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Nina Vintage ♥ Urban Socialite ♥ Twitter.com/NVOSF

Nina Vintage


Last Updated: 12/7/2009

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Gender: Female
State: New York
Country: US

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Monday, October 19, 2009 


http://family.go.com/gapcastingcall/entries/Miracl...

Gap is holding a nationwide contest to find the next faces of babyGap and GapKids, and my daughter, Lauren G. is entered into the contest. Check out Lauren G.'s entry here: http://family.go.com/gapcastingcall/entries/Miracle122605/99035050/

PLEASE VOTE FOR MY DAUGHTER TO BE THE NEXT GAP BABY!! MUCH LOVE!!

Wednesday, January 28, 2009 

Current mood:  relaxed
Category: Romance and Relationships

Should You Have Sex on the First Date? {He Said/She Said}
What's your opinion on this issue?

So you know I will also be a feature on my blog, so everyone can read.  Your answers will be posted as well, so please leave your comments. Thanks!


Kiss Kiss,

♥ Nina Vintage

Tuesday, January 13, 2009 

Current mood:OH SO FABULOUS!!
Category: Blogging

Image and video hosting by TinyPic

I am here to basically do that. Are you? For the most part I'm just trying to meet FABULOUS people, who know what they want in life.

ARTISTS, WRITERS, FASHION DESIGNERS, SINGERS, RAPPERS, MODELS, STYLIST, PHOTOGRAPHERS, MAKE UP ARTIST, URBAN PROFESSIONALS, PARTY PROMOTERS, STREET TEAMS, and last but not least ADMIRERS, who want to be heard and seen.... people who are working towards their goals.

Wish to be featured on my blog?

Contact me now via myspace or leave me a comment below.

NOTE: PLEASE NO SPAM!!!

[CLICK ON PHOTO ABOVE TO GO TO MY BLOG]

Thursday, November 13, 2008 

Current mood:Lonely
Category: Blogging

Hello and welcome everyone,

I'm Nina Vintage ♥, and I made this blog for you to share your thoughts and dreamz with me. Do you have something to say or ask me? I'd love to hear from you. Don't be shy, we're all friends here. Share some L♥VE! I hope to hear from you soon.

Kiss Kiss,

♥ Nina Vintage ~ Urban Socialite ♥

Friday, November 07, 2008 

Current mood:  awake
Category: Music

According to XXL Magazine, Ludacris is looking for unsigned MC's to guest on "Undisputed". This might be your chance to shine. You could end up on a track with Ludacris.The Atlanta MC has just launched (11/05) "The Undisputed Open Mic Throwdown," a nationwide MC Competition via his new social networking web site wemix.com. Competing MCs will get the chance to land a guest verse on the official remix to "Undisputed," Ludacris' first single off his forthcoming Theater Of The Mind.

Each contestants must record a 16-Bar verse to enter the competition. Ludacris will handpick five finalists while the prize winner will be selected by the wemix.com community. The winner will be revealed in early December.

"I just want artists to be themselves and try not to sound how they think I want them to on the track," Ludacris said in a statement. "Just be natural and deliver your absolute best."

The winner will also take home a Sony Acid Pro 7 music production software package with 10 loop packs. The runners-up will receive the Sony Acid Music Studio package with one loop pack.

Ludacris' Theater Of The Mind is set to hit stores November 25th.

[~ ♥ ~]

Wednesday, November 05, 2008 

Current mood:  breezy
Category: Movies, TV, Celebrities


http://www.youtube.com/watch?v=GtREqAmLsoA

For those of you who didn't get a chance to watch it, well here it is! Enjoy! Barack Obama Infomercial Ad

Wednesday, November 05, 2008 

Current mood:  ecstatic
Category: Goals, Plans, Hopes


http://www.youtube.com/watch?v=jjXyqcx-mYY

Check this video for Barack Obama, this is "History in the Making!"

Sunday, October 26, 2008 

Current mood:  animated
Category: Writing and Poetry


Once upon a midnight dreary, while I pondered weak and weary,

Over many a quaint and curious volume of forgotten lore,

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

..'Tis some visitor,' I muttered, ..tapping at my chamber door -

Only this, and nothing more.'

Ah, distinctly I remember it was in the bleak December,

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow; - vainly I had sought to borrow

From my books surcease of sorrow - sorrow for the lost Lenore -

For the rare and radiant maiden whom the angels named Lenore -

Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain

Thrilled me - filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

..'Tis some visitor entreating entrance at my chamber door -

Some late visitor entreating entrance at my chamber door; -

This it is, and nothing more,'

Presently my soul grew stronger; hesitating then no longer,

..Sir,' said I, ..or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you' - here I opened wide the door; -

Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before

But the silence was unbroken, and the darkness gave no token,

And the only word there spoken was the whispered word, ..Lenore!'

This I whispered, and an echo murmured back the word, ..Lenore!'

Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

..Surely,' said I, ..surely that is something at my window lattice;

Let me see then, what thereat is, and this mystery explore -

Let my heart be still a moment and this mystery explore; -

'Tis the wind and nothing more!'

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately raven of the saintly days of yore.

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door -

Perched upon a bust of Pallas just above my chamber door -

Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

..Though thy crest be shorn and shaven, thou,' I said, ..art sure no craven.

Ghastly grim and ancient raven wandering from the nightly shore -

Tell me what thy lordly name is on the Night's Plutonian shore!'

Quoth the raven, ..Nevermore.'

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning - little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door -

Bird or beast above the sculptured bust above his chamber door,

With such name as ..Nevermore.'

But the raven, sitting lonely on the placid bust, spoke only,

That one word, as if his soul in that one word he did outpour.

Nothing further then he uttered - not a feather then he fluttered -

Till I scarcely more than muttered ..Other friends have flown before -

On the morrow will he leave me, as my hopes have flown before.'

Then the bird said, ..Nevermore.'

Startled at the stillness broken by reply so aptly spoken,

..Doubtless,' said I, ..what it utters is its only stock and store,

Caught from some unhappy master whom unmerciful disaster

Followed fast and followed faster till his songs one burden bore -

Till the dirges of his hope that melancholy burden bore

Of "Never-nevermore."'

But the raven still beguiling all my sad soul into smiling,

Straight I wheeled a cushioned seat in front of bird and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore -

What this grim, ungainly, gaunt, and ominous bird of yore

Meant in croaking ..Nevermore.'

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom's core;

This and more I sat divining, with my head at ease reclining

On the cushion's velvet lining that the lamp-light gloated o'er,

But whose velvet violet lining with the lamp-light gloating o'er,

She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

..Wretch,' I cried, ..thy God hath lent thee - by these angels he has sent thee

Respite - respite and nepenthe from thy memories of Lenore!

Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!'

Quoth the raven, ..Nevermore.'

..Prophet!' said I, ..thing of evil! - prophet still, if bird or devil! -

Whether tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted -

On this home by horror haunted - tell me truly, I implore -

Is there - is there balm in Gilead? - tell me - tell me, I implore!'

Quoth the raven, ..Nevermore.'

..Prophet!' said I, ..thing of evil! - prophet still, if bird or devil!

By that Heaven that bends above us - by that God we both adore -

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels named Lenore -

Clasp a rare and radiant maiden, whom the angels named Lenore?'

Quoth the raven, ..Nevermore.'

..Be that word our sign of parting, bird or fiend!' I shrieked upstarting -

..Get thee back into the tempest and the Night's Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken! - quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!'

Quoth the raven, ..Nevermore.'

And the raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon's that is dreaming,

And the lamp-light o'er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted - nevermore! 

Sunday, October 26, 2008 

Current mood:  awake
Category: Food and Restaurants

These Pumpkin Muffins are perfect to make around Halloween. Tis the season for pumpkin, yummy yummy pumpkin.

What you need:  

* 4 eggs   

* 2 cups white sugar   

* 1 1/2 cup oil   

* 1 3/4 cup pumpkin (small can)   

* 3 cups all purpose flour   

* 1 tbsp. cinnamon   

* 2 tsp. baking powder   

* 2 tsp. baking soda   

* 1 tsp. salt   

* 2 cups raisins (optional)

What to do:

Beat eggs slightly.

Add sugar, oil, pumpkin and beat thoroughly.

Add dry ingredients and mix until smooth.

Stir in raisins.

Fill greased muffin cups 2/3 full and sprinkle tops with brown sugar.

Bake at 375 for 15-20 minutes

This recipe make 18-24 good size muffins.

Friday, October 24, 2008 

Current mood:  anxious
Category: Fashion, Style, Shopping

Hello BFFs!

The reason for my blog is to see what you guys are planning on being for Halloween. I haven't really picked out a costume yet. So I want to get your opinion as to what I should be for night.

If you can please leave your comments and let me know what you choose.

Thank you and have fun with it.

XOXO

Kiss Kiss,
♥ Nina Vintage

Tuesday, October 14, 2008 

Current mood:  awake
Category: Fashion, Style, Shopping

My Pick as Designer Spotlight of the Week is Karl Lagerfeld.

Enjoy!

Kiss Kiss
Nina Vintage

Eva Herzigova for Dom Perignon Ad by Karl Lagerfeld

Wednesday, October 01, 2008 

Current mood:  happy
Category: Fashion, Style, Shopping

"Here is the exclusive interview from UptownLife.net".

Can't Stop Won't Stop

Don't call it a puff piece. A conversation with Sean Combs about his Sean John brand and his personal style is serious business. We've been listening to music shaped by Sean Combs—from the albums he directed (produced is a woefully inadequate description) for Jodeci, Mary J. Blige, and Biggie to his own turns at the mic, including the elegant Biggie tribute "I'll Be Missing You"—for so long now that he may always be thought of first as a music impresario. But with his clothing line, Sean John, Puff has truly made fashion history.

By Dream Hampton

We've been listening to music shaped by Sean Combs—from the albums he directed (produced is a woefully inadequate description) for Jodeci, Mary J. Blige, and Biggie to his own turns at the mic, including the elegant Biggie tribute "I'll Be Missing You"—for so long now that he may always be thought of first as a music impresario. But with his clothing line, Sean John, Puff has truly made fashion history.

Perhaps there are those who hadn't realized how serious he was about style; those who assumed that Sean John was a mere portfolio diversification, a way to explode what was already a rapidly growing fortune. They'd be among the many who've underestimated Puff.

In hindsight, there were signs: Even when he was a young executive working for his longtime friend Andre Harrell, Puff's personal presentation was his morning meditation. The diamond-encrusted Jesus pieces and the one-leg-up sweats belied his serious self-investment. He'd been known to drive his topless Volkswagen Cabriolet to work wearing a cream three-piece suit.

In 1998 he launched Sean John doing what he does in his sleep—transforming round-the-way style into something quality and elegant. No matter how cats in the street felt about its controversial designer, Sean John's early roomy velour sweat suits became an instant 'hood classic.

By its fifth year, when its fashion shows became massive presentations in the cathedral-like restaurant Cipriani, Sean John had emerged as a true house of fashion. Graduating from urban to utterly wearable glamour, its presentations rivaled the best in men's designs.

Puff's influence as a tastemaker has clearly extended beyond clothes. He almost single-handedly resurrected Saint-Tropez, a sometime sleepy town that had lost most of its mid-century glamour. The infamous paparazzi shots that showed him jet skiing behind his triple-deck yacht wearing shades and a plush terry robe or walking the beach in a seersucker suit beneath a summer umbrella summarized Sean John: Life is a dream. Dream big. And clearly, people the world over want a piece of that dream. Total revenues for the label topped $450 million this year. To celebrate Sean  John's 10th anniversary, Puff headed to the South of France for the Cannes Film Festival. He did it his way, with his oldest friends from Mt. Vernon, N.Y., Howard University, and Uptown Records as his red-carpet companions. In his own inimitable style, he claimed the Côte d'Azur as conquered territory. His stylish descent upon entertainment's biggest worldwide event signaled at least another dominant decade in the lifestyle business.

I caught up with Puff fresh from his Mediterranean holiday to discuss the remarkable success of his award-winning clothing line, his personal style, and the source of all that fashion swagger.

How would you describe your style?

Urban elegant. Harlem meets the South of France.

You've talked about assisting your grandmother, who was a master tailor, when you were growing up. What influence did she have on your fashion sense?

My grandmother helped me to understand attention to detail, how important fit is, how certain fabrics lie, what it means to finish a piece—from the button to the lining—and how a final piece should be presented. She had an enormous impact on my style and consequently on Sean John.

And your mother, Janice? She's been known to make a fashion statement or two of her own.

I got my flamboyance from my mother. I'm used to being in front of trends. When I was in school, half the kids would laugh at what I was wearing and the other half would get it, but by the next semester they'd all be trying to wear it. Even in hip-hop, they used to call me the "shiny suit man," but then a few years later at the MTV Awards or the BET Awards, cats were showing up wearing tailored suits.

Your father Melvin died when you were 2. What did you learn about him and his style by looking at old pictures of him?

I learned that fashion is in my DNA. My father was real Harlem '70's gangster, but it was refined—he didn't look like a pimp. He looks elegant in the pictures I have of him. It tells me a lot about who he was; fashion choices always speak volumes about people.

Who are your style icons?

My father. Frank Sinatra. Fred Astaire was one of the baddest. Slick Rick.

What's the best advice about fashion you've ever gotten, and from whom?

I can't remember who said it to me first, but everyone says it—less is more. I know I went through a period of decadence and over-the-top indulgence when I first got some money. I look at some of those pictures, and let's just say I'm glad I pulled back [laughs]. Ultimately I want my look to be timeless.

What's the one item of clothing you can't do without?

I can't live without a fine tailored suit. That's what will separate me in the end. I want to be timeless and elegant. I want my picture in the books next to Sinatra and Quincy Jones. I can do the ghetto thing all day. I can be on a yacht in the South of France with my shirt off wearing a big diamond chain, you know what I mean? I definitely know how to do that! But at the end of the day I feel most relaxed in a custom-tailored tux.

Have you reached your long-term goals for Sean John?

I've reached my goals with the men's line. With the women's line, it's been more challenging, especially the way I want to do it. I haven't achieved what I'd call success with the women's line yet.

What do you consider success to be?

Success is when I've perfected the quality, the cut, and the design. When I'm walking down the streets and I see women wearing my designs, looking confident and elegant. When Sean John has become a part of women's lives. That's already happened with the men's line, so the current challenge is to make that true for the women's line.

Are you involved in the design process?

I try to be present at every phase, from pattern making to production. I love giving talented, emerging designers some of their first major label experience, but at the end of the day it's my name on the label.

Sean John is said to have revenues of almost half a billion. How important is the company to your overall portfolio, beyond numbers?

I won't be satisfied until Sean John is a billion-dollar company. Ralph Lauren—that's the blueprint.

The Council of Fashion Designers of America named you menswear designer of the year a few years back. Of the many awards you've won, how important is that one?

I'd say it's second only to the Grammy, almost more important in terms of me being the first African-American designer to win one. It was an affirmation that I'm not just a "celebrity" designer, but that my peers were taking me seriously, placing my work next to Michael Kors and Armani and designers I've respected for decades.

What kind of clothing do you like to see women wear?

I like for there to be something left to the imagination. My favorite period for women is the '50s. I wish we could go back to that time, with women wearing gloves and hats, and as you undress them there are even more secrets—slips and garter belts and silk stockings. I like it when the clothes lead me to wonder what's going to happen next, when there are small surprises layered beneath what's visible.

You've said that when a man falls in love with a woman she inspires his style, and changes the way he looks. How have the women in your life affected your style along the way?

The way I dress, the records I make are all for my woman. I want to please her. When I get dressed, I need some sort of reaction—not from everybody, but from my woman. I need her to tell me "that's sexy" or "that's cute" before I even leave the house.

In February, you made history when you responded to Bethann Hardison's criticism of the dearth of black models on the runways by casting an all-black Sean John show for Fashion Week. What message were you sending?

Fashion, like music, should be a true reflection of what's going on in the world. To not have black faces on the runway is a lie. We have a huge influence on fashion and style—the way we make something out of nothing, the way we realize our dreams through fashion. Everyone, from Tom Ford to Alber Elbaz at Lanvin, looks to us for inspiration.

Acting seems to be the next frontier for you—you've taken it seriously and slowly. Who are your inspirations? Have you seen yourself grow as an actor?

I've definitely seen myself grow as an actor, especially since A Raisin in the Sun. I'm truly proud to have been a part of some stellar productions: Monster's Ball won an Oscar; when we did Raisin on Broadway we won Tonys—we'll win Emmys for the TV production of it. At the same time I'm not shy about saying I know I can be better, that there's room for growth and improvement. Screen actors get better in front of the camera, so the more opportunities I get, hopefully, the more I'll grow.

UptownLife.Net

Saturday, September 27, 2008 

Current mood:  artistic
Category: Fashion, Style, Shopping

Emma Watson's Magic Harper's Bazaar October 2008

Nina Vintage

Nina VintageNina Vintage

Nina VintageNina Vintage

Nina VintageNina Vintage

I can't choose a favorite between one in these photos with Mario Schwab, Alexander McQueen, Vivienne Westwood and Giles Deacon.

Which one is your favorite?

Note: Please feel free to leave comments.

"I love me some comments".

Saturday, September 27, 2008 

Current mood:  breezy
Category: Fashion, Style, Shopping

V Magazine 55 Fall 2008 Has 14 Covers

They name it the Biggest Issue Ever! Beautiful.

Naomi Campbell

Christy Turlington

Eniko Mihalik

Malgosia Bela

Anna Selezneva

Natasha Poly

Lara Stone

Frankie Rayder

Eva Herzigova

Daria Werbowy

Anja Rubik

Agyness Deyn

Abbey Lee Kershaw

Sunniva Stordahl

Photographed by Inez and Vinoodh in black in white with the trademark V in soft gray across the cover.

Models:Naomi Campbell, Christy Turlington, Eniko Mihalik, Malgosia Bela, Anna Selezneva, Natasha Poly,Lara Stone, Frankie Rayder, Eva Herzigova, Daria Werbowy, Anja Rubik, Agyness Deyn, Abbey Lee Kershaw, Sunniva Stordahl

Models jewelry provided are as follows:

Eniko Mihalik, Natasha Poly and Naomi Campbell wear Cartier

Malgosia Bela and Agyness Deyn wear David Yurman

Anna Selezneva wears Bvlgari

Daria Werbowy and Sunniva Stordahl wear Dior Fine Jewelry

Frankie Rayder wears Chanel Fine Jewelry

Abbey Lee Kershaw wears Gucci

Christy Turlington wears Piaget

Lara Stone wears Van Cleef & Arpels

Anja Rubik wears Louis Vuitton

Eva Herzigova wears Chopard.

(via vmagazine.com)

Enjoy!

Kiss Kiss,

♥ Nina Vintage

Saturday, September 27, 2008 

Current mood:  awake
Category: Fashion, Style, Shopping