Status: Single
Country: UK
Signup Date: 9/4/2008
|
|
|
|
Thursday, November 26, 2009
 |
Current mood:  calm
Category: Dreams and the Supernatural
Oi Oi troops! We recorded a live session in what I think we some kind of old lecture theatre/boardroom at Glasgow University for the good folks at Test Card, the finest DIY punk/hardcore show on Subcity Radio. Phil Kennedy invited us in to do a session and an interview. From the website.... Live sessions. We gots 'em. Not the ones where Radio One has Insane Clown Posse doing a Gamelan version of Slayer's Reign In Blood,
throws it on a cd next to The Blackout (we don't know either) covering
Rihanna and Pixie Lott covering David Guetta and calls it eclectic... Seriously, those last two are real.
Test Card do sessions a little differently.
Radio One gives you preened rockstars bullshitting about how the next number one has always been a huge influence of theirs. Test Card steals Rockstar from the SRC, breaks its head open and drinks its caffeinated insides... sugar-free and out of date.
On the run up to their first year anniversary, we got east-coast punks Joey Terrifying in to talk and play music... just like real bands do. Next week: Insane Clown Posse doing Reign In Blood... Gamelan style. Check out the session here - http://www.subcity.org/shows/testcard
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, November 04, 2009
 |
Current mood:  stoked
I cannot believe that we are one year old already! Ok, so we formed in August 2008 but we didn't play our first show until November 13th 2008 when we played The 13th Note with Fake Problems. Since then we have worked our collective bollocks off, recorded and released 2 EPs (ok, a demo and an EP!) and played somewhere in the region of 100 shows, including 3 trips to England in 2009. It's pretty crazy to think that we've played quite a lot on the radio too, especially considering the confrontational nature of our tunes. Hearing 'National Insecurities' on Radio 1 was odd! It's been hard work, especially considering we all have one or more full-time jobs, other musical endeavours, mini-cowpunks, blah, blah, blah. However, I think I speak for all of us when I say that this has been the most edifying musical experience of my life. We work hard, we play hard, we gig hard and we party hard. Plus, working hard avoids hard work, right? There are many, many people that have helped us along the way, most specifcally our man Ryan Gallagher, with whom who couldn't live without. He's helped us out in so many ways and is our unofficial 5th member. He is responsible for our artwork, posters, this page and much more. Please check out his blog @ www.rjgallagher.co.uk and his music @ www.myspace.com/pinkpinkpillsMuch love also to our friends GFN? Records, The Hijacks, The Emos, Black Rat Death Squad, punknews.org, Fungalpunk, Michael @ The Wrecking Pit, Vic Galloway, Barry The Kidd, Neil Quinney, Kenny @ Kage, Jamie and all the staff @ The Balcony, The Murderburgers, Billy Liar, ICH, Gong Fei, Inches From The Mainland, Torturo Nervosa, The Living Daylights, A War Against Sound, Bruce @ Firestorm, xhardoldshitmanx, Rob in Sheffield, Jacob Blank Head, Zoe and Stiv, Acid Drop, Blackjacket, Fuck Right Off, Taking Chase, Jordy and Sammy's Fatal Mistake, Big Cheese Magazine, Mild Peril fanzine, Override fanzine, Test Card @ Subcity.org, Pippa and The Cut-Ups @ The Cavern, TNS Records, Rising Strike, undergroundscene.co.uk, the Entropy regulars, all our hometown friends, friends we've made along the way, all the bands we've played with and anyone and everyone that has ever paid attention and listened to our band, put us on, given food/a place to crash/money/love. Without you, we'd be screaming at ourselves in an empty room. So, to bring our first year as a gigging band to a suitably epic end, we are heading out on our a four-date first birthday tour with our good friends THE CUT-UPS from Exeter. Words cannot describe how stoked I am on this fact. Not only are these gentlemen four of the finest human beings you are ever likely to meet, it is an added bonus for us all that they play in our the Britain's finest punk rock bands together! Their new album 'The High and Mighty' is out now on Household Name Records and I heartily recommend that ye go and get your hands on a copy. Either that or hold onto your pennies and buy one from them in person at one of the shows! Please go add them @ www.myspace.com/thecutupsfromexeter
We'll be hitting Glasgow, Aberdeen, Edinburgh and the whole thing wraps up at BOOK YER ANE FEST 3 at Club Kage in Dundee.
WEDNESDAY 25TH NOVEMBER @ THE 13TH NOTE, GLASGOW
w/ Billy Liar ( www.myspace.com/billyliarmusic)
Doors @ 9pm, £3 tax
THURSDAY 26TH NOVEMBER @ CELLAR 35, ABERDEEN
w/ Escape To Victory ( www.myspace.com/escapetovictoryuk) + Carson Wells ( www.myspace.com/carsonwells)
Doors @ 8pm, £3 tax.
FRIDAY 27TH NOVEMBER @ THE WEE RED BAR, EDINBURGH COLLEGE OF ART, EDINBURGH
w/ Billy Liar + Dick Dangerous and The Love Bastards ( www.myspace.com/thelovebastards)
Doors @ 7pm, £3 tax.
SATURDAY 28TH NOVEMBER - BOOK YER ANE FEST 3 @ CLUB KAGE, DUNDEE
w/ The Hijacks, Escape To Victory, The Emos, Grader, Versaille, Shields
Up, Torturo Nervosa, Billy Liar, Friday First, xharoldshitmanx, The
Murderburgers, Year At Sea.
Doors @ 1pm, £5 tax. It's going to be sweaty, it's going to be madness and it's going to be epic. In fact, that pretty much sums up the last year for us. Thank you to everyone who has been a part of this journey so far. We would love for you to come out to one of these shows, party with us and share in our birthday celebrations! Here's too another year of madness! Love, Deeker x
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Wednesday, September 23, 2009
 |
Category: Romance and Relationships
THIS IS YOUR FUTURE has arrived! We now have copies ready to ship out, and have also made the EP available to download digitally for the bargain price of $3 (less than £2!!!!). See the links below to choose either physical or digital. Don't be a scrooge, support DIY punk rock! x  Prices INCLUDE P&P. Go HERE to get a physical copy! or look below to buy digital...
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Tuesday, September 15, 2009
 |
Current mood:  electric
Category: Life
http://www.punknews.org/article/35178 Hailing from the east coast of Scotland, Joey Terrifying
are among a new wave of UK DIY bands flourishing even in the face of
perhaps the harshest economic climate since the 1930’s. Whilst the
music industry continues to suffer a prolonged panic attack as a result
of declining CD sales, DIY remains as vital a tool as ever.
Punknews.org’s crackpotdemagogue caught up with Joey Terrifying vocalist/frontman Deeker Johnston to shoot the breeze about punk rock, DIY and Jane Austen. First off the bat, for those unfamiliar with Joey Terrifying, how would you describe yourselves?
I’d simply say that we’re a punk rock band, but if ye are looking for a
more detailed description I’d say we play full-on hardcore ska-punk
rock’n’roll, although how we actually like to describe ourselves is
‘anti-punk skunk’n’roll core’, but I do realize just how ridiculous
that sounds! Essentially, we are a passionate four-piece punk band from
the east coast of Scotland.
You boys have been active on the Scottish scene for over a decade
with other bands - some might even describe you as veterans - why did
it take you so long to form Joey Terrifying? Personally
speaking, and I don’t mean this to sound disparaging towards any bands
I’ve been in before, but Joey Terrifying is pretty much the band I’ve
been waiting my whole life to be in. Gain (guitars) and I first started
playing and writing songs together almost 13 years ago. Those first
endeavors eventually morphed into a high school band that Beans (bass)
joined. Our band broke up when the drummer and I both left to go to
university.
We were all involved in various bands throughout the years, the most
notable of which being Tearjerk, Gain’s hardcore band. I sang with a
band called 13 Broken Fingers and later joined The Try Hards, but it
wasn’t until I moved to Perth three years ago that Joey T started to
take shape, in idea form at least. Even then, though, there were false
starts and it seemed the band would never happen. Then, by a twist of
fate, I was asked to play a festival solo last summer but decided I
needed a band. It was just a one-off. After we played that show, which
consisted of covers and full-band versions of my songs, we decided we
should stick together, write a brand new set, re-christen ourselves and
hit the road. That was how Joey T was born in August of last year. We
played our first show with Fake Problems in November in Glasgow.
Collectively speaking, what musical influences drive you as a band?
Like most bands, we have wildly divergent tastes and got into music
through different avenues, but I’d say the common touchstones would be
the likes of NOFX, Propagandhi, The Specials, Bad Religion, The Clash,
Dead Kennedys, etc. Beans has a deep love of 2-tone and northern soul,
whereas Gain would probably be classed as ‘the metal guy’ as he grew up
with 80s metal and classic rock. Kev is into a lot of skate-punk,
hardcore and hip-hop and I’d probably be the ‘obscure band’ guy in the
band. Basically, anything that fucking rips and is full off passion and
honesty will undoubtedly be of influence us in some way. Somewhere from
within that melting pot comes Joey T.
Your lyrics and imagery seem heavily driven by a critical
consciousness / political awareness; where do you find inspiration for
your lyricism? Given the age that we are living in, with
the constant bombardment of information, imagery, ‘news’, scandals,
tabloids, 24-hour digital television, invasive social networking sites,
advertising, scaremongering, paranoia and the general clusterfuck of
the digital age, it’s not hard to find something that makes the blood
boil to write about. My mother was a protest folk singer back in the
70s so I’ve always felt a connection with the protest movement and this
was further exacerbated when I was exposed to punk rock at an early
age. I find inspiration everywhere in my day-to-day life as well; from
characters that I meet at work, my friends, other bands, people in
general. People, and the world at large, are an endless source of
stories, ideas and struggles, so there is plenty out there to influence
you. There are enough songs out there about girls, we try to dig a
little deeper and sing about things that are important to us. I guess
we try to provoke thought and debate. There is plenty out there to get
upset and scream and shout about!
What comes first, lyrics or music? It very much depends.
Sometimes a song will just come from an idea or a lyric; sometimes it
will come from something as simple as a song title. I am always writing
so there are always words floating about and everybody in the band
writes music, together and independently. Everyone brings their own
ideas to the table and we’ll jam them out in practice and see what
works and what doesn’t. Like I suppose is the case with most bands,
it’s not a case of one person writing the songs then bringing it to
everyone else, it’s certainly a collaborative process. That said,
sometimes one of us will come up with an idea and it’ll just take
flight and the song will write itself. I guess that’s when the magic
happens. Other times, it can be more of a struggle than that. We are
always trying to push ourselves forward and certainly don’t want to
repeat ourselves, so we are constantly immersed in the writing process.
Personally, I feel it all comes from the same place; the lyrics inform
the music and the music informs the lyrics.
There's a great lyric in "Troubled Times" where you sing "Feeling a
little bit like Holden Caulfield / Transcending these emotional
minefields / If you're taking a trip that goes nowhere / How're you
going to know when you've got there?" - you're clearly a fan of J.D.
Salinger. Are there any other authors that have influenced other JT
songs in direct or indirect ways? I did my undergraduate
degree in English/Religious Studies/Philosophy so my writing is always
going to be influenced by literature. I find that I take inspiration as
much from the things that I don’t like as I do things that I do. I
mean, I’ve pretty much read the entire Jane Austen collection, but I
fucking hate Jane Austen with a passion, you know? ‘Troubled Times’ has
the only direct reference to any literary figure, but I do strive to
write lyrics that are articulate and thought-provoking. Personally, I
guess the authors who have influenced me the most would be the likes of
Jack Kerouac, Hunter S. Thompson, Bukowski, Burroughs, Ginsberg,
Christopher Brookmyre, etc. That said, I also have a deep love for ye
olde English classics, poetry, Scots writing, the gothic…I wouldn’t say
these are direct influences on Joey T, but they certainly inform how I
try to approach lyric-writing and storytelling.
You embarked on your first UK tour earlier this year; what kind of
state is the d.i.y scene in at present? What bands have been getting
you stoked? Tour was fucking deece [awesome]. There are a
lot of people in the UK who work really hard to keep the DIY punk scene
going. It seems there are pockets of people in every city who put on
punk gigs and with the UK being so geographically small, after a few
years you begin to create networks throughout the country and will
always bump into someone that you know pretty much wherever you go. For
example, I went to the last day of Rebellion the other week and the
first person I bumped into was Bry from Elgin (a bleak Scottish town
way up in the north-east) and he was wearing a Joey T shirt. I then met
people that I know from all over the UK, so I’d say the DIY scene is in
good health. It’ll always be swings and roundabouts, but there are
always good people willing to help you out.
Musically, I’ve never seen such a wide range of top quality bands
across the board. Personally, I’d recommend that folk go and seek out
The Hijacks, Black Rat Death Squad, Gong Fei, Kaddish, Inches From The
Mainland, Taking Chase, Billy Liar and Torturo Nervosa from Scotland.
We’ve also made great friends of the road with The Emos from Bolton,
Blackjacket from Canada, Acid Drop from Leeds and ICH from Colchester.
There is plenty of good music going about! There is a wealth of talent
in the underground scene.
How does the current economic climate impact upon what you are and aren't able to do as a d.i.y band?
I’d say it’s more the economics of time that poses us problems, rather
than financial constraints. We never got involved with this shit for
monetary gain in any way and have always harboured the expectation that
it’d be a loss-making exercise. It’s a labour of love and a privilege
to be able to go on tour and share our music with people across the
country. We were absolutely gobsmacked when we got back from our 2-week
and had pretty much broken even. We are lucky also insofar as we have a
practice space at my work. Scotland is such a small country that there
is no place you can’t reach on one tank of diesel and most people will
always ensure that this is covered for you. Obviously, we’d love to be
able to take off and tour constantly, but we’ve all got jobs and
responsibilities so it’s just not that easy. As long as people can
access our music and see us perform, that’s the most important thing.
We also do ‘subbies’ every week, putting a fiver each into the fund, so
that helps pay for everything that needs paid for. We also have a
friend who does us top quality merch for cheapness! I think we’re lucky
in that we are a self-contained unit and have the support of our
friends. I’d say the biggest knock-on effect of the economic situation
is that less people are going out, so that effects the number of people
who consistently come out to shows.
So far you've only recorded a three-track demo, but your live set
consists of over an album's worth of material - when do you plan to hit
the studio again? It’s very frustrating that we’ve only
got the first demo done thus far. We aim to head into the studio in
early September to record some of the new songs. Like everyone else, we
are all incredibly busy. I work 3 jobs, Beans has 2, Gain has just
become a father for the first time and Kev lives in the middle of
nowhere, works and plays in Sunset Squad, so just getting the four of
us together can be a struggle sometimes! Our next batch of recordings
should be available soon. We’ll be putting the CD out ourselves on
Make-That-A-Take and will be available at shows and online. You can
download ‘The First Demo’ for free if you follow the link from our
mypuss page.
What’s next on the horizon for Joey T? We’ve got a load
of shows booked for the rest of the year. We’re heading down south for
a long weekender from Sept 17-20th and will be playing our first
headlining shows in Durham, Peterborough, London and Brighton. I cannot
wait to get out there and rip it up again. We’re playing with North
Lincoln in October and then will be spending another weekend in the
north-west of England with The Emos. To round off the year, and to
celebrate our first birthday as a gigging band, we’ll be touring with
The Cut Ups around Scotland in November. Then I think we’ll play a
Christmas show at our punk club in Dundee, then hole up, record all the
new shit and come out swinging sometime in March.
Any last words? Thanks very much for the interview. I
think we’ve done quite a lot over the past year and would like to thank
everybody who has helped us out and been so accommodating of us thus
far. Keep fighting the fight and express yourself clearly! Up the scuts!
The First Demo can be downloaded for free from this link- Link is on the front page!
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Thursday, September 10, 2009
 |
Current mood:  argumentative
Category: Dreams and the Supernatural
1. Hey up lads and firstly introduce us to yourselves and tell us a little bit about the bands history so far?
Gain:
We are Joey Terrifying. I am Mike (Gain to everyone else) the guitarist
in the band. We have been on the go since summer of last year, just
writing and playing tunes that we enjoy but also trying not to sound
too bland.
Ben, Deeker and I started playing in a band together about 11 years
ago, we drifted apart for a bit and it was surprising to be in a band
with these guys
again.
Deeker:
I am Deeker, lead vocalist of Joey Terrifying. I tend to write most of
the lyrics and am the one that spends most of the time online trying to
sort us shows! Beans plays the mad bass and sings too. Papa Gain is the
Shredmeister general and Plooms (Kev) holds the whole thing together
with his crazy drumming. I feel most blessed to not only be creating
music with some of my closest friends, but that those friends
absolutely rip on their instruments. We’ve all been involved in the
underground punk scene for a long time now and have played in numerous
different bands over the years including Tearjerk, 13 Broken Fingers,
Dizzybite, MAFAFI, The Try Hards and many more. Personally speaking,
this is the band I’ve been waiting my whole life to be in and most
certainly the happiest I’ve ever been in a band.
Joey
Terrifying formed in August 2008. We had jammed together and played a
show as The Cowpunk All-Stars for a local festival up here, but that
set consisted mostly of my solo songs beefed-up and a few covers. It
was good times, but obviously not something that we wanted to actively
pursue in that form. With that, we decided that we should form a
totally fresh band and write a new set of songs. ‘Troubled Times’ was,
I think, the first one that we wrote together and then things took off
from there. We played our first Joey Terrifying show in November at The
13th Note in Glasgow with Fake Problems, then played in Dundee before
playing Book Yer Ane Fest in Perth. After that, we recorded ‘The First
Demo’ and have played around 50 shows between November and now. We did
our first UK tour in March and took our travelling circus to many
places I’d never been before, and in some cases, had never even heard
of! We’ve been taking a little break from gigging as Gain is due to
become a father for the first time, but we’ll be back gigging in June
and will be undertaking our second UK tour of the year in September. If
anyone out there can help us with a show or two, please give us a shout!
2.
I am always interested when an underdog band goes on tour to what their
thoughts are a few weeks later when time has been given to digest all
that transpired. So go on - how was it?
Gain:
Ace, can't wait to get back out on the road again. The last tour was my
4th full UK tour and it was the best by far.As with the previous 3 the
first day back is weird as there's nothing to look forward to and while
it's nice to have a bath and a bed part of me always wants to do one
more week.
Deeker: The March tour
was the longest period of time I’ve been constantly on the road, so it
was a very eye-opening experience. I have been on tour before; both
with my other bands and by myself, but these have generally been short
and sweet ventures. Touring in Scotland takes like a week at the very
most, and even then ye are somewhat scraping the barrel when it comes
to places to play, given that Scotland consists of five cities and a
lot of wilderness. That’s not to detract from the smaller towns, as
they are always great fun to play, but you can play anywhere in
Scotland and still make it home a few hours later, so it doesn’t really
feel like a tour as such, insofar as you can always make it back to
your own bed.
The tour was pretty intense and
I’ve never played so many shows in such a short period of time. I ended
up playing a couple of acoustic sets before Joey Terrifying played too,
as there were a couple of occasions where local openers pulled out at
the last minute, so my voice took a bit of a pounding. It’s only by
doing these things and having these experiences that you learn to pace
yourself and not kill yourself every night. That said, playing live is
entirely what the whole Joey Terrifying experience is about to me,
getting up in peoples’ faces and sharing thoughts and ideas. It doesn’t
matter if you are playing The Balcony Bar or the Barrowlands, to 10 or
10,000 people, shows are shows and you’ve got to perform like it’s your
last chance. The shows make the other 23 hours in the day worthwhile.
It’s not an illustrious life when ye are sleeping in service stations
and eating the ‘ham’n’cheese, cheese’n’ham’ diet constantly, so that
half hour on stage is where all the pent-up frustrations come out. It’s
a cathartic process. Obviously, after being cooped-up in the van with
your band mates and living in such close proximity, it takes a bit of
readjustment when ye get home, especially when ye have to go back to
working shitty jobs. I for one was super-bummed about a week after
tour, like real life is a comedown. I was happy to see my lady again
though!
3. If doing another tour what changes would you make to the initial planning?
Gain: Make sure we had the van finished before booking the tour ;-)
Deeker:
Well, we’re booking our tour for September as we speak. As the March
tour was our first, we just pretty much took whatever shows we were
offered. We were fortunate insofar as people, on the whole, were very
accommodating of us and helped us out a lot, and our routing wasn’t too
erratic. Word of mouth spreads incredibly quickly these days, so we had
a lot of promoters personally recommended to us by friends who have
been on tour before us. Our initial planning was pretty good I think.
We borrowed a van from our friends in The Hijacks, had a big box of
t-shirts and CDs and hearts that were raring to go. If there was one
thing that I’d do differently, it would be to try and raise a little
more awareness, like having all the gig posters and tour posters pimped
out a little further in advance. Beyond that, I really have no
complaints whatsoever, as we knew what we were getting ourselves into.
4.
Where are the best places you have played and the best gaffs to sell
merchandise. Come on reveal all as I am sure there are a few of us out
there who would like to know where we can shift our stuff?
Gain:
Sheffield was good. Rob was really organised and we sold a shirt before
we went on. Colwyn Bay was rowdy; a small room but lots of characters.
We sold a load of stuff there too. Exeter was great; we were treated
superbly and can't thank the guys and girls there enough. To be honest
every show had its good points and we were grateful that there were
people who took a punt and put us on.
Deeker:
The first venue that immediately springs to mind from the tour is The
Cavern in Exeter. I don’t get treated that well when I go and see my
mother, so to be so well taken care of after such a long drive and a
shitty day was greatly, greatly appreciated and a most pleasant
surprise. We were fed, watered, paid and accommodated, even though we
left after the show to spend another night in a car park en route to
Birmingham. The sound in The Cavern is so crystal and spot-on, and the
guys from The Cut-Ups took such good care of us. That place has such a
palpable sense of punk rock history and we were truly humbled by the
whole experience. We also managed to blag a show on our only off-night,
thanks to Zoe in Colwyn Bay and Stiv from Acid Drop, who managed to
blag us a slot in Leeds. Rob from Mosh’n’Go in Sheffield went above and
beyond the call of duty to help us out. Our friends in The Emos sorted
us out with Bolton and were impeccable hosts. Locally, my favourite
place to play is probably The Balcony Bar in Dundee; it’s like my
second home as I’ve played there so many times in so many different
guises that I couldn’t put a number on it. Make-That-A-Take holds our
monthly pre-club shows there and we have a great relationship with the
staff and the management, and they seem to trust us to do a good job of
promoting and running the shows. Other cool venues we have played would
have to include The 13th Note in Glasgow, the Redhouse in Sheffield,
the Prince Madocs in Colwyn Bay and The Brudenell Social Club in Leeds.
Venues are one thing, but it’s definitely the people and the bands that
make the shows, not the specifications of the PA or whatever.
Merch-wise,
I don’t really know! I think the best way to pimp your merch is to not
constantly bang on about when you are onstage, but by standing at your
table after your set, speaking to people and generally getting
involved, even if that means walking around the venue with a handful of
CDs in return for donations. Engaging with people and playing your
heart out, with honesty, is without doubt the best way of getting
people interested in your band, not continually banging on about how ye
have t-shirts and records for sale. Not continually banging on about
Myspace during your set is a good thing too. I’ve seen far too many
bands talking about myspace on stage. Myspace is a great tool, no
doubt, but there’s more to underground punk than that, you know? I
recently saw a touring band playing in Dundee and after throwing their
toys out of the pram due to audience indifference to their sub-Gallows
hardcore, they alienated the crowd by being utter dickheads and then
tried to sell them their £12 t-shirts. That is not the way to do it in
my book. Obviously, it’s great to sell stuff and make some money
towards continuing the tour, but it’s not the be-all and end-all. I’d
rather someone took something positive emotionally from a show. That
said, we did sell quite a lot of merchandise when we were on the road,
so I have absolutely no cause for complaint.
5.
How would you describe the bands style and what other bands compliment
the way you sound? Add to this also what bands you would love to play
with given the chance?
Gain:
Erm.........we sound like every other band you've ever heard, just with
a Scottish twang ;-) I’d love to play with Strobing Goat personally.
Deeker:
Anti-punk skunk’n’roll-core! It’s all punk rock to me, but we
definitely have elements of ska, reggae, hardcore, rock’n’roll, you
know? I’d say the band is a manifestation of all our different
influences, thrown in a pot and served up fast, loud and passionately!
We all listen to a lot of different stuff in divergent directions, but
there are definitely bands where we meet too. Off the top of my head,
I’d probably say that our main influences are progressive,
forward-thinking bands; Propagandhi, The Specials, The Clash, Bad
Religion, Dead Kennedys, etc. The most obvious Scottish band that
compliments our sound would have to be The Hijacks, a 6-piece ska-punk
band from Aberdeen. We’ve been friends with them for a while now and
they do an amazing job with Good For Nothing? Records and have been
very supportive of what we are doing. I’m a big fan of mixed bills so
would also add the likes of The Black Rat Death Squad from Glasgow,
Taking Chase from Edinburgh and Fragile from Fife as bands that we like
playing with, as it creates a great mix of styles and people and can
make for a great atmosphere. As far as people I’d like to play with
goes, I’d love to tour with Propagandhi, as it means I’d actually get
to see them for once in my life. I was kicked out of the show last time
they played in Scotland and they haven’t been back since. The time
before that I was bed-ridden with illness, so that’s something that
needs to be fixed! Obviously, getting on tour with any touring American
band is never going to do you any harm!
6. How is the scene up your neck of the woods and tell us about some of the exciting bands around the area?
Gain:
The scene up here is pretty much like everywhere else; lots of apathy
but still lots of bands willing to put up with it and put on great
shows time and time again.
Deeker: I
guess it’s probably much the same as everywhere else. The fads come and
the fads go, but those with a genuine and honest passion for punk rock
will always be there. There are folks like Jacko out in Fife who have
been putting on punk shows for almost 30 years with no regard
whatsoever for whatever is popular, and they’ve put on some of the best
shows I’ve ever played. We try and do as much as we can for the local
scene in our area on the east coast by putting on shows in both Perth
and Dundee, but this can be pretty hit and miss. It’s always a little
disheartening when ye put on a touring band that you really care about,
do all you can to promote the show and get the word out, put together a
great bill of local supports and still end up with only 20 folk coming
through the door. As I said before, we have great relationships with
the two venues that we generally use (The Balcony Bar, Dundee and Mucky
Mulligans, Perth), so that makes things a little easier for us, as they
are well aware of our history and the effort we put into putting on our
shows. I think each city in Scotland has a handful of really dedicated
and passionate collectives that are keeping the flag flying for DIY
punk rock in Scotland – This Is Our Battlefield and The Wrecking Pit in
Glasgow, Cold Dead Hands and House Of Crust in Edinburgh, Fudge Fanzine
and Good For Nothing Records in Aberdeen. The people are there, you
just need to dig a little deeper to find the gems, ken?
With
regards to Scottish bands, I think everyone has their own particular
favourites. Mine would include Mesa Verde, an amazing epic
post-rock/screamo band from Glasgow, our friends The Hijacks from
Aberdeen who have the most energetic live show, The Black Rat Death
Squad, Torturo Nervosa from Perth, Kaddish and Inches From The Mainland
in Dundee…the list is quite a long one! The scene is really quite
healthy at the moment, it’s just that there’s a lot of shit to wade
through too, as is the case in most places I’m sure.
7. 'Make Ya Ane Fest' seems to becoming a bit of a set thing at the mo. elaborate please?
Gain: I'll let Deeker give you the standard press splurge for this.
Deeker:
Haha, it’s ‘Book Yer Ane Fest’ organised by Make-That-A-Take Records. I
should really work on getting some snappier titles! Anyways, Book Yer
Ane Fest happened last November and was the first time that we’ve put
on an all-dayer. A fest wasn’t really what we initially intended to
happen, we were just trying to sort out a show for our first run of
Joey Terrifying shows, but the whole thing started to grow arms and
legs, mostly my own doing, so we decided to make it an all-dayer and
invite as many of our favourite Scottish bands to play as we could
possibly squeeze into one day (13 bands in total!). We decided that we
wanted to do it as a charity fundraiser for Safe-Tay, a water safety
charity based in Perth that was set up following the tragic death of
popular Perth musician Graham Motion in 2006. Motion played in the
hardcore band Allergo who were undoubtedly one of the finest
underground bands Perth has ever produced. His friends organised
Motionfest in 2006 and 2007. I spoke with those guys and they weren’t
going to do another one, so I thought it’d be a nice gesture to put any
money we made towards Safe-Tay, as it is a charity that we all support
and is close to our hearts. In no way are we trying to replicate
Motionfest, but if we can raise some money for such a good cause whilst
enjoying some of the finest underground bands that Scotland has to
offer, then all the better. Lisa, chair of Safe-Tay, has been very
supportive of our endeavours and the first Fest was a success, so we
decided that we’d do another one this summer to coincide with the
launch of Safe-Tay’s summer safety campaign. Essentially, it’s a
celebration of the Scottish DIY punk scene in one place for a day,
playing half-hour sets and leaving the egos at the door. We may expand
in the future, but as of right now it’s a celebration of life and a
chance to hang out with friends we haven’t seen for a while, play some
punk, sing, dance and raise some pennies for a cause that is close to
us, geographically and metaphorically!
8. With some of the lowly turn-outs at gigs these days how do you keep yourself motivated and hungry to tear it up?
Gain:
Turn-outs down south were actually better than I remember, certainly
the promoters were more organised. Bear in mind that we have played to
nobody other than a sound man and Kev's girlfriend while everyone was
next door listening to some pap murdering Adam Ant on the karaoke. We
get pretty animated at practice so if nobody else is there or
interested, I hopefully still look interested.
Deeker:
After playing in bands for over ten years, ye get used to playing to
crowds of all different sizes, so it doesn’t matter a jot to me whether
there are 10 or 100 people there, I’ll still give the show everything
I’ve got. If there are only 10 people at the show, those are 10 minds
that are there to be blown! Don’t show disrespect to the people who
have bothered to come and see you play; they’ve made the effort to come
and see an unknown touring band on say, a Tuesday night. They didn’t
have to come out, but they did, so you owe it to these people to play
the very best set that you can. As I said before, it doesn’t matter if
it’s the Balcony or the Barrowlands, shows are shows and you’ve got to
give it your all. I’ve seen far too many bands getting pissed off and
upset that no-one came to see their band but, as far as I’m concerned,
being on tour is a privilege, not a right. To be able to tour around
the UK playing your music and sharing your thoughts and ideals with
other people in places you have never been to before is something to be
savoured, enjoyed and digested, not mocked, scorned or moaned about. If
an audience is unreceptive to your music, you have to work harder to
try and get these people onside. There will always be people who don’t
like your band, anybody who thinks otherwise is an idiot, but it
doesn’t mean you just give up and treat a gig that’s not going entirely
your way with disdain and contempt. I find that the best shows tend to
be the ones where the audience can almost literally taste the sweat
coming from the stage. A show doesn’t have to be sold out to be
amazing, it’s what you do with what you’ve got that makes the occasion
a success or a failure. We’ve played to crowds big and small and I
wouldn’t change a thing about it. Of course, we’d love it if every show
we played was absolutely rammed, but that doesn’t mean that we will
treat the shows any differently if they’re not. I’d rather be on the
road sharing my music with people in far-flung places than sitting at
home doing a job that I hate. Aside from leaving loved ones, there is
nothing that would stop me from spending my life on the road.
Unfortunately, little things like jobs, relationships, families, paying
the rent and hard graft can get in the way of these best-laid plans!
That said, there’s nothing I’d change about how we’ve gone about things
thus far. Yes, it would be great to be signed and making a living from
our music, but the fact that we’re not isn’t going to deter us in any
way. Once we’re locked in and the four of us are onstage together, it’s
going to go off one way or another. It’s the release that’s important,
not how many people come through the door or how many people leave with
a shirt.
9.
Are there any political angles within the band that we should know
about or are you of the camp that thinks politics should be left
outside?
Gain: I'm
pretty politically minded but try not to put my views over all the time
I save them for a political arena. Certainly the band don't portray my
political beliefs (until we write a tune called "Make Gain the PM and he'll fucking sort it")
Also I'd like to think the tunes we have written have been more subtle
than the usual direct "Fuck Bush, he’s a Dick" sort of stuff, but then
I am crap at remembering lyrics so we may well have a tune like that.
Deeker:
I think everything that you do is political in a way, from the shirts
that you wear to the food choices that you make. I wouldn’t want to
speak for everybody else in the band but I’d say we probably come from
the ‘common sense’ school of political thinking. We are anti-racist,
pro-peace, anti-war, pro-choice, you know? I think any
straight-thinking person would think along similar lines. Personally, I
come from a slightly politically conflicted background, insofar as my
father was a Regimental Sergeant Major in the Royal Artillery and my
mother was a hippie protest-song singing folky! After my dad left the
army, he started working for the Trade Unions, so I guess my politics
have always been on the left. Obviously, like any young punk, I was
attracted to the day-glo image of anarchy presented by the ‘old’ punks,
but I didn’t really find anything of particular substance in the
sloganeering. I’m more into bands that offer a critique of the problems
we face as a human race. Politics and punk rock go hand-in-hand, but
I’m not your mother or your wife so I’m certainly not going to tell you
what to do. However, if I disagree with you I shall say so and if I
think you are being an ignorant, bone-headed fool, I’ll certainly tell
you! Healthy debate is the only way to try and progress ideas I think.
After thousands of years of war, we’re still no closer to peace, so I
don’t see how more wars are going to solve anything, you know? I’m not
nearly qualified enough to make a particularly articulate argument
about where I stand politically, but I know the political choices that
I make in my own life. I also once wrote an anti-war song called ‘Nazi
in the White House’, so does that mean I’ve thrown my hat in the
political ring? I’m not sure this rambling response particularly
answers your question.
10. Lets have all your personal opinions on - The good, the bad and the ugly about todays scene?
Gain:
Good - Still loads of bands willing to go all over the country to play
and still some people who put the effort into shows. Still people
willing to take a chance on an out of town band who could very well be
crap and ruin a night. There will always be someone who's trying
something a little out of the ordinary
Ugly - Tour Vans....they are all awful after about a day. Every band gets a little grouchy on the road.
Bad - still too many bands that are disorganised and demanding
excessive riders. Cash from the door is fine but I hate bands asking
for beer at every show, you'll never drink it all. Real touring bands
ask for some food and a shower.
Deeker:
I am conflicted about the ‘scene’. As I said earlier, there are many
great people and collectives to be found doing exceedingly good and
productive work within the punk scene, but there are also always
chancers, part-timers and piss-takers, so it can make the whole thing
somewhat frustrating. I absolutely applaud and support everybody who
takes an active role within the scene, whether it be putting on shows,
putting out records, writing zines and reviews, coming to shows,
supporting bands and the like. We have been fortunate that people have
been willing to take a chance on us, an unknown band from the middle of
nowhere, so I can’t thank those people enough. It’s heartening to know
that there are people still willing to give hard-working bands a
chance. So long as there is something to get angry/excited about, there
will always be shows to be found.
Things that really
get my goat are over-inflated and unjustified egos, bands who show up
at gigs with no gear and expect that it is going to be cool to use
someone else’s, the plethora of faceless and frankly pish-poor bands
that inevitably clutter up your myspace inbox and people who do nothing
but moan about the state of the scene, yet never try to do anything
about it themselves. It’s not difficult to get involved in the scene
and try and contribute something positive. On the whole, I try not to
worry too much about what other people think of what we’re doing.
Obviously, you are aware of it, but as soon as trying to satisfy and
constantly cater to other people becomes your main focus, the battle is
already lost. We run our little collective and like to think that we do
what we can to help out other bands from our area, as well as bringing
some cool bands to town that wouldn't normally play in Dundee or Perth.
There are other people out there doing the same thing as us, at least
spiritually, and to these people I give the utmost respect and
gratitude. There are, unfortunately, those out there that are simply
taking the piss when it comes to the underground scene - chancers
looking for a pay-day by exploiting DIY-friendly venues and
image-conscious bands acting like rock stars with ideas above their
station. That's before ye get to the liars, bull-shit artists,
part-timers and piss-takers.
Maybe it's just
me, but I thought being in a band and making music was about
communicating, about exchanging ideas and trying to make the world a
more positive place to be. There have been a few instances recently
where I've felt that some bands/people have just been utterly taking
the piss, paying lip-service to passions felt whilst simultaneously
burning the bridges that they've built. Keep the bullshit out of the
scene please. I was in high school ten years ago and I wasn't that keen
on it back then. Fuck the playground politics and have some strength in
your convictions.
On the whole though, I think the scene is in rude health!
11. Finally tell us about where we can contact the band, merch
available and any forthcoming stuff we should know about?
Gain: Deeker can do this, he is the PR man.
Deeker:
Well, we’ve just made some practice room demos and we’re going to be
going into the studio to record these songs properly very shortly.
We’re going to have our first EP ready for August (it is out now) and
will be touring the UK in September. We have a few exciting shows
coming up over summer including Book Yer Ane Fest 2 which is happening
at Mucky Mulligan’s in Perth on Saturday 6th June. We are also very
excited to be playing with New Bruises from Florida on June 8th in
Dundee. We’re playing some shows with Gandhi’s Cookbook and
Public/Refuse, who are two punk bands from Dubai who will be in the UK
in August and we’re really looking forward to playing some shows with
them, as we are to playing with World/Inferno Friendship Society in
Glasgow on August 11th. Beyond that, who knows where this madness will
all end! If anyone can help us out with a show or two, please don’t
hesitate to get in touch. We shall bring the rukus anywhere!
FOOTNOTE:
This interview is published later than expected and was initially meant
for the on-line magazine Distorted. However since the aforementioned
magazines demise rather than waste the textual matter it has been
agreed to publish it here - hope you still enjoyed it - Fungalpunk/OMD
|
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, September 07, 2009
 |
Current mood:  stoked
Category: Movies, TV, Celebrities
We have just finished recording our new CD! 'THIS IS YOUR FUTURE' was recorded and mixed by Graeme Watt in 6 hours over 2 days (6th/7th September). The EP will be available at all upcoming shows and will be available digitally next month. In the meantime, we've added 'What Treachery Is This?' to the mypuss player. Please listen, absorb and enjoy. Feel free to let us know what ye think. ---
What Treachery Is
This?
A wise man once told me;
It pays to pay attention.
Your very worst experience
Yields invaluable lessons
So son, don’t be afraid
Ever.
I just want to protect you.
I used to have a dream
Just another nightmare
Had a chance to change
All I did was stand there
And watch the house of cards come falling down
Every chance you take is a step towards perfection
Every heart you break is another hard-earned lesson
If you don’t have to strength to be yourself
I can’t do it for you.
Let me introduce another fabulous disaster
Another mercy-kill at the beginning of the chapter
Sometime heroes have to die
You can’t rewrite the script
It’s not your story to be altered
Every time you fight
Pick yourself up when you falter
If you don’t have the strength to fight for yourself
I can’t do it for you
What good would that do?
None.
Tell me
What treachery is this?
This ain’t the future we promised
The case has been dismissed
Hope is gone.
I know it may look bad
But it’s a thankless situation
I’ve done a lot of things
That I’d rather not mention
The past is past
So let it be
But it chips away at you each day
Like the lies and propaganda
You hope it all fades away
But still you never understand
Don’t live your life by their demands
What have they done for you?
Nothing.
Tell me
What treachery is this?
This ain’t the future we were promised
The case has been dismissed
The hope is gone.
We’ll face the future alone.
The best is already gone.
---
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, April 27, 2009
 |
Current mood:  aroused
Category: Romance and Relationships
Joey Terrifying, Eye Licker, Bastions Madocs, Colwyn Bay 15/3/09
Only
the other day I started picking up hidden messages telling me to “Come
to the Sabbat” so felt that they must be referring to this Sunday gig
at the Madoc’s, presumably scheduled to fit in with the headliners
tour. Still a reasonable turn-out and as the room is small it always
creates a good atmosphere anyway, with the added bonus of sick of it
all dvd to watch while waiting.
Not that one room was enough
to contain Bastions as with a long mike lead the fury was taken to
every corner of the place. Their whole performance is explosive, the
sharply changing math-core riffs, flailing instruments and cathartic
vocals. At times you are graced the moderate comfort zone of a steady
beat but these respites are short lived amongst the wrath and passion
that ultimately ends in howling destruction. I think they sound clearer
on the release I’ve heard but live they don’t hold back.
Manchester’s
Eye Licker were the first to admit they had a tough act to follow but
made a fair go at it. There’s was a more straightforward Exploited
style of hardcore and while the drummer powered things along I didn’t
find the pace of guitar and bass very satisfying. The vocalist
certainly tried to stir things up, and they had some hooks in the
lyrics, but not sure if a mish-mash of influences left them with a bit
of an indistinct sound of their own. Was distracted by the appearance
of propagandhi in the other room anyway
Finally all the way from
Dundee, (related my tale of working on the tay bridge to them later),
Joey Terrifying. They looked quite friendly and fresh faced as opposed
to terrifying, I though for a moment this was going to be a bit poppy
or just ska but while they had an excellent grasp of melody and weren’t
averse to the odd bit of funking it was largely delivered at a frenetic
pace that was very enjoyable. They came across as confident performers
who were enjoying it themselves too, maybe the fact that they are well
organised and gigging a lot is reaping its own rewards in the standard
of their show. I happily bought a cd anyway
http://altbrit.proboards.com/index.cgi?board=reviews&action=display&thread=1834
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Sunday, April 05, 2009
 |
Current mood:  restless
It would seem as though this is the end of the first chapter in the Joey Terrifying story. We started playing together in September 2008 after forming hypothetically in August. We played our first show at the 13th Note in November. Since then we have played 39 shows, recorded and released our first demo, completed our first UK tour, played with some amazing bands and met some great new friends. To me, this is what being involved in the DIY punk scene is all about. Joey Terrifying has undoubtedly been the single most positive band experience that I've ever had. We are not going to be playing any shows over the next 2 months as the Papa is going to become the Daddy and we'll be welcoming a new life into the cowpunk family. We shall be writing, rehearsing, recording and learning to change nappies, but will be back to bring ye the anti-punk skunk'n'roll-core at Whatever-The-Second-Fest-Is-Going-To-Be-Called on June 6th in Perth and with New Bruises on June 8th in Dundee. We take what we do seriously, but we don't take ourselves too seriously. All four of us graft our bollocks off in life and we graft our bollocks off for our bands also. We also run the collective and like to think that we do what we can to help out other bands from our area, as well as bringing some cool bands to town that wouldn't normally play in Dundee or Perth. There are other people out there doing the same thing as us, at least spiritually, and to these people I give the utmost respect and gratitude. There are, unfortunately, those out there that are simply taking the piss when it comes to the underground scene - chancers looking for a pay-day by exploiting DIY-friendly venues and image-conscious bands acting like rock stars with ideas above their station. That's before ye get to the liars, bull-shit artists, part-timers and piss-takers. Maybe it's just me, but I thought being in a band and making music was about communicating, about exchanging ideas and trying to make the world a more positive place to be. There have been a few instances recently where I've felt that some bands/people have just been utterly taking the piss, paying lip-service to passions felt whilst simultaneously burning the bridges that they've built. Keep the bullshit out of the scene please. I was in high school ten years ago and I wasn't that keen on it back then. Fuck the playground politics and have some strength in your convictions. If you're going to spoon-feed us a line of bullshit, at least have the decency to get your stories straight! From a personal point of view, here are some basic things to keep in mind: The Balcony/Muckys/insert-venue-here is not fucking Knebworth. Your band is not Guns'N'Roses. Don't be so precious with your music. Put a full fucking song on your player! Speak to those putting on the gigs - always bring at least heads and breakables. Play the fucking shows that you book! Personally, I'd like to say thanks and give much love to Gain, Beans and The Plumber for joining forces on this mad mission. I literally don't know what I'm going to do with myself over the next couple of months! It's been emotional... Much love also to RD, GFN? Records, The Hijacks, Fudge Fanzine, www.undergroundscene.co.uk, Kenny Kage, Jamie @ The Balcony, Merlin @ Muckys, Inches From The Mainland, Black Rat Death Squad, The Murderburgers, Michael @ The Wrecking Pit, Splat, Stiv and Acid Drop, House of Crust, Blackjacket, Drouthy Neebors, Eilidh, Clare, Dolly, Rosie, The Emos, The Cut-Ups, Dave Fungalpunk, Matt PMX, MAFAFI, Birmingslam Hardcore Collective, Rob @ Mosh'n'Go, The Doctor and anyone else that has helped us out along the way! We will be touring the UK again in September, by which point we will have our new EP ready for your consumption. There will be shows over the summer, the full details of which will emerge with the fullness of time Keep your ears peeled for new songs. They will be online as soon as they are recorded! It doesn't matter if it's the Balcony or the Barras, ten or ten-thousand people, shows are shows and you've gotta give it your all, all the time. Peace. Deeker x
 | Currently listening: Fleet Foxes By Fleet Foxes Release date: 2008-06-16 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Thursday, March 26, 2009
 |
Current mood:  bummed
So tour is over and it's back to the daily grind. Joy of all joys! However, this will merely inspire us further and we are desperately keen to get back out on tour and destroy the rest of the UK, Europe and the whole world! I thought about doing the traditional blow-by-blow tour blog, but as I know how boring that would be for me to write, I can only imagine how dull it would be for you, dear reader. We ain't Motley Crue and there ain't no tales of decadance to impart, merely tales of pure Scottish anti-punk skunk'n'roll destroying venues across the land!
We had a blast melting faces all across the country and to say that we are stoked with our first six months as a band would be an understatement. When we first spoke about the birth of Joey Terrifying in the dying light of last summer, I would never have imagined that we'd have done as much as we have by now. I sense, however, that this is merely the beginning.
There are many people to whom we owe sincere thanks and debts of gratitude, not least our comrades in The Hijacks for entrusting their trusty tour Transit 'Barry' to our care. Thanks so much, without your faith we'd have fallen at the very first hurdle. Thanks also to Garrick for sorting us out with the show in South Shields. This was the first time that Tragical History Tour has opened for Joey T! Cheers also to Myklon B for the Axis album that scared the shit out of us at 4am!
Thanks to Kev Chin for letting us wash in Crewe and helping us realise the best place there is the road out ;-) Much love also to our boys in The Emos for sorting us out in Bolton and for just being generally exemplary hosts. Colwyn Bay was madness so thanks to all the nutters who came out to see us and to Ste and Zoe for sorting us out. Big love to our favourite psychobilly in Sheffield (Rob) for treating us like we were an actual band and being a thoroughly awesome dude.
Big, big thanks to Stiv from Acid Drop and Alex from Skank Agenda for letting usa grace the stage of the Brudenell Social Club in Leeds at such short notice and mad love to DJ Joey Saint and Sarah for letting us stay and use their facilities. It would be a disservice not to also thank Bill Lloyd for the magnificent banter and showing us the insides of the greatest tour bus we have ever clapped eyes on.
Thanks to The Black Market Venue and Satan's Mineons for being sound to us in Warsop and to MC for going above and beyond the call of duty to show us his support. We must extend sincere and humbled thanks also to Pippa and all the staff at The Cavern in Exeter for showing such hospitality and care to a bunch of Scottish punks and to Jon from the Cut-Ups for making the whole thing possible. Props to the boys of the Birmingslam Hardcore Collective for putting us on and to the crazy bar owner for letting us loose in his venue, although I personally have never been so keen to sleep in the van!
Cheers to Dave Fungalpunk for putting us on and the boys in Rising Strike for checking us out for a second time in Bradford. Love also to the House of Crust and The Wrecking Pit for sorting us out with Scottish dates with our new best friends Blackjacket. Much, much love to all the troops in Blackjacket, our paths will most certainly cross again!
The tour was a most eye-opening and enlightening experience and one which we are desperatly keen to repeat. Thanks to everybody who came out to a show, bought a CD or a shirt, watched our band, said hello, offered us food/drinks/floors to crash on and even to the folk who thought we sucked. We have never given so much of ourselves night after night and it is gratifying to think that people may have understood where we are coming from and taken something positive from the whole experience.
We most certainly have.
See ye back on the road later in the year.
Much love and respect, Joey Terrifying
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|
Monday, March 09, 2009
 |
Current mood:  excited
Category: Travel and Places
We are heading out on our FIRST EVER UK TOUR kicking off this Thursday! We are still looking to fill a couple of dates (13th and 17th) so if ye can help us out in any way, please give us a shout. We shall have CDs and shirts with us, so please come say and buy some stuff to help us got to the next show. We are very excited about this trip! Catch us at the following; .................................. Thursday 12th – The Douglas Vaults, ..South Shields..
Friday 13th – ANYWHERE! Book Us Please!
Saturday 14th – The Dog and Partridge, ..Bolton..
Sunday 15th – Prince Madocs, ....Colwyn.. ..Bay...., Wales
Monday 16th – The Redhouse, ..Sheffield..
Tuesday 17th – ANYWHERE! Book Us Please!
Wednesday 18th – The Black Market, Warsop
Thursday 19th – The Cavern, ....Exeter....
Friday 20th – The GO! Club @ The ..Old.. ..Wharf.., ....Birmingham....
Saturday 21st – Mannville Arms, ..Bradford..
Sunday 22nd – Henry’s Cellar Bar, ....Edinburgh....
Monday 23rd – The 13th Note, ....Glasgow....
Tuesday 24th – Drouthy Neebors, ..Dundee..

 | Currently listening: Oh Calcutta By The Lawrence Arms Release date: 2006-03-06 |
|
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|
|