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Level / FOURM



Last Updated: 10/18/2009

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Status: Single
Country: UK
Signup Date: 2/7/2006

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Friday, January 09, 2009 
There is a strong LEVEL & FOURM presence from various artists and audience members on and/OAR's best of 2008 pages here:
http://www.and-oar.org/2008_bests.html

Many thanks , and big respect for those of you that appreciated and supported the works and label in spirit, and of course, by purchasing the products. I hope to have an equally interesting 2009, particularly in fulfilling a long term ambition by releasing work on Non Visual Objects, date/title TBC. I am also launching a new series of FOURM works, entitled THE WHITE SERIES, featuring new audio works  in the usual ultra minimalist format, three times this year. I am also very pleased and proud to be able to release new works by my good friends Richard Garet and Andy Graydon at the end of february. Check out the WHITE_LINE EDITIONS site here: http://fourm.wordpress.com for news , updates and ordering information. I wish all of my friends and supporters a happy, successful, and very peaceful 2009.
Baz N
Sunday, January 04, 2009 

We still have a handful of releases still available:

AREA ( 3 copies remaining(:  Contains 1 copy of AREA by FOURM, full length CDR, 1 copy of Level, OPALE, plus artworks, texts and images by FOURM, all housed in an aluminium DVD box with seal. From a special pre-Christmas Edition of only 25 copies. These remaining copies were originally reserved but are now for sale. - £20 + Postage & Packaging

Luigi Turra/FOURM - Meditation Space: £6.50 + Postage & Packaging

Heribert Friedl/Mise En Scene - LWH: £6.50 + Postage & Packaging

Archisonics Book & CD - £12.50 + Postage & Packaging

Steinbruchel/Zimoun/Keith Berry - these remixes are now SOLD OUT

Paypal  payments to: whitelineBN@aol.com

Monday, July 10, 2006 
The most complete change an individual can affect in his environment, short of destroying it, is to change his attitude to it. From the beginning we are taught to choose, to select, to separate good from bad, best from better. Our entire upbringing and education are directed towards planting the proper snobberies, the right preferences. Ultimately these studies are concerned with everything as it is. The fair sample issues of new or old, used or unused materials hardly seem relevant, unless we are trying to prove a thesis. Are dead leaves new or old? Do rockets have more or less associations than tanks? In a context of thousands of years, is it important whether the material was made this year or last? In a context of everything, anything is a fair sample, or, to put it another way, nothing is a fair sample. Compare the voyeur and the voyant. To study everything we may isolate anything. Perhaps we may one day isolate everything as an object/experience/drama from which, as participants, we can extract an impulse so brilliant and strong that the environment, as it is, is transformed.