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Carson Hill



Last Updated: 11/22/2009

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Gender: Male
Status: In a Relationship
Age: 32
Sign: Sagittarius

City: Camarillo
State: California
Country: US
Signup Date: 9/1/2004

Blog Archive
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Monday, August 10, 2009 
Hello friends.
I have decided to start taking tattoo appointments again, about 3 days a week. Since I do get a lot of requests, and I'm obviously unable to do them all, I have arranged to have Steve Johnson, my good friend and Neuma's V.P., set up and maintain a profile for scheduling my tattoo appointments with whoever is looking to get tattooed by me.

The profile is called appointment manager and is my top friend, here on myspace. Please use that profile for all appointment requests, as I am trying to organize these requests in a way that they will all get answered.

Steve is a very efficient and well-organized person and knows my schedule as much as I do, and is dedicated to helping connect tattoo collectors with myself. It is a much needed effort and more than likely the only way to get back on a regular tattoo schedule.

Some useful information to know when proceeding to schedule an appointment:
-My current hourly rate is $150.00
-My minimum is 4 hours. I will occasionally do small tattoos that do not take as long, but in order to maintain an efficient and effective tattoo schedule, I must impose that minimum, which translates to $600.00
-I do not do all types of tattoos. By all means, please ask, you'd be surprised. But please do not take offense if the tattoo is not something I am interested in doing. The reason for this is usually that I don't feel that it vibes with my artistic path, or 'style' but it is never because I am judging your taste or ideas. I will offer advise if desired and if I can. Tattoos I will absolutely not do are basically anything hateful, racist, or plagiarism of any type, flash, lettering, etc.
-I generally will do one large tattoo a day, and encourage large-scale collectors (especially travelers) to try and sit for multiple days. The most days I would recommend on a large-scale tattoo, for example a sleeve, would be 4 consecutive days. This is probably beyond the pain threshold of most people. I have personally sat 3 days twice, and 2 days a number of times, often times with two artists at the same time. I do not have the best pain tolerance truthfully, but I am fairly determined to get through it, and that works for me. 8-10 hours should be considered a full day.
-I tattoo from a private studio, and I like to keep my tattoo environment controlled. For this reason, I ask that tattoo collectors come alone or with one friend who might be needed for a ride, etc. I also ask that children not be brought to a tattoo appointment. It is not a safe environment suitable for the curiosity of a child. Also, they can be a distraction at times, and the last thing I should be while tattooing you is distracted.
-A sleeve generally takes, depending on a number of variances, anywhere from 20 to 60 hours. This depends on at least the following: Arm size, length, whether or not color is used, details, and session durations. In other words, in a longer session I have a tendency to get more done than in 2 sessions of the equal amount of time. I would say the average, full-color organic-type sleeve I do takes about 40 hours.
-I do not do face tattoos. Let me be more specific: If you are getting your entire neck or head done, or a large part of it, and a little piece of it goes onto the face in a tasteful manner, I'm down for that. But I will not tattoo someones whole face, or forehead, cheek, etc. I feel that this act will most certainly change the life of the collector, and not necessarily in a good way. I choose not to change anyone's physical appearance that dramatically.
-I do not tattoo genitalia.

Thanks for reading, and I hope I can help you with any future tattoos you wish to have done by me.

-Carson Hill
Friday, June 05, 2009 
Ill be there. Will you? Well, you should be. Then we could hang out
Just a thought
Thursday, April 23, 2009 

Category: Web, HTML, Tech

RKS and Neuma Present Amuen.com:  Inspire and Be Inspired!

Thousand Oaks, California, April 21, 2009 – World-recognized strategy, innovation, and design consultancy RKS, in collaboration with Neuma, is proud to announce the debut of Amuen.com, the new social network where creative souls can connect to celebrate, showcase, and inspire all kinds of creativity and art.

When it comes to reasons to live, art and human interaction top the list for Carson Hill, painter, tattoo artist, and inventor.  “Art is very inspiring – to me the universe and everything in it is art,” said Carson.  Steve Johnson, Carson’s right hand at Neuma (the company behind the Neuma Hybrid) comes from a very different, but no less creative world.  Odds are that you’ve seen Steve’s work.  Before joining Neuma, the graphic and digital artist created playback animations for TV shows including 24, Bones, Criminal Minds, Without a Trace, and Close to Home.  “There were probably two years where every night I could turn to pretty much any channel and, if I watched for five minutes, I could see something I made show up on TV.”  But then the writer’s strike hit and Steve found himself with time on his hands.  So he started helping out Carson.  By the time the strike was over, things were going so well that Steve decided to stick around.   TV’s loss is Neuma and Amuen’s gain.

The idea for Amuen (am-yoo-en) struck when Carson and Steve realized there was a need for a site that welcomes creatives and artists of all types.  No matter what your medium, there are elements of the creative process that transcend any one discipline.  From inspiration to execution through public appreciation, artistic journeys have key elements and experiences in common.  The RKS-designed Amuen.com is a social network dedicated to the journeys of painters, musicians, sculptors, photographers, writers, enthusiasts, and everyone in between.  It’s the free online community where creative souls can connect to celebrate, showcase, and inspire all kinds of creativity and art. 

Though a fair number of the site’s early members come from the land of Neuma and tattoos, Carson and Steve are dedicated to welcoming all kinds of creatives into the site… and they know the right kind of bait.  To mark the debut of Amuen, Carson and Steve are challenging members to create the best, most creative profile page.  The winner will get a new 13” aluminum unibody MacBook, complete with a custom skin designed by Carson.  And for those who prefer to keep a lower profile (so to speak), there’s a contest for them, too.  The member with the most referrals resulting in membership will win a 16GB iPod Touch – also with a custom skin designed by Carson.  The contest is open to anyone.  Details are on the site. 
 
Why the name Amuen?  Well, Amuen is a type of African word that means “spirits,” – a nod to the creative spirit within each of us.  Neuma on the other hand, is Latin for “spirited” or air-powered.  Oh, and if you hadn't noticed, Amuen is Neuma spelled backwards.  But that’s strictly coincidence. 
High resolution images are available at www.rksdesign.com/press/amuen


About RKS: 

RKS is an Industrial Design consultancy offering a full range of strategy, innovation, and design services.  Consistently ranked in Business Week's Top 10 Industrial Design firms, RKS has a 28-year legacy of transforming client inspirations and aspirations into powerful business results.  The Southern California-based firm is widely know for Psycho-Aesthetics®, their philosophy of emotionally connecting consumers to brands through design.  Its clients include JBL Professional, LG, HP, KOR Water, Vestalife, Zyliss USA, Sprint, Panavision, Intel, Hamilton Medical, Medtronic, Discus Dental, and many more.  RKS has won more than 80 product design awards globally, and has been issued more than 150 patents.  Find out more at:  Hwww.rksdesign.comH.

About Amuen:

Amuen (am-yoo-en) is the new social networking site intended for creative souls – painters, musicians, sculptors, photographers, writers, enthusiasts, and everyone in between.  The brainchild of Carson Hill and Steve Johnson of Neuma, Amuen provides a medium to connect with each other… to celebrate, showcase, and inspire all forms of creativity and art.  Amuen is free and sign-up is quick and easy.  Be among the first to join in our goal to enhance the connectivity, exposure, and appreciation of the creative spirits of the earth.  Join the brainstorm at www.amuen.com.
Thursday, April 23, 2009 

Category: Art and Photography

RKS AND NEUMA USHER IN A NEW AGE OF TATTOO ARTISTRY, COMFORT, AND SAFETY

Thousand Oaks, California, April 8, 2009 – World-recognized strategy, innovation, and design consultancy RKS is proud to announce the introduction of the Neuma Hybrid Tattoo Machine, as RKS helps Neuma revolutionize the tattoo industry and usher in a new age of artistry, comfort, and safety. The superior technology of Neuma tattoo machines benefits tattoo collectors and artists alike – with the lighter-weight, fully-autoclavable tattoo machine delivering a less painful tattoo experience and drastically reduced healing times.


When you climb into a chair, ready to have a needle pierce your skin at the rate of 80 to 150 times per second, a little pain reduction would be nice and protection from blood-borne disease is essential. Unfortunately for many, the technology behind traditional electric coil tattoo machines has barely evolved since its invention in the late 1800’s. Still in wide use today, these machines are heavy, awkward, loud, temperamental, and, worst of all, they can’t be sterilized in medical grade autoclave machines.
Dissatisfied with traditional coil machines, award-winning tattoo artist and inventor Carson Hill set out to create a completely new kind of tattoo technology – the first air-powered tattoo machine. Carved out of solid aluminum years before the MacBook made it cool, the original pneumatic tattoo machine, known as the Neuma2, was light-weight and fully-autoclavable. Hill knew the tattoo artists would greatly benefit from this feather-weight machine. Traditional coil machines typically weigh 8.5 to 9.5 ounces, with some brass-framed machines weighing over 12 ounces. The heavy weight and awkward balance of these machines is hard on tattoo artists, making long sessions difficult and sending some into early retirement with carpal tunnel syndrome. But there was an unexpected bonus of the light-weight Neuma. The collector – the person on the business end of the needle – experiences less pain. According to world-class tattoo artist, Mike DeVries, “it’s been confirmed time and time again, that the Neuma hurts less.”


While there are many variables affecting pain perception, from an individual’s tolerance, to an artist’s technique, top tattoo artist Mario Rosenau has been on both ends of the needle and agrees. “I’ve been tattooed with both, and personally, I feel that it hurts less with Neuma,” said Rosenau. “I think a lot of it has to do with the weight of the machine. When it’s heavy it just seems like it just forces your hand to be a little bit heavier.” Collectors also benefit from the softer “hit” of the Neuma with drastically reduced healing times, reported to be half that of tattoos done with traditional coil machines.

The latest evolution of the Neuma, the Neuma Hybrid, is the result of Hill’s desire to constantly push for improvements. Hill listened carefully to suggestions from artists and engaged RKS to re-engineer and re-design the Neuma2. The result is the Neuma Hybrid. At only 3.7 ounces in its pneumatic configuration, the Hybrid still weights less than half as much as traditional coil machines. Packed inside this small but powerful package is an improved pneumatic design for greater efficiency and less air consumption, a larger impeller for more torque, a cushioned armature for compliance, a variable stroke-length, an improved collet, and optimized cycle timing for less drag on the skin when lining.


The “hybrid” part comes in when Neuma tattoo artists want to take the show on the road. Year-round and world-wide, tattoo artists travel to expos to create their art right before their fans’ eyes. With the baggage restrictions now in force by airlines, it’s becoming more of a challenge to travel with an air compressor. The Neuma and RKS teams brainstormed an ideal solution… a motorized module that magnetically-couples with the Neuma to transform it into an electric-powered tattoo machine. This means that Neuma artists can have the Neuma performance they love in an electric configuration that still weighs a full third less than traditional coil machines. And, most importantly, the pneumatic machine is still fully-autoclavable.


The Neuma benefits for artists continue. “The light weight, balance and the slim design help you maneuver the machine around better and get into angles you can’t get as easy with a coil,” said DeVries. The Neuma’s consistency and reliability are also key in freeing artists to focus on their art. Traditional coil machines are finicky and constantly in need of tuning, so artists have to alternate between dual roles as mechanic and artist. With the Neuma, they can forget the machine and concentrate on their art. “I think that it opens up broader possibilities artistically when you’re using a Neuma,” said Rosenau. “And that’s the big thing with it, and how it’s pushing what a lot of people can do…. An artist can create art with anything. But you have tools that make things easier to get an end result, and I think that’s what you have with the Neuma.”
Whether you’re an artist, a long-time collector, or someone who’s been tempted but afraid to get a tattoo, the Neuma Hybrid represents a breakthrough in delivering a safer, less-painful, tattoo experience. And as for Carson Hill, perhaps Rosenau said it best, “He’s developed something that’s changing the way tattoos are done and the look of tattoos. He has his own little place in tattoo history.”


Hearing that makes Hill squirm a little. He’s not thinking about history. He’s just doing what he can to improve his art and his machines.
High resolution images are available at:
www.rksdesign.com/press/neuma

About RKS: RKS is an Industrial Design consultancy offering a full range of strategy, innovation, and design services. Consistently ranked in Business Week's Top 10 Industrial Design firms, RKS has a 28-year legacy of transforming client inspirations and aspirations into powerful business results. The Southern California-based firm is widely know for Psycho-Aesthetics®, their philosophy of emotionally connecting consumers to brands through design. Its clients include JBL Professional, LG, HP, KOR Water, Vestalife, Zyliss USA, Sprint, Panavision, Intel, Hamilton Medical, Medtronic, Discus Dental, and many more. RKS has won more than 80 product design awards globally, and has been issued more than 150 patents. Find out more at: www.rksdesign.com.

About Neuma: Neuma Tattoo Machines, Inc. had its beginnings in 2000 when tattoo artist Carson Hill invented the first and only pneumatic tattoo machine – the first major technological development in tattooing in over a century. At Neuma, our goal is to always be reaching for the next improvement in our equipment and in our customer service. Our aim is to offer the best possible tools that will empower tattoo artists to achieve new heights in their art and provide a safer tattooing experience for everyone. To find out more about the Neuma Hybrid or to find a Neuma Tattoo artist, go to: www.neumatattoomachines.com.

Monday, March 02, 2009 
Let me first make a quick point: I cannot be right about anything I think. No one can. So no matter what I say and with what amount of conviction, I am the first to admit its flexible, no liquidy, and certainly going to change, and not just subject to it. So I say this with as much fluidity as I can. There are no facts, so I will not attempt to act as if I know any.

We see something, we can agree to that. What we see is a collection of universal energy, which can be called many things. You and I are also in fact collections, or congregations of this universal energy. It is in this sense that we are 'all one' The collective whole of all this universal energy is the one that we speak of, We are all a part and what makes up this 'one'. This is what I consider god to be, if there were an ultimate one. So when you look at orion, for example, you see the congregation of energy that we interpret to be a constellation of stars called orion. How you view this is subject to how you view the world, how you view yourself, existence, etc. And one day that congregation will no doubt split up, such as relationships and friendships. I like to think of things, people, constellations, etc. as thoughts.

But wait.. There is just....one...more..thing.

Whats this thing called individuality?
Were all one, huh? Then how am I different from orion? Or any other of the thoughts we speak of? How can you combine universal energy into congregations and get such differing results with each congregation? This doesnt make sense. Well, the universe never does. Nonsense is the closest we can get to explaining things. Its like the improbability button. The most improbable explanation is likely the correct one. Think about it, in a universe like this one, nonsense is the most logical explanation.
So individuality is realistically the next question in this series of questioning. If we realize that were all one, which we dont, probably never will (the race), then we move forward with our questioning: Why am I different than you? What determines my personality? What is responsible for my individual and specific and unique characteristics? And everyone elses? There are no 2 identical personalities. So what the fuck? The sub-atomic particle must not be the smallest thing in this field of universal energy. Something with unique and individual personality is at least helping to compose this material, which we know so little about. What else CAN it be? Magic?
Sunday, March 01, 2009 

Current mood:  artistic
So when you see orion, youre seeing the same thing Im seeing?
I doubt it.
But once again, once upon a time, someone pointed with their finger to orion and said "orion". Regardless of what I saw, I equated that which I saw to orion. And no matter what the actual shape was that I saw, and how different it was from what you saw, we both still equate it with orion. And when someone maps it or draws it, it still looks like what I saw, to me, in my perception, and so it remains orion. For all you know, its belt could be to me what you call a circle, although I have labeled it a line, cause when I first saw that shape, the shape you call circle, I wa told "line"

Until you can look through my eyes, you cannot prove my theory wrong.

Heres the thing. All there is is energy, and our interpretation of it, mixed with our sense of reality, or whatever.
Why do you love the color orange, for example, while Im not that fond of it? Could it be that it looks different to me? Why do I obsess over clouds, when most dont even notice? And why do some people love the ocean, cant get near it without stopping for half a day, when I can drive right past? Why do most people love starry night, by van gogh, when I think its a piece of shit?
Could it be that we see something different?
Why do you like tall dark and handsome, while some like skinny wiry and grungy? While some like fat, and some like blond, and some red hair? Why do some like abstract? while some think its worse than what their kid could do? And some like the desert, while some think its uninteresting? Could it be that we all see all things completely different? YES. Obviously we all have different life experience, and so we see shit differently. Like love, I think its a fuckin joke, while some say that life without it is a waste of time. But is it possible that all things are this way? Including color? Including texture, feeling, smell, sound... Why do I like the sound of crickets so much, while some cant fuckin stand it?
Could it be that we interpret all things differently?
Better yet, ask yourself this: What is the likelyhood that we all see things exactly the same way? What is the possibility that all people see exactly the same things when they look around the world? Im gonna venture to say zero. There is no chance we all see the world the same. There is very little chance that even two of us see one thing the same way, in a world with 7 billion people, and a google objects.

THIS IS NOT SCIENCE, SO PLEASE DO NOT ATTEMPT TO DEBATE THIS WITH YOUR RATIONAL MIND, WITH SCIENCE, WITH STATISTICS, OR ANY OF THE OTHER THEORETICAL SCIENCES.
Thursday, February 19, 2009 

Current mood:  amused

Its a mystery, although not that mysterious. Bees are dying because they are mistreated, and are losing their sense of self. They have lost their ability to find their hives, because they have been trucked across the country in man made hives, and fed corn syrup, instead of their honeycomb, since we steal all of it and sell it. The real mystery is when man will finally realize that he is who will destroy the planet.

But then, isnt man natural? Created in nature, and therefore natural also. Mans actions a side effect of nature. Just like everything else. Natural. I mean, how can something who is natural combine natural elements and say that is not naturally-occurring? Man is natural, so when man combines natural elements, what he creates is then also natural.

So yes, Im saying that the atomic bomb occurred naturally. It occurred in nature. And so did everything else in this universe. And climate change occurred naturally.

And I find it rather peculiar that everything is coming together so harmoniously, in that regard. Its starting to seem to me like even if we fixed the earth-killing problems associated with mans developments and misuse of natural resources, the earth would still deteriorate, when flooded with solar radiation due to the decreasing magnetic power of the earths gravitational field, or the climate shift that was likely mostly due to a minor shift of earths axis. Or the freezing-over of earth.

Not to mention what might happen when the sun eclipses the universes center in about 3 and a half years, and what might become of a planet that is doused in cosmic radiation, magnified with solar radiation...
Thursday, February 19, 2009 

Current mood:  indescribable
Hey.
I just want to explain something real quick. There have been a lot of people asking a lot of very specific and intelligible questions about the Hybrid, and about the differences between the Hawk and the Hybrid, or just a rotary vs. the hybrid, and about neuma users and their relationships with neuma, and about people who used neuma and switched to hawk, or back to coils, and a lot of people want to know what really separates the hybrid with its electric attachment from a typical rotary tattoo machine.

Ill start by saying this:
Although I have the utmost respect for any and all machine builders in this industry, I have never been into rotary tattoo machines. Having said that, I have always gone out of my way to make my machines run as similarly to a coil as possible, while getting the consistency of a pneumatic tool. I like the give factor. I dont like a machine that is rigid. I understand that some people get good results from a rotary, but I have never been fond of them. The first, and second, and all (40?) of the other prototypes throughout the last 8ish years have all been designed with that mentality.

The n2 is not rigid, like a rotary. There is a softness about it, it is forgiving. But there was room for growth, and naturally, I felt that the time had come to improve upon it.
This began what became a nearly 2 year project, that is now coming to completion as the Neuma Hybrid.
The idea, nearly 2 years ago, was not a pneumatic/electric hybrid. It was to be the Neuma 3, or n3. It was successful. I have used that prototype for almost every tattoo I have done since I got it. I used to carry it around with me so that it could not get lost, for months I did that. My point is that I was very happy with that machine, and yet I did not stop.

I wanted to make it run faster. I wanted a longer stroke, or a variable one. I wanted it to have more torque, yet hit softer. These were all added to the engineering plan, one by one. And each time a new prototype was born. These are machines that I will never give up. Then we changed the collet, although I was always fond with the original one. Many people had complaints about it, so I brought that to the table, and the team came up with a solution. All the complaints about the n2 were addressed, one at a time. The rubber band grooves, the stroke, the collet, the needle stabilization, even the reasons that skeptics had not to like them, were addressed in some way. This is in an attempt to make a much more advanced tattoo machine than I had ever made before.

The attachment idea came along about a year into the project. This was another idea that changed the direction of the entire project.

One time Guy Aitchison and I had a conversation, in which he pointed out that the electric coils on a traditional machine, when first magnetized, had to fight spring tension and momentum, which results in a higher armature speed towards the end of its downward thrust, and once that contact with the coils was made, that the electric connection was lost, and the armature would return, and since at the point of impact the spring was under the most tension it would be in a cycle, its fastest speed would again, be at the bottom end of the downward thrust, or at the beginning of its return cycle.

This developed into a new approach with our linkage. Guy suggested a hyperbol, but I thought it would be hard to avoid rapid wear and tear, and that there would be a delay in the return, meaning the needle would delay before coming back, which was an obvious downside. I then came up with a second-stage cam that would essentially be the cam which did the return, whereas the primary cam would do the pushing, or needle delivery. My engineers did not like the idea, as they said it would involve too much intricacy and small moving parts and would take away from the simplicity of it, creating more areas for potential malfunction. They solved the issue by changing the geometry of the linkage, and were able to control the timing and/or speed of the armature, relative to the position it was in, without delay and without adding small moving parts.

This is quite possibly the biggest advancement with regard to the Hybrid, and in comparison to other rotarys, except for maybe the electric adaptability function. The needle spends less time in the skin. It gets the job done, and gets out. As a result, there is potentially much less skin trauma, and much less drag on hand movement.

This machine is WAY above and beyond the performance of the n2. The amount of engineering that went into it is fascinating, to say the least. I can say with confidence that some of the worlds best engineers worked on this device, and put their hearts and minds into it, without any reserve. There is no doubt in my mind that they will continue to help me, help Neuma, do many more fantastic projects. And for as long as I have the ability, I will do everything I can to continue to produce for the tattoo world all that I can.

And like always, suggestions are welcomed. I do my best as a business and/or professional, but I have always been, and will always be, an artist. Sometimes in flesh, or on canvas, or wood, and sometimes in product design.

I think what Im trying to say with regard to the Hybrid is, I worked very hard on it, and so did many others. A substantial amount of time and effort (and other things) went into it for a substantial part of my life/career, as well as the lives and careers of others. I am here to tell you that it was not in vain.

The Hybrid is a compilation of more than a dozen ideas, and will not let anyone down. It is a manifestation and result of my interaction with the tattoo community. It is a marriage of artistry and engineering that has far surpassed my highest expectations. So the hybrid and n2 are almost different worlds, in their own right, and not just because they can be electric or pneumatic. That is mostly intended to be the "icing on the cake", if you will.

One more thing: Thanks to everyone who participates, who reads and/or learns about Neuma, who supports our efforts. Thank you to everyone who ever had a comment about a neuma, or had a question. A complaint, a suggestion, an idea, a compliment. Thanks to everyone who has found a liking for their neumas. None of this would have been possible without YOU! Thank you!

Until next time...
Sunday, June 29, 2008 

Current mood:  calm
Category: Dreams and the Supernatural
A mind buried with thoughts compiled
in the midst of storm
rationality smothering creativity
pulse rapid, hands warm

Like a vibrational wave pattern
intrinsic exhalation to zero point state
Mind isolated from commotion
Nonetheless increasing illumination rate

Manifested surroundings rest
definite purpose embeds their detachment
the mind relaxes, reconnects
synchronically lacking expected relent

Mind impregnated with inventive haste
equipped with a calm phase interval and
teamed in conjunction with heightened pulsation
secures delivered contrivance at hand

The Calm Before The Storm
Forecasts rampage on the esoteric front

Culmination flirts with wind drift
for the zenith this phase brought

Indignation arouses fall, production prompts a rise
Thursday, April 17, 2008 

Current mood:  indescribable
I have no real understanding of what is going on or what is to come.
I seek bewilderment. I seek mysteriousness. I seek the unanswerable. I seek that which my imagination creates. I seek that which I have come to consider a scenario created in my imagination and only possible there. I seek to bring my most vivid fantasies into my reality. I will not stop until I have fulfilled this need. There is a definite availability of imagination and a definite gap created between itself and reality. I seek to bridge this gap.