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Last Updated: 9/24/2009

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Status: Single
City: CHAPEL HILL
Country: US
Signup Date: 11/21/2004

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Tuesday, June 24, 2008 

Current mood:  accomplished
We are taking an indefinite break in June 2008.

Joel is in graduate school. Ryan plays bass for
North Elementary. Michel bought a house and is remodeling the hell out of it. Andrew is moving to South Africa.

Although we are taking an indefinite break in June 2008 - There will be new mp3's posted later this year.

Thanks to all of you for your support over the years.  You have been truly great.

Monday, November 27, 2006 

Press: So we organized this shit ('bout damn time):
http://www.canjoann.com/press.html
or blogs from here: elbo.ws

Here are some very recent mentions from various parts of the world:

The Vancouverite's Best of October playlist

VH1's Best Week Ever

The Toronto Star's "Anti-Hit List"

UK's Dirty Bronson -- Buzzband

Pefect Porridge

Kinky Origami

Wednesday, March 30, 2005 
"The Aiden Grace EP" Can Joann (self-released)
Extended-Player-Creme-de-la-Créme Syndrome: An unfortunate disorder in which a young band spends an inordinate amount of time writing, rehearsing and recording new material only to release a short but spirited EP with loads of promise never fulfilled by the follow-up drag of an LP. Perhaps you're familiar with it through Kings of Leon and Vue, two recent cases who fell into the trap by way of their major label debuts in the past two years.
On that note, here's to Can Joann, the shakin' quartet from Chapel Hill whose The Aiden Grace EP pops open-and-shut as one of the most enjoyable 17 minutes in recent local pop memory. Not unlike The Rosebuds, Can Joann crafts smart, sticky, hook-heavy rock with consistent rhythmic simplicity and spare, effective guitar lines that speak to vinyl collections chock full of The Beatles, The Kinks and Paul Revere. These songs break the 180-second barrier, though, giving them a complexity beyond verse-chorus-verse pep. Can Joann sets itself apart with meticulous bridges, too, establishing a structure more suited for The Smiths (see "Old and Grey") and Franz Ferdinand (see "Banner Year") comparisons.
There's an open-road abandon and ebullience here, separating these Hill lads from certain stiffs across the pond. An open-road, distinctly American feel shines through during sing-alongs like "Lady Luck" and "Banner Year." If this bright four-song gem doesn't have a case of EPCCS (fancy, I know), we've got a keeper.