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Syndrom Records



Last Updated: 11/18/2009

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Country: UK
Signup Date: 5/5/2009

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November 25, 2009 - Wednesday 

Category: Music
Darkroom Magazine (Italy)

Di rado capita di incappare in qualche autore che cerca di piegare uno stile smaccatamente dark ambient a tematiche reali e a concreti avvenimenti di cronaca. Uno di questi progetti è il qui presente Crisis, proveniente dall'Inghilterra e al debutto assoluto con l'ambizioso "Reactor4", disco relazionato, già dal titolo, al reattore nucleare che esplose nel 1986 nella centrale di Chernobyl, e che cambiò in una certa misura anche la nostra vita. Una tematica impegnativa e coraggiosa che se da un lato potrebbe avere il sapore di una denuncia "per non dimenticare" il fatto, dall'altro potrebbe essere una mera riproposizione di uno spaventoso avvenimento da cui estrapolare paura. Comunque sia l'intero lavoro ridà corpo a quella catastrofe, ai momenti d'orrore e alla devastazione che ne conseguì di lì a poco negli insediamenti circostanti. I suoni analogici, creati usando vecchi strumenti elettronici ed alcuni campionamenti, hanno una resa secca e arida; i dieci brani trasudano morte biologica e non godono di grandi variazioni, cercando di estrarre emozioni da una progressione sonora che mima spesso ("Neutron" e "Strom") l'ossessività di un allarme e i lenti movimenti di un gigantesco macchinario. Tra i rumori ferrosi e freddi trovano spazio alcune voci recuperate dai programmi che all'epoca commentavano l'apocalisse, o soluzioni che propendono per esili ricerche ritmiche ("Caesium-137"). L'unica eccezione stilistica occorre in "Prypiat" (nome della cittadina, ora abbandonata, adiacente la centrale), basata su toni calmi e piatti che rimandano alla quiete prima della tempesta. Le modalità di assemblaggio dei suoni sono semplici, se non a volte un po' arcaiche, e lo stile è mediamente più scarno rispetto ai classici prodotti del genere, ma il tutto si sposa bene con la desolazione dell'agghiacciante tema trattato, lasciando un profondo solco d'inquietudine nell'ascoltatore.

Rarely happen to run into any author who tries to bend its uncharacteristically dark ambient to real issues and real events in news. One of these projects is here this Crisis, from England and the absolute debut with the ambitious "Reactor4" disk report, which was entitled, at the nuclear reactor exploded in Chernobyl in 1986, and changed into a some extent even our lives. An issue that commitment and courage that while it might have the flavor of a complaint "not to forget" the fact, it could be a mere repetition of a frightening event from which to extrapolate fear. Anyway the whole job restores the body to that catastrophe, the moments of horror and devastation that followed shortly thereafter in the surrounding settlements. Analog sounds, created using old electronic instruments and some samples, a yield dry and arid, the ten tracks exude biological death, and have no major changes, trying to pull emotion from a progression of sounds that often mimics ( "Neutron" and " Strom "), the obsession of an alarm and the slow movements of a giant machine. Among the noise ferrous and cold space some items are retrieved by programs that commented at the time the apocalypse, or solutions that are inclined to slight searched rhythmic ( "Cesium-137"). The only exception should be in style "Prypiat" (name of town, now abandoned, adjacent to the plant), based on calm, flat tones that recall the calm before the storm. The methods of assembly of the sounds are simple, if sometimes a little 'archaic, and the style is on average thinner than the classical product like that, but it all fits in well with the desolation dell'agghiacciante subject matter, leaving a deep furrow of anxiety in the listener.
5:42 PM 
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November 15, 2009 - Sunday 

Category: Music
Filth Forge

From Albion come the traumatizing signals of a tragedy that has never stopped to disturb our conscience: the explosion of Cernobyl's nuclear reactor. Like a cawing radio transmitter, discovered by chance among the ruins of a devastated building, Crisis broadcasts to the world listening, if there's still a world out there, one submitted to indifference and egoism, the desperate scream of those still bearing the signs of pain and disease on their bodies. Despite more than twenty years have passed since that terrible night, people keep dying in the zones nearby that cursed reactor. The unseen enemy that strikes everyone, especially the youngest, doesn't intend to slow down its deadly action. Children with severe malformations are born in the hospitals. Their faces are masks of pain and death, true metaphors of humanity's egoism, so thirsty for power to destroy whoever stands in its way.
The ten tracks here assembled could be described as a nightmarish sound concentrate. A sense of incoming tragedy dominates the whole CD. While listening, you get the impression that you're walking through the deserted streets of Cernobyl (but it could be any other city or country, no one is safe from the omnipotence delirium of the human animal), obstructed by rubbles, polluted with the stench of decaying corpses, where a deafening silence reigns, sometimes broken here and there by the gloomy moaning of someone close to death.
Crisis delivers a dark ambient of strong impact, taking the listener by the throat, never offering a moment of release. No soundscapes, no cosmic distance from mysterious universes, ethereal elements are banned. In stead, cold and inhuman loudspeaker voices, inviting people to follow the government protocol and evacuate the city, mixed with the metal clamour typical of an industry operating at full regime, but actually foretelling the arrival of the irreparable. "Reactor 4", beautiful and tragic at the same time. Never forget!
11:57 PM 
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November 8, 2009 - Sunday 

Category: Music
Reflections of Darkness

The project CRISIS hailing from the UK and came to life after the recordings for ’Reactor4’ were finished. The album got his name from the notorious “Reactor 4” that ultimately caused what is commonly referred to as Chernobyl. For most of us, this is merely a name we connect with a nuclear disaster that happened long time ago. But in fact, it’s one of the most horrifying nuclear catastrophes mankind has experienced in recent history and this album is for us to see it that way again.

If you push the play button, you’ll be entering a desolate environment. In the beginnings, it feels almost like you’d be sort of examining the remnants after the catastrophe with a team of specialists, so from a more detached view, but then a disquieting dread about the cold, dehumanized nature of this place overcomes you. You’re starting to feel the terror that still haunts these ruins, the fear the employees must have felt, the fear of dying. As you walk on you can hear voices all of a sudden; muffled voices buried under the dust of decades, desperate cries and alarms sounding through the corridors like all of this is just happening. ‘Reactor4’ revives all these past events in your mind; makes them horrifyingly real. For that purpose, the project employs cold industrial sound sculpturing coupled to an array of overdriven electronic noises.

Also the voices aren’t a product of a vivid imagination; this is indeed original audio material from the Chernobyl disaster. In my view this underpins once more the graveness of the compositions. All that’s left to say at the end now is that the debut album of this mysterious new project marks an ambient highlight in a year that’s drawing close to its end. I am already looking forward to the next release.


Rating

Music: 9
Sound: 9
Extras: -
Total: 9 / 10
12:54 AM 
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November 8, 2009 - Sunday 

Category: Music
Side-Line Review

Crisis is a project operating from the UK and which has just launched their debut-cd on a brand-new label. "Reactor 4" refers to the nuclear disaster that happened in Chernobyl. It's a subject that has already inspired many artists from different musical horizons and that reminds us of the nuclear danger. The horror vision of this tragedy has been transposed in a real great way by Crisis. This band moves in between dark ambient atmospheres and industrial components. "Reactor 4 is an album with a real heavy visual force. Throughout the sounds and samplings of screams and other monologues you can perceive all the terror that happened in Chernobyl. We feel like a voyeur assisting to a nuclear disaster although this is just music! But when music has the power to create such a torment, we can only, but agree this is excellent ambient music. "Shut Down", "Exclusion Zone", "Evakuierung" or yet "Caesium-137" are remarkable tracks representing the main theme of "Reactor 4". This is a kind of sonic documentary that must incite the fans of dark ambient music to get a bit more familiar with Crisis. This is an achieved debut for a promising new project!
(DP:7)DP.

12:31 AM 
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November 4, 2009 - Wednesday 

Category: Music
Gothtronic Review

Crisis is a new experimental industrial, dark-ambient project from the UK. The debut album ‘Reactor4’ is released on the also new label Syndrom Records. The album deals with the 1986 Chernobyl disaster. Given the name of the album, it should already have been clear. And then to also call your project Crisis, it’s not all too subtle. But then again, the extreme disaster wasn’t either.

The sound of the album is very striking. It uses analogue synths and found Russian samples to recreate the chemical atmosphere. As a whole it has a kind of old school sound to it, which would have fitted nice in the Slaughter Productions catalogue years ago. Crisis knows exactly how to create gritty and striking atmospheres, regarding to the theme. The first song ‘Shut Down’ creates a great sense of unease, while the second track, ‘Momentum’, is a brilliant chemical soundscape, which uses Russian vocal samples to convey a toxic scenery. The whole album is quite a brilliant sound reconstruction of the Chernobyl disaster, from the moment it went wrong to the chemical aftermath. A lot of industrial records deal with this type of material, but I seldom hear such a strikingly claustrophobic use of chemical sounds, which really puts you into that infamous toxic place. In that way, it is somewhat comparable to Propergol’s sideproject Wrong Number with the album ‘Gun-Type Fission Weopon’ and Land:Fire’s ‘Physical : Mental : Psychological’. Those albums dealt more with the effect of the atomic bomb, but they had the same striking use of claustrophobic sounds regarding to its theme. Crisis is as good in conveying such a mood and therefore isn’t necessarily a pleasant listening experience, which is why it is so good, because the source material isn’t a fun subject to begin with.

‘Reactor4’ is a great record and Crisis seems like a new promise in the industrial underground. In essence in may not be the most original recording, but the sound of this record is so striking and devastating, it becomes something special. Also because of the use of analogue sounds and found samples, it recreates a genuine Chernobyl atmosphere that is hard to shake. So all this makes the album a real high recommendation!

8/8

3:05 PM 
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October 20, 2009 - Tuesday 

Category: Music
ikultra.net (weblink)

I remember when I first listened to Job Karma, and their album "Tschernobyl. My reaction to the album inspired by the greatest accident power stations, which have already happened in my life, were very enthusiastic. Listening to the unusual sound creations Job Karma, almost feel the bitter taste of liquid iodine, which then had to drink. Event of 1986 inspired many artists, and "Reactor4" Crisis of the British proposal is yet another soundtrack relating to the reactor accident. Musically there are not any disasters, but rather a devastated landscape after the explosion. Dreary, howling transmissions using a relatively moderate and devastation przesteru foster sound a bit psychedelic visions. The message is quite monotonous and difficult to specify the individual compositions. Imagine that you stand in the middle of the contaminated area, where the wind howls in the empty zawodząco blocks, moves rusty swings, still hovering in the air not only to toxic substances, but also fear and panic associated with the evacuation of the city. Radioactive clouds obscure the clarity, transparency of sound and embracing the dark, zwęglonym shroud. Crisis creates a very dirty texture of rough, but few sharp edges. Dudniące, some bear tracks are buczące radio voices, some very świszczącymi loops.

Often łapałem on that plate or completely moved past my perception, or was at the end of its decay. Is there anything specific in the music of Crisis, so its kind imaginatywna śpiączna opposite speakers. I waited for it, until you get a little unveiling of the industrial dudniącej curtain. "Prypiat" as the penultimate track gradually reveals to us a different picture, much brighter, so suspended. It's just music prosthesis, artistic treatment, because in the music of Crisis, there is no optimistic messages. "Cesium-137" is a re-toxic stain, chemical and radioactive rustling, scratching sample. "Reaktor4" provides a very interesting ground wrażeniowego, specific shapes, and severity of our emotions. It is difficult to talk about the intensity of feelings, because the sound itself is not strong and dynamic. Crisis presented a pretty decent collection of broken, damaged emotions spilled corrosive acids in industrialnym and ambientowym substrate.


Pamiętam kiedy pierwszy raz słuchałem Job Karma i ich płyty "Tschernobyl". Moje reakcje na krążek inspirowany największą awarią elektrownii, która zdarzyła się już za mojego życia, były bardzo entuzjastyczne. Słuchając nietypowej kreacji dźwiękowej Job Karma, prawie czułem gorzki smak płynu lugola, który musiałem wtedy wypić. Zdarzenie z 1986 roku inspiruje wielu artystów, a "Reactor4" brytyjskiego projektu Crisis jest kolejną ścieżką dźwiękową odnoszącą się do awarii reaktora. Muzycznie nie tu żadnej katastrofy, ale raczej zdewastowany pejzaż po eksplozji. Ponure, wyjące transmisje o dość umiarkowanym użyciu przesteru i dewastacji dźwięku sprzyjają nieco psychodelicznym wizjom. Przekaz jest dość jednostajny i trudno wyszczególniać poszczególne kompozycje. Wyobraźcie sobie, że stoicie po środku skażonej przestrzeni, gdzie wiatr zawodząco wyje w pustych blokach, porusza zardzewiałe huśtawki, a w powietrzu wciąż unoszą się nie tylko trujące substancje, ale również strach i panika związana z ewakuacją miasta. Radioaktywne chmury przesłaniają jasność, przejrzystość dźwięku i ogarniają mrocznym, zwęglonym całunem. Crisis generuje bardzo zabrudzone tekstury o chropowatych, ale mało ostrych krawędziach. Dudniące, nieco buczące ścieżki opatrywane są radiowymi głosami, nieco bardzo świszczącymi pętlami.

Niejednokrotnie łapałem się na tym, że płyta albo kompletnie przesunęła się obok mojej percepcji, albo była już pod koniec swojego wybrzmiewania. Jest coś specyficznego w muzyce Crisis, taka swojego rodzaju imaginatywna śpiączna na przeciwko głośników. Czekałem też, aż pojawi się też nieco odsłonięcia tej przemysłowej dudniącej kurtyny. "Prypiat", jako przedostatni utwór ukazuje nam stopniowo inny obraz, dużo jaśniejszy, taki zawieszony. To tylko muzyczna proteza, artystyczny zabieg, bo w muzyce Crisis, nie ma optymistycznych przekazów. "Caesium-137" to ponownie toksyczne plamy, chemiczne szelesty i radioaktywne, drapiące sample. "Reaktor4" dostarcza całkiem ciekawego podłoża wrażeniowego, konkretnych kształtów oraz doznawanych przez nas emocji. Trudno mówić o intensywności odczuć, gdyż dźwięk sam w sobie, nie jest mocny i dynamiczny. Crisis zaprezentował całkiem przyzwoity zbiór zepsutych, zniszczonych emocji, rozlanych żrących kwasów w industrialnym i ambientowym podłożu.


"Crisis - Reactor4" CD is now available from the following distributors:
5:02 PM 
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October 4, 2009 - Sunday 

Category: Music
Mentenebre (Website Link)

It appears that Chernobyl is in fashion. So long in silence, and suddenly seems to become the central source of inspiration for artists. There are two projects as well, to boat soon going to release their albums with this theme as a backdrop. The first, which is not out yet but will do soon, is Der Blaue  Reiter and the second is the project guilty of this review, Crisis. Just to comment that just input, mysteries, sadness of the event and everything surrounding the Chernobyl nuclear power plant seems an interesting topic to delve and describe musical notes, environmental passages and some other voices. Crisis is a new project again by dark-ambient from the UK and "Reactor 4" is their debut album, also does so from a seal is also new, probably by the same person named Syndrom Records. "Reactor 4" referred to the famous reactor that exploded at the Chernobyl plant el26 April 1986. The leaders of the Soviet Union at the time, tried to keep the issue as quiet as they could, silent at first, and minimizing the consequences later, but the great escape of a toxic radioactive cloud that swept across Europe was enough to discover that the Chernobyl explosion was the largest global nuclear catastrophe. Immediately try to bury the heart of the explosion through a concrete box, called a sarcophagus. It used to called "liquidators" who could only work near the nucleus and the affected areas not more than three minutes. Many of these people were deceived, for they knew not to what is actually exposed, and today, still known cases of the consequences of those 206 days of work were carried out on that mouth of hell. Prypiat The city was evacuated, and today remains an exclusion zone on it, thus turning into a ghost town. 'm Like there all that day, as if time had stopped for Prypiat. However, not everyone left their houses and, today, people still live in the city, but little, obviously. There are many theories of what happened there since 26 April 1986, and an official version, but it seems that things are not yet entirely clear. With all this information, and many more, has recreated an album Crisis transfuse based environmental and distorted electronic sounds, and voices, radio and other real documents that give consistency to the album. It is best to know the whole story, then listen to the album and get more out and taste the essence of each of the tracks. So we are now dark and terrible, as the theme of 'Exclusion Zone', or 'Evakuierung' and others of great sadness, as 'Kraft' and 'Prypiat'. I think it's an album quite worked, particularly when composing the songs to give us the true essence of each title. It is not like other dark-ambient album, which puts them a title and then transmit nothing. Here yes. You can feel the tragedy that befell those days. Yet this is a special and delicate album, which is aimed at lovers of dark-ambient, because sometimes some tracks may seem a bit repetitive and in some cases the sounds are very similar to each other. Recommended.


Parece ser que Chernobil está de moda. Tanto tiempo en silencio y, de repente, parece convertirse en el centro de inspiración de los artistas. Dos son los proyectos que así, a bote pronto, van a lanzar sus discos con este tema como telón de fondo. El primero, que aún no ha salido pero lo hará en breve, es Der Blaue Reiter y el segundo es el proyecto culpable de esta reseña, Crisis. Tan sólo comentar al respecto que, así de entrada, los misterios, la tristeza del suceso y todo lo que rodea a la central nuclear de Chernobyl me parece un tema interesante para ahondar y describir mediante notas musicales, pasajes ambientales y algunas que otras voces. Crisis es un nuevo proyecto nuevo de dark-ambient desde el Reino Unido y "Reactor 4" es su álbum debut, además lo hace desde un sello también nuevo, probablemente a cargo de la misma persona, llamado Syndrom Records. "Reactor 4" hace mención al famoso reactor que hizo explosión en la central de Chernobyl el26 de abril de 1986. Los mandatarios de la Unión Soviética, de aquel entonces, trataron de mantener el tema lo más en silencio que pudieron, callando al principio y minimizando las consecuencias después, pero el gran escape de una nube tóxica radioactiva que recorrió toda Europa fue suficiente para descubrir que la explosión de Chernobyl había sido la mayor catástrofe nuclear mundial. Inmediatamente se trato de enterrar el núcleo de la explosión mediante un cajón de hormigón, llamado sarcófago. Para ello se emplearon los denominados "liquidadores", que tan sólo podían trabajar cerca del núcleo y las zonas afectadas no más de tres minutos. Mucha de esta gente fue engañada, pues no sabían a lo que realmente se exponían y, a día de hoy, todavía se conocen casos de las consecuencias de aquellos 206 días de los trabajos que se llevaron a cabo sobre aquella boca al infierno. La ciudad de Prypiat fue evacuada y, a día de hoy, se mantiene una zona de exclusión sobre la misma, convirtiéndola de esta manera en una ciudad fantasma. Allí todo quedo como aquel día, como si el tiempo se hubiera detenido para Prypiat. Sin embargo, no todo el mundo abandonó sus casas y, a día de hoy, aún vive gente en la ciudad, pero poca, obviamente. Existen multitud de teorías de lo que allí ocurrió desde el 26 de abril de 1986, y una versión oficial, pero parece ser que todavía las cosas no están del todo claras. Con toda esta información, y muchas más, Crisis ha recreado un álbum de transfundo ambiental a base de sonidos electrónicos y distorsionados, y voces, emisiones de radio y otros documentos reales que dan consistencia al álbum. Lo mejor es conocer la historia al completo, y luego escuchar el álbum para así sacarle mayor partido y saborear la esencia de cada uno de los tracks. Así nos quedan momentos oscuros y terribles, como el tema de 'Exclusión Zone', o 'Evakuierung', y otros de suma tristeza, como 'Kraft' y 'Prypiat'. Creo que es un álbum muy trabajado, sobre todo a la hora de componer los temas para hacernos llegar la verdadera esencia de cada título. No es como otros álbumes dark-ambient, que se les pone un título y luego no transmiten nada. ¡Aquí sí!. Se puede palpar la tragedia que aconteció aquellos días. Aun así, éste es un álbum especial y delicado, con lo cual va dirigido a amantes del dark-ambient, pues a veces algunos tracks pueden resultar un poco repetitivos y en algunos casos los sonidos son muy similares entre ellos. Recomendado.

"Crisis - Reactor4" CD is now available from the following distributors:
11:14 AM 
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October 2, 2009 - Friday 

Category: Music
Ear/Rational

Dark ambient noise. Imagine Brighter Death Now with less beats. This would work well on the Cold Meat Industries label because of it's heavily ominous growls and pain. The music is inspired by the Chernobyl reactor that melted down in the 90s. Tape loops, effects and the torture of thousands of families are heard in the music. Are they glorifying the disaster? I am don't really think so, they could be empathetic with the plight of the people that went through this disaster. Sounds samples from the media of the time are in the mix and mutely effected, giving voice to the concerns at the time. Lots of different drones and sounds build to create the sounds - this isn't just 1 note with filter sweeps. Instead many different sources come together to give a very rich and full sound.

"Crisis - Reactor4" CD is now available from the following distributors:
11:49 AM 
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October 2, 2009 - Friday 

Category: Music
Lux Atenea Libros (Webzine)

The dark-ambient is one of the most musical styles surprises (positive) I have been offered in recent years. I understand that is not a style that could be used to form intensive programs such as media television or radio, because this way of creating music, enters more in the personal and intimate of each. For this reason, when I get a
LUX ATENEA WEBZINE disc as "Reactor 4", debut album created by CRISIS I can not help review where this stress high quality musical work. Based on the horrible tragedy caused by the Chernobyl nuclear accident in 1986, "Reactor 4" is also the first work published by RECORDS SYNDROM record company, and from here, we I wish all the best. Since then, better start could not have begun its entry into the music business in the electronic dark. With "Shut down" alarm and tragedy displayed on the composition manage to cause nervousness and restlessness although one was calmer than before starting this hearing. A strong entry for "Momentum" is present with a pulsating background where the recordings original reactor control room to achieve integration inside a dark-ambient admirable creation. Then "Exclusion Zone" is much more irritating, provoking feelings Anxiety and disorientation until "Evakuierung" drown us with its claustrophobic atmosphere. "AZ-5" is much more expansive, more energetic, radiating a feeling of absolute power around one, an effect that is considerably amplified if you hear this composition with headphones. With "Neutron", the base rate of low anterior while more noise backgrounds will gradually taking over from our point of concentration until, "Strom," the environmental distortion is to take over everything around us. Kraft initially senses calmed down a little until the imminence of devastating disaster, cleverly shown in the admirable musical composition "Prypiat" will lead to a "Cesium-137" extremely bleak and apocalyptic. Enjoy it!.



El dark-ambient es uno de los estilos musicales que más sorpresas (positivas) me ha
ofrecido en los últimos años. Comprendo que no es un estilo que pudiera
ser utilizado de forma intensiva en programas de medios de comunicación como la televisión o la radio, porque esta forma de crear música, entra más en el terreno personal e íntimo de cada uno. Por este motivo, cuando en LUX ATENEA WEBZINE recibo un disco de la calidad de “Reactor 4”, álbum de presentación creado por CRISIS, no puedo evitar escribir una reseña en donde destacar este trabajo musical de altísima calidad. Basado en la horrible tragedia provocada por el accidente nuclear de Chernobil en el año 1986, “Reactor 4” es también el primer trabajo publicado por la compañía discográfica SYNDROM RECORDS y, desde aquí, les deseo todo lo mejor. Desde luego, con mejor comienzo no podían haber iniciado su entrada en el mundo discográfico dentrode la dark electrónica. Con “Shut down”, la alarma y la tragedia mostradas en la composición logran provocar el nerviosismo y la intranquilidad aunque uno estuviera de lo más calmado antes de iniciar esta audición. Una contundente entrada para que “Momentum” se presente con un pulsante fondo en donde las grabaciones originales de la sala de control del reactor logran integrarse dentro de una creación dark-ambient admirable. A continuación, “Exclusion Zone” es mucho más irritante, provocando sentimientos de ansiedad y desorientación hasta que “Evakuierung” nos ahogue con su claustrofóbico ambiente. “AZ-5” es mucho más expansivo, más enérgico, irradiando una sensación de poder absoluto alrededor de uno, un efecto que se amplifica considerablemente si se escucha esta composición con auriculares. Con “Neutron”, la cadencia de base anterior baja mientras los trasfondos más noise se van adueñando poco a poco de nuestro punto de concentración hasta que, con “Strom”, la distorsión ambiental se adueñe de todo nuestro entorno. “Kraft” inicialmente serenará un poco nuestros sentidos hasta que la inminencia de un devastador desastre, inteligentemente mostrado en la admirable composición musical “Prypiat”, nos lleve a un “Caesium-137” desolador y tremendamente apocalíptico. ¡¡¡Disfrútenlo!!!.

"Crisis - Reactor4" CD is now available from the following distributors:
11:16 AM 
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