Note: These are a few of the artists I rate highly. Let me know who else I should be up on? Buy the albums!
TawiahI’ve been in love with
Tawiah since early 2007 or late 2006. Her song "Watch Out" has special meaning for me. Her songs have everyday themes the world population as a whole can understand and relate to. But she presents them in an innovative and refreshing way. I have been trying to get my hands on a copy of her EP "In Jodi’s Bedroom" since it came out in February. Amazon is sold out. I ordered from HMV over a week ago. I got an email about a week ago from HMV notifying me they were sold out. I got another email earlier this week saying they got some in and they were shipping. That’s how crucial
Tawiah is as an artist. You need "In Jodi’s Bedroom" in your collection. Her voice is soulful. Her style is diverse. Her vibe is energizing.
BengaBenga is severely bass heavy. He recently released an album "Diary of a n Afro Warrior" in two different formats. He released it on CD and on Vinyl. I believe the vinyl has more cuts on it than the CD. He had a huge single with Coki in 2007 called "Night". That track, as well as many of his other tracks, takes your mind to another realm. The drums on the tracks give the aural equivalent of tunnel vision and the bass reminds you that you’re still awake. "Diary of an Afro Warrior" is a fitting title. When I listen to his music I feel like going into battle. I can feel my tribe with me moving in unison. I absolutely spaz out to his music. "26 basslines" is a notable track. Buy his album.
CoultrainCoultrain is an artist who is truly raw. His voice is not describable in terms of living artists. I can hear Stevie Wonder, Isaac hayes, and Earth, Wind & Fire (among others) in is music. But his voice... His voice is extremely unique – but not. He has the voice everyone has heard, but no one actually has. His album,
"The Adventures of Seymour Liberty" is timeless. I’ve had it for a brief second and I have yet to skip a song. I don’t even repeat songs. The album is a complete body of work. I have yet to bread it down ino individual songs. I want to hear. I want to listen to the entire album when I press play. If I were to mention some highlights from the album I would have to note "The Girl of My Dreams," for its deeply melodic flow. It’s dreamy, but not ethereal. "Swimming in the Stars" is a bit ethereal. "Self Pity" is edgy with its dissonance throughout. You hardly get resolution with that song. Great song. And "Screw" is straight gangster. Very strong arrangement. It goes from hard driving to a pimpish swing.
"The Adventures of Seymour Liberty" is the biggest bang for $10.00 (including tax and shipping) you’re going to get for a long while.
Erykah BaduNeed I say more than the name? I’m sure everyone reading this knows who
Erykah Badu is. I’m sure all of you have heard her music. I’m fairly confident all of you have heard at least one cut from her latest album "New Amerykah Part One (4th World War)". I won’t spend time describing her style. The world, but especially the American population needed this album. I doubt, however, they were ready for it.
Erykah played this one smart. She pulled a "bait and switch" on the senses of drowsy drones existing, but barely living. She released the single "Honey" so people would think everything was sweet. But no! "Honey" is on the album, but is not part of the album. It’s a "special ingredient"; bonus track. It is presented as a song separate from the album. "The Healer", "That Hump", and "Telephone" are my personal favorites. "Honey" is the weakest cut on the CD, and I like "Honey". Be sure to study the album art. It’s saturated with symbolism. The album sounds great, and it speaks. It’s revolutionary, but not necessarily "new". It should win someone’s award this year.
Eric LauEric Lau is a truly talented producer. I truly dig his music. I had heard a few songs on BBC of his. Then
Gilles Peterson had him on the Worldwide Show. Sonically he’s rich like hot cocoa made with milk and adding honey. The bass and the drums are thick but very clean. His sound is well directed and polished. From listening to his interview with
Gilles Peterson, philosophically we are on when it comes to creating music. He isn’t into cookie cutter creations. He sculpts his music to the image of the song at hand. His album just dropped two days ago on 03.18.08. It’s called "New Territories" on Ubiquity Records. He’s doing it Quincy Jones style. Only I’m betting this album will be better than Q’s Jukejoint, and I really like that album. He worked with rising star vocalists such as
Rahel,
Tawiah, &
Meshach Brown. He has worked with
Guilty Simpson.
Eric Lau... remember that name. he is a solid producer. Far from a novelty beat maker. Before he’s finished, he is bound to create a few stars as well as be one himself.
Bavu BlakesI’ve been a fan of
Bavu (excuse me... Mr. Blakes) since
Original Soul told me to check out the album "Create & Hustle" like it was the secret of the Kennedy assassination; serious in tone, but not loud enough for the whole room to hear. I could go on for quite a few pages about "Create & Hustle", which happens to be his only solo LP. That isn’t to say that is his only body of work. His 2007 mixtape "The Woodgrain Collection" is so damn Texas. Many people don’t respect the 3rd Coast; negating hip-hop legends like Scarface, UGK, Fat Pat, D.O.C., et al.
Bavu represents Texas with pride and savvy in his styling, his wit, his content, and his consistency. This year he is set to accomplish a hip-hop trifecta that to my knowledge (please correct me if I’m wrong) has never been attempted. He just released his EP "Extra Plair" this past Saturday at South by Southwest. Later on this year "Too Selfish", his second LP is coming out. In addition to the EP and the LP,
Bavu is giving out free music every week with his
"08 Is So Great" series with Wes Sanders. I’ve been supporting him by adding his song of the week to my page every week. Let’s do the math. That’s 52 songs in 52 weeks, and he encourages you make copies. So 26 songs is a rather long album. He is giving away at the very least 3 albums worth of music. The best part is that it is good music.
Bavu Blakes has quite a bit going on. You can get the latest weekly flow and all the rest (week 1 through the current week) at
www.08issogreat.com.
EniqoI’ve known
Eniqo for just over 6 years. From the first time I heard her name, our paths have been uncannily intertwined. My homeboy Chris was trying to date her. That’s how I first heard her name. I got a description. I first saw her at
San Kofa. I heard GNO talking to her, and for some reason I knew who she was. I asked her if she was her and she said she was. I introduced myself and that was our first conversation. After a while she started dating a good frined of mine. Throughout this time I had heard her mainly in the capacity of a poet and emcee. She really is sick with it. She has a cut on the "Pass the Mic" compilation CD produced by Madakwu Chinwah called "Clock Watchers". By and by, lo and behold...
Eniqo can sing. In 2003 I moved to Tampa with my good friend,
Eniqo’s other half at the time, and was followed shortly by
Eniqo. We moved to make music. Things were not as they were presented, so
Eniqo moved back to Dallas. I stayed in Tampa.
Eniqo was grinding in dallas. I of course was doing whatever it was I was doing in Florida. We kept in touch and now we’re room mates again. The whole time I’ve known her,
Eniqo has been grinding. Her debut solo album "Paradox" is due in a few months. She is soon to get her shine. Her style of singing and writing is uniquely unorthodox; typical of a talented but untrained musician. It’s best that she never received formal training first. Now that she has developed her style, she, with more training could compose her own music as well as write the lyrics. A major problem she has is every song she sings has to be custom crafted. Producers can’t keep up. They (and sometimes I) are too caught up on what it technically should be, than actually understanding her vision. She just formed her band for her live shows and I am happy to be a part of that. We sound good but very soon we’ll sound great. This is one artist I’ve seen struggle and been part of some of her struggles. When she blows it will seem like an overnight success. Know that it wasn’t. Her best songs are not available to the public yet.
Jay ElectronicaJay Electronica is the first and currently only artist signed to
Erykah Badu’s label
Control FreaQ. I really am intruigued by his rhyme placement. That’s just the first thing to impress me. He has the ability to spark a renaissance. I said that and I’ll stand by that. I can see someone attempting to call
Jay Electronica a novelty. Though he may be novel, he is by no means trendy in the sense of following mainstream or "nonconformists". His 15.45 minute piece "Act 1: Eternal Sunshine (The Pledge)" is a work of art. He cannot be questioned as a lyricist. In "Act 1" it is as if he created something rooted in hip-hop, but not of the genre. "Not a Disturbance", "Departure", and "Are You Watching Closely" are the only other cuts I’ve heard from him. He is somewhat of an enigma. I hear some of his tracks and various excerpts from "Act 1" on several shows on BBC Radio, but I really can’t find much directly linked to him. I find various articles about him, but hardly an interview. I was fortunate enough to catch him on the
Gilles Peterson show. The interview was good, but really not in depth. It gave me a bit of insight, but not much. That’s not really what’s important. What is important is he is destined to be legendary as an artist. I use "artist" in a very strict sense here. "Act 1" is the first of a 3 part release of his album. I highly anticipate hearing more from
Jay Electronica.
Others I intended to write on, but didn’t get a chance. Be sure to check out ALL of these artists. Buy ALL of the albums, and DON’T bootleg these artist. We’re stealing boots and breaking legs.
Von and The Sweat LodgeJose JamesDizee RascalTinchy StryderGuilty SimpsonGeno Young