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Micah Dalton



Last Updated: 12/12/2009

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Status: Single
City: Atlanta
Country: US
Signup Date: 9/9/2004

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Wednesday, September 30, 2009 
The new micahdalton.com had launched. Please come visit and web all over it.

So…creative people change just like everyone else. Your perspective moves, gets stuck, etc. You sing differently. You work in and out of humanity however you do-then you document it. You just to have empathy for that process or else it’s never fun. I hate listening to most of my songs, but I DO like remembering where I was coming from at that time. It’s just important to know what to keep/throw out/ recycle/ etc from the little rascal signposts. Little signposts that remind you….well just remind you. All this to say, when I made my last record, PAWNSHOP, I made it in 2 sweeps. The first one was in Dec of 06 and the other was in Sept of 07. I did Ohio, What Would I do?, She Uses Love, Easier to Read, Ramshack Run, Down Down in the first sweep. Then I did the rest in the sessions in 07. Had a good time, and all was quiet on the western front. In Oct/ Nov I realized how fragmented I felt the recordings were. My general approach to singing/ writing/ etc. had just shifted between sweep 1 & 2. Not in a bad way. Well yeah maybe in a bad way. But-the music was just so dang ambitious and I felt disconnected from it. SO-the question arose-what do I do with all of these different kinds of songs. I’ve got my development down on tape, and it might be more disengaging for folks listening than anything. So, I decided to parody the confusion of the situation with a concept record. Fortunately, working with a wonderful person like Jason Harwell at Rebuilt Records made this naive call look way more together than it was. I wanted to have stories going along with each song that would help tie the album together better so it wouldn’t feel as fragmented (maybe) and illustrations with it. SO I called my friend Jewly Hight (great songwriter, writer, bad ass), and she was in. We talked through it over several months and came up with something we both were proud of. Then Jason Harwell contributed some stellar illustrations to top it off.  We had an accidental concept record from a literal sonic pawnshop that became this more holistic experience with stories for each song…documenting Pawnshop’s journey. Since most people buy my music digitally, it didn’t really translate how I wanted. But I’m proud of the whole concept that saved it for me (even if it’s just me!).  The interactive nature of it. I just wanted to share the experience of this record beyond the 50-60 minutes that you may or may have not heard. I’m also going to put the story up for those who want to get their hands on Jewly’s tasty writing. You may hear a song differently too. See ya.
Click here to read the mini book: http://www.micahdalton.com/pawnshop-story/
Md
Monday, June 15, 2009 
So I never fish, but my friend Jonathan took me this past weekend, and I saw the light . It was a gorgeous experience. I saw a snake, dope overlooks, and fish really close up. Most importantly, I sat quiet on a rock for about an hour and a half and felt a sense of clarity for at least several minutes. Then I shot a gun. I didn't really like that because of the ring in my ears and the "what did I just do?" weird feeling afterwards. I'm taking some time off of touring this Summer. I didn't necessarily mean to, but a tour got pushed back, and I'm not exactly jonesin' to make all of those kind of transitions happen these days (at least the on and off the road ones). Plus- I'm wanting to extend the creative flow I've had working for about the past 9 months. Every once in a while you need to take a sec to remember why it is music is generally important. Then you can start the aggravating self prod again.That can suck because that self accountability has a specific calling that leads into an abyss of trial and error. A frustrating one but necessary. I've produced 2 projects (one alongside my pal Paul) recently. Tyler Lyle and Ryan Horne. We didn't have "a system" for either one which seemed fruitful but entirely exhausting for me and, i'm pretty sure, everyone involved. Everybody seems pretty dang happy though. I do. All this to say, there's no sub for rest and unplugging. I can tell when an artist is always plugged in. Into everything but themselves and their own humanity. The more and more people I run into in the city have an incessant desire to make something original of themsleves. To build a "new us" or, perhaps, a "false us". I am in that place very often, and I'm now worn from those transactions. I'm more interested in what's benefiting my community here and now and turning over rocks for sincere ideas rather than original ones. Sure, they can run together-but theres millions of empty shells with millions of original ideas. Like this blog for example-it's awesome, original, self-important, and anything else right.
Rant.
Rant.
Bless-Micah
Friday, May 01, 2009 
Hey Folks-
I am offering these three shows from the past All The Lads & A Lady Songwriter’s Tour. It features myself, Kim Taylor, Ryan Horne, David Berkeley, and Jon Black. These shows are from Chicago, Birmingham, and Atlanta. Listen and share with your people. Thanks to Mr. Jon Black for his preparation of these bits here. Oh-and go to www.whoisjonblack.com to grab them.
Enjoy-
Micah


Friday, March 06, 2009 
Hello All-
I'm pleased to announce the tour to end all tours (not really). Seriously-should prove pretty smokin'.Anyway, it's a singer-songwriter in the round tour with some of the most talented folks I've run into here recently. It's called the "All Lads and Lady Tour" featuring Kim Taylor, myself, David Berkeley, Ryan Horne, and Jon Black. We're going to have muiltiple tricks up our sleeve for this one-so make sure to make it out.
Here are the dates:

MARCH 18 8:00 PM SXSW MUSIC FESTIVAL AUSTIN, TX ( SOLO)
MARCH 26 9:30 PM 3RD & LINDSLEY NASHVILLE, TN
MARCH 28 9:30 PM 8TH & RAIL OPELIKA, AL
APRIL 1 10:00 PM NORTHSIDE TAVERN CINCINNATI, OH
APRIL 2 9:00 PM NATASHA'S LEXINGTON, KY
APRIL 3 8:00 PM THE LIVING ROOM MUNCIE, IN
APRIL 4 7:00 PM SCHUBA'S CHICAGO, IL
APRIL 5 8:00 PM HOUSE PARTY METROPOLIS, IL
APRIL 6 7:00 PM MELTING POINT ATHENS, GA
APRIL 8 7:00 PM WORKPLAY THEATRE BIRMINGHAM, AL
APRIL 9 8:00 PM EDDIE'S ATTIC ATLANTA, GA
APRIL 10 8:00 PM THE CHANNEL GREENVILLE, SC


Sunday, January 25, 2009 
I like this thing man! You don't have to say too much or try to change the world (as if that's what I'm normally preoccupied with). Anyway, check it out.

http://twitter.com/MCDalton

Wednesday, November 19, 2008 
Mr Nathan Angelo helped piece together this tid bit that I like to call "career introspection on the subway after hearing a passionate busker beneath the streets of NYC"...This one includes Mathew (our drummer) and Nathan.

Wednesday, November 12, 2008 
I've got some T-Shirts from my last tour with Nathan Angelo & Tyler James for sale.

Please visit the link and grab one of your own:
Micah Dalton Fall tour T Shirts

Be Well. I've got a handful of dates remaining this year. Check them out on the page.

Micah
Tuesday, November 04, 2008 
Read it and weep or laugh...either would be appropriate!
Hope those of you who came out had a good time-we sure did!
Best-
Micah


Thursday, September 11, 2008 
From Rebuilt Records (my record label) :

We've got some time-sensitive news here. Our very own Micah Dalton has been selected as a semi-finalist at PasteMagazine.com for a slot on the Cayamo Cruise, featuring Lyle Lovett, Buddy Miller, Patty Griffin, the Indigo Girls, and a whole bunch of other amazing artists. Think of it as a cruise, but with great music and stuff.

So here's the deal... YOU get to decide the finalists by voting once a day at http://www.pastemagazine.com/action/rnr_vote for the next two weeks, and two weeks only.

YOU can help Micah get on the boat. We need to help Micah reach the finals, so for the next two weeks only, you can vote once a day for Micah. This is a huge opportunity, and Rebuilt has always been about people just like you actively and directly supporting quality musicians. You CAN make a difference in Micah's future.

So let's go!

Vote here:
http://www.pastemagazine.com/action/rnr_vote
Friday, August 15, 2008 
Well, this summer was a whirlwind of time. I played more music than I ever have during one season. I've begun to shift into a period of time that I always really enjoy: home (more on this later). In June, I toured with the incomparable Richard Julian. I recommend picking up his latest release "Sunday Morning in Saturday's Shoes". We ran into early weather roadblocks and even had a show cancelled in Des Moines due to flooding. We didn't trust the fancy GPS to navigate us through flood water, although it seemed completely capable somehow. Learned a whole lot about song writing from Richard on this run. Every night his show never rusted over. His songs have layers and layers of unassumed richness. In July and the first part of this month, I opened a slew of dates with my gracious and good friend, Jon Mclaughlin. These dates took me to a part of the country that I'd never seen before-The Wild West and New Orleans. I'd seen landscapes similar to these, I think, in an airplane before. From the top, not linear/flat. From the top, it looks like a bunch of crumpled up construction paper undone and laid on top of varying sizes of rock. Everything was extremely new and mesmerizing to see. Seems like all dinosaurs were born on the road from Houston to New Orleans. It looks like God got experimental on the vegetation there while taking breaks between hammering on the sun and moon. Or something like that!
Anyway, everyone should check out Jon's new record that's releasing early October. I really enjoy a tune called "You Can Never Go Back"...It will make you move. We had a major good time riding scooters around for a day exploring the great city of Seattle. Here's a picture of us before take off. Shown here is Jon's band (experienced riders) and me (non-experienced):



Now, I'm here. Trying to figure out who I am and where I'm from once again! Learning how to get back involved in serving in several different capacities and ways. Remembering that God does speak, and it's my job to stay still and to try listening for it. Then submitting to it. The music has never really come out well unless God's propelling the whole operation, not me. I was joking last week with a friend about trying to find God's phone number (weak metaphor..i know) and likening it to prayer. Maybe, He's at the very back of the crowd behind our circumstances and worries pushing forward. Maybe, He's flailing a piece of paper up in the air with that very number on it. By the time we reach Him, maybe, it's blank. Might have been all he could do to get near.
Micah