Gender: Female
Status: Single
Age: 26
Sign: Sagittarius
City: W. Hollywood
State: California
Country: US
Signup Date: 10/14/2004
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Friday, December 11, 2009
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Current mood:  calm
Category: Music
FOR MORE BLOG POSTS VISIT: HTTP://WORDPRESS.RUSTYEYE.COM By Rafi It is at times really frustrating to see bands still relying on labels
to get creative on how to distribute their music. That is not the case
with young up start Rusty Eye. They have spent the past fourteen years
perfecting the DIY approach to getting your attention.
Having built one of the most interesting websites I have seen in some
time, incorporating a visual transport into the band's world. For once
you can not only see their raw rock/metal aggression but witness it
visually. I sat down with curiosity in mind, to ask their drummer Miss
Randall about the band's creation, work, and future:
Rafi: To better introduce you to our VampireFreaks' readers, how did this trio come together?
Miss Randall: The band was formed in 1995 by the bass player Mr.
Rust, under a different lineup. He recorded the album 'Rust and Roll'.
The band was then based out of Mexico City where we met in mid-2002,
but I didn't know how to play drums yet, I was just a fan. They were
looking for a new drummer so I told them that I would learn in order to
join them (they thought I was crazy). Within six months I learned how
to do it and auditioned again, and I got the gig. After I graduated
from High School, Mr. Rust and I moved to L.A. (sans guitarist, he left
the band right before we moved). We’ve had a couple guitarists here in
LA, since 2006 we went steady with current guitarist Baron Murtland,
recording “Stendhal Syndrome”, “Live at the Joint MMVI”, Circus of
Power’s cover of “Mama Tequila” and our latest, “Possessor”.
Rafi: What was it like to have a band in Mexico City?

Miss Randall: It is pretty tough, especially for us being an
American band based out of Mexico City. Out there you have to sing in
Spanish in order to be played on the radio. Plenty of people told us
that we needed to sing in Spanish, and we always said no, we wanted to
make our message universal.
Rafi: How different is the metal scene between the States and Mexico?
Miss Randall: Some of the resources you have here in America as a
band you simply don’t have down there, they are years behind. For
example, when we recorded what was going to be our 2nd album at the end
of 2003 (previously entitled “An Elegant Bloodbath”, for which we only
have the demo rough mix), we had to back up everything on DVDs rather
than an external hard drive (we had one but exclusively for music
collection and web/graphic design backup). Thing is out there
everything is so much more expensive, so it wasn’t the usual to have
many of these (lesson learned: DVDs were poorly recorded and the
session got deleted at the studio where we recorded…). So to be in a
band down there, you better be ready to afford equipment which is more
expensive to find and difficult.
But the good thing about Mexico is that the word of mouth is very
important, the fans are very dedicated. One of the main reasons why I
joined this band was because of its word of mouth. European and Foreign
bands usually hit Mexico and South America before hitting the States,
because it’s cheaper to tour and the underground metal heads are avid
and passionate followers. It's also different down there because there
are only a few independent labels. When we left in 2004, there were
hardly any independent labels that would support a band like us. If you
really want to be signed big, you have to be like 'Rock en Espanol'.
The only way we were going to spread our message better was moving to
L.A. (and we lucked out because of being U.S. citizens as well, which
is rare).
So as for the L.A. scene goes, I was going to Recording School and I
was working at The Whiskey at night. I got to really see how the metal
scene rolled since the beginning, and one funny thing I noticed was
that a lot of local American metal bands were stuck in the '90's. It is
weird, one would guess that this scene would be much more evolved. It
has gotten better nowadays. As for European bands in the U.S., it’s
hard for these bands to have good tours, which frustrates me a little
because I like them more. Well, there is always Mexico and down the
border.. where they are welcome with open arms.
Rafi: I noticed a lot of imagery, and that the names and context of
a lot of the songs came from horror movies and the horror genre. Is
that the premise of the band? A horror band?
Miss Randall: For this album it became a little bit more obvious. We
just wanted to make it full on shocking and have all the songs related
to horror elements. We consider horror movies a musical influence too.
I'm not saying that we're a horror band like Gwar, but it's definitely
one of the elements in terms of inspiration. You never know, maybe the
next album will be different. Just because it's an influence, doesn't
mean it defines our style.
Rafi: The one thing that I love the most is the website, it's very
well done. As I understand it, Rust came up with the idea of having it
so everyone can not only hear the music, but they get to see each
individual person playing it at the same time. How did he come up with
that idea? Does it make it a little more nerve wrecking to have a
camera on you the entire time you're playing music?
Miss Randall: (Laughs) Yeah it was a challenge to fulfill. Playing
with cameras does make you nervous, but we are used to document
everything we can when it comes to shows and behind the scenes stuff.
This time around, we had more than six cameras surrounding each member
completing a 360 degree circle. It was a challenge, but I guess if you
can surpass those things it helps make you more confident. I think of
it as a test that I had to pass. Mr. Rust came up with the idea
actually. He's a graphic designer, so he designed the website as well.
The cameras were placed and directed by Mr. Cannibal’s director
Alejandro Ordonez. I helped editing all of the videos, learning how to
use Final Cut. It was something crazy like 38 hours of footage to edit
and piece together. That’s Metal.

Rafi: While you guys are signed to Century Media, it seems like you
still take a very D.I.Y approach. Do you think that it keeps the
sincerity of the band in that everything is coming straight from you to
the fans?
Miss Randall: We're not actually signed by Century Media. We do have
a consignment deal with their CM Distro Online. The current situation
with the music industry has forced us to work more on our side to
improve the presentation of our product, so we created our own D.I.Y.
branding which is Epoche Records. We all add our own personal skills to
present our product in a professional way, without having to outsource
services. For example, I went to recording school, Mr. Rust to Graphic
Design school and Music Business. We also just got a consignment deal
with Best Buy with a lot of locations around the country, we are
already on iTunes, and Cd Baby, and of course you can buy the CD's at
our shows. People also get the wrong idea, thinking we want to stay
D.I.Y. forever. The reality is that we would really like to have the
push that a label would give us. I guess we just need somebody with
whom we can share our vision without fully compromising who we are.
Rafi: What do you think is the most challenging part of being in a band with the way the music industry is right now?
Miss Randall: One of the most challenging things is to appear
professional enough to all of our potential listeners so that they
don't confuse us with the garage band that just formed two months ago.
We want to come off as a quality band, and the fact that we have been
doing it for awhile really shows. Some people believe that if you're
independent you suck before they listen to you, so once they break that
prejudiced point of view, their whole perception changes. People in
L.A. are into their own thing, their own world, and it's really hard to
break that shell. Once they are possessed, it all goes downhill though…
Rafi: Lastly, but most important, where would you like to see the band ten years from now?
Miss Randall: I really hope to be covering more ground, other
continents, not just other countries. I'd like to have more records out
and about. Definitely keep evolving, improve how we play, how we make
songs, and just keep utilizing new technologies in our live production.
Check out Rusty Eye's Official Page
Check out Rusty Eye on VampireFreaks |
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Wednesday, August 26, 2009
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Current mood:  animated
 Metallian panel Discussion: Women In The Underground
- 08.2009-Introduce yourself.
I’m Miss Randall, drummer and vocalist of the metal trio Rusty Eye.
-How did you get into the heavier end of the music?
I got into Rock music at an early age, but in my
teens I found out that I needed something heavier to fulfill my needs
and I got introduced to the underground European Metal. Being raised in
Mexico City helped to build a strong character in me, a truly devoted
place to the subculture.
-Is it an advantage or a disadvantage being a female in metal?
If you use it as a gimmick, if you want to be just the token member,
well it may as well work wonders in your advantage! It’s easy to
promote yourself as the ‘hottest chick in metal’ just to get press and
attention, but when you are promoting that you can ‘actually play’ it’s
a different ballgame. I’m here to tear down walls, not to embrace
pre-established old ways.
-Is the visual aspect of being a female a tool in the promotion of your music?
We may use it as one of the many assets to set ourselves apart from
other bands, but it’s just another element. It is not the main thing.
-Do you have any funny instances or memories relating to being a woman and being involved in music?
This is a typical conversation with a person that I just met: “So you
are in a band? Way Cool! So you must be the singer!” Ergh… wrong! Front
of house engineers also are a true hassle when it comes to playing
without a sound check. The first song usually doesn’t get a good mix
because they don’t know first that I’m singing, and second, that I hit
as hard as a dude (grins)!
-Why can’t women drive and why do they insist to?
I don’t know man. We have to get to places too, but I get your point. Most of them aren’t that brilliant behind the wheel.
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Monday, June 01, 2009
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Category: Music
VISIT WWW.THECHAINSAWMAFIA.COM !!! Written by Mafia Staff Writer Tessara
Rusty Eye is a musical mesh of metal, progressive and horror. Originally from Mexico City the trio now calls Hollywood
their home. With many records and an amazing video behind them, there’s
no end in sight for their success. They recently worked with the iconic
Claudio Simonetti, scorer of George Romero’s Dawn of the Dead and
several Dario Argento films...
I got to talk to Rusty Eye’s extremely
talented drummer/vocalist, Miss Randall, for a very informative
Q&A....
Tessara: How was it to work with the great Claudio Simonetti?

Miss Randall: It was a great honor because we
have always been huge fans of both, his prog band Goblin, and his work
as a film composer. In fact, most of our wildest artistic ideas have
been inspired by watching Argento's films and the scores created for
them.
Tessara: Have you always been both a singer and drummer? Do you prefer one over the other?
Miss Randall: I started singing before
drumming, but I had always wanted an instrument to go along with me.
Even though I’ve improved in technique, I consider myself a naturally
rhythmic person. Doing both at first was a challenge, but then it got
easier. I enjoy doing both equally.

Tessara: Are the horror undertones something that was a conscious decision or did it just occur naturally?
Miss Randall: For us, horror movies
are as influential as records. It all occurs naturally and it all
becomes one when we write songs and lyrics. While some use horror stuff
as a gimmick, to us it’s more our lifestyle.
Tessara: What are your favorite horror films?
Miss Randall: Buio Omega, Phenomena, House by
the Cemetery, Suspiria, Pieces, House in the Edge of the Park, Macabre,
Hellraiser, Re-Animator, all Friday the 13ths... The list goes on.
Tessara: What are the top 5 influences in the band’s music?
Miss Randall: Iron Maiden, Motorhead, Metallica, Rush, and Goblin.
Tessara: Did starting Mexico City give you guys a different aspect of music? What was the Mexico music scene like?
Miss Randall: In a way it made us stronger, we
are proud of what we have achieved independently here because down
there you learn about the struggle it is to be in a band with no
resources available (no Guitar Centers, no gear rentals because they
are only for “signed bands”, no studios, etc.). At the time we moved to
LA, there was no real independent metal scene in Mexico that would
support an act like us (until recently there are a few new Indie
labels) besides, we sing in English and that is a big no-no to the
Mexican music industry.
Tessara: What’s it like to be a female drummer in a male dominated genre?
Miss Randall: It is not easy to be taken
seriously to be honest. Many females in other bands will speak the
contrary, but most are either fronting their bands or just “token”
members who don’t really excel in their instruments (degrading the role
of female musicians). I am here to set an example yes, but it’s not a
question about fighting for Feminism, there are bigger problems such as
the music industry not supporting original artists and developing their
music careers.
Tessara: If you could tour with any band, which would it be?
Miss Randall: Iron Maiden or Metallica.

Tessara: What inspired you to become a musician?
Miss Randall: I’ve always wanted to be
performing on stage. I think it’s the most beautiful feeling to express
your ideas live and recording them, so they last longer than your
existence: a legacy of yourself. I love to connect with the audience,
let them feel what I feel. It’s electric!
Tessara: Could you tell me about the “Mr. Cannibal” video shoot?
Miss Randall: After playing in support for
Katatonia and Moonspell in the late 2006, we were approached by a film
director Alejandro Ordonez who, both intrigued by our horror and metal
influence, wanted to shoot and produce a video for us. So we shot the
video the next year’s summer in a cool warehouse in Glendale with his
professional crew of people, and the fact that it was shot on 16 MM
totally worked with the song.
We plan on collaborating in future projects with him.
You can check out Rusty Eye and their great music at the following locations on the intarweb!
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Monday, March 17, 2008
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Current mood:  accomplished
Category: Music

Some people's fascination with Hollywood has nothing to do movie stars or bogus reality TV. The motivation for Rusty Eye bassist/vocalist Mr. Rust and drummer/vocalist Ms. Randall to leave Mexico City and move to Hollywood is a more inspiring story. While the metaphorical meaning of Rusty Eye is something about the corrosion of perception, these two musicians' ambition has been clear-eyed. Both became U.S. citizens and graduated from Musicians Institute, and while working day jobs, continuously wrote and recorded new music, playing gigs on the fabled Sunset Strip and in the other sordid clubs of Los Angeles. Along with the guitarist Tony "The Baron" Murtlan, this thrash/progressive power trio is gaining recognition as a serious act, not just some band with a hot-looking chick drummer. Mr. Rust, who was born in Tucson, AZ, formed Rusty Eye in Mexico City in 1995. Back to his early days, Rust, a guy who expressed himself freely, was destined for greatness, or infamy. He'd been kicked out of Catholic School as a pre-teen because they thought he was a Satanist. A well-read, humorous, and self-spoken dude off stage, the Eye's front man is a maniac onstage. "It's very radical to sing in English." Rust explains about the Mexican scene. "It's culturally disrespectful, Mexican bands have to sing in Spanish. There are underground bands who sing in English, but that's attached to a certain niche, like traditional death metal, black metal. We weren't part of the underground metal thing, we weren't part of the mainstream rock thing. We were in between." Ms. Randall's story is inspiring for any aspiring musician. For the last two years the annual NAMM Convention in Anaheim, she has amazed the attendees (many of whom are veteran drummers), and in 2007, Randall was a finalist in the "World's Fastest Drummer" contest. To see and hear her behind the kit during one of the band's lacerating shows makes you wonder how she became so good so quickly. And the girl can sing, whether as a lead melodic vocal, or a guttural death growler complementing Mr. Rust. Randall's extraordinarily talented, and she's consequently been sought out by self-serving A&R people who'd like her to put down the drumsticks and front an all-girl band. "I've been a prog head since I was 14," explains Randall, who cites Rush drummer Neil Peart as being the one who made her want to pick up the sticks. "I was always inclined to the percussion thing. In 2002 I met the Rusty Eye guys and they needed a drummer, and I was like "Well, I'm going to learn." They believed in me, I got he drum set and started playing, and after six months I learned all the songs and I finally joined the band." Tony Murtland, aka "The Baron" is a Virginia transplant and the unalloyed American of the trio. Oddly, Murtland admits to being a jazz nerd, while he claims the late, great guitarist Chuck Schuldiner [Death] was most influential to him growing up. Currently, Rusty Eye is working on new material for their forthcoming independent album - a follow-up to their 2006 release Stendhal Syndrome - which is due to come out this summer. x

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