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Alison's World of Music



Last Updated: 11/19/2009

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Gender: Male
Status: Single
Age: 37
Sign: Virgo

City: Gonzales
State: Louisiana
Country: US
Signup Date: 3/4/2006

Blog Archive
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Wednesday, April 29, 2009 

Category: Music

Huge Sale



Guitar


$75  Ibanez Tone Blaster TBX15R

$99  Ibanez Tone Blaster TBX15R
 
$99  Crate GLX15 amp
 
$99  Crate VTX15 amp
 
$99  Behringer V Tone GMX-110 30watt amp
 
$99 Austin Guitar (Blue) AU731
 
$140  Austin Guitar (Purple) AU754
 
$249 Yamaha Guitar FGX413SC
 
$850 Vox AC 30. . .  This is a Steel ! ! ! !
 
$1200 Takamine Tan 77 Cool Tube  (this guitar has a Tube pre amp)
 
 
Bass
 
$199  Ibanez Soundwave 65 Bass amp
 
$200 Yamaha BB404 bass
 
$300 Yamaha BB615 bass
 
$249 Ampeg BA112
 
$349 Ampeg BA115
 
$550 Yamaha TRB1005
 
$650 Yamaha BB2004
 
PA

$299  B52 MX18S
 
$699  B52 Matrix 1000 V2
 
$250 B52 SL12
 
$150 BBE482i
 
 

 Keys
 
$1399  Korg TR88
 
$
 



 



Monday, April 06, 2009 

Category: Music
I thought this was a good read. . .  let them know what you think and help them out. All Musicians should stand together.

 
From Nick Dimiao
 
I know there's a lot of you wondering why I'm sending this to you.  But if you
can see that I am sending this to only musicians, you'll understand.  As most of
you already know, a lot of us have been having a problem with SULLIVAN'S
STEAKHOUSE/RINGSIDE.  For what ever reason their corporate office has decided
that the bands that have been working for them, and helping them continue to do
good business are not worth the paltry restitutions that we earn AND deserve. 
Personally, I nor my band REWIND will submit to this.  And I have made that VERY
clear to booking and management.  A lot of you know me and I have done my best
to explain my reasons for not going along with this.  And I will not waste time
repeating my position.  But now I'm noticing something worse.  At an alarming
rate, I have been getting calls and emails from other musicians who want me to
work for them, but they have no guarantee of any money for me.  Also, I am
receiving emails from certain clubs and bars offering the same.  I actually had
one bar say that they were interested in promoting music with live bands and our
pay would be the 'exposure'!  Excuse me?! 
 
I'm not going to bullshit
any of you.  I'm in this to get payed!  Do these assholes think that when we
need to replace or fix some piece of equipment that the music store just GIVES
it to us?!  They really have no clue as to what we have to go through just to
make one gig.  It's pathetic!  I'm not trying to tell anyone what to do.  But
for me, if you want me, you better damn well have some money!
 
And as for
all these other bands that will go and undercut us and the ones that will just
go work for nothing... I'm watching and I'm taking notes.  How dare you make it
harder on all of us.  If you want to play for free that damn bad, play at home! 

 
I gave a friend of mine this example the other day.  I have a job
Monday-Friday.  Imagine if one day my boss pulled me into his office and said,
'Your doing a great job!  But now we want you to do the same job and maybe even
more work for less.  In fact, we're not going to pay you anything!'  This is
EXACTLY WHAT SULLIVAN'S AND SOME OTHER PLACES WANT US TO DO!  BULLSHIT!!! 

 
We need to stand united on this.  It's the only way that we will all be
better off in the end.  And I'm not talking about a union!  Personally I don't
like unions.  But there is no reason why we can't pull our efforts together and
put an end to this foolishness.  Playing music is just as much a REAL JOB as any
other occupation. 
 
I know that I've hit some raw nerves with this
email.  And I am not trying to make enemies.  But damnit!  I'm tired of sitting
back and hoping that someone else will take the lead on this.  If it has to be
me, so be it!
 
For those of you who have read this, thank
you.
 
For those of you who didn't, thank you as well.
 
Peace!


..

..

From New World Funk
 
New World Funk agrees with this sentiment. One thing that never changes in
the bar business no matter what economic circumstances we face is
competition. Louisiana is a culture rich in music,
food and "lifestyles". Part of our business as musicians in this unique corner
of the world is to keep that alive. Clubs, restaurants, dives, Live after 5s,
FestforAlls....they all depend on us to make this happen. Without the music,
this culture will fizzle. Get your fans involved!!! Ours Fans....their
customers!!! Let your fans in on the ugly underbelly of the music business and
get them to send an email, make a comment...Give them the opportunity to speak
their minds.

 

Nothing hurts a club owner/manager's ego worse than for a customer to tell
them that they aren't satisfied. Whether it be with the service, food or the
fact that they don't have quality entertainment, clubs/restaurants NEED
customers now more than ever. Give them the opportunity to let their voices be
heard!

 

About three years ago, Churchill's, which was one of NWF's regular gigs,
decided they didn't want to have live music anymore. They wanted to go the
"dance club" route. For those of you who have been their, I'm sure you are
thinking, "Are they nuts?" Well the management contacted me a few days before
our next show and told me that the upcoming show was the last. I looked at our
calender and noticed a lot of shows were now canceled. With that I sent out an
email to our NWF email list which at the time was about 3000 people. I told them
what was going on at Churchill's....not in great detail, but enough to get
the gist. I asked them to "stand up" and voice their opinions and I gave them
the owners' emails. Within 24 hours, the owner called me back! He had received
over 600 emails! That day my faith in my fellow brethren was restored! I was
able to read a lot of the emails....Some kept their sentiment brief and to the
point, and some where more forceful. One guy even found all of his receipts from
the past year, scanned them in an email, and told the owners that if they get
rid of NWF and live music, He and His money will not be back! I think he put
them over the top! Not only were all of our gigs restored but we got a size-able
pay increase.

 

The point of all this: Get your fans involved. Write letters, send emails,
make phone calls....It works!!! You will also gain a much closer audience. The
average Joe/Josephine finds what we do fascinating (Hello American Idol!). Let
them be a part of the process!

 

with Love and Happiness,

Chad
Braud

New World Funk

Souled Out

Andy Pizzo
Project

(225) 335-2563




Wednesday, November 19, 2008 

Category: Music


FREE  DRUM  CLINIC
 


Stop By December 5th @ 7pm For a Free Drum Clinic with Liberty De Vitto.
Get there early as seating is limited.
 
This is a must see show! ! !

Liberty De Vitto
 


"Best known as Billy Joel's longtime drummer, Liberty DeVitto has also appeared as a session drummer on recordings for a variety of other artists. Born on August 8, 1950, in Brooklyn, NY, DeVitto grew up in Seaford, Long Island; and, after catching the Beatles on their infamous Ed Sullivan Show appearance in early 1964, was inspired to play the drums. Entirely self-taught, DeVitto began playing in local bands during high school, before landing gigs with Mitch Ryder and Richie Supa; the latter of whom invited the drummer to play on his obscure 1970 release, Supa's Jamboree. DeVitto was driving the group's equipment van one evening back form a gig, when he was involved in a serious accident which left him with injuries that prevented him from playing drums for nearly a year. DeVitto first gig back after his recovery was in a wedding band, which eventually led to the formation of a new group, Topper.

Consisting of DeVitto on drums; Doug Stegmeyer on bass; Russell Javors on guitar and vocals; and Howie Emerson on guitar, slide guitar, and dobro; the group (with the addition of saxophonist Richie Cannata) would become Billy Joel's backing band by the mid-'70s. Subsequently, the drummer backed Joel on a string of classic recordings (1976's Turnstiles, 1977's The Stranger, 1978's 52nd Street, 1980's Glass Houses, 1981's Songs in the Attic, 1982's Nylon Curtain, and 1983's Innocent Man). As a result, DeVitto became a highly sought-after session drummer, playing on such albums as Meat Loaf's Dead Ringer, Carly Simon's Spoiled Girl, Rick Wakeman's Burning, Mick Jones' self-titled solo debut, and sessions for the late Karen Carpenter (which were eventually released on a 1996 self-titled posthumous release), among others. DeVitto continues to tour and record with Joel, while the late '90s saw him form a side band, the Funk Club, comprised of members from the Orlando, FL, area." ~ Greg Prato,
Monday, July 03, 2006 

Category: Music

This Blog is to get your input on what we can do to serve you better.  Let us know how were doing or to tell us what Products, or Brands you would like to see in the Store. Tell us how we treat you, and what we can do to make it better. You, our customer, are our biggest asset and we are here to serve you.

Thank you for your input.

 

Brian

Alisons World of Music

14340 Airline Hwy

Gonzales LA 70737

 

225-677-9299
Monday, March 13, 2006 

Category: Music

How to Purchase a Guitar

            Purchasing an instrument is much like buying a car if it does not fit your style or is not comfortable then you will not enjoy it. However some of the characteristics that affect the way a guitar fits the player are not quite as tangible as those found in cars.

            When buying either an acoustic or electric guitar there are some factors that should be considered.

            The first factor is the "action", or distance of the strings from the fingerboard. If the action is to high then it will be quite painful on fingers. This will discourage anyone from playing.

            The next is how well the guitar stays in tune over time. If the instrument does not hold its intonation well it will also discourage anyone from playing it.

            The third is the composition of the instruments. Acoustic guitars have three different types of composition. The highest quality of instruments is solid wood guitars. The top, back and sides of these guitars are all made of solid pieces of wood. The next level is a guitar with a solid top. The top is the part of the instrument that vibrates to produce the sound. Most of the sound also comes from the wood from which the instrument is made. Cedar and spruce are some of the more common woods used for the top of guitar. The rest of the guitar will be made of a composite material composed of different woods that have been glued together. The next level is guitars completely made of this composite material. This material is more inexpensive than some of the woods used in higher priced guitars. However the quality of the sound produced is somewhat compromised. I know this sounds confusing, but it is usually marked on the guitar.

            The composition of electric guitars is not quite as important as acoustic guitars. Electric guitars are usually made of alder, ash or mahogany. All of these woods can produce good quality sound.

            The intonation of electric guitars is greatly affected by how the neck is attached. There are three main types of necks. A neck-through design will stay in tune and give the most stability to the guitar. A neck through is a neck, which actually runs completely through the body of the guitar. A set neck is glued to the body of the guitar. This will not be quite as stable as a neck through, but more stable than a bolt-on neck. A bolt on neck is just that, bolted on. This allows for more give in the neck and also leads to more warping of the neck. Each of these different designs will produce slightly different sound quality as well.

            The pickups on electric guitars are a personal preference. The pickups "pick up" the sound and turn it into an electric signal, which is sent to the amplifier. There are two main styles of pickups. These are single coil and humbucking pickups. The single coil pickups have a tendency to buzz when power is not sufficient, while the humbuckers were invented to alleviate this problem, or buck the hum (it's not just a clever name). These different pickups do produce different sounds. However, it depends on the type of music and the musician's taste as to which is better. 

            The most important of all of these factors is completely personal. With any musical instrument it is important to get the guitar that fits the player. It doesn't matter what anyone else plays if the guitarist doesn't like it they won't play it. The best piece of advice is to never by a guitar or any instrument that you have not played. Guitars are made of wood, and every piece of wood is different, so even if you have played a guitar just like it, you never know what you will get in the mail.

            If the instrument is being purchased for someone, especially a child or a beginner, try to purchase a guitar that they will be able to learn and grow with. This may require spending a little more money, but if you save a hundred dollars and they never play that guitar because they hate it, then you have still wasted money. 

Steve S 

Alisons World of Music

225-677-9299