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DJ Needles aka Nodzilla



Last Updated: 11/24/2009

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Status: Single
City: St. Louis, Missouri by way of E. St. Louis
State: Illinois
Country: US
Signup Date: 11/29/2005

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Wednesday, October 08, 2008 

Category: Music

so overall, I thought the 2008 VH1 Hip Hop Honors was cool. I think they completely screwed up De La's tribute by havin Chuck in there with Mos. He butchered Stakes Is High! I love Chuck but he don't need to be sayin nobody else's rhymes but his.
Despite Chuck, I think the best tributes were De La, Cypress Hill & Isaac Hayes. Inside De La's tribute, Prince Paul was dope as the beatkeeper while Estelle and an excellent Q Tip covered "Saturday". Mos Def did late-great producer Jay Dee's memory an awesome service by comin out shoutin "DILLA, DILLA, DILLA, DILLA!!!" before tearin thru his wonderful recitation of "Stakes Is High". EPMD started strong with their cover of "Ego Trippin", but unfortunately got tripped up toward the middle and the end. Cypress Hill was treated to a tribute almost as good as Big Daddy Kane's a few years ago. Fat Joe definitely did justice to "Phunky Feel One" while Mack 10 & Gym Class Heroes delivered the goods covering "Insane In The Brain" as Mack 10 naturally played Sen Dog to Travis' superb B-Real. The Isaac Hayes tribute was one of the highlights of the show. From Mos Def's intro to Cee Lo's cover of "Look Of Love" to Chuck D's redeeming performance of "Black Steel In The Hour Of Chaos". Slick Rick's tribute was saved by Busta Rhymes' outfit and performance of "The Show" and Eve's effortless, nearly flawless cover of "Mona Lisa"! Fab & Dane were stumbling over each other on "Hey Young World" and Rick's performance was just ok. I thought Naughty themselves did a dope show but Too Short REALLY let me down. How in the world do you have DOPE joints in your catalog like "Short But Funky", "In The Trunk", "I'm A Player" AND "Buy You Some"(I mean, Erick Sermon WAS there! Yall coulda wrecked it!), and you opt to do bullsh!t like "Gettin It" and *sigh* "Money In The Ghetto"????????
Lastly, I really think Lupe set off an unfortunate and embarassing trend last year by blanking out on "Electric Relaxation" cause now it seems more and more likely these people will mess up lines rather than remember them.

Wednesday, March 05, 2008 

Current mood:  excited

My friends,

It is a good day in the midwest. I say it is a good day in the midwest because the city's own soulchild Black Spade has finally debuted to the world! Tuesday March 4, 2008 should go down as the day St. Louis got back much of its soul identity. Dating back to Scott Joplin, Chuck Berry, Miles Davis and Tina Turner, the bi state area has been home to many soulful pioneers in music and art, however, the last 10 years or so haven't showcased individuals on a national level willing to carry that torch of foward-thinking, mind-building, flat out GOOD MUSIC...until now. With the release of Black Spade's "To Serve With Love", the rest of the world will at long last know what those of us in St. Louis have known for years. Artists such as Black Spade, Coultrain, Rockwell Knuckles, Gotta Be Karim, Coco Soul, Tef Poe, Ill Spitta, Jada Avenue, Nato Caliph, Altered St8s Of Consciousness, TeresaJenee, Ruckus Crew, Vandalyzm, Lamar Harris, Dirty Lynt, Wild Mann, Track Vandals, Nite Owl, Steve West and so many others are filled with natural talent and deserve a chance to show the planet that true singers, emcees and musicians do exist in the midwest outside Chicago.

People we GOTTA support our man Black Spade! If you're content with the absolute garbage constantly churned out of damn near every studio in this town, then by all means, continue to support crap. However, if you want to get behind something good for a change, please go to Vintage Vinyl or itunes and BUY BLACK SPADE'S ALBUM! NO BOOTLEGGING! NO BURNING COPIES FOR FRIENDS! TELL THEM TO STOP BEIN CHEAP AND SUPPORT BLACK SPADE AND GOOD MUSIC IN GENERAL! 

OK, so I think that's all for today kids. Just know I wouldn't tell you to buy some old bullsh!t. It really is a dope record and you need this in your life, trust me.

4EVER4WARD>>>

James as DJ Needles

Monday, September 24, 2007 

Current mood:  determined
Category: Parties and Nightlife

peace.

Ive been overwhelmed by the feedback and support Ive received following my
announcement to end my weekly Thursday event @ 609/The U Lounge. I thank
everyone who has ever set foot in the place on Thursday to
hear me deejay. It's an honor and completely my pleasure to play records
for people who search for somethin more than what's thrown at them
from commercial radio like scraps to pigs. It's those pigs, though, who
crave the scraps that have a tendency to defacate, if you will, all over the
particular vibe deejays such as Reminise, Enoch, Willpower, Chan, Stan,
Sinamin, Crucial and myself try to create.

We know there's a crowd in St. Louis that thinks for themselves and seek spots
that feature deejays who play real music. The radio and various clubs
around the city more than cater to the demographic who seem all to
eager of playing into tired stereotypes. I, myself want more for my people.
That's the reason I started JAZZYPHATNAPPY back in 2002 at
Churchill's(now Posh). I saw the void in weekly events and there was nothing
highlighting progressive music from Soul & Real Hip Hop artists for Soul
& Real Hip Hop heads.

Fast foward to 2007, the crowd has changed a bit to say the least. With the
success of the weekly event, there came many people who attended because it
was apparently the new "hot" spot but couldn't even tell you who the
deejay was. That's not my ego talking, however to insure enjoyment at such
a specific event, you should know who the deejay is and what he/she is all about.
Overrun by knuckle and chicken-heads alike, the joint lost a lot of its
core supporters and in turn developed a stigma that kept potential good-vibe seekers away.
 That's much of the reason why I felt I should end it now.
YOU REAL PEOPLE LET THE LAMES TAKE OVER AND STOPPED COMIN!!! ;)
 but I digress.....

I thank the people who stayed with the event through everything and I hope you
know this isnt some sort of ending to events like JAZZYPHATNAPPY.
I realize exclusivity is key to keeping the vibe true and
enjoyable to those who genuinely want a non-radio/club experience.
This is why I began my email list. If you arent on that list, I suggest you send
your email address to my messages so you don't miss out on
upcoming joints ya dig???

And don't worry folks, with brothers like FreeTime, SYGU, Hustler of Culture
and others, events in St Louis can't ALL suck.

defeat the WACK. support the REAL.

your humble deejay...DJ Needles

 

Wednesday, September 05, 2007 

Category: Quiz/Survey
See how many of these you can get right.  

The answers are at the bottom ... no cheating!!

Back in the day maybe you bopped with the best of them, did the bump
until your butt was sore, or shimmied down a dance line every chance
you got. Or perhaps you were a young-un who liked watching the
grownups cut-up whenever certain songs came on the radio. Well, here's
your chance to test your early R&B knowledge.

 1. "Tell Me Something Good," Rufus' 1974 hit, was written by:
 A. Smokey Robinson
 B. Chaka Khan
 C. Junior Walker
 D. Stevie Wonder

 2. Long before he declared his desire for "Sexual Healing," sensual
     crooner Marvin Gaye was one half a duet with this Motown hottie:
 A. Mary Wells
 B. Tammy Terrell
 C. Diana Ross
 D. Martha Reeves

 3. What middle-age rebel delighted the Soul Train Gang back in the
      '70s wearing hot pants and knee-high boots?
 A. Rufus Thomas
 B. George Clinton
 C. Al Green
 D. Sugie Otis

 4. Philadelphia International, second only to Motown as the most
     successful black-owned record label, was founded by:
 A. Harold Melvin and Teddy Pendergrass
 B. Gene McFadden and John Whitehead
 C. Kenny Gamble and Leon Huff
 D. Lamont Dozier and Brian Holland

 5. Now he's a high-profile Scientologist, but back in the day Isaac
     Hayes' aka was:
 A. Soul Brother No. 1
 B. Jesus Christ Superstar
 C. The Minister of Soul
 D. Black Moses

 6. This innovative funkster and Hamilton, Ohio native gave the group
     Zapp it's distinctive sound:
 A. Sugerfoot
 B. Roger Troutman
 C. Rick James
 D. Billy Preston

 7. Luther Vandross' velvety vocals on songs like "The Glow of Love"
     and "Searching" helped to propel this group to the top of the dance
     charts in 1980.
 A. Change
 B. Yaz
 C. Technotronic
 D. Mantronix

 8. Which telephone-themed song was a hit for Memphis musical family,
      the Sylvers?
 A. "Mr. Telephone Man"
 B. "Hot Line"
 C. "Call Me"
 D. "634-5789"

 9. Freda Payne's 1970 hit single, "Bring the Boys Home" was:
 A. a musical plea to her babies' daddy.
 B. the theme song for San Francisco's first gay pride parade.
 C. the singer's Vietnam War protest song.
 D. featured in the Broadway musical Hair.

10. What '70s girl group did Barry White produce that included his
      second wife, Glodean?
 A. The Weather Girls
 B. Two Tons of Fun
 C. The Jones Girls
 D. Love Unlimited

11. As the second female member of the mighty Earth Wind and Fire, her
      high pitched vocals rivaled Philip Bailey's at the end of "Keep Your
      Head to the Sky."
 A. Sherry Payne
 B. Denice Williams
 C. Jessica Cleaves
 D. Minnie Ripperton

12. A finger-popping tune from this beloved Canton, Ohio group became
      the theme song for Donald Trump's reality series, The Apprentice.
 A. Slave
 B. The O'Jays
 C. The Ohio Players
 D. The Isley Brothers

13. The municipality that Parliament refers to in their 1975 song,
      "Chocolate City" is:
 A. Washington, D.C.
 B. Harlem, U.S.A.
 C. Detroit
 D. Watts

14. What outrageous rock and roll great makes a cameo on a GEICO car
      insurance commercial?
 A. Ike Turner
 B. Chuck Berry
 C. Little Richard
 D. Wilson Pickett

15. As young men, music greats Curtis Mayfield and Jerry Butler sang with:
 A. The Delfonics
 B. The Spinners
 C. The Impressions
 D. The Main Ingredient

16. Which long-playing Donna Summer tune was controversial for the
       erotic moans she emits?
 A. "MacArthur Park"
 B. "Hot Stuff"
 C. "Spring Affair"
 D. "Love to Love You Baby"

17. This Dayton, Ohio funk quintet hit the big time with "Riding High"
      before fading into obscurity.
 A. Faze-O
 B. Heatwave
 C. G.Q.
 D. Mandrill

18. Before the Electric Slide, party people from way back in the day
      used to cut the rug by doing:
 A. the Madison
 B. the Fence Walk
 C. the Cha-Cha
 D. the Bump

19. In the title of this 1972 ditty, Roberta Flack and Donny Hathaway ask:
 A. "Where Did Our Love Go?"
 B. "When Can I See You Again?"
 C. "Where Is the Love?"
 D. "How Could I Let You Get Away?"

20. Legendary gospel group The Staple Singers' first big R&B hit was:
 A. "Come Go With Me."
 B. "Respect Yourself."
 C. "Let's Do It Again."
 D. "I'll Take You There."




ANSWERS:
01. D
02. B
03. A
04. C
05. D
06. B
07. A
08. B
09. C
10. D
11. C
12. B
13. A
14. C
15. C
16. D
17. A
18. A
19. C
20. D

SCORE

17 - 20 correct
Go on with your bad self! You must have been the life of the party
back in the day.

13 - 16 correct
Not bad. You're still a soul sistah or brotha!

9 - 13 correct
Uhhh, where were you back in the day? (Those born after 1979 get a pass.)

11 or less correct
In the words of seventies super group The Spinners, "It's a Shame."
Wednesday, September 27, 2006 

Current mood:  nostalgic

HIP-HOP FROM THE TOP

Underground rap comes up from The Basement, DJ Needles' program on The Beat (100.3 FM)

By April Park 

Article Published Sep 8, 1999

 

It's jarring in its mere presence: You're rewinding a tape in your car on the way out on a Saturday night, and the auto-seek lands on something that sounds like the latest underground hip hop 12-inch ... Mos Def and Talib Kweli's voices are ringing in your speakers ... Is this a college station? Could it be that someone is playing anything besides those same tired tracks that have been in the commercial loop for the past four weeks? You check the frequency: It's 100.3 FM, The Beat. A commercial station? After a few more old-school and underground joints, a voice comes on to let you know that you've been listening to The Basement, a program dedicated to classic and underground (read: nonmainstream) hip-hop, with rude-boy selector DJ Needles at the wheels. On the commercial hip-hop station? On a Saturday night?

"Hip-hop has a rich history," says Needles (known to his mom as James Gates), who's been spinning from 7-10 p.m. Saturdays on The Beat for the past few months. "You don't have to be afraid to try to go back and learn about the culture. (Old-school hip-hop) is a common denominator between the underground heads and the older listeners who listen to Puffy or Juvenile. That was kind of my ploy — to bring in some of those listeners with my old-school selection and expose them to the underground along with that."

The idea of a commercial-radio DJ spinning his personal tastes on a Saturday night might seem to be a thing of the past on a landscape dominated by consultants and playlists. But, says Needles, during his three-hour slot, "I have to have total say in what I can play." He's taking advantage of the slot by spinning adventuresome and classic hip-hop cuts for an audience used to hearing one commercial style. His goal, says Needles, is "to expose (independent and classic hip-hop) artists to the younger kids that are coming up. I want them to see that there are other aspects of rap and hip-hop besides just what's being promoted." That means a variety of tracks with substance, not just what the rap industry is feeding to the playlists. This is a revolutionary feat in itself, because commercial radio does not allow much leeway in the deejay's selection.

Why did the Beat take a chance on this flip side of hip-hop? Program director Daysha Parker says she thought a fresh face with a different sound would bring more attention to the new station, as well as tap the core of underground hip-hop heads in St. Louis who weren't getting the attention they deserved from commercial radio. Needles stopped her in the Loop one day, she says, having heard about her new station, and gave her a mix tape. She liked his style, which landed him a spot on Saturday night.

"I'm not expecting a drastic change to happen quickly," says Needles, then adds that he is making some converts: "I hear callers appreciating what I'm doing who aren't that hip to the underground." His addiction to original quality hip-hop on vinyl allows the listener to peek at what's going on underground, to hear things from another perspective. Classics that make older heads and connoisseurs say, "Oh, shit!" out of pleasant, nostalgic surprise and unheard-of 12-inchers that open ears and minds grace the airwaves during his allotted three hours. Using a minimal amount of scratching, he matches track on top of track, anywhere from Rasco to Marley Marl to Reflection Eternal to Dana Dane. Radio veteran Stacey Static is his host; she runs down the list of artists and titles so that you can pick up that record, the one you suddenly wish you had.

The Basement is an absolutely fresh addition to the St. Louis radio landscape. Highly recommended.