GW'S DJ AND RECORDING GEAR
This is all the gear used by GW to make his beats and record the boys and chikys
Also a short explanation about what each bit of kit does and why its used
listed from least favourite to the cant do with out
2x LAPTOPS
I have 2 laptops for a couple of reasons ( i don't have a desktop because laptops are portable and are just as good, there handy when you travel a lot but you have to be patient with them sometimes, back them up regularly and you should be fine, give or take a few crash's lol). Anyways i use one for performance via "ABELTON' and a shit load of plugins, and i use the other for making beats and mastering my on the road setup is just one lap top but when I'm in the studio (garage lol) i use two one for "Vst Synths" and the other for laying it down i route the synth purpose one through a compressor to make the connection.
EDIROL KEYBOARD
I us this for making my melodies via my vsts i have a couple mappings but i keep it pretty simple i like to use the mouse a lot, its quicker.

OXYGEN 8 KEYBOARD
I use this for live performance to play bass lines some drums and launch stuff its handy and fun to use its also good for production on the road, small light, usb, plenty of controls, its a good substitute for the edirol while I'm away.

BCR 2000
I like the bcr I'm not using it to its full potential but I'm getting there when i first got it i use to map out a whole "Vst synth" for every control but i found it quicker to edit synths with a mouse so what i do now is map only a few main parameters per "Vst" so now i have 5 synths all accessible of the one controller and setting its working great i got the idea from watching a video on the new virus snow its a analogue synth with a couple main parameter's but you can edit in detail with other options, i thinks its a great way to do things.


SAFFIRE LE
The saffire was a must have "Focus Right" are a good company with great hard ware and software and they gave me a good option for routing inputs and outputs. The software interface for the sound card is a little confusing at first but it makes sense after continued use, it sucks thoe when you read the instructions and you cant get sound for ages lol ( I hate reading instructions ).


BEHRINGER TRUTH B2301A MONITORS
These monitors are brilliant for the price I'm not a big fan of "Behringer" but i have 3 of there products hahahahaha. I done my research and these where the best monitors for the price and sound. I really think you don't want to have the best monitors or the cheapest you want the ones that are going to give you an honest response as all your music will eventually turn into an "MP3". The truths are cheap and have a good sound no amps needed.


DICK SMITH CHEAP HOME SPEAKERS
That brings me to these bad boys i got these cheap $100 dollar pair of dick smith speakers to reference my tracks you want to check your choons on regular speakers so you get a good idea what your stuff is going to sound like in cars and homes.

MAKIE SRM 450 SPEAKERS
I got these for private partys and testing tracks at loud levels they do there job with no drams, except form the neighbours.

AKAI MPD 24
I wish i had the money for an "MPC 5000" but i don't so i got an "MPD 24" its a controller it has no sounds or presets or nothing it just gives you the feel of using an "MPC" for a lot less price, you hook it up via software i use "ABELTONS" "DRUM RACKS" it pretty much gives me the same feel an idea of that of its big brother. You cant beat it when making "HIP HOP" or just sampling. Its almost a creativity must have like like having cafes in Melbourne or surfies in Queensland lol ( i love it). You no what's funny the "MPC 5000" and the "MPD 24" have numbers attached to the names that is close the the price difference between them ones $5000 and the other is $240 hahahahahahahahahahahaha funny shit.

M BOX 2
This was my first bit of recording gear i kind of bought this without doing much research i didn't really have an idea about what i would need in the future or how in-depth i was going to get, its pretty limited piece pretty good for vocals and instruments.

2x CDJ MK111
Im a dj at hart love mixing and love these cd players pretty versatile, easy to use and they don't skip. Plus they are an industrie standard so you have to get good at them.

EFX 1000
This is a fun bit of gear you can sample all they lon with it creating loops on the fly you can go for hours with out stopping, its a great creative tool. My favourite effects are filter echo and trans.

DJM 800
I bought this with out thinking i had an efx 1000 so really i did not need the extra effects which it boasted, plus it has broken down twice first it was the volume pot and the cue they tried to blame it on me but i googeled the problem and it was a consistant problem with the model it even happened to my friends one so I'm not happy about that pionneer. When i got it back a short time later the lcd screen stop shineing its pretty lights so now i have to mix blind i cant send it back cause it is out of warranty, thanx again pionner.

DBX 266 XL
I have a new found love for compressors they are the shiiiiiiiiiiiittttttttt i can not express that enough if your struggling with a flat digital signal run it through a compressor it is sure to phaten it up. Dbx is a great company and affordable for artists on a budget i recomend it highly. I got mine for $200 brand new from "DJ Warehouse in melbourne, i get a lot of stuff from there i don't bother with the sydney one anymore there always trying to sell you something more expeneive and from m experience never have what i want in stock but for some reason melbourne does, this is my experience they maybe allright but i just have better luck from melbourne.

BEHRINGER MDX 2400
Hahahaha another "Behringer" product, they are still pretty crap, i belive i got lucky with the three items i have purchsed from them i got this compressor for $100 and it works great the reson why it works great is because they copied the design from another compettitor ( i don't want to say, i might get in trouble). Anyways this works great so keep an eye out at garage sales and markets you will never know what little surprises youl find.
KORG KAOSSILATOR
My little toy i use this to conjur up ideas for tracks it is portable runs on batteries connects via RCA or plug headd phones in it, you have 100 preset sounds, 50 arpegiation, 31scales, a kaos pad, 8 bars of looping and you can sync the bpms. I havnt takin it to gigs but cant wait to get comfortable with it to take it. Its a fun littel toy to play with if your sick of putting all your money into poker machines.

SOFTWARE
Software is pretty important you really have to know what your after cause you can spen a lot of money and waste a lot of time if your not clear.
I suggest trialing a few "DAWS" (digital audio work stations) and sticking with the one you feel most comfortable with. Theres a lot of talk about which one is better and for what ever style of music you make but i think its up to the user, technology is at a high level and all "DAWS" have positives and negatives. All in all there pretty close in quality and are forever updating and improveing so i think stick with what feels best aslong as you achieve what your after and find ways to deal with problems don't give up on your program. Me personaly i like to use certain things from certain programs which i will explain below.
REASON
Reason is cool in the way where it is fully virtual, the designers have layed the program out like physical componets you would find in a real studio so you can get a real idea how a studio is constructed and routed, you can hit tab and flip the front panels of your "DAW" over to see what the physical instuments look like and route them with virtual cabels just like you would in a studio ( via a patch bay). I only use reason for the "REDRUM" drum machine the "SUBTRACTOR" synth and "MALSTROM" synth i route them via rewire or physical compressore to another program. The big dissapointment with "REASON" is you cant use "VST'S" and a lot of other plugins with "REASON" untill that changes i wont use reason as my main program. The program has plenty of good quality plugins and effects i just prefur choice.

CUBASE
I learnt cubase a while ago but did not like it at first cause i felt it had a lot of useless feature's and i found it hard to move around the program but upon useing it a lot more with other producers who favour this "DAW" i realise it is great for mastering the quality of plugins and eq's are excelent and the allgorythms are very tight. So i mainly use it for mastering purposes, it sits on one laptop and recives all the signals from my other laptop and instruments and bounces down my creations.

PROTOOLS
"Pro Tools" is a good program for recording live artists this was my first software purchase i got it with my "M BOX" and you need a digidesin piece of hadware connected to be able to use it i think it is a great "DAW" for mastering aswell as tracking heaps of instruments. I didn't use it much as you could not time stretch in the early edititions but now you can. I should use it more but i you have to be connected to the hardware to use it so it makes it hard to master on the go. "PRO TOOLS" is great for home studio and is an industrie standard like "LOGIC" you will usually find these two programs in every studio, "LOGIC" is more more dance and electronic music and "PRO TOOLS" is more for live music, tracking and film.

ABELTON
This program is my bread and butter i use is it a shit load it is easy to use with loads of flexibillity and it is the only program which has session view which means you can audition heaps of ideas on the fly.Everything you do in this program is time synced so it adjusts in realtime which is great for getting your ideas out real fast so you don't loose your vibe or ideas your going for. The key features which i like are the sample editor , synths and envelope controls. This is my prefered "DAW" for building tracks and performing live but i am not mastering in it any more i find my tracks tend to sound a bit hollow so I'm mastering in "CUBASE". All my ideas are produced with this program and i recomend it to anyone.


PLUGINS
I have a shit load of plugins this is a tricky subject because some high priced plugins are crap and you can find some really good FREE ones so i feel there is no right or wrong choice, basically what ever works best for you. Here are some of my opinions thoe.
Try not to have to many to navigate through as you will get lost and make it hard and long to finish projects
Trial as many as you can and listen to the quality of sound which comes out of them, theres a lot with low fidelity sounds and you can spot them when you here a lot of hissing, bit reduction type noises in the majority of there presets.
Keep the ones which are easy for you to use, if your not comfortable with vintage interfaces don't use them, you will be able to use them in time with continued use of simpler ones.
Organise your folders well eg: synths in one folder,effects in another folder, mastering suite in another and so on don't have them all in the one folder.
TRILLOGY
This is the king for bass there sounds are so tight its crazy and you can layer two bass sounds straight up all day long i love it and will probablly use it till the end of my career.

FM8
Loads of cool sounds and has easy options to edit sounds or you can go way way in depth the evelope editor is brilliant you can make long sequences from one sound, its pretty advanced but can be simple if you want it to be.

PRO 53
Vintage style with tonnes of presets great for that extra little something in your music if you don't have a heap of time. Very fun visually to use.

NEXUS
I use this for leads and pads mainly it is reall simple only a few basic controls but very powerfull i still havnt got the anoluge patchs but i here there great. i recomend this for first timers you will have a ball.

MASSIVE
The name speaks for it self. Its massive pretty tight sound very reliable, what you see is what you get vintage style work station but jazzed up.Nice synth to work with it is always suprising me.

OTHER STUFF
I have HD25 head phones they sound great and all the parts are replaceable with othe headphones soon as you brake them your stuffed so thats why i like the HD25's. I have a Rode NT1A mike, it sounds good for multiple purposes there are better ones but im more about beats the vocals, i usually go to a studio to record vocals and last but not least i have a few trustie IPOD's for listening to tracks on the go and just for a second reference when mastering.


