Gender: Male
Status: Divorced
Age: 52
Sign: Sagittarius
City: Billings
State: Montana
Country: US
Signup Date: 9/28/2004
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Friday, December 12, 2008
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Category: Writing and Poetry
I'm happy to announce the launch of a brand new online magazine. Stone's Throw is based in Bilings, Montana but it features writers and artists from all over the world. We'll be publishing this zine quarterly, and we welcome submissions. Check out the site for submission guidelines, and make sure you read the fine stories and poems that came our way this time around.
www. stonesthrowmagazine. com
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Monday, October 06, 2008
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This is the last call for submissions to Stone's Throw, a new quarterly literary magazine. We will be posting out first issue on October 15th. We're looking for fiction, poetry, photography, and especially short slice of life pieces from other countries for our 'Scenes from Daily Life' feature. There is no payment, and multiple submissions are welcome. Fiction should be less than 5000 words. Submit to stonesthrowmagazine@gmail.com, and check out the site at stonesthrowmagazine.com.
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Saturday, May 24, 2008
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Category: Writing and Poetry
The deadline for The Smoking Poet's First Annual Short Story contest is approaching fast. We will be accepting submissions until May 31, one week from today. There will be cash prizes for the top three stories, plus the usual exposure this webzine offers, averaging 7000 hits per month. Visit the site for submission guidelines at http://thesmokingpoet.tripod.com
Good luck to those who enter!
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Wednesday, January 30, 2008
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When we were very small children, before we were in school, my mother took my sister Collette and I up to the school where our dad taught, which was just a block from our house.. She pointed to a line in the sidewalk and told us how, under no circumstances, were we to go over that line. So during recess, Collette and I would walk down to the school and stand with our toes right up to that line watching the older kids play. Occasionally, we jumped across the line in an act of momentary rebellion, but for the most part, we stood right there, not crossing the boundary. And for Collette, it was the beginning of a life lived with her toes right up to the lines of convention.
Collette was tall as a teenager. She was taller than I was for several years, which made introductions embarrassing since people just assumed she was older. And although her height was sometimes a source of discomfort. Collette didn't let it stop her from following her own fashion sense. She wore clothes of her own design, which she made herself. It didn't keep her from developing an outgoing personality either.
When Collette was ten and I was twelve, we moved from a ranch to the big city of Billings, Montana. We went from being two of thirteen kids in a one-room school to a huge grade school. The move left a mark on Collette, and she remembered the felling of being new and afraid to meet people so thoroughly that from that point forward, she made more of a effort than anyone I know to reach out a hand to people who had just moved to our town, or were new to our school. The girls she met in the next few years, almost all of whom fit into this pattern, still rank among her closest friends.
Collette shows a compassionate heart for the underdog, the unnoticed, the quiet loners. She shows a warmth toward these people that is admirable. And she puts her creative mind to use in letting the people close to her know what they mean to her. She is the most imaginative mother I know. Her three boys will someday realize how lucky they are to have every conceivable costume at their disposal. They will someday realize how lucky they are to have eaten some of the best food ever prepared in the kitchen of someone who is not a professional chef. They will someday realize how lucky they were to have been read to every night, and paid attention to with such selfless assurances every day. They will someday realize how much they were loved. And I hope Collette realizes now how much she is loved.
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Monday, January 07, 2008
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Seeing as how it's a new year and all, and seeing as how that's always a time for reflection, and starting anew. Seeing as how part of starting anew seems to be about telling people stuff you probably don't want to carry around with you for the rest of your life....well, seeing as how all that is considered to be fairly important, and vital to our sense of peace in this world, I have something I need to get off my chest.
Just once...well no, actually, it was several times. This year, due to a rash that I couldn't seem to get rid of, a rash that I apparently got from some kind of fungus in my hot tub, or so the doctor speculated....I used steroids. I wanted to admit it before the tests came back. I wanted to make sure I don't fall into the trap that so many of these other guys are of trying to hide behind their lawyers, or saying they didn't know what it was they were taking. I did it. I used steroids. And they worked. They made the rash go away. Now does that justify my using them? That is where the real ethical question comes into play here. Did it make me a better writer? Did I type faster, or was I able to stay up and write late into the night because of these steroids? How can we ever know? Should any rewards I get in the upcoming year be afixed with an asterisk? Should I perhaps even be disqualified from consideration for the Pulitzer this year?
I contend that the most vital part of writing, the work of exploring yourself, and observing those around you for the foibles that you either do or don't understand, and trying to recreate these fantastic human qualities, cannot be enhanced by artificial means. Perhaps my performance was enhanced, but only in areas that have nothing to do with my brain. Or did I really want to get an edge? Was that why I agreed to take them? I had a choice, after all. I knew they could perhaps give me an edge, an edge that other writers don't enjoy. I knew it and I took them anyway. Perhaps it really was greed, and a desire to push myself just a bit further, without actually having to do the work. I can't possibly know this. But it's clear from what's happening in the rest of the world that admitting to this stuff is just not fashionable. So I'd like to at least be recognized for taking this difficult step. That ought to be worth something, shouldn't it? I just don't think I could live with myself if was standing on that stage, giving my acceptance speech, feeling that unnatural strength in my forearm that wasn't there a year ago, knowing where it came from, and wondering, wondering, wondering whether it contributed to the recognition I received. It's a matter of freedom in the end. Freedom from guilt. And I do feel better. Whether the rest of the world will forgive me is now immaterial. I have laid down my burden.
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Thursday, November 15, 2007
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A friend of mine recently sang the Banana Fana song to me, something I haven't heard in years. It brought back memories of singing that thing for hours with my friends, trying every name we could think of and then laughing our asses off as we warbled 'Jesse Jesse Jo Jesse, banana fana mo messy, fe fi fo fessy, Jesse.' It also made me think of my dad. Not because Dad was a Banana Fana freak. I don't remember Dad ever singing Banana Fana, in fact, or any other silly song except perhaps Mairsy Dotes. No, the reason it made me think of my dad is because my dad's name is Chuck. And of course, as everyone knows, Chuck is the one name that is verboten when you sing the Banana Fana song. At least in front of your parents. But once they're out of the room, forgetaboutit. The opportunity to say fuck and have it be semi-legitimate probably inspired more renditions of the Chuck version of Banana Fana than any song in the history of children. I can even remember trying to get away with singing that goofy song in front of adults just to see if they were aware of this subtlety. The glares made it apparent. No, there was no sneaking 'fuck' by my parents, in any form. I remember watching one of those cheesy variety shows around the time Banana Fana was really popular, probably the Andy Williams Show. And they had a segment with a bunch of young dancers prancing around and posing, singing the Banana Fana song. And we sat staring at the TV, our attention rapt, wondering whether they would be so bold as to do Chuck. They didn't, of course. But I wonder now whether there was any discussion about it in the production meetings. Do you think they pondered the possibility of trying to sneak that one by the censors? It was the sixties, after all. Those rebellious years. Maybe the idea of getting that first 'fuck' out on the airwaves did come up. I'd like to think so. Because if there's one thing that never changes, either as we get older or as the culture evolves, it's that juvenile satisfaction we get from sneaking a good swear word past those damn authority figures. Fuckers.
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Monday, October 29, 2007
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Category: Sports
We reached a new low in the world of televised sports last night. In the late innings of one of the more exciting world series games we've seen in a while, Joe Buck announced breaking news. Was it another terrorist attack? An assassination? Did we finally catch bin Laden? No....no, it was much more important than any of those trivial matters. Fox decided it was appropriate and necessary, in the midst of the World Series, to pander to the biggest ego in baseball and announce that Alex Rodriguez had decided to opt out of his contract with the Yankees. And they didn't just announce it, but they apparently insisted that Joe Buck, one of the best play-by-play announcers around, spend the next ten minutes discussing the ramifications of this enormous piece of news rather than tell us what was happening on the field.
This is why Alex Rodriguez has always played for losing teams. Because while Mike Lowell, David Ortiz, Manny Ramirez, and Jason Varitek were on the field, sacrificing a bit of personal glory to contribute to another world championship, Alex Rodriguez couldn't handle the fact that people in the United States weren't talking about him. So he apparently decided right then, rather than watching the game like the rest of us mere mortals, that it was the right time to make this crucial decision in his life, so that his agent could pass along the news to the Fox News crew, and they could interrupt this game for an important announcement.
There are sports figures who never grasp the concept that sacrificing a bit of personal glory for the sake of the team will bring even more personal glory in the long run. Michael Jordan understood this. Derek Jeter understands it. Mike Lowell understands. And they also understand that giving up that kind of personal attention motivates their teammates to want to play better, too. For each other. The likes of Alex Rodriguez, Kobe Bryant, and Barry Bonds have never grasped this concept. And that is why they never have, and never will, lead their teams to championships. Yes, I know Kobe has been on championship teams. But everyone knows he was not the leader of those teams. Everyone also knows what happened when he took over the leadership of that team.
As I listened to Joe Buck and Tim McCarver speculate about the Red Sox making a run for A-Rod, I could barely restrain myself from calling Theo Epstein and trying to make him listen to reason. Mike Lowell led the Red Sox in RBI's this season. He was the MVP of the World Series. And this is the second time he has been on a world championship team. Alex might pile up the best stats in all of baseball, but anyone who can take the spirit out of a team that includes Derek Jeter, Jorge Posada and Roger Clemens is a cancer. There is a reason that every team A-Rod has played for has improved after he left. Please, Red Sox Nation, let Alex find his big money elsewhere. We waited too long to find this championship form. It will only take him one season to spoil it. Re-sign Mike Lowell instead.
Sincerely, Red Sox Nation inhabitant number 1,309,504.
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