You will need

1 MOPITT (Measurements of Pollution in the Troposphere)

1 Jack LaLanne Juicer

 Capture 2 pounds of Carbon Monoxide from Carson, CA, slush it up with some ascorbic acid, throw some food coloring, any color of your choice, 1 gram of prozac, half a pound of sugar, 16 ounces of hell raiser coffee and blend it to perfection.

 http://cdbaby.com/cd/hellerkin
http://www.myspace.com/hellerkin

HELLERKIN THE KORE
Produced by David Chetkin with assistance from Bill Davidow @ Virlouise
Recorded in High Definition Audio

Christian Hellriegel: Electric Guitar & Keyboards
John E Lawler: Bass
David Chetkin: Percussives, Timbales on The Forest and Production
Dave Fell: Bass on Broken and Face The Day
Deanna Shiley: Lyrics and Vocals on Broken, Face The Day and Departure
Courtney Santos: Narrative recital on Demonic Waltz
Kenny Howes: 12 Acoustic and Electric on Broken
Rym Paulikas: Sax on Irvine Cabaret
Melissa Hasin: Cello on Departure
Luther Tatum: Piano on Departure
Bill Davidow at Virlouise: Engineering and Mastering
Wado at Mambo: Original recording of Irvine Cabaret and Departure

Influences Rock, Pop Rock, Prog Rock, Jazz, Ambient,

Metallic hard edged, spoken word, Brit rock, renaissance,
cool bop saxy swing, powerhouse groove rock, prog rock with a latin twist and ambient goth pop ala The Shroud

For all music lover and supporters of no holds barred live music venues who do not engage in politics and treating bands like shit please apply for the membership to The Pharaoh's Den Cultural Space Center for a mere $5 and keep venues like these alive and active.

http://blog.myspace. com/index. cfm?fuseaction=blog.view&friendID=375173842&blogID=459864815

http://www.myspace.com/thepharaohsden

http://www.myspace.com/quadrance

http://www.myspace.com/theebaddates

http://www.youtube.com/nicainsoy

http://www.myspace.com/hellerkin

Depending on where we were in what year at what time or where you weren't,  our deserted island albums may vary.

First ask yourself, what are you going to do when your batteries die?

Did you bring a charger?

Is there AC current, are you AC or DC?

Negative battery power or Positive Polarity?

Now there is power on Bjork's island, but you aren't going to visit there so what  is the first thing you would play to leave you hummin' or bummin'? 

Music affects us in oh so many ways; it can fuck with our head, leave us cold,  leaves us chillin', leave us happy, leave us sad.

Over the years, many fade, while others still hold the edge. 

These are not my island choices, but just a shitload of memorable gems. 

The Beatles Rubber Soul and Revolver

Yardbirds Having a rave up. 

Spirit 12 Dreams of Dr. Sardonicus

Miles Davis Bitches, The Complete Cellar Door Sessions   

Doors Waiting for The Sun, Morrison Hotel 

Iggy and the Stooges Raw Power

Hendrix Electric ladyland, The Cry of love, Voodoo Soup   

Alice Cooper Love it to death, Killer, School's Out  

Pink Floyd Meddle, Atom Heart, Umma  

Genesis Foxtrot, The lamb  

Yes Fragile, Close To the edge, Relayer, Going for the one  

The Who Quadrophenia   

Zep III, Houses, Physical,   

King Crimson Starless, Red, Beat, Vroom EP, Thrak, The Power to Believe   

Zappa We're only in it for the money, Just another band from LA,

Ship arriving too late, Waka, Hot Rats, 

Peter Gabriel 3 and 4

Jethro Tull  Benefit, War Child, Songs from the wood   

UK Debut album (Holdsworth, Wetton, Bruford & Jobson) 

Missing Persons Debut

Siouxsie Hyaena.. ..

..Smashing Siamese, Mellon ..

..Tony Williams Foreign Intrigue ..

..Trio of Doom McLaughlin, Jaco Pastorius, Tony Williams ..

..Bruford's Earthworks Debut ..(if you like jazz even the slightest bit, this album has become a point of reference for changing things around) 

..Currently listening to a Pink Floyd Bootleg from Birmingham February 11, 1970..

The Flying Burrito Brothers open the show with a surprisingly lackluster set, and are followed by an impassioned one-hour show by Albert King. The Doors follow with a leisurely paced two hour concert, which alternates between accelerated and slow tempo songs. They open with a superb version of Roadhouse Blues, with Robby brilliantly punctuating Jim Morrison's lyrics. Ship of Fools introduces part of an instrumental jam which will later become a regular part of the People Get Ready jam.

Two previous nights of intense singing at the Winterland Arena have left Jim's voice hoarse and on the verge of cracking. Songs which require full vocal stamina, such as Break On Through suffer as a result. But Morrison is in good spirits, stretching out where he can, yet cautiously restraining himself on strenuous passages, such as the "Jesus, save us!" portion of When The Music's Over. Light My Fire is extended into a long medley, incorporating other songs. The band is so pleased Morrison breaks out his harmonica, inserting a brief solo before the final stanza. Every time the chorus comes around to "I guess I'll have to go now", the audience replies with a resounding "NO!" and following the concluding verses of "I'd really like to stay here all night", the audience answers with a roar, "YEAH!"

When the crowd is leaving the auditorium, Jim Morrison unexpectedly reappears onstage under the blinding houselights and, grabbing his gold microphone, he asks the crowd, "Hey, listen! Does anyone have to go home early tonight?" This elicits a thunderous "NO!" as the crowd stops at the exits. Jim continues with "You'd like to listen to some more, right?" which provokes a deafening "Yes!" as the crowd heads back into the arena. In response to the audience's enthusiasm, the Doors launch into a passioned version of Love Me Two Times, followed by Maggie McGill. Morrison then lightheartedly asks for a vote on either Crystal Ship or Touch Me, and Crystal Ship garners the loudest applause. At the conclusion of Crystal Ship, the band surprises the audience by launching immediately into Touch Me. Then, after a brief interval on a darkened stage, the opening notes to The End echo through the arena, and the Doors conclude the night with a full rendition of the song. This is one of the longest performances the Doors ever play, with the encore itself nearly comprising an entire show. The band finally leaves the stage well after 1:00 in the morning.

http://www.waiting-forthe-sun.net/