyin' cash into hands of adoring children, or to tenderly squeeze luscious melons at a street-side grocery with his beautiful Pearl ( Pam Grier). All seems as though this burgeoning utopia is destine for increasingly brighter tomorrows. That is until the Big "C" rolls into town. Jimmy'll run numbers, move a little grass, but he flatly rejects a heavy-handed business proposal to allow CRACK to be sold on his corners. As a result, like Julius Caesar before him, Jimbo is brutally murdered at the hands of those he'd trusted most, even loved. Unlike that Roman fella, however, these folks make Bones take a BIG OL' HIT off a crack pipe before pumping his chest full of lead and taking turns jabbing a switchblade into his gut until his crack-addled spirit wafts, more like, wobbles into the afterlife. Years later, as his body lies rotting in a shallow basement grave, the scourge of drugs has reduced Jimbo's once proud community into a hopelessly grim ghetto. Things manage to get WORSE for the big guy, though, when some hip-hopping kids wander in from the burbs with the idea of turning his haunt into one supremely "OFF THE HOOK!" dance club. That's about the time Bonesy starts slashing hiney. First his jet-black hell hound indulges its hankering for human and before long Jimbo himself blasts out of his grave amid a wall of flame that permanently poops everyone's party. Then he's off to pay rather unpleasant nocturnal visits on those sorry dogs who kilt him and poisoned his peeps with crack. But as in life, Jimmy always makes time for some sweet lovin' with his special lady.  CineSchlockers will love seeing Ms. Grier reprise her Queen of Blaxploitation look during the flashback sequences, but it's a role that also depends on her emotional strengths as an actress, over her prowess with a sawed-off scatter gun. Khalil Kain plays the young entrepreneur who setup shop where he shouldn't have. Some may have seen him as Tiger Woods in the Showtime biopic. Ginger Snaps sensation Katherine Isabelle is ALMOST convincing in her tinted shades and do-rag. Notables: Two breasts. 12 corpses. Gratuitous Vincent Price reference. Seance footage. Projectile maggot puking. Maggot rain. Maggot eating. Wise-cracking severed head. Gospel singing. Writhing wall of tortured souls. Seriously dislocated jaw. Gratuitous fast-mo AND slow-mo. Badass devil dog. Quotables: Brutus, er, Jeremiah has no desire for reparations, "Personally, I don't need a mule. I got myself a Lexus." Jimbo turns down a stake in the sale of hard drugs in his neighborhood, "That's beautiful, baby. Totally widescreen sci-fi forward thinking and I can dig that. But that's for you and yours. Me and mines? We cool as a mother f@#$ing icicle in the freezer." Then politely, but firmly dismisses his would be partners, "It's never business, it's always pleasure." After his untimely death, children could be heard singing, "This is the story of Jimmy Bones / Black as night and hard as stone / Gold-plated deuce like the King of Siam / Got a switchblade loose and a diamond on his hand / They took his life, he never rested in peace / Now his vengeance will be unleashed." Time codes: Something ain't right in this crib (6:00). An ode to Bob Keen's juicy re-animation sequence in Hellraiser (39:50). Where this whole misfortunate series of events began (52:00). Bones instructs smart-mouthed pushers on the power of his supernatural high (1:09:34). Final thought: A heroic killer crackhead!? Brilliant!!! Snoop's wry, ultra-laid-back style is an inspired fit. Bring on the sequels! What's new? Three flicks -- all featuring homicidal maniacs with an unnatural affinity for really, really pointy things. Ah, Freud would be amused. Friday the 13th is BACK in multiplexes this weekend, which come to think of it, isn't all that surprising considering The Big Guy returned for his ninth sequel IN SPACE and an overly ballyhoo'd grudge match against Freddy Krueger. Yet from the exceedingly vicious opening reel, CineSchlockers will readily recall why this murderous mama's boy holds a special spot in our little black hearts. Boy howdy, does Jason ever have his machete mojo back -- and then some. Big as a house. Faster than Willa Ford popping her top. Mean as hell. Jason Voorhees is truly a bad motherf@#%er in what's easily the best of the recent rash of remakes. Definitely see this sucker with an audience. As undeniably memorable as the aforementioned Ms. Ford's topless water skiing on Crystal Lake is, Betsy Rue bests that spectacle in a SIX-MINUTE birthday-suit brouhaha inside and outside a midget-managed no-tell motel in My Bloody Valentine 3D. Goes right up there with Linnea Quigley doing her hippy, hippy shake atop a tombstone in Return of the Living Dead. Best of all, both tapping AND kicking ass au natural was Betsy's idea. Take that Susie Strasberg! Finally, by way of Norway, a deranged Yukon Cornelius whets his ice axe with castoffs from The Hills: Oslo Edition. (That's right, ICE axe. Not to be confused with The Miner's pick axe or Jason's double-headed lumber liquidator.) Unfortunately, CineSchlockers unseduced by Cold Prey's breathtaking Scandinavian mountain vistas or suspense-over-substance pacing will no doubt wonder if the first human Popsicle is ever gonna get popped. More from The Vault  Send your comments to noel@cineschlocker.com© 2009 G. Noel Gross, CineSchlocker.com
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Saturday, February 14, 2009
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 Happy New Year! Behold the debut issue of the It Came From The Vault! newsletter. Response to the launch of the CineSchlock-O-Rama archive site has been humbling! Already had to order more booster buttons. The first couple hundred making their way as far as Germany and South Africa. Schlock knows no borders! Now, it's never farther than your inbox! Adventures in Geekdom   
    These days yours truly is consumed with Texas Frightmare Weekend, which has rapidly become the southwest's premier horror convention and film festival. We're deep into planning our May 1-3 event (in Dallas) featuring shock rock icon Alice Cooper and a host of other fright favorites. Hope to see y'all there! Axe4 of 5 stars / 1974 / A Some exhibitors dubbed this flick the California Axe Massacre in an attempt to exploit the success of a certain increasingly notorious movie released the same year. They weren't entirely cracked. Both pictures illustrate the dangers city folk face when they wander too far into rural America. Each feature catatonic patriarchs, damsels in distress and implements befitting lumberjacks. They share a similarly gritty, uneasy atmosphere, but familiarity doesn't equal, well, equality. One's THE greatest horror picture ever made. While Axe (1974, 68 minutes) is a comparative footnote. But writer/director Frederick R. Friedel's crime story turned blood feast is well worth exploring, no matter how the title card reads. The movie: Three underworld enforcer types lamb it to the sticks after murdering a fella and chasing his shrieking boyfriend out the window of a high-rise apartment building. Steele, the head hood ( Jack Canon), doesn't seem phased by having to leave the city behind, as he much prefers to look generally disinterested while absently fiddling with his cuticles. Meanwhile, back at the farm, we meet a dour teenage girl named Lisa ( Leslie Lee) who lives alone with her invalid grandfather ( Douglas Powers). Hers seems a joyless life as she hums the same melancholy tune while spooning broth into grandpa's drooling mouth, as she does when blankly lopping off a hen's head. Not far away, the fugitives' car lurches to a stop in front of a sleepy country store and Steele swaggers in for nourishment and criminal diversion. He flings apples at the shopkeeper's head before making her strip and dodge bullets for his amusement. Of course, these cruel buzzards land at Lisa's doorstep and force themselves upon her hospitality. To their bewilderment, she appears nonplused by their menacing presence, as her only passive concern seems to be for her beloved pappy. Our director plays Billy, the third and most reluctant bad guy, who takes it upon himself to preserve Lisa's virtue and life against the base urges of his comrades. However, this razor-clawed kitten is in NO need of a hero.Eagle-eyed CineSchlockers will remember Mr. Canon was among the valiant defenders of the Dixie Boy Truck Stop in Maximum Overdrive. Notables: No breasts. Six corpses. Cigar burn to the mouth. Baby doll bludgeoning. Coca-Cola cleavage. Foot chase. Cookie dunking. Toenail clipping. Bathtub dismemberment. Geriatric sponge bath. Produce skeet shoot. Quotables: Steele grows impatient with his fidgety lackey, "Why don't you go get me a glass of water -- then drink it yourself! It'll give you something to do!" And later, he admires some cantaloupes, "The lady's sure got some nice melons there, Lomax. I bet she's got some OTHER nice melons!" Billy helps Lisa move an exceptionally heavy trunk, "What have you got in there? Old bowling balls?!" Time codes: The boys play William Tell with a blubbering convenience store clerk (16:16). An unlucky relative of Mike the Headless Chicken (18:43). Lisa introduces cutlery into traditional bath-time fun (45:20). Bizzaro commercial for Campbell's Home Cookin' Soup (1:00:38). Final thought: Lisa is such an enigma that the tension born from not knowing what she'll do from moment to moment is weirdly enthralling. What's new? Good to know my close, personal friend Tommy Habeeb is still up to Beelzebub's business. The legendary Cheaters host has cultivated Stag: Last Night of Freedom into a bona fide deep, dark cable hit. Particularly among attention-starved engagement ring gazers willing to wager their booze-addled hubbies-to-be won't go ape poopie in the face (or nethers) of not-so-taut temptresses. Naturally, with a titillating title such as Stag: Topless Treasures Uncensored one expects (and gets) a leering "Grooms Gone Wild" bachelor party ride along. Yet, as with Cheaters, the 24-karat gold gleams most blindingly when Tommy presents his tattle-tale video to deliciously devastated, alternately ENRAGED bridezillas. Hell hath no fury, indeed! Let the Right One In is easily the best horror movie (with heart) since May. Sink your fangs deeper into Oskar and Eli's beautifully blood-soaked serenade by investing in the original novel. It's certain to enhance CineSchlockers appreciation of the film as an adaptation, while also expanding the richness of the story. However, if like yours truly, your preferred reading has more pictures than words, check out The Walking Dead -- a fantastic comic series which, better than any film, explores the human drama of a post-zombie apocalypse world. CineSchlockers will care about these "survivors" and their losses and (meager) advances truly become your own. Issue 56, which just published, celebrates five years of the monthly series and, thoughtfully, issues 1-48 have been beautifully collected in four hardcovers. More from The Vault  Send your comments to noel@cineschlocker. com© 2009 G. Noel Gross, CineSchlocker. com
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Thursday, October 30, 2008
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 FOR IMMEDIATE RELEASE SCHLOCKMEISTER UNLEASHES 5-YEAR ARCHIVE OF TALES FROM THE CINEMATIC CRYPTCineSchlocker. com to serve as ongoing ode to 'bad movies' and other weirdnessPopular online columnist G. Noel Gross has launched a new website ( CineSchlocker. com) featuring hundreds of the author's chicken-fried reviews, fringe-cinema interviews and frightful features. At its end in 2006, "CineSchlock-O-Rama" was read by more than 17,000 subscribers and now, for the first time, has been collected within an online omnibus, CineSchlocker. com, named for the term Gross used to identify himself and fellow genre fans of unconventional tastes. "I used to tell folks I loved 'bad movies.' I've since realized that's a flawed statement," Gross said. "No entertaining movie is truly bad. Production value. Acting. Special effects. Ultimately, none of that really matters. Is it entertaining? That's the overriding test and why I find just as much joy in the rough hewn gems of a Herschell Gordon Lewis as I do the blistering brilliance of Hitchcock, Leone or Welles. " In addition to more than 550 reviews, CineSchlocker. com collects popular features such as "CineSchlock-O-Rama's Most Wanted," "Adventures in Geekdom" and yearly surveys of the "Best of Schlock. " G. Noel Gross, of Dallas, discovered B-movies as a youngster in the piney woods of East Texas where he spent many a Saturday afternoon glued to the TV watching flicks such as Food of the Gods, Squirm and Mako: The Jaws of Death when he should have been out doing something useful. At 36, little has changed.
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Wednesday, June 25, 2008
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1. Big Elvis (Free) Pete Valle is a 400-pound hunka hunka of burnin' love whose king-sized ode to The King eclipses all others. 2. The Rat Pack is Back ($57) A revolving stable of Franks, Deans and Sammys lam it from heaven for "one last show" (twice nightly). Yet it's Marilyn's "Happy Birthday" that raises the dead. 3. Liberace Museum ($15) Never underestimate a man in hotpants. Particularly, if said ensemble is bedazzled by red, white and blue sequins. 4. Pinball Hall of Fame (25-to-50 cents per game) This jing-jangling collection of classics is ready for action and, unlike modern one-armed bandits, they still take quarters. 5. World's Greatest Magic Show ($25) Why pony up for one cheeseball hack when you can see a half dozen? At $10 a belt, though, the cocktail waitresses have the best disappearing act. 6. Fountains of Bellagio (Free) The Strip's answer to Old Faithful fires a multitude of thunderous geysers skyward in a spectacle not seen since the excess of 18th-century Versailles. 7. Atomic Testing Museum ($12) A blinding flash and an air cannon square in the kisser passes for subtle in Vegas -- and also recalls the bygone era of "duck and cover." 8. Madame Tussauds ($24) Stern "Do Not Touch" admonitions have been replaced by visitors being encouraged to don bunny ears and hop into bed alongside a silk-PJ'd likeness of Hugh Hefner. 9. Fremont Street Experience (Free) Neon cowpokes seem quaint in the blaze of this five-block-long videodrome sure to crane the neck of every slackjaw ambling 90 feet below. 10. Sirens of TI (Free) Think The Pussycat Dolls Meet The WWE -- only with more fireballs and loose lipsyncing that literally sinks a ship.
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Monday, January 14, 2008
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Category: Podcast
download mp3 - 24 mins The guys check in from the floor of Dallas Comic Con, which featured Saw siren Shawnee Smith and 30 Days of Night creator Steve Niles. Loyd reveals two new TFW guest additions from a certain Steven King classic -- available from our friends at Anchor Bay Entertainment! Noel shares much-too-much about his early-90s rental history. Plus, more movie recommendations and, yes, even a comic too. SHOW LINKS
- Intro: Saw in 30 seconds with bunnies - Hardbodies - Celebrity Party passes - Zombiewalk - Movies: The Orphanage, AVP2: Requiem, Sweeney Todd, Swamp of the Ravens - Jonah Hex 26 - Outro: Children of the Corn
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Friday, November 16, 2007
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Category: Podcast
download mp3 - 1 hr 15 mins In this Director's Cut episode, Loyd and Noel try not to completely spaz during a 45-minute confab with KNB FX legend Greg Nicotero! Thankfully, Greg was too busy geeking out himself over The Mist, which descends on theaters Nov. 21. (Snag advance screening passes at Wizard World Texas this weekend -- Booth 328!) Noel returned from opening night of the After Dark Horrorfest with an interview (to die for) featuring B-sensation Tiffany Shepis. Plus, drum roll please, Loyd announces the return of "Texas Frightmare Weekend presented by Anchor Bay Entertainment!" SHOW LINKS - Intro: Stephen King's admonition - Frightmare Army - Zombiefriends.com - Zombie Walk - Dead Pit Radio - Ms. Shepis: Nightmare Man [pic], Dark Reel, Bonnie and Clyde vs. Dracula [pic] - Recs: Freddy vs. Jason vs. Ash, Wicker Man, Cemetery Man, Chopping Mall
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Sunday, October 07, 2007
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Category: Podcast
download mp3 - 15 mins The guys ring up Frightmare minions with the first word on Dario Argento's visit to Texas!
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Sunday, September 16, 2007
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Category: Podcast
download mp3 - 48 mins After a FOUR MONTH (!?!) hiatus -- yeah, they missed you too -- the guys return to bask in TFW '07 afterglow and delve into the deets of February's even BIGGER show. Well, what they can say, anyway. Loyd unveils an unveiling plan: midnight guest announcements every other weekend leading up to Oct. 31's major announcement. Swearing he never "fast-forwards to the good parts," Noel sheepishly quizzes Halloween's Kristina Klebe about what it was like getting throttled by Mikey Meyers in her birthday suit. Plus, some sweet recommendations for your Netflix queue. SHOW NOTES- Intro: Rob Zombie's Halloween- Creepy Uncle J's May doll- Hilton DFW Lakes Executive Conference Center- Celebrity Party Pass- Kristina Klebe's MySpace- Evilenko ( Andrei Chikatilo) - Movies: Cemetery of Terror, Trick or Treat and Black Sheep- Trick R Treat trailer - Comics: New Line Cinema's Tales of Horror and Night of the Living Dead: Hunger
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