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Bleep Live



Last Updated: 11/19/2009

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Status: Single
City: Glasgow
State: Scotland
Country: UK
Signup Date: 6/18/2008

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Wednesday, August 06, 2008 

Current mood:  blissful
Category: Music
Bleep 06/09/08 is here and we are proud to announce the next show in our Bleep adventure.

We will be having our all new Bleep By Day @ The Courtyard with some of Glasgow's finest playing for your pleasure, This month's acts include Stephen Brown, Jason Brunton & Nasterlie.

We are happy to announce that Stefan robbers will be heading our next show Playing LIVE alongside the Monoxians and Jason Brunton (Bleep's new resident)

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  • Genre: Electronica
  • Active: '90s, 2000s
  • Instrument: Producer

Biography

Stefan Robbers is one of the most known and respected non-U.K.-based European techno producers, and (along with Speedy J) one of the only Dutch techno artists to reach a wide audience outside of Holland. Recording as Terrace, Florence, and under his own name, Robbers has been responsible for some of the most memorable moments in experimental dance music in the last few years, from the first release on the now-commanding D-Jax label (Terrace's 1990 EP 916 Beuna Avenue) to recent Terrace and Florence full-lengths released on his own Eevo Lute imprint. Although tracks have appeared through GPR and New Electronica as well, his focus since 1994 has been on Eevo Lute, likely in an effort to raise awareness about Dutch techno artists and which also prompted the establishment (by Robbers and Speedy J's Jochem Paap) of a Dutch remix network.

 Most often cited in connection with the sort of "listening techno" associated with the Warp, GPR, and New Electronica labels, Robbers' recent releases have moved increasingly toward the incorporation of du jour electronica hybrids such as trip-hop and ambient jungle, although his trademark mixture of intricate, off-kilter rhythms and sweet melodies has remained. Along with Robbers' own releases, Eevo Lute has also issued material from David Caron, Max 404, and Wladimir M., as well as two label compilations (Agenda 21 and Agenda 22). A remixed version of Terrace's 1996 Konnekt LP, entitled Re-Konnekt, was released in 1996, featuring Speedy J, Global Communication, Sean Deason, Kirk Digiorgio, Orlando Voorn, and Thomas Heckmann. ~ Sean Cooper, All Music Guide

Wednesday, August 06, 2008 

Current mood:  crazy
Category: Music
Bleep 04/10/08 is here and we are proud to announce the next show in our Bleep adventure.

We will be having our all new Bleep By Day @ The Courtyard with some of Glasgow's finest playing for your pleasure, This month's acts include Laurence Hughes, Jamie Thomson and Jason Brunton.

We are happy to announce that Orlando Voorn will be heading our next show alongside Octogen (Live) AND Jason Brunton (Bleep's new resident)

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Orlando voorn.

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As one of the first Dutch musicians to establish a vital connection between Detroit and Amsterdam, Orlando Voorn has long been recognized as one of the Netherland's most original and inventive producers in the world of electronic dance music.

Voorn began djing at the tender age of 12 and went on to win the Dutch DMC DJ Championships in 1986 with his own characteristic blend of hiphop and electro. Towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

Following a series of dancefloor tracks recorded for the now defunct Lower East Side Records under the monniker of Frequency in the early nineties (Where Is Your Evidence, Kiss The Sky…), he was introduced to Juan Atkins (Industrial Metal, Game One) and went on to work with both Derrick May and Blake Baxter (as one half of the Ghetto Brothers). Voorn was also recording as Nighttripper (Tone Exploitation), Format (Solid Session - one of the most sought after classic techno records until its re-release in 1998), Basic Bastard, The Living Room, Baruka, Fix (Flash on Kevin Saunderson's legendary KMS label), Dope Dog, Boy (Paco Di Bango's World) and Stalker (The Stalker/The Riderman)… Many of these tracks can be heard on the double cd Best of Nightvision.

Having made his mark producing his own vision of techno, ambient and hiphop and adamantly sidestepping genre limitations thus far, Voorn's announcement that his "Redeye" album would see a foray into drum'n'bass territory aroused both anticipation and curiosity. While Voorn undoubtedly has an ear for melody, this has always been combined with an innate understanding of the importance of atmosphere and tension in music. Like Squarepusher, Amon Tobin, and Photek, he uses drum'n'bass rhythms to create something beyond pure dance music.
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