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Last Updated: 2/2/2010

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Country: DE
Signup Date: 4/15/2008

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Sunday, February 07, 2010 
Traktor - Lights LP
http://www.audiodrome.it/modules.php?op=modload&name=News&file=article&sid=5786

Ristampa in vinile per Lights, originariamente uscito in cd nel 2006 e primo album per gli svedesi Traktor, una formazione dedita ad un post-core venato di attitudine screamo e dissonanze noise.
Nonostante il lavoro mostri alcune ingenuità e, soprattutto, non riesca a centrare il bersaglio con la dovuta precisione, resta innegabile la capacità di colpire l’ascoltatore con una proposta avvincente che guarda dritta agli States (in particolare, San Diego) senza per questo rinunciare al proprio legame di sangue con la scena scandinava e, più marcatamente, con quella svedese. Linee di chitarra stridenti e dall’andamento sghembo, colpi di batteria secchi e vocals filtrate attraverso la carta vetrata sono gli ingredienti base di una formula che coniuga differenti input e riporta in auge un approccio all’hardcore lontano da machismi o stereotipi di sorta. Il suono dei Traktor ingloba, infatti, gli spunti offerti da un’intera generazione di musicisti che dai Refused ai Breach, dai Die 116 agli Snapcase, per non menzionare i padrini Drive Like Jehu e Quicksand (a buttare lì un paio di nomi e certi di far torto a molti), seppe dare il la ad una reale e sentita pulsione innovativa in campo hardcore, una spinta che guardava nello stesso istante alla revolution summer di casa Dischord e al noise newyorkese, a Chicago e alla già citata San Diego, ma che lasciava fuori tutta la retorica e la reiterazione in cui l’hardcore era ormai fatalmente caduto. Su questa scia si inseriscono, dunque, i Traktor, cui spetta l’ingrato compito di re-interpretare le istanze di siffatti progenitori alla luce del nuovo millennio e cui, spesso, la passione da manforte più del guizzo di genio. Nonostante tutto e tutti, alla fine della sua corsa Lights lascia un piacevole ricordo di sé e non fatica a guadagnarsi altri giri sul piatto, un buon risultato per questo album di debutto cui la Apocaplexy dona oggi una seconda chance.


Traktor - Sequence The Sequence LP
http://www.audiodrome.it/modules.php?op=modload&name=News&file=article&sid=5787

Dopo aver pubblicato l’album Lights (proprio in questi giorni oggetto di ristampa in vinile) e l’ep Vultures, gli svedesi Traktor tornano sulle scene con un album capace di segnare una marcata evoluzione nel songwriting e un marcato spostamento verso lidi propri di formazioni quali Refused, JR Ewing e Kaospilot.
Pur senza perdere l’amore per le dissonanze e per il taglio obliquo della scrittura, i Traktor di Sequence The Sequences appaiono più concreti e focalizzati, non lasciano il grosso del lavoro solo all’impulso e alla passione, ma si concentrano sui particolari e arricchiscono le composizioni con elementi “altri”, input esterni  atti ad aggiungere fascino alla loro già interessante proposta musicale. Le stesse vocals appaiono meno ferine e maggiormente modulate, così da aumentare le dinamiche interne ai brani e sfuggire il rischio ripetitività che avrebbe comportato una mera riproposizione della formula originaria. Lungo le tracce dell’album si avverte una palese voglia di andare oltre i soliti schemi per cercare una via differente alla materia, fattore portante per un lavoro che riesce a superare molti dei limiti insiti nel linguaggio adottato, ma che ancora fatica ad imporsi fino in fondo. I Traktor dimostrano di avere tutte le carte in regola per poter dare alle stampe un lavoro esaltante - come ben dimostra la lunga e ambiziosa “Ouverty”- ma troppo spesso danno l’impressione di frenare la propria vena creativa per seguire un percorso meno rischioso. Sequence The Sequences ribadisce, comunque, quanto di buono intuito nel debutto e aumenta le quotazioni di una formazione da cui è, a questo punto, obbligatorio aspettarsi il decisivo balzo in avanti, sia dal punto di vista della originalità si da quello della voglia di osare: un salto di qualità senza il quale i Traktor rischierebbero di perdere per strada quanto raccolto finora per restare relegati nel novero dei gregari a vita. Che il 2010 sia l’anno buono per la formazione di Eskilstuna?


Traktor - Lights LP / Sequence The Sequence LP
http://www.soroll.cat/veure_reviews.php?id_review=169

Traktor són un quartet de screamo/post-hardcore amb un important component caòtic, en la línia de bandes com ara JR Ewing, Drive Like Jehu i els primers The Blood Brothers, i sumant-ho a l’herència dels Refused més reconeixibles.
Van debutar el 2006 amb l'àlbum “Lights”, editat primer en cd a través de My Favourite Toy, per ser imprès en vinil el 2009. “Sequence The Sequence” va veure la llum el 2008 en cd a través de I Made This i en vinil a través de Apocaplexy Records, com en el cas del seu debut.
“Lights” són tretze talls del seu hardcore espasmòdic, de base rítmica contundent i guitarres clares que juguen entre elles i amb els riffs que dibuixen. Més agressius del que es podria esperar i amb gust per les melodies trencades. Temes com “Lights”, “The Vicious Process Of The Technician” i “All These Seconds” deixen clara la seva personalitat, a la vegada que aconsegueixen mostrar una inclinació per l’experimentació i el joc amb les textures musicals d’origen electrònic com ara al tema final “We Constructed Him – Now He Speaks In Code”. Un bon disc de debut, que reflecteix la evident angoixa juvenil i amb aspectes a polir.
“Sequence The Sequence” és el segon i últim àlbum fins ara. Representa l’evolució lògica del grup, però hi ha bastant més. D’entrada una producció més neta però sense restar-hi punch. Per altra banda, el que a “Lights” eren rampells hardcore amb procediments repetits, deixa pas a una obra amb major sentit com a tal, i uns temes més ambiciosos i complexos. Sumem-hi a més un millor i més variat treball vocal i un increment dels puntuals tocs d’electrònica. L’ideal: un grup més madur i que sap què vol.
Pot desagradar, comparat amb “Lights”, el fet de que potser no va tan per feina (perd abrasivitat, que no agressivitat), però qualitativament és una obra superior. “Lessons For Crimes”, “Unknown Cellings” i “Random Close-Ups” són reconeixibles temes del hardcore espasmòdic de Traktor, però altres com “The Fix” o “Ouvertyr” troben calma i tranquil·litat per unir-ho a la seva habitual ràbia, jugar amb tempos i textures, i crear quelcom complex i gran.
A l’espera del tercer capítol d’aquest screamo amb collons.


Traktor - Lights LP / Sequence The Sequence LP
http://www.asice.net/reviews/3648/

Traktor, a Swedish rocking hardcore outfit released the album 'Lights' in 2006 (the vinyl release was released last summer on Apocaplexy) and in 2008 'Sequence the Sequence'. I received both albums as one promo and I think this mailing is just for some extra promotion of the vinyl edition of 'Lights' and the last album 'Sequence the Sequence'.
Traktor is already a known band in Sweden mixing parts of Refused (at the time of their last record), JR Ewing and Breach in one melting pot. No wonder 'Lights' just sounds typically Scandinavian as I play this disc for the first time. All the above mentioned bands have quit so Traktor can carry the torch now. They've written a bunch of cool songs on 'Lights' with the last track "We Constructed Him - Now He Speaks in Code" as my favorite. Mostly the songs are short and energetic; on this last song they stretch out the song to postrock territories.
'Sequence the Sequence' doesn't differ much except for the warmer sound of the record. Due to the atmosphere in the first two songs “Lessons for Crimes” and “The Giving” they remind me of the old sound of The Spirit That Guides Us. On this album you also get a bunch of cool songs, rocking songs with the correct drive, the same as on Refused or a JR Ewing album.
Sometimes they are in it for the experiment such as in “Ouvertyr” and the end of “Unknown Ceilings”. Without distortion Traktor is slowing down, the warm and quiet tones are the perfect bridge to the energetic parts of the music. In songs like “Drawn Knives and Bent Knees” they return to the base of a rocking hardcore song. Overall ‘Sequence the Sequence’ is more well thought album, better balanced and with better songs.
On ‘Lights’ you can hear the Swedish aren’t that experienced but they compensate it with the sheer energy and aggression making both records worth a try. At the moment no new shows are scheduled, hopefully Traktor once will make it to the Netherlands again after their show in Amsterdam in 2006.


Friday, January 22, 2010 

Category: Music
Yes!

The 4 pleasant swedes can't wait to hit european roads again, they come around the last 2 weeks of may to give you a taste of their upcoming fulllength, scheduled for september 2010.

If everything works out, they'll have a brandnew 7" on tour - but they'll need your help with some shows. so clubs, bookers, promoters, DIY groups get in touch w/ Georgios of Traktor via mail traktor [at] traktorbiz.com / Thanks a lot!

Here is a rough route, everything is discussible.

May 13th Finland
May 14th Finland
May 15th Finland
May 18th Denmark Copenhagen
May 19th Germany Hamburg / Bremen area
May 20th Germany Ruhr Frankfurt area
May 21st Germany Stuttgart Konstanz / Switzerland Zürich area
May 22nd Switzerland Bern Geneve area
May 23rd Italy Milano Genova area
May 24th Italy Bologna Roma area
May 25th Italy Udine area
May 26th Austria Graz / Slovenia Ljubljana area
May 27th Austria Linz Wien area
May 28th Germany Leipzig Dresden Erfurt area
May 29th Germany Berlin area

Thank you.
Monday, December 28, 2009 

Current mood:oi oi
Category: Music

http://www.disagreement.net/reviews/traktor_sequencethesequencelights.html
These are not actually two new albums by Swedish chaos core band Traktor, but limited edition vinyl re-releases on Apocaplexy Records. When Traktor released their second longplayer Sequence The Sequence on Through I Made This Records in 2008, the vinyl version came out that same year. The quartet’s debut Lights from 2006, originally released on Through My Favourite Toy records, had to wait until 2009 to get transferred to vinyl.

This move makes sense as there are still people who prefer the supposedly warmer sound of the vinyl record to CDs, and it’s undisputed that the bigger vinyl medium allows for much more attractive artworks. The records in question therefore all come in different colour version.

Traktor are hardly innovative, especially since chaos core has been something we all have come to link with Scandinavia, but that doesn’t mean that their albums are not worthwhile. The debut Lights featured thirteen tracks, most of them rather short, apart from the concluding piece We Constructed Him – Now He Speaks In Code which was nearly eight minutes long. This epic track is also my favourite, because it gives the band more room to experiment with different moods. The remaining tracks are able hardcore songs full of noisy guitars and angular breaks that should give fans of JR Ewing and Kaospilot something fun to listen to. Their sophomore effort Sequence The Sequence sees a considerately matured band that this time dares more often to allow their songs to expand, contrasting the still present hectic business of their erstwhile trademark sound with more sprawling and more reflective parts that help to highlight the dynamic range of their music.

Although these Swedes have hardly reinvented the genre, Lights is still an impressive first work of a still young band, while Sequence The Sequence shows what progression this promising band is able of. Fans of vinyl records that dig Scandinavian chaos core full of unexpected twists and turns should get their hands on these rarities before they are no longer available.

Tuesday, December 08, 2009 

Current mood:oi
Category: Music
http://www.rockfreaks.net/index.php?page=albumreviews&id=2403
Underrated experimental screamo / chaotic post-hardcore band Traktor from Sweden released a solid full length called "Lights" back in 2006 to minor critical acclaim, but because of their retrospective old school screamo sound, they didn't catch on to the emo/screamo revolution as much as they definitely should have. Now that the genre is slowly fading away from the spotlight, there's a good chance that more people will open their eyes up for a more honest take on the genre, and that's why Traktor have decided to reissue their 2006 release on vinyl, printing only 330 copies of the release in total.

Some of you may remember my review of "Sequence The Sequence" from earlier this year, where I acknowledged that the band had potential but were still some way from making more than just ripples in the giant screamo pond. If you liked the sounds of that record, however, then I'm the bearer of great news: "Lights" is way better than its successor. The style is still caustic old school screamo, characterized by a frantic pace and sky high intensity levels. The band doesn't waste time in crafting friendly song structures or catchy choruses, instead opting for a mostly unmelodic and extremely unpredictable sound that recalls the likes of JR Ewing, Kaospilot, Funeral Diner and of course their main influence: Refused. The resulting chaos is quite magnificent at times, but especially brilliant when subtle melody is added to the off-tune guitar lines such as on "The Vicious Process Of The Technician", recalling the melodic parts from the most aggressive songs by United Nations.

In fact should any of the bands mentioned here be right up your alley - and if you like screamo and post-hardcore they really should - there's no reason why you shouldn't be investing the 9 euros + postage for a vinyl copy of "Lights". Its organic, original screamo sound will simply blow you away if the only screamo you are accustomed to is the overpolished, predictable scheisse that most scene screamo bands offer in 2009. Check it out, you won't regret it. [7½]

Friday, December 04, 2009 

Category: Music
all records are new & unplayed, otherwise it is marked
prices excluding shipping costs / please ask for wholesale, 2nd hand & shipping costs

Tapes
Chronic Infection - Paradoxical Infection /// 3,00 €
Comadre - Burn Your Bones & Songs About The Youth /// 3,50 €
Graf Orlock - Destination Time /// 3,50 €
Gurkha - s/t /// 3,00 €
Icarus Escapes - Discography /// 3,00 €
L'Antietam - Arthur Carr /// 4,00 €
Losing Six Seconds - Omniscient And In Control EP /// 3,00 €
Monroe Autopsy - Old Songs Collection /// 3,00 €
Of Quiet Walls - Dopetape And The DIY Elephant /// 3,00 €
Only For The Sake Of Aching - s/t /// 3,00 €
Sista Sekunden - s/t /// 3,50 €
Taciturn - Maudite Aphrodite /// 3,50 €
Time Has Come - 4 song EP /// 3,00 €
VA - Für Anna /// 3,00 €

CD
Cease Upon The Capitol - 1st /// 8,00 €
Cease Upon The Capitol - 2nd /// 8,00 €
flu.ID - IOTS /// 10,00 €
Yes Sensei - s/t /// 5,00 €

wholesale
7": The Monaco Heartattack - s/t
10": flu.ID - New Imperial Sadism EP
LP: Traktor - Sequence The Sequence
LP: Traktor - Lights
CD: flu.ID - IOTS
Thursday, October 29, 2009 

Category: Music
The 2006 full length Lights finally available on vinyl.
The soundtrack for the wedding party of anger & gloom. Traktor from Sweden, which are not only highly considered in circles of connoisseurs because of their extraordinary live qualities, perfect their grim chaos-core on their first full length, entitled Lights. The typical Traktor sound from the early days with indigestive breaks and dissonant guitar riffs in the vein of famous San Diego bands like Drive Like Jehu or Swing Kids is getting enobled with dark & calm passages. Although the album was mastered in the much sought-after Tonteknik-Studio in Umeå, the regulary comparisons to Refused or early JR Ewing are less present, then genre bulks like Lack or Breach. Lights is an album designed for a cheerless winter, post-hardcore between aggression & depression.

get in touch for your copy via myspace, facebook or apocaplexy [at] web [dot] de

Currently listening:
The Argument
By Fugazi
Release date: 2001-10-16
Thursday, October 29, 2009 

Category: Pets and Animals
hey there,

we just signed into facebook. come add us and give us some hugs.

Currently listening:
The Argument
By Fugazi
Release date: 2001-10-16
Tuesday, September 01, 2009 

Category: Music
http://collective-zine.co.uk/reviews/?id=6982
Hooray! I finally got copies of this 7“ today after it originally came out in March. I am a fan of this band’s demo, which I meant to review on CZ ages ago but never got round to it. It’s really nice to see a Malaysian band other than Utarid getting on a slab of vinyl too. Okay Orbitcinta Benjamin have been on a 12“ split release but that’s about it – there are LOTS of planned split releases between bands supposedly coming out on vinyl but some of these have been planned for a long time and have not materialised. I hope they do happen. It seems that in a niche genre Malaysian screamo still manages to find a very small corner (though not as much as South America) – it’s god damn amazing stuff but because screamo is so saturated it gets overlooked. I hope so much that these bands can make it over to Europe and beyond to tour at some point.

As I put this 7“ on there is quite a big contrast with the Joan Baez record I was playing before it. Gone are the insanely beautiful vocals that Joan delivers and the nice and simple but pleasing to the ear finger picked guitar. Instead we have, well the insanely beautiful chaotic mess that is emo violence. The Monaco Heartattack here advance their sound from their demo. It’s still the same kind of stuff, fast, short and messy, but it just sounds somewhat improved. Listening to it on vinyl is perhaps one reason things are better – the instruments have a lot more force than when I listen to the demo tape or MP3s of the music. But just the overall song writing and chaos is a higher quality too. The guitars and drums combine well and the out of control screamed vocals sound great over the top. The unclean sound is precisely how it should be, whilst the lyrics are pretty simple but straight to the point and honest.

Overall no complaints, it’s over pretty quickly (6 minutes) but that works pretty well with this sort of thing. I know the band are talking of releasing an LP, one thing I would say is that I think they need to get a bit more variance going for this to work well.



Oli Saunders | collective-zine.co.uk
Tuesday, August 25, 2009 

Current mood:  electric
Category: Music
Ox #84
Heftiges Vier-Song-Debüt der malaysischen Screamo-Hardcore-Band und zweite Veröffentlichung von Apocaplexy in schöner handgemachter Aufmachung. Viermal Stimmbänder am hohen Anschlag, dazu heftige Gitarrenbreitseiten, die in die 80er/frühen 90er gehören.

Eine D.I.Y.-Band, die man im Auge behalten sollte.



8/10 | Matilda Gould | ox-fanzine.de