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Riz MC (also on FB + Twitter as "rizmc")



Última Atualização: 6/11/2009

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Status: Solteiro
Cidade: London
País: UK
Data de Inscrição: 29/12/2005

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terça-feira, março 24, 2009 
My new film Shifty is out 24th April

plenty of fun to behad in the meantime....stitch up your mates and send them into utter panic with this:

www.shiftyfilm.com/stitch.php

and watch the trailer here:

http://www.youtube.com/watch?v=oW_1kqQH6xw

pls support this independent film lovingly made by the same guys who made the POST 9/11 BLUES VIDEO!!

it is set for a big UK openign and we need your support on it

thanks!

R
sexta-feira, dezembro 05, 2008 
Hey guys

I'm doing gigs in the US, Radar is being released there, and Britz is just being aired there - all this week.

I'm gonna go scope out any change in vibe post-Obama.

I doubt I'll get let through no problemo, but this time if I get hassle at the airport again I'm gonna say : "What?! it's not like my middle name's Hussein, now is it"....I think that dry British wit will endear me to the immigration staff.


Gigs in Chicago and NY this week:


The shows are getting some very kind press.

TimeOut Chicago:
"Makes Eminem sound like Lil' Bow Wow...relishes defying type...a verbal sociologist who gets down at drum 'n' bass parties while formulating broad social critiques....No MC on the planet can claim a résumé to rival Riz's"

I have to say this is one off the most intelligent, understanding, thoughtful, and supportive interviews I've ever had written about me.
Check it out: http://www.timeout.com/chicago/articles/music/69161/a-whiz-of-a-riz


3rd December, Chicago @ Homeroom
(Pulaski Park Fieldhouse, 1419 W. Blackhawk St.)

5th December, New York, @ PUBLIC ASSEMBLY (Front Room) **FREE ENTRY**
70 N 6th STreet, Williamsburg, BK - (Between Kent + Wythe Sts)

7th December, EOW @ Pyramid Club, Manhatan (alphabet city lower east side)



Britz just aired in the USA last night, and concludes tonight...if you saw it in the States, let me know what you thought of it fomr a US perspective...

Entertainment Weekly interview:
http://popwatch.ew.com/popwatch/2008/11/bits-and-bobs-4.html

Britz US reviews now online, e.g. :
http://www.calendarlive.com/tv/cl-et-britz28-2008nov28,0,4364122.story
terça-feira, novembro 18, 2008 
1) Best Actor nomination vs Colin Farrell (!?)
The London Film Festival Premiere of SHIFTY went down a storm....We're up for 5 BIFA awards!
Image Hosted by ImageShack.us

Best Debut Film, Best Music, Best Production, Best Supporting Actor (Daniel Mays)..

...and I'm up against Colin Farrell for Best Actor!

I feel honoured, humbled, and baffled...as you can see from the pic, I've found it hard to psych myself up and feel competitive, and have fallen for Colin's charms in the euphoric confusion of it all.







2) RADAR video now online
Directed by Lily Smith: http://uk.youtube.com/watch?v=hN7r3xM561k

Single is out now on vinyl, and we're getting loads of good press - recent features in Arena, Guardian, and lots of good blog love, and reviews across the whole goddam world goddammit! (check the press + reviews photo album)

http://earpipe.com/2008/11/13/riz-mc-%E2%80%93-radar-single-review/
http://www.guardian.co.uk/music/2008/oct/20/new-band-mcriz

Floor Magazine (Japan)

3) I did a track with live horns, have it for free

Mainly because it's a cover of Chase + Status' huge dubstep track, Easten Jam, and hence not mine to sell

http://www.sendspace.com/file/b2l4d3

I'm chuffed to say Chase + Status called me today to say how much they like it :)
sábado, outubro 18, 2008 
Another update from the front line. Welcome to the post-capitalist world, my fellow socialist bank-owning workers. 
Comrades, this is a busy week.... 

I have a film at the London Film Festival (come and watch it!)

2 dramas on TV 

and this Saturday I am supporting Dizzee Rascal at The Warehouse Project in Manchester
* Slight de ja vu with how everything coincides in October...hmmm


The Film premiere
Shifty. Will be in all good cinemas (and most multiplexes too) next April. 

It's on at the London Film Festival next week, with the new 007 James Bond movie. We were scheduled to show the same day but Daniel Craig was intimidated by my physique, and bottled it. 

Come see it at one of these premieres - 24th and 26th Oct (am doing post-screening gig on 26th)

If you'd like comp tickets let me know and I will put in a request, altho allocation is tight like indie jeans, so best to buy! Tickets not jeans!

Literally the day after the film screens, the dramas start to air... 

The TeleVisualisation of violence
Zombies take over the world, and the only idiots left are the contestants of Big Brother. 
Dark genius horror satire from Charlie Brooker (Guardian, Nathan Barley)

I play Jaime Winstone's boyfriend, axe in hand, blood on shirt. 
Now do you believe me about Daniel Craig, punk?  


The other drama is bank fraud thriller WIRED. Knife in hand, blood on cuff links. 
First episode got a 5 million viewers. So kind of on a par with my record sales to date. 



The gig with Dizzee Rascal

My second gig at the Warehouse Project. Last time I was first on, supporting Mos Def. 
This time I have nice juicy billing, with Dizzee Rascal, Plastic Little, and Gilles Peterson. 



Victory belongs to the proletariat! workers unite!

Riz

________________

p.s.The November release of RADAR / PEOPLE LIKE PEOPLE on Damian Lazarus' Crosstown label is steaming ahead with numerous great reviews under the belt...will be sending you the video soon.

* exactly this time last year 'Britz' was on billboards and TV, and I was playing the BBC Electric Proms, and I was supporting Mos Def at Warehouse Project. Something about October, not Mary. 


segunda-feira, outubro 13, 2008 
WHAT SONG IS IT?

The new recorded version of Sour Times, with strings....which you can download here (this is the song with lyrics written out as I say them - it's a video file)

http://www.sendspace.com/file/0fl2o2

Record yourself saying these lyrics along with the track, looking at the camera

Upload your footage onto a website like YOUSENDIT, or SENDSPACE, and email the link to sourtimesvideo@gmail.com

We will edit together all of your footage to make the video.

IF YOU SEND FOOTAGE WE WILL USE IT, PROMISE

--- WHY?

The message of this song has to be something that relates to everyone, regarldess of background, religion, gender, or age. If you support the sentiment of this track please help push this message in a way that means we all have ownership of it.

We will also have special guests saying the words alongside you guys, in the video.



Thanks in advance

Riz

p.s. PASS THIS ON please?

___________________________________________
LYRICS

CHORUS
In these sour times please allow me to vouch for mine
Bitter taste in my mouth
Spit it out with a rhyme
I'm losing my religion to tomorrow's headlines
Forrest gate
Sorry mate?
Na, nothing, it's fine

VERSE 1
And now its post seven seven why we callin it that?
They Tryina link it to new york like we all under attack
from the same big baddie but its takin the piss
cos the truth is al qaeda doesn't even exist


There aint no supervillain planning these attacks from some base
the truth is so much scarier and harder to face
See there's thousands of angry young men that are lost
Sidelined in the economy a marginal cost
That feel theres no point in putting ballots up in the box
Got no place in this system and no faith in its cogs
& theyre easy targets to be getting brainwashed by these knobs
Who say that spillin innocent blood is pleasing a god
Sounds good when you don't see no justice or jobs
Gas bills are piling up when all the oils getting robbed..?
So david's taking out goliath and his wife and his dog
Segregated castrated now we'll see who's on top


So see it aint religious faith that's causin these crimes
Its losing faith in democratic freemarket designs
Its no coincidence the bombers came from ghettoes up north
And the way that bush and blair talk gives a lost boy a cause
Then double standards get us angered both at home and abroad
Theres a monopoly on pens that's why they forge their own swords
The misguided turn violent strap themselves up with bombs
But theyre still cowards cos they aint here when the backlash is on


CHORUS
In these sour times please allow me to vouch for mine
Bitter taste in my mouth
Spit it out with a rhyme
I'm losing my religion to tomorrow's headlines
guantanamo
sorry bro? Na, nothing, it's fine

VERSE 2
So all the mans that wanna say
That my religions gotta change
That we're stuck in a bygone age
Its time to set the vinyl straight
Don't you think its kinda strange
That all this terror outrage
These last gasp castaways
These bastards that'll blast away
just turned up in the last decade?
When Islam has been the way
For millions from back in the day
Instead of thinking that were crazed
Investigate just what it says
Fast, help the poor and, pray
Go mecca, be steadfast in faith
That's the basics that's the base
So how did we get here today?

Interpretations always change
Today they're red with rage
Been jihardened up
desperations kinda fucked
makes you use a book of peace
as weapons in a ruck

so listen…
terrorism isn't caused by religion
or an old school vision of Islam
it's against the Quran
and it's a new innovation
caused by mashup situations
that makes them turn to arms
the problem is modern
And its all local factors
Dictatorships injustices and
Wars cause fatwas


CHORUS
So in these sour times please allow me to vouch for mine
Bitter taste in my mouth
[SPIT] with a rhyme
I'm losing my religion to tomorrow's headlines
abu ghraib
sorry, mate!
Na, nothing, it's fine
quinta-feira, agosto 07, 2008 
Where to go after the grandeur of the Royal Festival Hall, supporting Massive Attack?

Where to go after the squalor of my first full-on camping trip to Glastonbury, supporting Revd. and the Makers....?


BEVERLY HILLS...obviously!

I packed the tent, and checked into the Beverly Hills Hilton, as you do, without feeling at all like I was in an episode of Entourage.

Bafta-winning drama BRITZ has been bought by a US network, so we flew out for a press conference to introduce "Muzzlem Britonite Terrrerr Drama" to the fine folk at the TV Critics annual thingy.

People seemed excited and worried about how such a bold drama would go down in the States, which is good. I also had some great meetings with film people in Hollywood while I was out there.

Coming this autumn - billboards over Broadway, and lots of redneck hate mail.



Image Hosted by ImageShack.us


RECORD DEAL with CROSSTOWN REBELS...

Soon as I got off the plane I was approached by, cool-as-hell, top of the international dance underground, innovative and eclectic record label....CROSSTOWN REBELS.

....and have signed a couple of single deals with them!!

The label is the baby of ex iD Magazine music afficionado, and superstar Dj Damian Lazarus. They have released early EP's of world beating dance acts like Shakelton and Loco Dice, and have residencies at clubs all over the world.

It's a deliberately unexpected starting point for an MC - as you know this isn't a run of the mill "rap" project. I'm excited to work with people who get what I'm doing - and want to push it to the widest possible audience while maintaining credibility.

Expect cool music videos and vinyl releases :)
first release - Radar / People like People - October 2008



http://therebelagency.com/newsletter/archive/04/


PILLS

I am playing Fabric this Friday, alongside Goldie, DJ Yoda, and other dons.
This legendary venue is where I wasted my youth.
So it's an emotional moment to be on the other side of the stage. And old. And not on pills. Not that I ever was. I'm just saying.


http://www.facebook.com/video/video.php?v=21422538690&oid=20586743405

x
segunda-feira, junho 30, 2008 
Two amazing festival have just finished. I was lucky enough to perform at both of them. But even better, was able to check out some great live acts at both...

Did you go to either, who did you see, and who did you rate? Let me know! My picks are below....

My own gig at Glasto went really well - a prime time slot just before Reverend and the Makers on Saturday night.

I got cut short and had the mic snatched out of my hand by a stressed out stage manager, but with similar ends to Amy Winehouse and Crystal Castle's sets, I guess I was in good company.

At Meltdown I performed at the opening of the festival, supporting Massive Attack.
Was humbled to perform at such a huge and prestigious venue like the Royal Fest Hall , to be chosen by heroes of mine to perform with them, and to find out that they knew all about my music and acting work.
Afterwards, I was glad to be stopped by a range of people who enjoyed the set - from kidults working the cloak room, to trendy middle-aged women sipping champagne.

All in all a great response from two new audiences.

Here's my festival picks from stuff I saw....

______________________________________

GLASTO

Stuff that blew me away
*Yeasayer
A mix of styles, going beyond generic electronic / indie fusion - with real substance and balls behind it.

*Plump DJ's
They ripped the roof off the dance tent. A timely reminder why UK dance music will always be world beating.

*Sam Sparro
Phenomenal performer, unreal energy and crowd engagement - and what a belter of a voice. Prince with a big cheeky smile and bells on. The crowd were cheering so much he had to stop the set at one point. I'm a convert.

Honourable mentions
*Neon Neon
I'm still far form convinced, but big ups to Gruff Rhys sitting in a deck chair through the set and reading a newspaper, and big ups to Har Mar Superstar's headstand-while-singing

*Vampire Weekend
I understand now why they will be, and are becoming so huge. Can people just please stop calling them Afrobeat / Indie fusion... I don't understand. It's bouncy guitar pop.

*Booka Shade
Solid set from a great new album - dance tent was loving it.

Shit gig of the week
* Jay Z
Sorry. I get the whole symbolic importance of this, but good will and the bigger picture isn't enough. I wanted him to be amazing. I really did. But it must be hard to stay hungry with that much money, that fine honey, and a basketball team to boot. No passion, soppy song selection, low impact. A lot of people disagree tho.









Meltdown

I saw Massive Attack play after I came off stage and was just absorbed by the brooding, banging, audio visual treat. I was also periodically jumping out of my seat. Classic after classic.

Grace Jones was nuts. Just nuts. A crowd of lucky devotees, gyrating queens, and a lobby full of 80's obsesses art students itching to to see the original diva.
She forgot all the words to her songs and so just made them up and jumped into the crowd. She was all over the place, but everyone was worshipping her and on their feet form the word go.

....Were you at Glasto or Meltdown??

Riz
quarta-feira, abril 09, 2008 


march 2008

(this is US tours. for teh London vs. new york debate, scroll down!)

Check out a selection of reviews / quotes from blogs, newspapers and online magazines:






- "Riz MC was a hip hop sensation in sweatbox club Latitude " (The Daily Telegraph)

- "Riz MC woke up the crowd with his hyper-smart "voice of a generation" set that is equal parts brawn and brains….(SentimentalistMag.com)

- "His song Radar reset the ticking of my heart… his song, Sour Times should be required listening… You have to love a man that can stimulate you in your secret places, especially your brain." (BroklynArtProject.com)

- "the news of the night was Riz MC…whose lyrics reveal intelligence about pop culture and race politics" (Suyeinonnyc.blogspot.com)

- "Often mixing electro with his engaging, witty lyrics… he is a compelling character." (keephopeinside.blogspot.com)

- "he shows a real intelligence, sense of humour, and awareness of how to put these things together."(howardmonk.blogspot.com)

- "Personable, funny and incendiary in his rhymes, he stunned visitors.. and won a few new fans in one of his many Austin shows." (media mongrel blog)



i nearly wasn’t let in the country. they security checked me against an intl. terrorist database. in the end i had to get the mayor of london’s office, Uk consul general in new york, and two MP’s (members of parliament for my american friends, like senators) to write to the embassy. also had to hire a kickass lawyer who got amy winehouse her visa.

was really upsetting and frustrating i have to say, being discriminated against like this. cant tell you how bad it felt to be looked at and treated like that, at a point in your career when you need it least. they told me i wouldnt be able to do the US tour! you’d think i’d be used to it, but it always stinks.


So in the end i got in and did some great shows, as part of the annual ’Rock over London" showcase tour (which has in the past broken acts like Amy Winehouse in the States).

I played in New York, LA, and 5 shows at SXSW.

Shared the stage with some great acts: The Rascals, Scouting for Girls, Dan Le Sac vs. Scroobius Pip, Sway, and Emmie the Great.

The shows were received stupidly well! Loads new myspace troops, shed loads of CD’s sold, and Dan le Sac vs. Scroobius Pip have offered me support slots – and am hosting several dates on their UK tour.

I’ll planning to go out there again soon to build on the great response!

thanks to people for coming along





as far as other stuff fomr the trip goes...well, i wasnt a big fan of LA. sorry. its not really a city, its a series of suburbs. no people walking around, no hustle bustle and life of NY or London, everyone cut off in their cars, stuck in traffic on the freeway - a giant car park with palm trees!

i think maybe its the kinda place you have to really spedna long time to appreciate - definitly not too accessible. rode the bus out there. only ppl on there are the destitute and insane. really sad, actually. really weird vibe. amid the vortex of shut doors, hollywood snootyness, and deserted streets - i guess there’s a nice lifestyle, health conscious, beautiful people, and weather.

correct me pls, i’d love to be proven wrong!

also - where are all the cranes? london skyline is full of them. so is dubai, shanghai and so on....US cities stopped building?? complacency leads to decline - beware the chinese dragons rise!!!!

peas + loaf

riz

________________________________


part 1

october 2007

I’ve just come back form the US of A, performing for Human Rights watch in Chicago and doing some radio interviews there. was a great event, performed some songs, did some reading from the Road to Guantanamo original interview transcripts. The lawyer Marc Falkoff had also compiled a volume of poems by Guantanamo inmates that had been smuggled out by lawyers like him. Others and myself read from this collection, very moving – two of the poems are pasted below:

Jumah al Dossari, a thirty-three-year-old Bahraini national, is the father of a young dauther. He has been held at Guantanamo Bay for more than five years. In addition to being detained without charge or trial, Dossari has been subjected to a range of physical and psychological abuse, some of which is detailed in Inside the Wire, an account of the Guantanamo prison by former military intelligence soldier Erik Saar. He has been held in solitary confinement since the end of 2003 and, according to the US military, has tried to kill himself twelve times while in prison. On one occasion, he was found by his lawyer, hanging by his neck and bleeding from a gash to his arm.
Death Poem
Take my blood.
Take my death shroud and
The remnants of my body.
Take photographs of my corpse at the grave, lonely.

Send them to the world,
To the judges and
To the people of conscience,
Send them to the principled men and the fair-minded.

And let them bear the guilty burden, before the world,
Of this innocent soul.
Let them bear the burden, before their children and before history,
Of this wasted, sinless soul,
Of this soul which has suffered at the hands of the "protectors of peace."

Another line from another Gitmo inmate, an Al Jazeera cameraman picked up and lumped together with the other random assortment of people who ended up there finished a poem with the following lines, which I found very powerful, was:

"They have monuments to liberty,
And freedom of opinion, which is well and good.

But I explained to them that
Architecture is not justice."


The ISNA annual convention (40,000 Muslims, bazaars, discussions, flirting) was on in Chicago at the same time, and so a friend arranged for me to speak at the media panel there.

I spent a lot of my time on the peripheries of the convention on the more social side - with the Taqwatour - a tour of Muslim punk bands. The tour bus was driven by the novelist Michael Muhammad Knight who wrote the cult classic novel ’The Taqwacores’ about a fictional Muslim punk scene in N.America which has now become a self fulfilling prophecy (a lot of the bands on the tour were named after bands in the book). My first night in Chicago I did a show with them and some of the bands on the tour, in a punk house in a Latino ghetto, it pretty raw and intense. Was interesting to see journalist / film crew to audience ratio was one journo for every five audience members - rolling stone, guardian, bbc.... obviously the media eat it up - and it is a really interesting phenomenon. But it’s also meaningful music outside of being a fascinating phenomenon, and I don’t think its media friendly appeal compromises the embryonic scene’s sincerity. All I can say, it was mad to see girls in full hijab running the show in the mosh pit. Big up Mr. Knight, Shah, Basim, Secret Trial Five, Al-Thawra, and the Kominas - it was a real insight and a real laugh chilling with you guys.

- Check out www.myspace.com/thekominas
The convention itself was an interesting experience - amazing how US Muslims are such a different demographic to UK - more middle class, proportionally more professionals than general population, more money and more spaced out/ less ghettoised. UK Muslims are generally bottom of the pile in education and employment in the UK (Pakistani and Bangladeshis mainly). It was less an Islamic convention and more a convention for Muslims in the cultural sense - a UK version of the same thing would have been far more conservative, as a result of these factors, I think.

It was ironic, the community there was so organised, educated, professional, and DIY pro-active, but the political climate was so Islamophobic and they had other lobbies as obstacles to achieving their aims. Whereas in the UK we have a far more conducive climate, but are failing to help ourselves in anything like the same way.

I guess in the US people expect less from government and turn to organise themselves more readily. But also, there’s been different starting points, they had a more educated immigrant wave form the subcontinent in the states. The more middle class experience in the US means less race consciousness compared to in the UK, where being a South Asian minority is about polishing that chip on your shoulder, wearing it with pride against a certain history of race riots and struggles on the 80s etc. It felt nostalgic in a way, because it felt like days gone by in the UK, before the Rushdie affair, when Islam was more cultural and we didn’t have such a prominent, resurgent radicalism – over there it seems a Muslim self awareness is developing more recently – since 9/11 really. But it also felt like the future – what can be achieved with education and organisation.


Then I went to New York and did some acting meetings, performed at a few open mics, and did a workshop with a youth group in Harlem. A friend suggested it, and I was in unknown territory, so I took up the challenge. An inspiring group of young performers overcoming adversity through "artivism" (artistic activism) - founded by ex Black Panthers and comrades of Afeni Shakur. Big up Jamal Joseph for his hospitality, and to all the guys at Impact for their vitality and active minds – keeping me on my toes during the whole workshop. Again, I felt something inner city youth groups in the UK could learn from - astounding sense of family, of discipline and creative energy....

"what is impact?"
"it’s not a game"
"it’s what?"
"it’s not a game"
"and why isn’t it a game!?"
"because what we do now matters forever"
"cos what"
"cos what we do now matters forever!"

The British Council should bring them over to do workshops with youth project coordinators! They’ve supported Kanye West, LL Cool J, and more. Check them out:

http://www.impactreptheatre.org/

New York was like a giant half price clothes sale. In Spanish. I loved it. I dunno if I was just on holiday there or not, but it seemed to me that it was more densely packed with fun than London - you feel like you’re at the centre of all the action wherever you are in Manhattan, and then there’s another 5 boros to explore...don’t get me wrong I’m a proud Londoner, but, ahemm, it’s kind of pricey here, ppl are less friendly, it’s harder to fart without spending money and being on a guest list, and you have to catch 10 night buses on a decent night out. I’m now on a mission to prove to myself I shouldn’t move. I’m subscribing to TimeOut London.

It did make me realise how attitudey London is. Whether hooded yout’ or well-to-do professional, the default mode of interaction is to be cold, and frown. Partly out of fear - I think ppl are more mixed up demographically in London than NY where I never felt intimidated and you got the sense all the moodiness was happening at a safe distance from you - even when in Brooklyn. But also cos we buy so so wholeheartedly into this status signalling game - it’s played the world over - ppl like ppl that make no effort. Ppl like ppl that don’t give a ___.

London vs. New York…..any opinions?
segunda-feira, janeiro 28, 2008 


Due to the internet hits and news stories, my video got taken in for consideration for a music Tv station...Apparently it was too "politcally sensitive" for an American company to be playing...??!! Next time I'll stick to the programme and talk crack, guns, and tell pre-adolescent ho's to shake their booty. unbelievably, POST 9/11 BLUES was actually Al-Jazeera video of the week in April '07...!!

http://english.aljazeera.net/NR/exeres/53C3C7D6-0DCE-4AB9-ABF8-C04356E0314F.htm


******************************************************


"ON THE TELLY NUTTIN' BUT THE POST 9/11 NEWS"

A special report on THE POST 9/11 BLUES was on Channel4 News. Watch the report here:

http://www.channel4.com/news/special-reports/special-reports-storypage.jsp?id=2175


__________________________________

i wrote this article about how the POST 9/11 BLUES has been recieved - i think it's been very telling and interesting to see how the public, media, and music industry has dealt with this track, as it gathered momentum.

I think it's been very ironic the way that a song satirising the hysterical climate of fear, where meaningful or difficult questions are excluded from the over-simplified, knee-jerk public debate, should fall victim to the same kind of sentiment it was satirising. For instance, yesterday on a news story on the CBS website I was portrayed as echoing the same views as Abu Hamza. Art imitates life imitates....here's the article:

www.newstatesman.com/200608280038

Battling the censor
Rizwan Ahmed
Monday 28th August 2006

My single is a hit on the net. So why are the mainstream media running scared, asks Rizwan Ahmed

I have ten new voicemails. "Hey Riz. Heard back from MTV. They won't play your video. Sorry. It's too 'politically sensitive'. And something about them being an American company, they can't risk it." Deleted.

Next message. "OK, so that download portal won't host the video. They said 'insensitive content and flippant tone'. None of the commercial stations can play it either. But DJs at Kiss FM and Xfm are all secretly e-mailing it to each other. They say they love it - they just won't risk their jobs over it. DJs Bobby Friction and Nihal have put in a request to the head of music at Radio 1: it's pending. Fingers crossed, keep you posted."

I hang up, tear some hair out, sit down at the computer with some tea. My e-mail inbox is more eclectic: hate mail from Texas and Surrey; messages of support from students in New York, businessmen in Norway and kids in Bradford; a schoolteacher in Windsor wants to show the video to her year ten class; an academic in Germany wants to present it at a conference.

These are some of the responses to "The Post 9/11 Blues" - my debut single - and its video. The song is a satirical take on our distorted world since the 11 September 2001 attacks. It takes the current climate of fear, terror spin and headline consumption to a surreal conclusion: "Shave your beard if you're brown/And you best salute the crown/Or they'll do you like Brazilians and shoot your ass down . . ./We should put the whole of Oldham in its own fuckin' cage/Move Hounslow underground, so nothing could go wrong/Luton's already moving, Bradford's already gone/We're all suspects, so literally be watching your back . . ."

I have no PR company to orchestrate an "internet storm", but I'm proud to say that the song has become something of a cult classic. It has notched up 69,000 page views on MySpace, and the video has been watched 50,000 times online. But even in the age of the internet's supposedly democratic consumer power, getting an online phenomenon to transfer to mainstream radio and TV is tough. It's tough if you're an independent artist, and it's even tougher if your song's title contains a mention of 9/11.

I acted in Michael Winterbottom's film The Road to Guantanamo, and was illegally detained by Special Branch upon my return from the Ber lin Film Festival in February (as Clive Stafford Smith documented in these pages). But that was not the inspiration for "The Post 9/11 Blues"; the song is about something far more general, shared and nebulous than that. It stresses the commonality of our experiences, the way that our public space and private lives, our thinking and culture have all been invaded, since 9/11, by a simplistic and cynically packaged world-view. And it does so in a shamelessly radio-friendly pop package.

The positive response to the song is, I think, evidence of how cynical so many young people of all backgrounds are about political scaremongering. They have seen tanks at Heathrow, the Forest Gate fiasco, and the de Menezes shooting. Support has come from people of all colours, races and creeds - lots of Muslims, but many more white middle-class students. In these times of "us and them", an awful lot of people of different origins seem to be on the same page.

Of course, it is not uncommon for a track that is popular on the internet to be spurned by radio and music television. However, many of the reasons cited in this case have concerned the track's "sensitive" nature. This puzzles me. It seems Ms Eldridge's year ten class is watching stuff that's "too hot for TV". Music programmers stay true to the usual hypocrisy: as a rapper, you can talk guns, bitches, drugs and hos, but not politics.

Radio programmers at the BBC, under the pressure of the internet groundswell, have at last agreed to play it, but only on "Asian music" shows, where the DJs have pushed hard for its inclusion on the playlist. Yet the track features no sitars or tabla, and on the London pirate radio circuit it enjoys colour-blind rotation.

The news media, on the other hand, have responded with a stream of the kind of headlines satirised in the song. I have become not just a rapper, but a "Muslim rapper", and therefore a "voice" for young (angry) British Muslims. Perhaps this shows how lacking a real voice for young (angry) British Muslims is. But it also demonstrates how quick the media and entertainment industries are to pigeonhole anything created by a Muslim, in the category labelled "British-Muslim issues".

I have given interviews, hoping to steer the conversation away from what I think of 7/7 and Abu Qatada, and on to how I've come up against disproportionate censorship, how it seems that as artists we are forced to walk on eggshells. But often I have felt that, as a Muslim, I am seen to be bearing a fringe message of protest, which should be studied, patronisingly, as a social phenomenon. I'd argue that my point of view is not a marginalised "Muslim viewpoint": it is shared by many people across the social spectrum.

Maybe there is a sense that Muslims are best placed to say the kinds of things that I say in this song, being closest to the muck of the post-9/11 world. But then, all the more reason not to fence us off into our own little pigsty. Like it or not, we're all in the shit together.

"The Post 9/11 Blues" is now available for download on iTunes and 3mobile and on limited CD release. Rizwan Ahmed will appear in "Gaddafi: a living myth" at English National Opera, London WC2, from 7 September.







*****************
The collage below was going to be the front cover for the single. But then iTunes and HMV and everyone told us they wouldn't stock it because it had the twin towers and Bush and Bin Laden's faces on it. So we rushed to get some replacement artwork done in time for the release...but luckily they screwed up and accidentally put up the original cover anyway! Hehe, check it out on iTunes, the artwork below is up there...

!


Free Image Hosting at www.ImageShack.us




Article for The New Statesman

www.newstatesman.com/200608280038






Observer articles here:



http://arts.guardian.co.uk/news/story/0,,1750300,00.html


http://observer.guardian.co.uk/uk_news/story/0,,1754749,00.html





Here's one of the four BBC World Service interviews:


http://news.bbc.co.uk/1/hi/entertainment/5176842.stm





NEW YORK TIMES mention by Gautam Malkani

http://www.nytimes.com/2006/08/19/opinion/19malkani.html?pagewanted=2&_r=1
id=2175





Channel4 documentary "Generation 7/7" featuring the POST 9/11 BLUES is shown regularly on Channel4 TV



The Independent newspaper

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domingo, janeiro 27, 2008 
people like people vid is below...very different to 911 blues video....which do you prefer??

and much more importantly...what's your favourite music vids of all time....?

michael jackson 'thriller' and 'black or white' got me pretty excited back in the day - in more recent times I loved the chemical brothers and liam gallagher video for "how does it feel like" - also aphex twinn 'window licker' and that bjork one when she's in a theatre in a theatre in a theatre watching a play of her life story...

im bad at narrowing it down...or thinking abotu any great current ones out there....





People Like People - Riz MC


Add to My Profile | More Videos277





BELOW IS 'RECENT NEWS'

***PPL LIKE PPL***
Hope you like the new track on my page - ppl like ppl - produced by lazersonic (www.lazersomic.com). I wanted to experiment with a new musical direction to some of my previous stuff, and you can expect my album next year to be very eclectic...
I'll be releasing it independently on iTunes at the end of October - hope you can support it.

***BBC ELECTRIC PROMS***
This coincided, luckily, with my performance alongside at the BBC ELECTRIC PROMS on 26th October @ jazz cafe, London. After I played on the BBC Introducing Stage at Glastonbury, the head honchos at BBC asked me to play the Proms - watch the performance here:

http://www.bbc.co.uk/electricproms/2007/player/livesets/console.shtml?c=riffraffandrizmc


**** 'BRITZ' on Channel4 *****
Also the same week I was proud to star in Peter Kosminsky directed drama 'Britz', which commemorated 25 years of Channel4....join the message board if you have views on it - which i'm glad to say most ppl seemed to:

http://community.channel4.com/eve/forums/a/tpc/f/69460501/m/6440057729




As ever email me on 911blues@gmail.com for updates, free songs, and just to get in touch...

Riz