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Spliffington



Last Updated: 11/21/2009

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Status: Single
City: Slugville
State: California
Country: US
Signup Date: 3/17/2008

Blog Archive
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Wednesday, November 18, 2009 

Current mood:  contemplative
Category: Music
 At one time I thought the popularity of Sublime would open people's hearts and minds to bonafide reggae, and maybe this did occur to a minimal degree; however, what it apparently did was to open the floodgates to a whole lot of bands from Cali and elsewhere who play bad versions of the Sublime formula and have no shame in calling it 'reggae', which to them apparently is punkazoid skate-rock with a skank guitar. It carries no vestige of the subtle interactions between drums and bass that make 'dub' (for example) so intriguing. However, this bastardization is so popular, at least in CA, that last summer the Jamaican drum & bass legends Sly and Robbie were relegated to an opening slot for Slightly Stoopid and the execrable Pepper in Berkeley.

Reggae has always evolved and incorporated other genres of music, especially R&B and rock, but also jazz, Indian music (bhangra is basically a hybrid of reggae and Indian), African (think Lucky Dube, Alpha Blondy, etc.) and practically every other global influence out there. There's reggae with accordions in Poland, Jawaiian out of Hawaii, native American (to some of the Southwestern Indians like the Hopi and Havasupai, Bob Marley is a demigod, but you could say that of people globally), Indonesian, Brazilian samba/reggae, Japanese...I could go on & on. And the origins of hip-hop and rap can be found in the Bronx/Brooklyn reggae sound-system basement parties hosted in the 70s by the large West Indian expatriate population, featuring a massive sound rig, a selector with two turntables and usually some maniac with a mic wildly scat-singing over bass-heavy rhythm tracks. It's fair to say that rap, hiphop, house, drum & bass, jungle or downtempo might never have existed without reggae. It's just that, compared to these global influences, Cali-reggae seems to be rhythmically challenged. Reggae went worldwide due not only to its infectious rhythms but also because its message of revolutionary consciousness resounded with people of all nations, colors and creeds. This is not something I detect in Cali-"reggae", but rather an insular hedonism without any given spiritual direction. Now, I'm not saying that dancehall reggae maintains this tradition either, or if you can even call dancehall 'reggae' these days, as the riddims are mostly composed on an MPC or computer by a single producer and lack the tribal feel of a group of musicians whose playing winds in & out of each other's rhythms & melodies to create a sound that's greater than the sum of its parts. And yes, there are plenty of 'purists' who can't stand dancehall, just as there are plenty of young dancehall fans who feel that roots reggae is for boring old farts. Everyone has their tastes and that's what makes music what it is. With the advent of mp3s and computer file-sharing and P2P, making a living with music is harder than it ever was, and it was never ever easy to begin with.
Monday, June 16, 2008 

Current mood:ambitious
... on my page, please check out my music page at reggaedubwise.com...I have many more tunes up, some of which are downloadable. Here's to independent music & musicians...big ups every time!
Sunday, June 15, 2008 

Current mood:  lazy
to all poppas everywhere who know how multitalented a good father needs to be; nurturer, breadwinner, teacher, disciplinarian (well, sometimes!), and not least, role model. Big up yourselves! You kno seh the wuk (and reward!) begins after sowing the seed...
Tuesday, April 15, 2008 

Current mood:well pleased & satisfied
Category: Music

I'm the proud recipient of two very sweet 'rubs' of my "Right My Heart" riddim! The first one is of the same name, by my SCruz homie Steven Robinson in a persuasive sensuous lovers rock mode. Smooth but urgent riddim.

The other version is entitled "Only the Best", by a young Jamaican lady outta Florida, Safira. Think of a 19-yr-old Sister Carol with a lot of youthful fyah, and you'd be pretty close. On this tune she's witty (the bwoy's ring turned her finger green!), fyah-bunning, and compassionate all at once.

Check botha these boom choons & let I know if you feel 'em!

Wednesday, March 26, 2008 

Current mood:multi-tasking
Category: Music
I've been advised by some folks close to me that my music shouldn't be dealing in politricks, but be pure in & of itself. Of course, this being the real world, music is always being tainted, embellished, affected by what happens to the musicians and to those around them. Mr. Obama's speech genuinely affected me, and he seems by all accounts to be as sincere as he is forthright. Still, you know what they say: "Never trust a politician" and "Sincerity is the key...once you can fake it, you've got it made"  So, I'm renaming the riddim and the dub I made from it to "Audacity" and "Audacious Dub" respectively, after his book "The Audacity of Hope". After all, what could be more audacious than a relatively young man of color not only running for the White House, but having a hell of a chance to win it all? If anyone happens to read this far, let me know how you feel about this!
Saturday, March 22, 2008 

Category: Music

After hearing Obama’s speech a few days ago, I finished up the outline of a riddim I’d worked up a couple of nights previous, and renamed it the "Barack Obama" riddim (no relation to Cocoa Tea’s song). The clarity, upfulness and empathy of the man’s position on race and religion impressed me, as did his refusal to throw his minister "under the bus" for political gain. (as for Rev. Wright, one needs to realize he grew up in an era where black people couldn’t use white people’s restrooms, water fountains, restaurants, etc. etc...a much wickeder time of virtually total segregation than what we now live in...) I wanted the music to convey a simple, positive and dynamic feeling to reflect what I felt when I heard Mr. Obama. Whether or not it’s totally warranted, I feel more positive and hopeful about our future and our ability to come together constructively. Let us pray for reconciliation, overstanding and peace!

Saturday, March 22, 2008 

Current mood:level vibes
Category: Music

All the blessings of the most High to each & every one this lovely spring day! I’ve been creating some riddims which I’d like to share with the good people here. I record on a Zoom HD16 8/16 track digital recorder, and play all the tracks but the drums (which I program) live with live instruments. In this day of computer recording, that’s becoming a lost art! You’re invited to leave bigups and/or critiques of this music and tell me what you like and don’t like about it. Respect to all!