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Friday, September 18, 2009
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The Woods are an experimental folk band, heavy on experimental. There are five songs here that run for twelve minutes on The EP Logue, and not one of them is easily categorized. If the “blink and you miss it” nature of Half-Handed Cloud’s fragmented pop songs collided with the mellower moments of Good News for People Who Love Bad News and then became friends with the wide-eyed, carnival-esque folk of Page France, you might have a good cover band for the Woods.
But that still doesn’t appropriate all that they are. From spoken word sections to gorgeous melodies that appear only once (so maddening!) to clever guitar licks that don’t get the focus they deserve before morphing into something else (also maddening!) to the plaintive and picturesque “Place I” (which is the only fully-developed idea here, speaking from a purely traditional pop standpoint), The Woods cram more beauty and oddity into twelve minutes than some bands cover in a lifetime.
It’s more like a painting than an actual album, and (lo and behold) that’s exactly what they wanted to do. They didn’t name any of the pieces, per se; they titled them with “place”, “person” or “thing.” They want the listener to understand more about a certain point of reference because of these songs, as opposed to enjoying the songs for their melodies and rhythms. As Ian Dudley says in the final track, “Just because I’m singing, that don’t make this a song.”
The Woods seem to know exactly what they are doing, and they’ve created a very, very pretty release. It’s a very confusing release, if you’re not used to or not a fan of experimental work, but it is a good release nonetheless. For fans of Devendra Banhart, Animal Collective, and the like. You can download it for free here. www.thewoodsvideo.com
www.independentclauses.com
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Monday, August 03, 2009
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Download The EP Logue for free and watch the video for "The Final Breaths of a Main Character" at www.thewoodsvideo.com!!!
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Wednesday, May 14, 2008
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NPR.org, May 13, 2008 - For their self-titled, debut release, Tallahassee, Fla. band The Woods decided to package all the CDs in the pages of old books. With an initial "pressing" of just 40 discs, the group glued together the pages of used thrift-store books, cut a hole for the CDs and stamped the band's name on the cover with a typesetting machine. It's the same kind of inspired care they took with the music itself. The Woods is an enchanting collection of songs rooted in acoustic folk music, with pleasantly unpredictable turns toward more experimental soundscapes.
As a band, The Woods is a sort of collective, fronted by songwriter Ian Dudley. It took him two years to produce the album, using a rotating cast of what he describes as "everyone I knew that could play an instrument or sing." Nearly 30 people eventually helped with the project, recording the music in Dudley's bedroom.
The Woods opens with a tinkling music box, chirping birds and a voice telling us, mysteriously, that "Elvis had been dead for 30 years." Recorded by Dudley's grandfather, it sets the scene for a wildly imaginative story about a boy who floats away on his bed, traveling across the ocean before landing on Rabbit Island. There, says Dudley, he searches for a friendly face, but finds only strangers and salt water.
The story was inspired, oddly, by a leaking air conditioner.
"At the time my a/c was leaking badly," says Dudley. "So the concept of poor household maintenance leading to an oceanic, dreamlike escape was very appealing. I did not necessarily write the songs in chronological order; I just wrote them with the overall story in mind and they fell in place."
The Woods is a creaky recording that captures how one might feel adrift and alone at sea. The production is lush, with multi-layered, angelic harmonies and a dense tapestry of ambient sounds. It's a rewarding headphone album with plenty of sonic surprises spilling from one track to the next.
On "The Baleen Plate Lullaby" Dudley channels the boy lost on the ocean. "If I was him I would be pretty scared out there alone in the dark" says Dudley. But "he's got the moon, he will be alright. The song is essentially about finding comfort anywhere and that there is a really old nightlight in the sky called the moon and the whales can sing lullabies just as well as your mom."
Dudley has assembled a touring cast for The Woods and will be performing from Florida to New York through the Summer.
http://www.npr.org/templates/story/story.php?storyId=90415939
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