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CHASM (Recording "ABORT" EP)



Last Updated: 11/17/2009

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Status: Single
City: Glasgow
State: Scotland
Country: UK
Signup Date: 9/16/2008

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Friday, August 07, 2009 
Hey guys,

We went into Sonic Boom Studios in Clydebank last week to work on pre-production for our forthcoming release, Abort (scheduled for release October 2009).

We literally setup, threw the mics on and recorded live in stereo to have a listen at what we had planned and to let you guys have a listen and see what you think. We're pleased with the progress of the songs and they let us hear any changes that had to be made, which there weren't many of so good on us!

Chasm's next step is to practice like fuck basically until we are 100% on the song featuring in the EP and get into the studio for part 2 of the process, tracking drums.

Here's a wee video of us demo'ing "Welcome Your Watery Grave" to see what we got up to!



Later.
Monday, August 03, 2009 

Current mood:  tired
We have been busy boys this week!

We successfully recorded 6 demo tracks, 4 of which are new to your lovely ears, in a bid to analyse and adjust our sound for our forthcoming EP, Abort, which is scheduled for an October release. The EP will be backed up by a full-blown UK Tour, which will take us to a town near you, keep the eyes peeled on the MySpace for a comprehensive list soon.

The tracks are rough and straight to the point, we are not a fan of triggers, trickery and bullshit, we're pretty much still  ironing out a few details on the tracks so, although your criticism is welcomed, please be nice and bear this in mind.

Why pre-produce? We feel it's necessary to gain feedback on what we're coming up with, it also helps us work out what sounds god, what works and more importantly what doesen't. We'd rather let you hear the rough stuff so you can help us decide what goes in and what goes out.

How did we do it? No bullshit at all, here's the low down;

Kick, Snare, Rack Tom, Floor Tom, Overheads, Guitars, Direct Bass into an analogue mixer, L&R into Pro-Tools via an mBox, little bit of level adjustment, vocals added, more levels,  bounce to WAV, convert to mp3, you now hear the results.

We set-up, recorded (6 songs), mixed and uploaded (4 songs) in around a total of 8 hours from start to finish, no messing around.

What do we do now? Listen back, analyse, adjust and add. We start the full recording of the EP in 4 weeks in Sonic Boom Studio's brand new control room/live room with esteemed engineer, Roddy Mac.

Hopefully you'll like it!

Chasm out.
Friday, June 19, 2009 

Current mood:  pensive
OK, some of you may have noticed that our august tour has been taken down. There are a few reasons for that, but the primary and underlying reason would be that this 'being-in-a-band' game is still something we're getting used to. Past all the jamming, the writing, the creative arguments and the laughs, there are a lot of practicalities to be dealt with, and that's something you just don't see until you're in the thick of it as we now are. What I mean by that is that it's pretty rare that you can find 4 or 5 folk who can get behind something that they all believe in and all push in the same same direction. When I say pushing, I mean with pushing it with music and with getting shit done. I've been playing in bands since I was 14 and I've played with some killer, talented people in that time and made some music that I am immensely proud of. That said, in none of those projects did we get shit done as efficiently as Chasm do. The consequence of that is that we actually progress, and when you progress you find new challenges. Among these new challenges is thinking practically about questions like 'How long does it really take to plan a tour?' and 'Should we tour during the festival season'. Given that, for now anyway, we're going to be doing all this stuff off of our own bat, when we do do these things, they've got to be right, by right I clearly mean fucking kick-ass.

Speaking of which, this show with By My Hands on the 26th is one that we're excited about. It's something we're organising ourselves and putting everything into. It's going to be a huge and immensely fun night for all involved.

Here's to new challenges.

Out.

Chasm
Friday, December 26, 2008 
03/12/08 @ Glasgow Cathouse
Review by Joseph Cassidy of Altnation


"
As headliners Chasm started setting up their gear, I looked around me and noticed the Cathouse suddenly start to fill up with bodies again just in time to catch the new band's debut performance. Don't confuse "new band" with "inexperienced kids", though, as Chasm bring together a wealth of experienced musicians from a diverse tapestry of Glasgow bands such as former nu-metal drummer George (ex-Psyko Dalek), former screamy-pop-punk type vocalist Martin (ex-Ship of Fools) and guitarist Dave who was one of many former guitar players for post-grunge rockers Meeklejohn back in the day. Probably not the most metal of credentials in this lineup, but absolutely without question the most metal of music as a result and a bizarre collection of musicians that has intrigued enough local music fans to breathe a bit of life back into the attendance numbers of this previously very quiet show.

Chasm make music that I can only really describe as "metal", mixing together pretty much every style of the genré without discrimination. Casual listeners may be tempted to put the word "core" at the end of whatever label they may come up for this music, but this would be a pretty poor reflection of Chasm's music and totally goes against the fact that most of this band's influences come from bands that play blastbeats and fast, black metal style guitar riffings which underpin insanely technical lead guitar parts. I suppose this type of music IS commonly known as "metalcore", or maybe even "deathcore", but I'm a fan of neither label so fuck you.

The people who listen to and play this type of music are somehow generally all convinced that, without question, it is definitely the music of the future and the ultimate pinnacle of all that is metal, in that kind of misguided way that sort of reminds me of how movie directors in the 80s would set futuristic sci-fi thrillers in the year 2010 like they thought some kind of great machine revolution would have come by then. Chasm bring insane technicality, a pinch of groove and a raw stage energy that manages to achieve the rare goal of fulfilling the hype attached to their in vogue style of music, and with several high-profile shows with bands such as Romeo Must Die and Dana Walker on the horizon they're bound to turn a few heads throughout 2009."