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Neil Diamond



Last Updated: 12/18/2009

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City: LOS ANGELES
State: California
Country: US
Signup Date: 10/27/2005

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Thursday, March 05, 2009 
Go to www.twitter.com/neildiamond and see if  Neil answers your question!

Friday, January 09, 2009 
Follow Neil's updates from the road to the studio on www.twitter.com/neildiamond 
Tuesday, December 02, 2008 
November 29, 2008 01:14AM

Neil Diamond performed before a sold out crowd at the Mohegan Sun Arena on Friday night.
REVI
EW

By RAY KE
LLY
rkelly@repub.com

UNCASVILLE, Conn. - Fresh from recording his best work in decades, Neil Diamond is on tour mixing those new songs with his 24-karat catalog of golden hits.

Backed by an 11-piece band and three singers, Diamond was in superb voice when he kicked off a nearly two-hour concert before a capacity crowd at the 10,000-seat Mohegan Sun Arena on Friday night.

Perhaps it is a testament to Diamond's magnetic hold over his fans or the strength of his recent work or both that allowed the 67-year-old singer-songwriter to perform three new songs in a row without driving much of the audience out to grab a beer or disrupting the flow of the concert.

Diamond kicked off his 22-song set with three of his biggest hits - "Holly Holy," Beautiful Noise" and "Love on the Rocks" - before working over the throng seated behind the stage.

"How did you get those seats? Did they tell you they were close to the stage?" he joked before walking to the rear of the stage to sing his 1972 hit "Play Me." He shook his head and muttered "terrible seats" before returning to center stage for a full-tilt jam of his first hit record, "Cherry Cherry" from 1966.


"That was yesterday and this is now," Diamond said before picking up his guitar and embarking on the title song from his critically acclaimed new album "Home Before Dark." He followed the pensive tune with two more up-tempo tracks from the album, "Don't Go There" and "Pretty Amazing Grace."

Recalling the opening of his phenomenal 1972 live album "Hot August Night," Diamond delivered fiery "Crunchy Granola Suite" and driving "Done Too Soon." His touring band was razor sharp, propelled by drummer Ron Tutt, who backed Elvis Presley on tour and in the studio for eight years.

Diamond played hit after hit throughout the night, including the crowd pleasing "Sweet Caroline" (twice), a duet of "You Don't Bring Me Flowers" with singer Linda Press, and early favorites like "Solitary Man" and "I'm a Believer."

Before launching into "Man of God" from his 2005 disc "12 Songs," Diamond made a plea to assist survivors of Hurricane Ike in Texas. He announced that "every penny" of the souvenir and merchandise sales in the lobby would go to build homes, adding that he, the venue and promoters were donating their shares of the sales.

He ended with "Hell Yeah" from "12 Songs," before returning for a three-song encore: "Cracklin' Rosie," "America" and "Brother Love's Traveling Salvation Show."

(Neil Diamond will perform at the DCU Center in Worces
ter on Dec. 6)
http://www.masslive.com/entertainment/index.ssf/2008/11/neil_diamond_concert_sparkles.html
Tuesday, November 25, 2008 
For ND.com
Paulette Tobin
Grand Forks Herald - 11/22/2008
If you grew up with Neil Diamond but haven't heard him for a while, you may have forgotten that he can be one of the most soulful, righteous white guys performing today.

That, of course, is one side of Diamond, who some music critics still snidely refer to as "terminally unhip" even though he's been a star for four decades and has sold 125 million records.

Even Diamond's two-hour, no-intermission set Saturday night at the Alerus Center wouldn't have been enough time to do justice to his 36 Top 40 hits, not to mention the new stuff he's recording.

His latest recording, "Home Before Dark," was released in May, and its songs seem to reflect Diamond's maturity and the way his life has changed from hot young singer to gray-beard rock star. Show biz is famous for its hyperbole, but I think we can safely say Diamond is one of THE voices of his generation. Even if the Rock 'n' Roll Hall of Fame hasn't acknowledged him yet.

Still, if there was any doubt whether Diamond still has it — oh, boy, does he ever — as he showed when he sang back-to-back his classic hits, "Forever in Blue Jeans" and "Sweet Caroline." There's no way you can be 50-something like me and hear those songs without being home for summer vacation and drinking keg beer at the sandpits with all your friends while somebody's car radio is blasting away.

That may have been 30-plus years ago, we're all fatter than we were then and Diamond has a lot less hair. But his voice is still big and resonant and sexy as ever. And no one uses his voice better than does Diamond when he sings about loneliness.

In that vein, "Solitary Man" and "I Am, I Said" are two of my favorite Diamond hits. Again, I know there are mockers out there who laugh at some of the lyrics, such as "I am, I said … And no one heard at all, not even the chair."

But many people can understand the feeling of being "caught between two shores," of not feeling at home anywhere. This is a song that speaks to them, to anyone who has had to remind themselves that their existence matters.

OK, stop me before I get all existential on you. There are times Diamond definitely crosses into Cheesy Land (I would put "You Don't Bring Me Flowers" in that category, even though my sister loves it). On the other hand, Diamond is one of very few performers who can get thousands of people on their feet, screaming and singing along to songs like "Cherry, Cherry."

One nice touch Saturday night was Diamond's stroll from the stage onto the arena floor (protected by some very large bodyguards). He obviously thrilled lots of fans who got to see him and hear him up close.

Luckiest of all was the pretty blonde in the front row who Diamond took by the hand and walked with while he sang that ballad of long-ago love "September Morn." When he leaned over to kiss her, she didn't seem to object. (Would you?) He was wise enough to say after, "Thank you, young lady, for the delicious kiss."

And then to the man with her: "Thank you, young man, for not beating me up after I got the delicious kiss." (By the way, if the young lady wishes to call me and rate Mr. Diamond's pucker power, my number is 780-1134.)

Diamond hit the stage with three beautiful backup singers and a smokin' hot horn section. How long has it been since you've heard rock or pop that had really good horns?

It was a great concert. But there's one thing that can make even the greatest concert a real trial, and that's rude people. I sat near some people who never shut their yaps unless they were guzzling beer. I've seen third-graders with a longer attention span. And since third-graders don't guzzle beer, you don't have them popping up in front of you every 20 minutes to go to the bathroom and buy more beer.

I realize a concert at the Alerus Center is not church. I was right there, standing and singing along and cheering just like everyone else. But for gosh sakes, could you just sit down once in a while and be quiet so the rest of us can enjoy the concert?

The Alerus Center reported that it sold 10,006 tickets to the show.

Reach Tobin at (701) 780-1134; (800) 477-6572, ext. 134; or send e-mail to ptobin@gfherald.com.
http://www.grandforksherald.com/articles/includes/printer.cfm?id=94282&freebie_check&CFID=98141728&CFTOKEN=57014557&jsessionid=883070ab397339295f6a
Saturday, November 08, 2008 
FW: Neil Diamond - Green Bay Press Gazette/Post-Crescent Review - November 5, 2008


Neil Diamond plays to a nearly sold-out crowd at the Resch Center Tuesday in Ashwaubenon. Gannett Wisconsin Media photo by Matt Robinson


For a photo gallery from Diamond's concert, click here. <http://www.greenbaypressgazette.com/apps/pbcs.dll/gallery?Avis=U0&Dato=20081104&Kategori=GPG01&Lopenr=811040844&Ref=PH&Profile=1907&SectionCat=GPG05>

The voice was impeccable, "The Jazz Singer'' poses endless, the black suit subdued in its sparkle and "Sweet Caroline'' perhaps never sweeter.

Neil Diamond's long-awaited return to Green Bay proved worth the four-decade wait, even if his twice-postponed concert was up against what he called "a good show on television.'' Any preoccupation with election-night results, however, melted away somewhere between the collective goose bump moment of a stirring "I Am, I Said'' and an uninhibited "Forever in Blue Jeans'' dance-a-thon.

It's hard to recall a Resch Center crowd that has been more engaged, more absolutely giddy over a sing-along than the 9,058 voices and sets of swaying hands that took the reins of "Sweet Caroline'' on Tuesday night. It was magic. It felt "so good, so good, so good'' that when it ended, a laughing Diamond methodically surveyed fans of all ages who surrounded him on all sides of the bowl and … darn if he didn't launch into the song one more time. Points for breaking the concert rulebook on the one, and bonus points for not squirreling the song away for the predictable closer.

One of the most successful touring acts of the last 40 years, Diamond can still put out when it comes to an arena-sized show that snaps, crackles and pop-rocks. His 11-piece band and three backing singers – several members whom have been with him for decades – helped drive songs like "Cherry, Cherry'' (the conga solo killed), "I'm a Believer,'' the horn-infused "Solitary Man'' and an apropos "America'' for the encore.

His muscular voice in fine form and his acoustic guitar always within arm's reach, Diamond tackled gentler fare off his new "Home Before Dark'' release, effortlessly wringing every nuance out of the title track and "Pretty Amazing Grace.'' With only his own accompaniment on guitar for "Hell Yeah,'' it was hard to imagine that his voice could've sounded any better when he played Green Bay in the 1960s than it did then.

Still a rock star at 67, he made his entrance 15 minutes late for a seamless performance that ran an hour and 45 minutes. He worked a sprawling, slightly sloping stage that looked like the deck of a massive ship. When you're Neil Diamond, you don't clutter it up with bottled water; you drink from four crystal goblets strategically positioned on stands around the stage.

His signature arm gestures were many and his every move seemingly calculated to garner screams. Worked every time. He slow danced with himself in the shadows of the stage during "Love on the Rocks'' and for real with backup singer Linda Press on their duet of "You Don't Bring Me Flowers.''

A masterful entertainer, he made sure to get around to the back of the stage to serenade those with seats behind it on "Play Me.'' A small home plate-shaped platform connected to the front of the main stage moved him slowly from one side of the arena to the other. When you're Neil Diamond, there's no need to break a sweat.

Set list

"Holly Holy''
"Beautiful Noise''
"Love on the Rocks''
"Play Me''
"Cherry, Cherry''
"Home Before Dark''
"Don't Go There''
"Pretty Amazing Grace''
"Crunchy Granola Suite''
"Done Too Soon''
"Brooklyn Roads''
"I Am I Said''
"Solitary Man''
"Forever in Blue Jeans''
"Sweet Caroline''
"You Don't Bring Me Flowers''
"I'm a Believer''
"Man of God''
"Hell Yeah''
"America'' (encore)
"Brother Love's Traveling Salvation Show'' (encore)

Kendra Meinert writes for the Green Bay Press Gazette.
Tuesday, November 04, 2008 
Neil Diamond helps keep spotlight on Oak Island recovery
By BRADLEY OLSON
Copyright 2008 Houston Chronicle
Nov. 1, 2008, 10:47PM

When
he takes the stage tonight in St. Louis, soft-rock legend Neil Diamond has an unusual speech planned amid wildly popular renditions of America and Sweet Caroline.
He w
ants to tell fans about Oak Island: the heaping, rotting piles of debris; the hundreds of homes washed away; and the people, some still sleeping in tents and cars, struggling to rebuild after Hurricane Ike decimated the area in September.
Two weeks ago, after his concert in Houston, Diamond paid an incognito visit to the small, unincorporated hamlet in Trinity Bay and was shocked by the devastation.
Ever since, he has given something of a stump speech about the former fishing village at each of his concerts. And, operating almost completely under the radar, he has promised to donate 100 percent of the gross merchandise sales at 20 concerts to assist in the rebuilding of the small community, which sits just a few miles south of Anahuac in Chambers County.
"These people are in big trouble and I want to help," Diamond said. "It may only be a drop in the bucket, but I'm going to ask my audiences in every city that I play to help. So far they've come through to the tune of more than $700,000. I intend to keep asking until the end of this tour."
The money will be administered by the Gulf Coast Ike Relief Fund, the charity set up by Mayor Bill White, who piqued the singer's interest in Oak Island.
Chambers County was among the areas hardest hit by Ike. In Oak Island, more than half the island's homes are gone or uninhabitable.
"As we drove down there, I tried to show him the height of the storm's line in the trees, and you could still see the debris up there that was carried by the water," said Anahuac Mayor Guy Jackson, who took Diamond to the community. "And then we started getting to the homes. The level of destruction just gets worse and worse and worse as you get closer to water's edge."
Diamond also couldn't help but notice that people were living in tents and cars next to their destroyed property.
"For a lot of people there, all they got left is a few belongings and they don't want to leave them," said Chambers County Judge Jimmy Silvia.
Officials with the Federal Emergency Management Agency offered to help with rentals in Baytown, but that was too far away from many residents' jobs. And, as of late last week, FEMA had yet to allow anyone to move in to the trailers that were recently brought in, Silvia said.
So, in effect, people were still sleeping in tents and cars while trailers sat unused nearby, he said.
Although Diamond recently told concert-goers in Dallas and Tulsa to "help get people out of tents," what most got his attention during his visit to Oak Island was the community's resolve.
At a meeting he attended outside a small church, people committed to fix their homes on their own, as best they could. That's what prompted him to continue giving as much as he could, and to tell all his fans about Oak Island.
"Texas would be surprised at the cities that have come through for them," Diamond said. "My hope is to put as many people as we can back in homes as quickly as possible."
bradle
y.olson@chron.com
Thursday, October 23, 2008 
The 19th Annual Gala Benefiting the MusiCares Foundation®
Will Be Held Feb. 6, 2009, During GRAMMY® Week


SANTA MONICA, Calif. (Oct. 21, 2008) — GRAMMY®-winning recording artist Neil Diamond will be honored as the 2009 MusiCares® Person of the Year, it was announced today by Neil Portnow, President/CEO of the MusiCares Foundation® and The Recording Academy®, and John Branca, Board Chair of the MusiCares Foundation. Proceeds from the annual GRAMMY Week gala dinner and concert honoring Diamond — to be held in Los Angeles on Friday, Feb. 6, 2009, two days prior to the 51st Annual GRAMMY Awards — will provide essential support for MusiCares, which ensures that music people have a place to turn to in times of financial, medical and personal need.
 
The legendary singer, songwriter and performer is being honored as the MusiCares Person of the Year in recognition of his exceptional artistic achievements as well as his philanthropic work, which has included many generous charitable donations over the years. Most recently, Diamond has been making significant contributions to the hurricane relief efforts in Texas for areas ravaged by Hurricane Ike.
 
"As we enter the next 50 years for The Recording Academy and the GRAMMY Awards, and approach the 20th anniversary of our MusiCares Foundation, it is fitting that we honor a most enduring artist and songwriter whose musical influence is truly unmatched — the extraordinary Neil Diamond," said Portnow.
 
"Neil's exceptionally versatile and rich body of work, combined with his magnetic performances, are a hallmark of his artistic career," added Branca. "And we look forward to paying tribute to him during GRAMMY Week."
 
The 2009 MusiCares Person of the Year gala will begin with a special reception and silent auction that will offer an exclusive and unparalleled selection of luxury items, VIP experiences and one-of-a-kind celebrity memorabilia for bidding guests. The reception will also feature a special online auction presented by Julien's Auctions and will broadcast live worldwide on Auction Network with real-time interactive bidding technology. The auction will be followed by a gala dinner, an award presentation and a star-studded tribute concert. The MusiCares Person of the Year tribute ceremony, chaired by Irving Azoff and Marshall Gelfand, is one of the most prestigious events held during GRAMMY Week. The celebration culminates with the 51st Annual GRAMMY Awards on Sunday, Feb. 8, 2009, at STAPLES Center in Los Angeles. The telecast will be broadcast live on the CBS Television Network at 8 p.m. ET/PT.
 
With a career spanning four decades that has seen more than 125 million records sold, 36 Top 40 hits and thousands of sold-out shows all over the globe, Neil Diamond remains one of the most vital and innovative forces in modern music. The 2009 MusiCares Person of the Year honor is just the latest of many notable awards the singer has earned, including a GRAMMY, 12 GRAMMY nominations, a Golden Globe and a No. 1 debut on the Billboard 200 chart for his latest album Home Before Dark. Diamond has also been inducted into the Songwriter's Hall of Fame, and is the recipient of that organization's prestigious Sammy Cahn Lifetime Achievement Award. 

Diamond's career took off in the late 1960s with a series of hits that began with "Solitary Man" — a song that would forever define him as a singular figure in music. As an American solo artist during a time when British groups were the rage, he paved the way for the 1970s singer/songwriter movement to come. Diamond's next hit "Cherry, Cherry" was an infectious blast of joyful pop rock that suggested this was an artist of considerable range. Diamond found himself in great demand as an artist and a songwriter, especially after the Monkees had No. 1 and No. 2 hits, respectively, with his compositions "I'm A Believer" and "A Little Bit Me, A Little Bit You."
 
Over the next five years, Diamond would further demonstrate his musical range as he recorded some of his most beloved compositions, including "Brooklyn Roads," "Sweet Caroline," "Brother Love's Traveling Salvation Show," "Cracklin' Rose," "I Am…I Said," and "Song Sung Blue." In the summer of 1972, Diamond had played 10 sold-out nights at the famed Greek Theatre in Los Angeles that were captured on the multi-platinum Hot August Night, a double-record set that demonstrated Diamond's growing status as a superstar concert sensation. In 1973, Diamond released one of his most unusual, yet highly successful, albums — an introspective soundtrack to the film version of Jonathan Livingston Seagull, for which he won a GRAMMY Award.
 
Throughout the 1980s and '90s, he became increasingly popular as a live performer, breaking numerous attendance records in America and abroad, and winning honors as the top solo performing artist of the '90s. He also remained productive as a recording artist, releasing everything from the forward-thinking Headed For The Future, and the retrospective Up On The Roof — Song From The Brill Building, to Hot August Night II and two popular Christmas albums. In 1996 he released Tennessee Moon, an album celebrating his country roots, as well as an extremely successful boxed set In My Lifetime. This same period found Diamond's past work being rediscovered by a new generation of fans through hit versions of his past classics, including UB40's global smash version of "Red, Red Wine" and Urge Overkill's faithful, yet edgy, rendition of "Girl, You'll Be A Woman Soon" from Quentin Tarantino's Pulp Fiction.
 
In 2001 after a number of years collaborating as a songwriter and even covering the songs of other writers, Diamond marked a new century with Three Chord Opera — a powerful album that was the first collection of songs he had written by himself in a quarter century. 12 Songs followed in 2005, entering the charts at No. 4 and marking his first collaboration with famed six-time GRAMMY-winning producer Rick Rubin. Home Before Dark, Diamond's latest project, found him working once more with Rubin, and debuted at No. 1 — the singer's first chart-topping debut.

With these albums, Diamond has earned another new generation of listeners for whom his timeless songs speak as loudly as his newest creations. As Diamond approaches his second half-century as a songwriter, he has almost become a genre in his own right. Reflecting on this, he pointed out, "There's probably a little category called 'Neil Diamond' which is a broad spectrum of rock and roll, mixed in with theatrical music, mixed in with country music, mixed in with Latin music, mixed in with Jewish melodies, throw a little dash of Afro-Cuban music in with some ballroom dancing too."

Established in 1989 by The Recording Academy, MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares' services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. For more information, please visit www.musicares.com.
 
Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. In its 50th year, The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com

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Based in Tulsa, Okla., Auction Network is the first 24/7 multimedia network solely dedicated to auction. Auction Network's executive team combines strong cable network backgrounds from years at TV Guide, Disney, Fox, Liberty Media and CNN with substantial auction experience at the helm of Williams & Williams Worldwide Real Estate Auction (www.williamsauction.com). The network launched on Oct. 28, 2007, at www.auctionnetwork.com.
 
 
 

 

Tuesday, October 21, 2008 
Tulsa!  100% of merchandise sales will go to the hurricane relief efforts in Texas.   There is no intermission, come early so you can purchase something and help this cause.  Between Dallas and Oklahoma City we added $332,000 to the fund (in addition to the money raised in Houston).  Much more is needed to help get people out of tents. Please join us in this effort, Tulsa!  THANK YOU TO ALL WHO HAVE PURCHASED MERCHANDISE AT THE SHOWS! YOU ARE MAKING A DIFFERENCE!
Thursday, October 16, 2008 
10/16/08 (DALLAS) 100% of merchandise sales at tonight's show American Airlines Center will benefit the hurricane devastated areas in your state. Dallas – support your neighbors! Buy stuff at the show! Buy your holiday gifts and support a great cause at the same time.
T-shirts, hats, guitar-pick necklaces, messenger bags, tour programs, key chains, teddy bears and even CDs – ALL MERCHANDISE IS INCLUDED!  
100%
Every penny goes to the cause.
There is no intermission during the show, come early to get in on the action!
Thank you for joining Neil Diamond in supporting this effort!
Tuesday, October 14, 2008 
100% - EVERY SINGLE PENNY
OF TONIGHTS MERCHANDISE SALES
WILL BE CONTRIBUTED TO
THE GULF COAST IKE RELIEF FUND

10/14/08 - (Houston) 100% gross sales of Neil Diamond's merchandise available at his Toyota Center show will be donated to the Gulf Coast Ike relief fund!! Please support this cause –
Thank you Neil Diamond, FEA Merchandising and Toyota Center.