Dear Friend,
I am very honoured to have been one of the artists involved with this project. The exhibition actually took place at the Musée d’Art Contemporain de Lyon , France. This book is a hard-backed, massive and beautiful record of the event.
Also, with the book comes a DVD with an edited version of the music composed by Susan Stenger with contributions from Robert Poss, Alan Vega, Alexander Hacke,
F.M. Einheit, Kim Gordon, Mika Vainio, Bruce Gilbert, Ulrich Krieger,
Warren Ellis, Jim White, Jennifer Hoyston, Spider Stacy and yours truly : ) You can hear my contributions on track 3.
The other fascinating thing about this book apart from the beautiful artwork, is Susan Stenger's reproductions of her music score for the entire 96 days. Incredible!!
All the details are below and also details of how to get your hands on a copy.
Love in light
Andria xxx
Soundtrack for an Exhibition
Mathieu Copeland, Susan Stenger,
Tony Conrad, John Armleder,
Gustav Metzger, Steven Parrino
and Kristian Levring
Co-publishers Forma, Musée d’Art Contemporain de Lyon and Galerie
Andrea Caratsch, Zürich are pleased to present Soundtrack for an
Exhibition, a significant landmark publication documenting and
extending the concepts, works and historical and contemporary
contexts presented in an exhibition of the same name, conceived by
Mathieu Copeland.
The exhibition was formed around the slowly evolving juxtaposition of
three distinct elements: a music composition by Susan Stenger
incorporating contributions from internationally acclaimed musicians
and based on a song form ‘exploded’ to last 96 days; the screening
– on a huge scale - of the entire footage shot in the making of The
King is Alive by Dogme95 filmmaker Kristian Levring; and an exhibition
of chemically changing paintings - Slow Rot works by the late American
painter Steven Parrino, and large-scale commissioned Puddle Paintings
and Pour Paintings created in situ by Swiss artist John Armleder.
The soundtrack, paintings and film’s individual and collective
evolution achieved what curator Mathieu Copeland describes as the
‘fragmentary unity’ that defines the entire exhibition, wherein it
acts as an abstract structure that constantly re-contextualises the
artworks without perverting their nature.
In a large 12″ format, the 160-page hardback with 39 black and white
and 26 full colour images includes, in English and French, an
introductory essay by Mathieu Copeland; discussions between Copeland,
Susan Stenger and Tony Conrad (composer, filmmaker and musician;
co-founder of The Dream Syndicate with John Cale and La Monte Young);
between Gustav Metzger (the leading figure of Auto-Destructive-Art),
John Armleder and Copeland; and an interview with the filmmaker,
Kristian Levring.
The publication reproduces the entire score of the soundtrack,
feature film stills, installation images and an audio DVD of
specially condensed/remixed material from the soundtrack, entitled
Sound Works for an Exhibition, composed by Susan Stenger with
contributions from Stenger, Robert Poss, Alan Vega, Alexander Hacke,
F.M. Einheit, Kim Gordon, Mika Vainio, Bruce Gilbert, Ulrich Krieger,
Warren Ellis, Jim White, Jennifer Hoyston, Andria Degens and Spider
Stacy.