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Saturday, December 12, 2009
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http://www.youtube.com/watch?v=J2QYYrgPU1c
The first three rows have sold out for the Eliza Gilkyson and Strings Attached Show this coming weekend.
Reserve your tickets here:
http://budurl.com/ElizaTicketRese
Read more about it here, including video footage from our 2003 concert, set list and more:
http://wtstringsattached.blogspot.com
All the best,
Will
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Tuesday, December 08, 2009
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http://www.youtube.com/watch?v=Ro9tLnItLn0
Fresh off the Austin City Limits television performance with Pearl Jam and an rare performance with Daniel Johnston, Will Taylor and Strings attached continue their genre-bending explorations with Eliza Gilkyson in the acoustically gorgeous Central Presbytarian Church in downtown Austin on December 19, 2009.
http://stringsattached.org
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Friday, November 27, 2009
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Friday, October 09, 2009
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http://www.youtube.com/watch?v=qhm_Ho_-p4E
Its late Thursday night and I have a mission. I need to compose an email so compelling, that you reach excitedly for the mouse on your right to click http://wtstringsattached.blogspot.com/2009/10/pearl-jam-and-stevie-wonder.html
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Monday, October 05, 2009
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Shot from audience at Hogg Auditorium Oct. 3 2009
Rouch footage from a friend taken from Hogg Auditorium Oct. 3rd, 2009
See the real broadcast Nov. 21, 2009 on PBS
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Sunday, October 04, 2009
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Pearl Jam stuff... For those of you who want to know what it was like to hang with Eddie and gang, here are some photos and video: Now is anyone coming to our next show? Songs in the Key of Life Feat. Tameca Jones, Jayme Ivison and a special guest One SHOW ONLY Saturday, Oct. 10th 9pm Threadgills Downtown Get Tickets here or at the door. Will Taylor and Strings Attached will recreate selections from Stevie's masterpiece Songs in the Key of Life. See a documentary about the making of the album here. See Strings Attached Stevie videos here. "Let us come together before we're annihilated." -- Stevie Wonder More shows at StringsAttached.org
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Saturday, October 03, 2009
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Pearl Jam calls Strings Attached to play two songs
Yes...today we're playing on Austin City Limits with Pearl Jam. The show will be aired on November 21st. If you're interested in more info about the show read here. To say we're excited is an understatement. We'll be playing The End and Just Breathe. Check the songs on Youtube.
Rehearsing the two PJ songs last night.
Now onto our next show. . .
Songs in the Key of Life Feat. Tameca Jones, Jayme Ivison and a special guest
TWO SHOWS ONLY
Friday, Oct. 9th House Concert -HOST STILL NEEDED - READ HERE
Saturday, Oct. 10th 9pm Threadgills Downtown
Get Tickets here or at the door.
Will Taylor and Strings Attached will recreate selections from Stevie's masterpiece Songs in the Key of Life.
See a documentary about the making of the album here.
Here's a bit of background on the songs we'll be playing. Prepared by Holley Mcconnell.
Living for the City: The song begins with Wonder describing the life of a boy born in "hard time Mississippi". His family is poor, but his parents work hard and encourage him, in spite of the terrible conditions they live in, they also have lack of food and money as well as dealing with a constant battle of racism. As the track progresses, the tension and anger build in Wonder's voice, matching the growing frustrations of the subjects in the song. A spoken interlude midway through the song has the young boy, now a young man, arriving in New York City for a new beginning. He is tricked into transporting drugs, arrested and sentenced to 10 years in jail. The tension in Wonder's voice boils over at this point into an angry growl, but then subsides again as he ends the song on a positive note. All in Love is Fair (Review): Laced with agony and pain, Stevie teaches us all about the difficulties of a romantic relationship. Sure, people vow to stay in love--but all too often they don't. Stevie sings of how his love with his woman did not stand the test of time; Stevie sings this with passion and style. Make Sure You're Sure (Review): A lush string-laden track concerning commitment in a relationship. Knocks Me Off My Feet (Review): One of his famous love ballads, which is classic in directness and simplicity. The song is turned loose in the dense, danceable Brazilian-flavored production. Sir Duke: The song was written in tribute to Duke Ellington, the influential jazz legend who had died in 1974. The lyrics also refer to Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald. Village Ghettoland (Review): Stevie Wonder sings of "Village Ghetto Land," describing an almost Brechtian scene of despair and corruption over a deliberately ironic piece of elegant, mock-classical music. Pastime Paradise (Review): This song sounds like a parody of a well-meaning protest song with its meaningless shuffle of words. Though the words to "Pastime Paradise" may make you want to run from the room, the music will keep you there, with its fascinating blend of what sounds like a string quartet set to a delicate Latin beat. As: it reached #36 on both the Billboard Hot 100 and Black Singles chart. In 1999, Mary J. Blidge and George Michael covered the song, and it is the second single from George Michael's greatest hits Ladies & Gentleman: The Best of George Michael. While not released in the U.S., it became a top ten UK pop hit, reaching #4 on the chart. Boogie on a Reggae Woman: This song, which was not in the reggae style (hence the unmistakable rock-steady rhythm guitar), continued Wonder's successful Top Ten streak on the pop charts. The lyrics are designed as a dialogue between the "nice" and "naughty" intent. It is also dubbed the farting song as it sounds like someone farting in the introduction. Superstition: Wonder had actually written this song for Jeff Beck, but at the insistence of his own manager, Wonder himself recorded it first. Beck was instead offered "Cause We've Ended As Lovers," which he recorded on Blow by Blow. Jeff Beck played guitar on Talking Book and later recorded his own version of "Superstition."The song deals with superstitions, and mentions several popular superstitious fables in its lyrics. Don't You Worry 'Bout a Thing: The song's lyrics convey a positive message about taking things in stride and accentuating the positive. It begins with an unusual spoken bit of dialogue, a forerunner of the "skits" popular in later hip-hop albums, in which Wonder portrays a slick character trying to impress a woman with his worldliness. I Wish: The song focuses on his childhood. The single hit number one on both the Billboard Hot 100 and soul singles chart. Higher Ground: Against a driving, percolating clavinet-based arrangement, the lyric posits that religion can perhaps successfully do battle with the darker sides of human nature. The album version of this song contains an extra verse and runs 30 seconds longer than the single version. The unique wah-clavinet sound in the song was achieved with a Mutron envelope filter pedal. The bass is a Moog synthesizer. Via overdubs, Wonder played all instruments on the track, including drums.
"Let us come together before we're annihilated." -- Stevie Wonder
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Barter for Tickets: http://budurl.com/barterfortics
Tell your facebook friends about the show: http://budurl.com/8hdy
Tell your facebook friends about our page: http://budurl.com/SuggestPage
Host a House Concert: http://budurl.com/houseconcertinfo
Will Taylor & Strings Attached on iLike - Add iLike to your MySpace 
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Tuesday, September 15, 2009
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INTRODUCING DR. CHARLES BEARD ZEPPELIN SHOW TAKES OFF WITH THE VISUAL PROJECTION ART OF CHARLES BEARD
(Buy Tickets to the Show)
It's been over three years since Charles Beard approached me with the crazy idea of adding projection visuals to our rock tribute performances.
At the time I was concerned that the visuals might disrupt the audience-performer connection. Three years later, I see Charles' contribution to our concerts as a integral part of a rich multi-layered experience. Sometimes a visual image along with the song can help the listener connect emotionally or find a piece of the song puzzle for themselves. As Karen says, "I think it helps you focus on the music. It's another sensual avenue." Charles is Strings Attached family!
(See a slideshow of Charles Work here)
I thought it was about time to turn the spotlight on Charles, so I asked him to share a bit about himself.
Here's what he said:
Like many in Austin, I am an overeducated PhD (in computer technology) who is an "underground" artist. I am interested in visual arts including painting, sculpture, film, and multimedia.
I started doing lightshows in the 1960's as a way to maintain my sanity in high school. I was influenced by artists in the original psychedelic ballrooms in San Francisco and New York.
The earliest lightshows that I did years ago featured oil and water overhead projections along with 35mm slides and 8mm movies.
Today my technology has changed to all digital media. I now use 3 computers and 3 dvd players for Strings Attached Shows.
I also employ a live video camera and DMX stage lights at times.
Despite the changing tools, the objective of lightshows remains the same through time--to enhance the emotional impact of the music. Through the use of color, motion, images and film I try to provide a beautiful visualization of the music. This artform is quite natural to me because I have mild synesthesia (I am blessed with the ability to naturally "see" sounds in my mind's eye. "What do you see when you turn out the lights? I can't tell you but I know that it's mine."--Lennon & McCartney).
Over the years, I've worked with a variety of local and national musicians. My work has appeared in art studios, music festivals, bars on 6th Street, as well as private parties. Recently, I provided a lightshow for Wavy Gravy (the colorful "mc" at Woodstock and reknowned humanitarian) during a 2009 SxSW film premier.
Although lightshows are not appropriate for all music, it is not surprising to me that this artform seems to be making a big "comeback" in the music world. Multimedia accompaniment to music is not just an archaic relic leftover from the sixties.
Today's big live musical acts from U2 to the Rolling Stones have huge visual productions. (Recently, even a James Taylor performance at Bass Hall used projected video.) For those raised on MTV-type video, an increasing number of audience members expect their music to be accompanied with some visual media.
I've been doing shows with WIll Taylor since May 2006 (the White Album). I always aim to add some pathos to his performances.
It has been a blessing to work with Strings Attached because of the superb quality of these musicians.
For me, the most fulfilling experience with a Strings Attached lightshow occurs when the audience gets involved and is moved to dance. Those are my favorite gigs. I like to believe that my contribution helps to inspire the audience to their feet.
I hope you will enjoy the show. c.b. Buy Tickets to the Show
See a HD Video Playlist of Songs from the Zeppelin Show here.
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Monday, September 14, 2009
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http://www.youtube.com/watch?v=F8YjcW_-mFc
Buy Tickets here:
http://budurl.com/sazeppelinshow
Listen and get a free mp3 from our past Zeppelin Show here:
http://budurl.com/sazeppelindownload
Can't afford the tickets?
Barter for Tickets here:
http://budurl.com/barterfortics
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Saturday, August 22, 2009
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BUY TICKETS for $15-$20 here
Threadgills in Downtown Austin
301 W Riverside Dr. Phone: 472-9304
In their continuing quest to re-make classic rock albums and present them in a way that is not cliche or imitative, Strings Attached will perform the entire Beatles Rubber soul album in a way you've never heard before.
The cast will include Jayme Ivison, Karen Mal, Glenn Rexach, Aaron Allen on upright bass, Shawn Sanders cello and more to be announced! Will Taylor & Strings Attached on iLike - Add iLike to your MySpace 
BUY TICKETS for $15-$20 here
Threadgills in Downtown Austin
301 W Riverside Dr. Phone: 472-9304
In their continuing quest to re-make classic rock albums and present them in a way that is not cliche or imitative, Strings Attached will perform the entire Beatles Rubber soul album in a way you've never heard before.
The cast will
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