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KEN WILL MORTON



Last Updated: 12/1/2009

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Status: Single
City: ATHENS
State: Georgia
Country: US
Signup Date: 9/27/2004

Blog Archive
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Thursday, January 29, 2009 

Category: Music

Ken Will Morton is available for house parties,

weddings, and other private events!!!



You supply:

At least 30 music loving friends
Your living room, deck, or backyard
The food and beverages, maybe even a pot-luck
And a tip jar or small cover charge.



I'll supply:

Small PA
2 hours of music
Postcard invitations
CDs and T-shirts for sale


E-mail michelle@michelleroche.com for more information or inquiry.

Thanks!
Tuesday, May 20, 2008 

Current mood:  inspired
Category: Music


http://www.youtube.com/watch?v=jYrHkpQCwxM

Check out "Don't Feel Bad For Cryin'" by Ken Will Morton.

Saturday, April 19, 2008 

Current mood:  aroused
Thursday, May 03, 2007 

Category: Music
Hey I was nominated for Flagpole Music Awards for best solo performer...take a second, and vote for me.....thanks everyone!

http://flagpole.com/Awards
Tuesday, April 03, 2007 

Category: Music
2 new records in the can..one , over the top rock, the second organic acoustic done on 2" analog tape..also have new band debuting next month..
Thursday, November 30, 2006 

Current mood:  naughty
Monday, November 27, 2006 
After stints with rock outfits Wonderlust and Indicators, It's no surprise that this Athens, GA. tunesmith maintains a rough edge both lyrically and sonically.  Working somewhere in the neighborhood of latter-day Paul Westerberg or Steve Forget, Morton offers up hard-won wisdom and keeps the energy up on tracks like the wonderfully sludgy "Unbreakable Heart" and the rollicking "Hard Weathered Life."  Amid the raucous of guitars and percussion is a songwriter with the skill to make you dance while he hits you with lyrical arrows like "No final wish for a longe life / One twice as long but only half as nice."  A word of advice: If your local NPR affiliate isn't playing the infectious "Breaking Ties," start pestering them now. -BC
Monday, November 27, 2006 

September 22, 2006

Not since I first heard Bob Dylan in the mid-1960s has a songwriter captured my attention with his poetic lyrics, songwriting prowess, and distinctive voice as Ken Will Norton did at his European Street show last Thursday. And that's not hyperbole-it's how I reacted to his performance. Ken's world weary persona and gritty voice get down into one's soul with the noble passion of truth on the grass roots level.

Recently, Ken was touring with a band called Ken Will Morton and the Wholly Ghosts. He said on stage that the bass player missed his girlfriend and left. The drummer, who lived with his grandma, couldn't handle the rigors of the road and went back home to granny. Yes, Ken found out what band leaders have known since bands started touring-the reality of the road chews up many musicians and spits them out. Only one in a hundred players can take the drudgery, conflicts, and loneliness of continual touring.

So now Ken is out on the road as a solo act, playing the folk room circuit, promoting his second album, King of Coming Around. Ken plays acoustic guitar and harmonica with advanced chops. More significantly, Ken's songs and voice sear into the listeners consciousness leaving a lasting impression.

Gifted singer/songwriters are very rare in today's world. There are so many wannabes trying to make it with mediocre material, it's easy for notable songwriters to get lost in the shuffle. Like the famous quote, "I can't explain pornography but I know it when I see it," I know a great songwriter when I witness one perform. This may seem like an arrogant statement. But I'm never wrong about this-it's too important. When I first heard Bob Dylan early in his career, I knew he was going to be huge. The funny thing was, at the time, in my youthful naivete, I thought Dylan was some obscure artist that I and a few other people knew about. But the truth was, he was already big-- headed for huge.

Ken said he sent some songs to the yahoos in Nashville, who are inundated with demos and very cynical. He was humiliated and disappointed by their comments. At Ken's gig, I consoled him by saying, "they probably didn't even listen to your songs. Besides they're full of crap. Don't get discouraged. It's a matter of connecting with the right people who believe in you."

Ken presented an hour and a half of his original material and talked with the audience in between songs. His laid-back manner, slight Southern drawl, and Georgian charm (he comes from Athens, Georgia) are comforting, like a shot of Jack Daniels-smooth with a kick. His songs tell stories of events and people he meets on his travels. Adelayda is about a 91 year old woman he met on the beach. They chatted and she told him of all the history she has lived through, and how it influenced her life.

On Ken's King of Coming Around album his song The Devil in Me, which was recorded with a full band, is a hit waiting to happen. When Ken played it acoustically at European Street, it exuded a different vibe, but it's still a hook infested hit-maker. In fact, my definition of a memorable composition is a song that can be put into any context and still come off as a notable hit. Personally, I prefer seeing singer/songwriters as a solo acts. It's a true test of a their material hit potential. There is no place to hide, it's just the artist and his guitar and in Ken's case, a harmonica.

Indeed, Ken has built up a loyal core fan group who are spreading the word about him. Some of Ken's fans drove down from Asheville, Georgia to see him perform at the European Street. Gradually, Ken will pick up momentum and make the right contacts. I'm not easily impressed, but Ken's music and persona hit me deep in the gut. Its well worth considering for anyone who likes an exceptional singer/songwriter who has something worthwhile to say. This cat has got the goods to deliver. Check out his music on www.kenwillmorton.com which has a link to his MySpace site with samples of his music. Next Thursday, Sept. 28, Hacking Cat Productions is presenting Malcomb Holcombe at the European Street. This guy is also the real deal. Show starts at 8:30 pm.

Monday, November 27, 2006 

May 2006

Ken Will Morton
King of Coming Around

Ken Will Morton's résumé includes the pop crunch of Wonderlust and the roots-punk verve of the Indicators, but it was his roots-blues 2004 debut solo album, In Rock 'n' Roll's Hands, that had critical tongues wagging and musical palm readers predicting bigger things for the singer-songwriter. For his sophomore album, King of Coming Around, Morton delivers on his debut's potential by simply painting his proven material in progressively deeper shades of his influences and experiences. With a gritty, Dylanesque rasp and a passionate understanding of the common threads of roots-rock, blues and country, Morton triangulates a position between the Bottlerockets' full bore Americana ("Vainglorious"), Steve Earle's edgy country ("Fit to Be Tied") and the Drive-By Truckers' similarly toned and tuned neo-Southern rock ("Make Believe Love"). Like a translator enamored of all of the nuanced languages he's learned, Ken Will Morton taps into the very essence of the genres he knows and loves.

By Brian Baker

Monday, November 27, 2006 

Georgia Music Magazine

Winter 2006

By Holly Gleason

 

Ken Will Morton has a voice like an old raincoat worn over a baggy pair of pants with a taped-up pair of old boots. Broken-in to the point of almost decay, nothing feels so good, so broke-in, so much an article of one's life – and it's in the depth of willing to be what he is, settle in and honor the life experience that's left him dented and a little crippled that the golden hope of getting through it shines through.

 

With chiming acoustic guitars surging through a pretty classic Americana garage band set-up and throaty harmonica darting through the waves of pastoral crunch, King of Coming Around is the bitter(sweet) harvest of a progressive rock/punk songwriter crawling from the wreckage with enough grace to make Tom Waits and Paul Westerberg proud.

 

With the loping "Fit to Be Tied" opening the set with its good-natured jettisoning expectations in the name of one's own true inner compass, Morton succumbs to love's draws, lust's tug, friends' foibles, demons that drag you down, telling the truth even when it stings, only to close the circle with the surviving into thriving title track that's offered up with a twinging rasp and the smile stoicism of one who's seen the worst and has no concern about the bottom.

 

In today's world, hope grounded in how it is rather than honest portraits, rather than polaroids of unicorns, and emotions that're cracked and patched together can offer more thrills – especially when delivered with serious downstrokes on the acoustic, sweeping melodies and chorus hooks that capture – than your garden variety pop record. Evoking the best of Nick Lowe, Morton's King of Coming Around delivers with a bruised and battered heart on his sleeve.