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Lam Rim



Last Updated: 11/26/2009

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Status: Single
City: MADRID
Country: ES
Signup Date: 11/13/2005

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Monday, October 20, 2008 

Lam Rim.

          This Madrid trio takes its name from Tibetan Buddhism, their lyrics are in English and the style could be defined as a fusion of pop-rock, electronica, soul, jazz and Latin rhythms.

          Although the group took its initial steps some time before, it wasn't until the end of 2003 that Lam Rim really took shape.  Since then, the band has been in continual movement, performing in venues and festivals all over Spain.  Their music has featured on numerous radio programs and digital magazines, internationally as well as nationally, and has been used for television adverts.  Futhermore, their appearances in the music and expressive arts press have always been accompanied by excellent reviews.

          Lam Rim are currently presenting their first studio album, Eleven Pieces of Something. Despite the limited resources of a production and recording without the backing of a record label, it includes the contribution of sound engineer Jose Vinader, who decided to take on the project after hearing the songs and is responsible for the final mix and mastering.

[José Vinader has recorded and mixed more than a hundred movie soundtracks, among which are the acclaimed Summer Rain by Antonio Banderas, Goya's Ghosts by Milos Forman and The Other Side of the Bed by Emilio Martínez-Lázaro for which he was awarded a Goya.  He has worked as a tour sound-engineer for widely acclaimed artists.]

          In March 2008, Lam Rim successfully applied for the second edition of the prestigious Auditions competition where the jury, made up of distinguished members of the music industry in Spain, chose the finalists from among more than four hundred bands.

          In June, the final took place in the Auditorium of the Fundación Canal, Madrid, before a large public.  Although they were the favourites of the majority of the jury, they came second to the winners by just one vote.

          Their original mixture of styles and the energy transmitted by their live performance makes the music unforgettable and creates a thoroughly enjoyable experience for their public.  Lam Rim has merely begun show its face and although there are still few who have heard them, it won't be long before there are few who haven't.


 

History:

          The first demo was recorded and sent it to R.N.E. Radio 3 and songs were selected and played on programs like Discolage and Local, hosted by Xabier Moreno, Discopolis hosted by José Miguel López and Diario Pop hosted by Jesús Ordavas. Furthermore, songs from this demo were used as the theme to the program Discolage for the following months.

          Xabier Moreno encouraged Lam Rim to take part in an annual, national demo competition organized by FESTIMAD.

          Winning the competition meant Lam Rim were able to perform in FESTIMAD '98, which was broadcast on R.N.E, and at the III Festival Pop Villa de Mostoles. Also playing at FESTIMAD '98 were Dover, who consequently became interested in Lam Rim and invited them to be their support act in Valladolid in August 1998.  Lam Rim gave a good performance and astounded the large audience winning unexpected approval.

          Soon afterwards, they signed a record deal with EMI and the indie label Loli Jackson Records and participated in a compilation album.  The project,       The Power of Dolores, also included recordings by Dover among other bands.

          In May 1999 the album release show was held at the Madrid venue El Sol, where their energetic live performance and charisma received excellent feedback.  Part of this concert, along with an interview, was broadcasted on the TV program No Solo Música on the national Spanish channel Telecinco.

          Lam Rim took a temporary break in activity in 2000 when the songwriter, Joâo Mirat, moved to Boston to further his musical education at Berklee College of Music but four years later Lam Rim re-inaugurated their work integrating the new techniques rendering a more defined style and more polished sound.

Friday, February 15, 2008 

Si quieres recibir informacion de proximos conciertos de "Lam Rim", envia tu direccion de correo electronico a:

 lamrim@lamrimmusic.com 

 

Friday, February 08, 2008 

I first encountered the English-singing Madrid band last October when they sent me a friend invite on Myspace. As a matter of course I clicked on them for a listen and that was the beginning of an exciting build-up to my first experience of them live on Friday evening. During this time I've listened to the album so often I'd probably recognise miniature samples of it in a DJ session. This is a great advantage because music needs time to mature in your mind, become familiar and link itself to feelings and images. In this way, the lyrics and harmonies become part of your own experience. On the other hand, there is the danger of your musicians being a disappointment when they play the songs live and most of us can probably remember wishing we'd never seen groups lose their rapture on stage before us. But the excitement of a gig is underpinned by nervous anticipation and you can guarantee the band will have it even more than you.

You've probably worked out is that this article wouldn't have been written if Lam Rim hadn't come up with the goods on Friday so 'the Titanic syndrome' of you knowing how it's going to end has already dug its cat-like claws in. But wait just one mouse-clicking moment! The truth is that Lam Rim added an unexpected twist to the plot by putting on an even better show than I was expecting. This was a relief as I had taken two friends with me who had no idea what they were going to see and trusted my recommendation. They both enjoyed the show and, thankfully, my reputation remained intact.

The first thing you had to give Lam Rim credit for was their arrangement on the small stage of Café La Palma, particularly when you consider that Joâo, the singer, was sometimes at the keyboard and others playing the acoustic guitar. Despite this limitation, Noel - the guitarist - moved comfortably around his part of the stage, which might have been easy were he a dwarf, but I have to stand on a small box to be on his level. Whether because of height or personality, he was comfortable on stage and demonstrated his skills with an air of calm confidence.

They kicked off playing the songs from the website and album 'Eleven Pieces of Something' which many of the audience were familiar with thanks to their availability on the net. A sign of excellence has to be noted here as their live versions were faithful to the album and high in performance quality. Bands in the struggle for a successful future fall loosely into two categories: those who aren't good enough musicians to go any further and those who work incredibly hard to make their concerts the best thing you'll ever hear. Lam Rim belong to the latter because you can see in their performance how much willpower and good faith has gone into perfecting each song and presenting an entirely united group who love what they're doing.

The final half of the concert was made up of songs I'd never heard before butleft me wanting to hear them again. They proudly carried the tattoo of Joâo's composition and lyrical style and completed the set that emanated the specific identity and image of Lam Rim; sometimes varying the pace and emotion butalways keeping you firmly rooted in exactly the same landscape that the other songs had built up.

Musical tastes and expectations can vary, but Lam Rim provide a professional standard and are in no way a waste of energy, time and money to see live or listen to. Their gigs are a guaranteed good night out, one which I hope to repeat many times.

 

                                                          Orlando Robson