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Chokecherry



Last Updated: 11/22/2009

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Status: Single
City: MINNEAPOLIS
State: Minnesota
Country: US
Signup Date: 3/5/2006

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Thursday, September 25, 2008 

Current mood:  vexed
Category: Music

 Singing along to the radio

  Beautiful Delilah won't you lend me a couple of dollars so I can buy myself another cup of beer I know you're rich and lonesome say you'd like to take me home but just wait until the bar it starts to clear riding in your daddy's Volvo when the streets are wet and cold my bikes in your trunk there's a song on the radio but what will you do in five years when you've lived out all your wild years will it still be enough singing along to the radio Your sister's an accountant your brother has already got three kids I'm a cook in a kitchen and you're on birth control you'll watch as all your best friends move in with their boyfriends but when he's out of town she'll still call you on the phone maybe all you want is someone nice to go to the movies with Friday nights so you won't feel so all alone but I'd hang out with you for my whole life we'd make food by the stove's light and sing along to the radio There's one window well in my basement room you won't see the sun until afternoon over frosted glass that's piled up with snow but I've got three quilts my grandma left so all we'll need is our warm breath and patched up socks to keep away the cold you told your mom when you were nine that all you wanted was an easy life that you'd marry rich and never have to toil but at thirteen discovered Bikini Kill and ten years on you're listening still and singing along to the radio

Dance like it's our funeral

I'm tired of waiting and of hesitating I've got a lot of living to do before I die I've spent so much time feeling useless and shy so many hours feeling so sad and so fucked up but I know love of mine the world's a shitty place some time it'll break your hurt then spit into your eye but this fucked up medical system with its doctors is a prescription that's going to choke on the pills they're trying to force down your throat and we'll dance like it's our funeral when the world turns upside down take all these lonesome nights in these tragic times and we'll bury them a hundred feet down I could have a whiskey still or a hundred dollar bill could go shopping or could drink until I'm blind but have I ever told you honey I don't care that much for money all I need is enough to get me by I've been riding all around in this fucked up little town where the streetlights and the potholes can make me sigh we've got so much to love in this beautiful night that I'd rather watch this system burn than see you slowly fade away and we'll dance like it's our funeral when the world turns upside down take all these lonesome nights in these tragic times and we'll bury them a hundred feet down and
we'll dance like it's our funeral when the world turns upside down because nothing's wrong this time we can dance all night just don't go quietly into their good night

The Minnesota River goodbye

Moving up right along you made out with a fucking scenester it's not that it don't break my heart it's just that I'm not ready to forget everything we've planned maybe you forgot we were supposed to live together in a house with our dog and a garden in back I know you never forget Oh well I loved you truly oh the way I loved you like I had the weight of a glacier sitting on my chest that's the Minnesota River goodbye It was in the last six months that we were together we never kissed you said you don't feel like kissing anyone but you still loved me a lot or maybe it was my fault after I slept with your best friend less than a week after we broke up you don't owe nothing to anyone Maybe on a steamy road in the middle of summer our bikes will collide and all the pain we felt in these few years it will be gone maybe then I'll let you hug me and you'll buy me a forty and we'll sit beneath a tree and we'll have a good talk than again maybe not

Pigs Eye Parrant

In a shotgun shack with a swinging door beside a dirty haystack a little boy was born he saw the world through a smoke and a fog because beside his one good eye there was the eye of a hog when his mother passed away the preacher sold him as a slave they laid him down with a cross of chains upon a slave ship bound for the promised land
He said though I'm gone I shall return to watch these cities burn although I'm gone I will come back to see this whole world turn to ash
The sea did crash as the lightning roared as the main sail snapped the water poured in when the storm clouds cleared away upon the horizon skeleton ship with a skeleton black flag they tied the captain up on board and put the slavers to the sword said better think well on this choice you make to join us as equals or go to the bottom of the sea as slaves Meanwhile out east the landlords and saints taxed the small moonshiners and chased the squatters all away Pigs Eye went west and settled in a cave on the Mississippi where the waters ran dark and grey for whiskey and fur he'd trade and with the natives lived then married until the missionaries came they murdered the Indians and renamed Pigs Eye Saint Paul.

Goodbye wide open spaces

I locked the front door for the last time it seems like so much has been moving on just a quiet lone wind blowing down the highways towards the cities where the light's so bright you can't see the stars at night it's quiet here in the evening Main Street is drunk and black a sad country song playing while the waitress gives me a weird look from the back a tear falls to my plate
Goodbye red brake lights shine farewell dust rises into blue midnight skies a guitar in my hand pack on my back I hope to Christ that I never come back goodbye farewell my home
Freight train's always in the distance I hear it whistle long and slow but when I hear that steel rail rumbling it cuts me so deep I know my blood is in this soil there's such a thing as too much suffering in too wide open empty space but there's places everywhere just waiting and here I am an empty man in this empty land empty bottle in my hand I can't let go

Roger's song

Sometimes I think that Jesus made me for drinking beer and acting crazy I guess he knows the things that I do right we played our first show in Wisconsin Roger burned cigarettes through the stars in the flag outside the American Legion and the police followed us back to the Minnesota line
They said we better stop this way of living because in the end we're only going to wind up dead but they beat him with a bible until it broke him and left him shooting up on the lonesome Texas railroad tracks
Sixteen years old sent him to an exorcist he spoke in tongues so he parents would be proud of him but they called the cops and they locked him up the preacher spoke at Roger's funeral said that boy was never no good at all everyone in the crowd stood up and walked out

Don't leave a mark (when you go)

Wake me in the morning when you're leaving don't just leave a note on my pillow I know you never wear lipstick but I'd appreciate it if your lips left a mark when you go sitting on the front porch in the evening wind whistling in the trees it whines and blows take a drink of cheap whiskey and I hope you'll think of me and that taste in your mouth when you go
If you're lonesome Angeline put your hand in mine I hope we both understand that you've already got a man it's just for tonight Angeline
It's been so long since I even have felt lonesome just not too many folks I want to know but your southern breath sure seems to shake the leaves from the trees and melt the frost from the snow through your palm I can feel your heart beating don't worry though your man's not coming home and I promise to remember that my lips are not that tender and I won't leave a mark when I go

  Time and time again

When I called your house they told me you were at the mall buying clothes when you told me that you only shopped at thrift stores and then I see you in the evening you're all dressed up for a show and you don't even bother to say hello Time and time again you've been breaking my heart again night after night paranoid and crying again time and time again you're breaking my heart again line after line all you've been doing is lying There's a trail that leads down from the sink to your nose to the man in the greasy leather coat when there's no one left to buy from and you've been left all alone would you trade your last friend for that white lining of hope When a poor kid gets twenty years and charged with intent to be sold and a yuppie gets a ticket then paroled whether up your nose or through a vein haven't you ever been told that white lines will just blow away

Work will never set you free

I'm drunk by the time that I get home all this penny-pinching working life is eating up my soul work and pray but don't forget you're just a slave how come no one ever warned me that life was going to be this way Riding down a snowy road I've got a hundred cans of black label knocking around in my bones I locked my bike as my eyelids froze and how come all these car headlights make me feel so alone I go down to a fire on the banks of the river throw a rock into the Mississippi cold and silver there's got to be another choice for a better life than this working nine-to-five and drinking just to stay alive But no matter what they tell you work will never make you free we're wasting our whole lives harnessed to this horrible machine don't despair don't give up hold on to what you really need revolution starts in our daily lives with some of that good old anarch

y  Every greyhound station (smells like an ashtray)

I don't like people enough to hitchhike I don't like trains enough to hop tonight I've got a lonesome feeling if I ever grew up I probably would have learned to like you a lot it's almost past twelve on a Friday evening there's plastic vodka bottles on the stove there are some rodents over in the corner chewing I've got a one-way ticket but no place left to go
I thought I'd always love you
I walk the dog to your house in the moonlight I'm half drunk but the other half is on its way you brought me inside and gave me some coffee and laid my weary head right down next to your face some things can't be said sorry so you just try to learn and move on every greyhound station smells like an ashtray and like the smoke from that cigar the wind picks up and I'll be gone

  Every border is a tombstone

Well it's hard to understand but there's a million people buried underneath that hot sand with policemen in the sky and ranchers on the ground it's not just lines on a map but a thousand mile tombstone
Let me explain it this way that a border's the way that rich stake their claim chain us to the ground then work us to the bone it's not just lines on a map it's a thousand mile tombstone
They build up fences everywhere but the world was made a common treasury for everyone to share would you shoot your brother down if they handed you a gun or turn your rifle sites on the ones who hold you down

Teargas and whiskey

You said teargas and whiskey and heartbreak it made you old that no matter how hard you try you'll never take back all that dignity that they stole they've got you living like a lonesome river winds you're just keeping on without knowing why they've got you living like a lonesome river winds you wake up in the morning to the sounds of the birds in the trees you fall asleep in the evening to the sounds of the same old god-damned TV
These days you're riding alone in your '88 Delta Olds arguing with talk radio until your voice starts to go it's time you've given up on growing up and just got old
The sky's getting greyer and the wind is starting to blow but when spring comes and the ice melts then what will we find underneath all this snow they've got you living like a lonesome river winds you're just keeping on without knowing why they've got you living like a lonesome river winds

  Olive and green

Oh lord I'm weary it's like bricks weighing on my mind they gave me a suit of olive and green and they gave me the freedom to kill or die Way back in the Red River Valley the cornfields stretched long and wide by July under that clear and blue sky the corn stalks would stand as high as your knee Don't ask me no questions and I won't tell you no lies it's one long graveyard between here and between Baghdad where too many good decent people are dying They say it's just one battle in this age old holy war but I know that it's the same skies above us and across every nation it's the same wind that blows

Moon is on the river

Weekday nights it's six dollars for a cheap twelve-pack of beer he listens to Willie Nelson until he passes out lying back in that ragged chair weekend nights it's a bottle in the bathroom of a bar the pretty young faces you never could talk to playing pull-tabs at the bar
The moon is on the river while the lights are on the shore sitting back pulling memories from empty bottles on the floor
On the corner by the alley where they tore that old store down she'd walk down the sidewalk with her arms full of groceries where those boys all hung around it's that same wind that's blowing from the dry desert land to shake the leaves in these tall elm trees with the grain of blood specked sand On the porch are wrapped newspapers that ain't been opened up in days because even the mention of the war across the world could bring a tear to his eyes and a beer crate full of pictures under the table by the couch every time she got him in a photo booth she kissed him straight upon the mouth On the news they talk of freedom while politicians talk of love but when they speak about the price that's to be paid they'll always speak about someone else

ven in darkness (we're not alone) (For Jeff "Free" Luers)

I'm riding down on the River Road stars blink once in the sky and then they're gone while the good old Mississippi is spitting trash into the back yards of yuppie lofts but there's still something free in the space between this darkness and this dawn when it's reason enough for us to stay up because tonight we're not all alone sometimes I get drunk I say something dumb sometimes get drunk and we'll stay up all night long we can dim the sights on their surveillance lights with a stone and know even in darkness we're not alone At the Turf Club a hot summer night with the St. Paul scenesters and critics looking on but I swear I can hear a steel guitar and a lonesome wailing and weeping railroad song but there's still something free in the space between this darkness and this dawn when it's reason enough for us to stay up because tonight we're not all alone so take me in your arms and spin me because I'm sick of standing still when I want to hop and we can dim the sight of their surveillance lights with a stone and know even in darkness we're not alone Whether drinking beer or making love or writing 'off the pigs' on the precinct's wall they're the little ways to keep us sane while the war machine marches right along but there's still something  free in the space between this darkness and this dawn when it's reason enough for us to stay up because tonight we're not all alone someday we'll tie together all these loose ends and throw a little rope over the prison wall and we can dim the sight of their surveillance lights with a  stone and know even in darkness we're not alone When this night's gone and the light shines through the window we'll fade off like smoke when this night's gone and the light shines through the window we'll fade away like ghosts

Thursday, July 05, 2007 

Current mood:  intimidated
Category: Music

I DO WHAT I WANT TOUR- Summer 2007
Current mood: anxious
Category: Music

It was a story that needed to be told from the beginning. By doing anything else, you'd fail to capture the joy that comes from almost endless torturous monotony followed by nightly bursts of enthusiasm and sometimes, only sometimes, cheap beer. This particular tale involves alligators, smelly sleeping bags, and beagles that drink beer, but let me be clear, it's about us. 


Check Back! I'll add more updates as I write them.

 -----

Wednesday, June 20th

Hall Mall, Iowa City, Iowa.

 

We set off from the Belfry on Wednesday afternoon. We'd discussed loading all our shit up at 1, of course Bob refused to come downstairs until he was respectably tardy. An hour and a half later we were zooming down the Interstate in Pam's Ford Windstar, headed for the dark heart of the beast itself, Iowa City. We walked into the Hall Mall in the middle of an art show that involved people in masks, holding long knives, and building a mashed potato altar. We got it. I don't think you would. Anyway, some of the kids from the Infoshop volunteered to help us cart in our gear, we gave them the heaviest amps of course. Then we were hungry. We ate 3$ black bean burgers at the Mill where, coincidentally, the Honeydogs from Minneapolis were playing. Bob wanted them to sign his armpit; I thought it would be rude for us to bring it up first. One of the bands that was supposed to play didn't bother to show up and thus was born our Holy Shit Tour SHITLIST. This asshole is the first entry. Joanna Nemec. Just so we're not veering inordinately on the side of the negative we'll also keep records of good people who went out of their way to help us.) The show started around 10 with an Indie band. We then played to a handful of disoriented people. We sold some CD's and patches and Louis and Margo from Velocipede Infoshop paid us in zines and we abandoned a couple hundred anarchist pamphlets with them that we had lying around the Belfry. A very nice Iowan named Monique offered us shelter at her house and we trekked over there, tore apart the couch-fort that was set up in her living room, and drank beer on their sidewalk. Pam and Jon installed their earplugs and Bob and Chris did their thing, and over and above us the Iowa night sky hummed with the snores of slumbering giants.

 

Thursday, June 21st

Solidarity! Infoshop, Lawrence, Kansas.

 

The morning came on us grey and linty. Which really just means that we were hung-over, sore from being folded in half on loveseats to small for even the smallest of us, and already tired of listening to Bob complain about waking up at noon. We said our goodbyes and headed down the interstate. Now, be aware, we were not just naïve Minnesotans traveling through Iowa without defenses. We had, in our midst and unbeknownst to the citizens of Iowa, a man of Iowan ancestry named Tall Bob. He thought and talked like a good Minnesotan but could also stuff himself with tater tots as well as those South of the border (Iowa). The best. A couple hours into the drive we were introduced to our first Iowa Obstacle, consisting of a waitress in Southern Iowa who leaned on us while we tried to read the menu and ridiculed each of us in turn like we'd known one another for years. First, Pam ordered a Grilled Cheese from the kids menu. The Waitress balked, Pamela went down in flames. Next, Jon ordered three eggs over easy. That's it. She smirked and Jon tripped into the freezer case of whopper cake. Finally, our great Iowa hope came up to bat. He started out small with a coffee, she nodded approvingly. Now Confident, TB fired all his guns at once and exploded into space. Tuna Melt. She gawked and Bob actually shrunk in stature right before our eyes. Now only one was left. Chris. She turned on him in his little corner; Club Sandwich with tots. Three types of meat, mayo, bacon, hold the tomatoes. She beamed. We were vindicated. Bob confirmed our victory by devouring a piece of whopper cake, and commenting that he didn't think it had enough whoppers. Ouch for Iowa.

 

So, onto the music part. We got to the infoshop and were greeted by bright-faced idealistic radicals. It was a sober space, which actually I like and want to be respectful of (Bob thinks rock and roll has nothing to do with acoustic music or sobriety), but we also admit that we didn't want our disillusionment to rub off on these nice kids so we fled to the nearest bar where our friends in Best Friends Forever were playing that night, and there we drank dollar pabsts and watched Waterworld. As the time for show grew near we got an increasingly weird feeling, one involving a deeply powerful pang in our bellies, a sense of unfulfillment, and the dawning knowledge that it isn't a good idea to drink beer without eating. That's what Kevin Kostner will do to you. Pam and Jon went to a little café and got awesome Styrofoam containers full of Vegan Biscuits and Gravy. For only $3.50! Dave, a volunteer there set us up and we watched some ladies from the Dakotas called the L.I.D.'s who sang traditional songs with their very pretty voices, and a local Folk-punk band called Death and Flowers who hopped around with no shoes and sang bouncy catchy songs. Then, we again played to a handful of disoriented people. Afterwards Dave and his friend/housemate invited us to sleep on their floor and eat mini pizzas, Death and Flowers invited us to some house to hang out, all very nice but we wanted to go see BFF in a whole different environment than we'd ever seen them before. And we wanted to get drunk enough to dance. When we finally got there they'd already played. They snuck us a free pitcher of beer anyway, which was very nice. Bob and Jon walked back to Dave's house in the dark, discovering that Lawrence has the most convoluted sidewalk system in the world, essentially consisting of a couple feet of whatever material they had laying around: bricks, rock, wood, maybe even bones (it was really too dark to tell). Somehow we found our way to a house with four or five bikes locked outside, and walked in to find Pam and Chris sprawled as usual in the best places to sleep, and seeing them we decided that we must be in the right place.         

Treatment Bound Tour 2007- Part 2
Friday June 22nd
Soundpony, Tulsa Oklahoma

On Friday we went to Pam's ancestral home of Okiehoma. After driving up and down "blabla" boulevard and not finding her cousin Joes' house, we went down a block and discovered "blabla" street. Who does that? Joe gave us water and made fun of Bob while we cleaned up and then went out to Tulsa's best pizza place, kind of like Pizza Luce but not as good. Jon and Pam got a giant mushroom pizza and hatched plans to eat it for the rest of tour. Three days later we threw it into a New Orleans trash can and vowed never to eat pizza again. A waiter spilt beer all over Pam's cousin and everyone who worked in the kitchen came out to gawk. He got a free tye-dyed shirt. To make up for ordering the beers that got dropped on him we taught him Jon and Katie's phrase, "porky-pigging-it." Wiki it. Afterwards we went to the bar, the Soundpony, which was described as a biker bar. We were very happy to discover that biker meant biCYCLEist. They offered us bikes to ride around and gave us free beer and Jon wrote a song about Big Jim and his engineer friend who got lynched by honkies in West Virginia. It actually happened, there's a poem about it that's pretty good. The bar held a trivia contest, which Chokecherry dominated, proving the superiority of either Minnesota genetics or our educational infrastructure. In any case no one else seemed to have heard of Fidel Castro. We won a glass.  Black Jesus played first. The singer was Pam's first PamFan, which is an interesting situation that someone should do a dissertation on. They wore tank tops and we'd highly recommend their rendition of Hey Ya even though we might throw up if it ever comes on the radio again. We played to a packed house that we seemed to clear out pretty quickly even if everyone swears it was our best show. Shirley and a very nice other girl whose name just slipped my mind danced with their friends in a very Minneapolis way, which it seems like only people in the Midwest can do, it consists of grabbing whoever is nearest and twirling around with them until they escape. Jon read excerpts from our friend Lacey's zines, he even memorized one. Here it is. "Lying in bed with you, and reading the Communist Manifesto, (the reason for your Pa's imprisonment, is not my idea of a wild time." She might be a genius.  The beer was good and free but we had a 12 hour drive to New Orleans that we had to leave for directly after the show so Jon and Bob drank their fill while Pam and Chris drank water.

 

About 2 o clock we got paid and hopped in the van. Jon and Bob did impressions of Pam that consist of, "My name's Pam. Pam! Pam! Pam!." For some reason this infuriated Pam who was driving for the only time during tour. She pulled over after about 10 minutes and Chris hopped in the driver seat and told us to shut the fuck up. Jon and Bob took sleeping pills and passed out only to find that Chris and Pam stopped at the nastiest little Texas shitholes every 15 minutes or so to buy energy drinks and check out the bathrooms. During one of these frequent stops we discovered a strange thriving little community of people who eat breakfast at 3 am at the dirtiest gas station in the world. It was so filthy that Pam couldn't even bring herself to urinate. Somehow, during this period when J and B were finally quiet, Chris drove two hours into the scariest road in the world in Texas, in the wrong direction. Finally they gave up at 8.30am and Jon and Bob took over, taking Chokecherry all the way to NOLA, over treacherous alligator swamps and out of Texas, on just the energy that one Whataburger egg muffin gave them. They were heroic and tragic. And awesome.

 

Saturday  June 23rd

Dragons Den, New Orleans

 

Man. NOLA is fucked up. It's a criminal tragedy. Too much has already been written but I think the fact that the media has largely forsaken it to focus on other criminal acts, like Iraq, gives us the impression that it's returning to normal. It's not. The scale of official incompetence is staggering. Their social system is based in some sort of fucked up feudal code which is actually the reason that the Hurricane was so disastrous. They abandoned the poor neighborhoods to be flooded out, displacing 250,000 people even two years later, then abandoned them and ensnaring all the generosity of the world to fix up Bourbon street and the rich areas. We went down with Natalie's sister Sam to the lower 9th ward and walked through the neighborhoods, well, they used to be neighborhoods. They used to have the largest percentage of home ownership by black people in the country. Now, there's nothing. The city forced people to sell and then bulldozed it so it now looks like a shitty field in Iowa that might or might not have alligators lounging in the grass. Halfway through it we stumbled over a pile of dirty rags on the curb, and pools of sticky dried blood. Just past it there were a couple houses smashed into each other and a semi and cars flipped over. As we crossed past a No Trespassing sign a cop car drove up to his and told us to turn around, the city had rented out these trashed houses and lots for a movie set.

 

We did have a great breakfast though. It was at this little place called Caffea. Zydeco music was playing and there was a super cute girl dressed in NOLA punk fashion which seems to consist of jaunty funny little hats and vests. We enjoyed our chicory coffee and pepperjack grits and read the paper. I haven't mentioned this before but if it's before 3 o clock in the afternoon just assume Bob is in the foulest mood of all time. Whoever makes the mistake of trying to wake him up will either hear, "you'll be dead soon," or "you'll be the first to die." If you make the mistake of asking him where something might be you'll hear either, "up your ass," or an interesting variation that goes, "in your rectum." Any sort of request that he do something that he doesn't want to do will be met with, "I DO what I want."  He's also incapable of participating in a group conversation, frequently coming out of nowhere to ask about some detail just as the rest of us finish talking about it, even if he's involved in some segments of the conversation he'll drop out of it as soon as he's blathered his share (usually one of the above sayings). This is now referred to as "giving us some privacy." He also refers to everything in the world as an "item," and his backpack as his "bag of many things." It comes from D & D and it's really just nerdy. He just said that we would be a cooler band if we played D & D in the van.

 

New Orleans is a pretty crazy place. Even the street we stayed on still had half the houses being renovated and piles of trash in the streets (supposedly they just got trash service in January). We lounged around her house and swore in the sticky humidity. The show that night was supposed to be at the Dragons Den, a cool little bar that people had recommended to us. We heard some shit about playing with a hip hop band, we're fine with that. But we got there and dude at the door wouldn't let us load in until 8:30 so we wondered around and ate some Mediterranean food. When we loaded in we realized that there were no bands, no publicity, just a hip hop showcase like in 8 mile. Everyone at the bar was an asshole, not even offering us beer. For a second we got cold feet, but at 10 we said what the fuck and played anyway. Jon started out by saying, "you're going to hate us" and making stupid Walk This Way jokes. They didn't hate us. We met some really cool kids, sold some CD's and even got compliments from some of the rappers. What a nice place! We loaded our van and drove home exhausted. Jon and Pam decided to stay in for the night while Chris and Bob went to Bourbon Street.  This is where their story begins, let's just say that it started out with a cab ride and ended with them in bed together and Chris saying, "I'm so drunk. Bob, let's take off our pants."

 

Meanwhile, Jon and Pam were fighting a battle of their own, against giant roaches. Pam saw one in the kitchen and screamed, Jon screamed and threw his mini Alfredo Bonnano book at it, squishing half of it. It took a while but eventually they shoveled the half dead bug into the trash, just as another one bust out of the kitchen. This one they actually smushed. It was Pam's night for sleeping on the floor so she set up her sleeping bag and, an hour later, awoke to a roach perched on her leg, swearing that it was biting her. She got on the couch.

 

Sunday, June 24th

A house, Baton Rouge

 

Baton Rouge was only a couple hours away from NOLA, a godsend considering that we'd driven fifteen hours the day before. Bob, however, was not feeling cordial. He managed to bimble around until pretty late into the evening. When we finally got there we drove around for an hour looking for the street it was on, hoping to just run into it because no one wanted to talk to anyone. We got a little food and went over to the house. They were all super nice. We played and it seemed like people had fun. Ramming Speed, a thrashy metallic band from Massachusetts, came on after us. We liked them a lot. Their songs are about pizza. The singer is Pam's second official PamFan of tour.  Someone elbowed Bob in the crotch as they danced. A local bands played and then Justin Bailey (containing the guys who ran the house). Afterwards a very sweet girl named Rachel, or nicknamed Awesome (seriously), put us up and we hung out with her and her friends, Mettalica, Muffins, and a guy who kept on saying racist things without meaning to, who we thought had Bobs form of autism. He might have been racist though. The highlight of the night though, was a little beagle named Rudy. He drank Jon's whole bottle of beer and licked us all on the face, and then licked his ass. But he was cute.

 

Monday, June 25th

Cell Block, Mobile Alabama

 

The next day we started out early for Alabama. We'd had a lot of trouble with shows there. We originally wanted to play with the Pine Hill Haints but they never got back to us, but we found a cool band called the Sworn Enemies (check them out) and were pretty sure we were gonna play with them until a couple weeks back when they cancelled. Chris managed to get a show confirmed with Brooke at the Cell Block (a good punk bar that lots of people recommended). She was, however, difficult to get ahold of, not returning phone calls or emails. We got to Mobile early enough to get some food, walked around downtown eating boiled peanuts from a peanut shop (there was a sign in the shop that said, "If you're smoking in here we will assume that you are on fire. And stomp you to death!). We also had our first non-budweiser in days at a brew pub. That's well worth paying three bucks. The Cell Block was closed until like 9 so we decided what to do with the night. Before we left we had to promise Tall Bob that he could stay in a hotel once on tour. Since this had the prospect of being a bad show where no one would take us home we decided this was the day. The waitress gave us directions to a cluster of cheap hotels outside of town so we drove out there. Bob was the hotel liaison, going in to check on prices. He would go into the Lobby and come out 15 seconds later saying that the attendant had seemed rude, or that they were on the phone or that he didn't want to wait in line. So we drove to 3 or 4 hotels about twice each. He also rejected a hotel because they had Full size beds rather than Queen Size. He said he's not spending money to hang his feet off the end of a bed all night. Finally, he settled on one. We brought our beer in and watched cable and napped for a couple hours before piling back in the van and heading to the Cell Block. We were listening to the Rolling Stones Sticky Fingers album. I like them. We pull up just as a  9 foot tall guy comes out of the bar and locks it behind him. We ask where the bands and people are. He says, "We're closed on Mondays," and walks away. What the fuck, eh? This sucks even extra because our friend Dee had arranged with Terry, the bassist from This Bike is a Pipe Bomb, for us to play at Sluggos in Pensacola, a place we really really wanted to play, and we had to not do it because the Cell Block had confirmed us twice. We swear at the booker, well she wasn't there, but we directed insults in whatever directions she was and go back to our hotel. Chris sent her a sarcastic response to a super nice email she sent wishing us luck with the show, when he told us we all felt bad for her.

 

Again, Chris and Bob go waste money and get drunk while Jon and Pam stay in. We had 2 beds and before he left Chris suggested that, in order not to be interrupted when they come in drunk, Pam and I should sleep in the same bed. We just looked at each other in horror and put our earplugs in. Bob and Chris went to Hooters. No, I'm serious.

Tuesday, June 26
Louisville, Kentucky
 
After the Mobile debacle we started out on what we thought was a 9 hour drive that, with torrential downpours and bowel problems, actually took 12 hours. We got to the Derby Coffee shop at about 8pm and met up with the kids in Hokum County (who play country-ish old-timey with a Washtub bass and Washboard). They played first, we liked them lots. Dave and Holly introduced us to Mathew, the proprietor of said Cafe. He gave us free espresso which, I would swear, is the best I've ever had. We'd highly recommend him. Next this electro-clash type thing played with two ladies singing in German and French. Afterwards we played acoustically. It went fine. Afterwards we packed up and went to the Nachbar in an area called Germantown but which we might call Shnitzelberg. Hokum County played again as we drank free fancy beer from the awesome proprietor James. Afterwards we plugged in and did our thing. Playing to a bar packed with normal people. Normal people, Rosie from the Hexagon, old punks, and bartenders love us. Young punks usually just go smoke. Anyways, it was one of our funnest shows, maybe partly because we had free beer. We just hung out with all the nice folks from Louisville then packed up and went to the house they said we could stay at. We'd been told that the side door was open but when we got there there was no window in it and it was nailed shut so we went to the front door. Holly and Dave were in the process of buying and renovating the house. I'm not really sure how far into the process, let's just say it was not a sure thing. Anyways, there was not only no running water, but no pipes as they'd been stripped during the 10 year vacancy. But it was a majestic old brick house and we were happy to have someplace to stay even if there might be ghosts. In the morning we woke up covered in soot and sawdust, especially Pam, who slept with her head almost in the fireplace for some reason. This led to us deciding to decline the very sweet invitations of Louisville-ians to go get coffee, and to drag ourselves to the nearest laundromat to do a load of laundry where, strangely enough, we saw Dave and Holly.

Wednesday, June 27nd
Skull Lab, Cincinnati Ohio

Cincinnati is on our shitlist. Not the very sweet kid who set up the show, Micah, or even the space, the Skull Lab. Just the city itself. Or maybe all of Ohio. Just kiddin', we like Oberlin, which is kind of to Ohio like Madison is to Wisconsin. You know, it might be within the territorial boundaries of the state but it's just a different world where the hot dog venders sell veggie dogs and instead of fraternities they have cooperative dorms. Well, anyway, we found the skull lab at 5 pm. There were a million people hanging out on the street and Bob immediately came back to the car and washed off his Hood Hound temporary tattoo with rubbing alcohol that he doused in his old underwear, saying that he felt people in the neighborhood might take offense or think that he was a poseur. We went to the University and Jon drank one dollar pabsts at a coffee shop of all places while Chris and Bob took turns occupying the bathroom.

The Skull Lab was an awesome space, the kids lived upstairs and the showspace was downstairs. We were playing with a hardcore band from eastern Massachusetts called Casket who were on a weeklong tour, and who played with no shoes, and all wore short white sport socks. They were fun. And a band called Hallowed Ground from Texas. Jon kept drunkenly showing them the beer cozy he bought in Texas when we got lost there, it's pink. They didn't seem to care. But they were nice and probably smarter than us because at the end of the night we all slept in the space while they took their camper out to a rest stop. After we all played, mostly to each other, everyone was hanging around outside. The neighbors were having a dance party in their room and climbed out the window to dance on the sidewalk while the guys across the street broke bottles, started fires in trash cans, and listened to music. It was harmonious chaos. The main problem with our nights sleep was that every toilet that we knew of in the house seemed to be broken, as well as filled with huge amounts of stagnant waste. Pam swears the urine smell is still in her sleeping bag. Chris and Bob woke up in a daze and waded through it in their bare feet. It was gross (but again, the kids there were super awesome!) and after days of peoples houses and nasty floors we felt horrific so we left for Oberlin as early as we could, with Bob, of course, threatening to murder us all in our sleep.

Thursday, June 28th
Oberlin, Ohio

Driving into Oberlin after Cincinnati was a revelation of sorts. It was sunny and there was free parking everywhere. We wandered over to a coffee shop called Java Café or something. The espresso was $3 and tasted like dirt but they had wireless so we checked emails and called Ian, whose house we were playing at that night. He turned out to be hanging out at the burrito shop 20 feet away. Bob bought a 13 year old girl a pack of cigarettes, an act that he described as an ethical dilemma, and Ian led us over to his house where we unloaded before taking the van to a repair shop. For days the brakes had been squeaking, Bob and Chris swore they were squishy like they were about to fail, although Pamela had paid $600 to get new rotors and pads before we left. The shop turned out to be busy until the next morning so we went back to the house where they were kind enough to let us shower. A couple hours later the hardcore band we played with the night before pulled up, we'd invited them to play with us since their show had fallen through. By that time we were playing catch with a football and a game we called, "throw the weight." The purpose of the game was to throw a 10 pound barbell, which Jon dragged along, as far as we could. Bob and Chris got really into it. I think the other band thought we were weird. Oh well. Upstairs Pam and Jon discovered an awesome living room with calypso playing on the stereo. We quickly claimed the couches and fell asleep under the spell of Lord Invader's awesome lyrics. The CD included a song addressed to the governor of Trinidad that was about how the Governor didn't like Black people so he should "take off his black suit, and black tie. And take off everything black off your back! Layo!" It's really good. Afterwards we all sat on the front porch and watched the co-op house across the street as a convention of drunken violin and violin-bow makers played badminton with old violins. After a while the lure became too strong and we trouped over there to check it out. We discovered a ton of drunk nerdy luthiers, very very drunk. And nerdy in the way that good people with interests other than American Idol are nerdy. We also ran into our friend Scott from North Country Co-op who was catering the two week event. A drunk guy gave him a fake breast (very real) so he gave it to us. We're bringing it home for our friend Sanden as thanks for setting up the Oberlin show, and because he demanded a present. We played violin badminton with Hallowed Ground, I think we beat them pretty bad. They played first, hopped around and did their thing. And afterward, while they had intense band discussions, we did our thing. It turned out to be one of our better shows this tour, people drunk enough to dance around and whoop. The Oberlin kids were very nice but talked about Your Loving Tiger a lot. Jon beat them in thumb wrestling but no one was impressed. Afterwards we sold a lot of merch and headed back to the Luthiers where we got really drunk and sang some songs. Next thing we knew we woke up on the floor and piled in the van for a head-to-head against the city of Detroit.

Friday, June 29th                                                                                                

The Trumbullplex, Detroit Michigan

Detroit pestered us from the beginning. I've heard that as you drive into Detroit you just see huge gas fires like an Iraqi oil field. But it turned out to look a lot like South Minneapolis except for the stupid traffic lights and lack of anything interesting to do. We pulled up at the Trumbullplex after what would be our last horrifically long drive. There were people hanging around but few, or none, who seemed much interested in us. It turned out that no one except the guy who booked it knew that our show was happening. That was a discouraging sign about Detroit after we'd gotten along so well with the guys at the Liquor store and café. We loaded in and he kindly made Jon and Pam some potato soup as Bob and Chris went to look for fast food. We did our dishes and talked to some of the people hanging around, few of who seemed to live there. The other bands showed up at 6 as the flier (maybe there was one copy of it, somewhere?) had said the show started at 7 sharp. For three hours almost no one showed up, we finally started at 930pm to a room of bands. By the time we played we were disappointed and a little cranky. Not to say anything mean about the kids there (especially Clara who was super-helpful and nice) but it was a disappointment to play an awesome space like the Trumbullplex on a Friday, a show we'd been looking forward to all tour, and one that we thought would be a fun Midwestern time like Minneapolis, only to find that even most of the house members had no idea the show was happening. Matt was kind enough to ride around town and spread the word so by the time we played there were more people there, but the energy for us was pretty gone. Too bad. It was partly our fault for playing with bands that turned out not to be from Detroit proper, and also for not sending fliers before-hand. So, in the end it just means a lesson learned. We had a little squabble about whether it was ethical to spend money people put in a hat for a hotel when we could just stay at the space, and eventually, and unhappily, settled on staying on the floor. The next morning we cleaned up and took off as early as we could (early for some of us means One pm). We put the whole city of Detroit on our shitlist, not the people, just the city.

Saturday, June 30th

Raw House, Ann Arbor, Michigan

After the disappointment in Detroit, Ann Arbor seemed very friendly. We walked around the college area, shopped for thrift clothes, and then pulled into the Raw House. We were greeted by about the friendliest bunch of kids you could hope for! They were super-sweet, asked about our tour, and told us about the fire-show they were doing that night. We dropped our equipment in the living room and traded some zines for CD's and then went to eat in an awesome Indian Vegetarian Buffet (even Chris!). We were all feeling pretty good when we got back to Raw House. The kid setting up the show (on relatively short notice) was named Andy,  he's in a band called the Versificators that was unable to play that night because of the fire show in Detroit (he gave us some CD's that we listened to in the car, it's super-fun, folk-punk without being irritating and preachy, oh, and with a cowbell!). We mostly hung out in back of the house and wrote postcards, while we talked to a resident named Kelly who was planning to ride her 35 mph scooter all the way to Chicago the next day. The first act was some folk-punk, followed by a teenage hardcore band, followed by us. The attendance wasn't too good, most people had gone to see the fire-show, but the kids were so friendly that we didn't feel disillusioned. Afterwards, we decided to just drive to Chicago to stay at our friend's house. Chris bravely volunteered for the job and led us through 230 miles of cars that increasingly acted like asshole Illinois drivers. Jon slept, Pam sucked in her breath sharply every time we got what she thought was too near to other cars. Jon woke up swearing and grabbing the door handles. We got to their house at 2:30 to find a queen size air mattress and futon pulled out. Those of us who wear earplugs plugged them in, and we fell into uneasy sleep.

Sunday, July 1st

Sylvies, Chicago, Illinois

We woke up in the morning exhausted and our old friends were kind enough to let us hang around their house eating eggs, and egg sandwiches, until it was time to load in for the show. We met some other Chicago people as well as Minneapolis friends Emmawee and Andy at a bar down the street for Sheppard's pie and veggie burgers. At load in time Pam and Jon walked over to the bar and were met by two dogs behind the counter and, after a minute, a guy who looked and talked like him came from the Sopranos came over, introduced himself, and told us that he would "personally be doing the sound for our show."  When we got all our equipment in he told Chris that we all better, "fucking be of age," and that we had to fill out some forms. When Bob and Jon went over to fill out a form, it turned out to be a post-it note. He said, "label it 1 to 3 and write in the order of the bands." We said, "We have no idea who else is playing, we think there's at least one other band but we don't know their name." He said, "Just write a 1, put your name, and then a 2, I guess you could put question marks next to it." Bob drew it out very carefully. We set up the stage and as Bob was playing Lowrider on his bass the lights went out all down the street. They stayed out for 45 minutes as our Chicago friends dribbled in. All this time we were being promised drink tokens, but the bartender said we'd have to wait until the owner Sylvie got there. When the lights came back on we played, it felt weird, the stage lights were set to respond to rhythm, and made us feel like we were having seizures, not to mention that our filmmaking friend Andy was videotaping it. When we were done there was a white-haired Eastern European lady across the bar that looked like an owner. Bob took first crack. There was a lot of shrugging shoulders then she walked away. Jon tried next and took the approach of asking directly and insistently about the drink tokens and sticking to it when the subject somehow changed. She took him by the hand and gave him 4 tokens and a glass of ice with a tiny bit of whiskey at the bottom. They were good for Jack and Coke that was much more Coke, or a can of PBR. I estimate the pay for the show at about $2, cost. That's ok, the Norah Jones sounding wedding band after us didn't get anything.

Monday, July 2nd

Breakfast Nook, Milwaukee, Wisconsin

On Monday we woke up in the comfort of our friends John and Josie's house and, after Jon drank a beer and Bob showered, headed for Milwaukee. We quickly found our favorite destination, the Fuel Café, and drank their HTC-like coffee and ate their huge artichoke sandwiches while we waited to head over to the show on Fratley. We set the show up through Aytan, who'd put us up last time we played in Milwaukee, and we had friends in the house itself. It was pure joy to be back in the Midwest where no one made eye contact on the street or talked to you without knowing you, but where people are so relieved when you talk to them that they seem like the nicest people in the world. The kids in this house were amongst the best. They gave us fancy lad Riverwest beer for a dollar and watched our merch for us. We played first and there was no P.A. so we ran the vocals through Jon's amp. Even though it was scheduled to start at 8 o'clock so the show wouldn't interrupt the neighbors on a weekday (something those of us who run the Belfry and know all the bullshit that sometimes comes along with punk shows surely can't condemn) people still danced and had fun! And even though we felt nauseous (from all the coffee and crappy road food) and exhausted, we were super-happy to be around all the nice people. Something we've noticed is that people in the Midwest are more likely to dance, maybe it's just a lack of pretension or the fact that the scenes are so tightly-knit, but people seem to have a lot more fun without worrying about how cool they look. I also attribute it to the heritage of polka dances which, if you think about it, really just consist of people getting drunk and spinning around with whoever is nearest, kind of like a fun punk show.

Our friend and Chris's fiancée Natalie had driven down because she missed Jon, Pam, and Bob. She rented him a hotel, with a space/astronaut theme, and who knows what sort of interstellar explorations occurred. That last part's not true. But it's funny. The rest of us, after hanging out, watching some other bands, and chatting with the nice folks on the third floor, decided to call it an evening and headed over to our friend Isa's house where we dropped off our guitars before heading over to an awesomely weird disco party where drank dollar Pabsts and Jon got locked in the bathroom with three scary disco guys wearing all white.

Tuesday, July 3rd

Kuhl-Aids House, Milwaukee, Wisconsin

The final day of our tour we woke up minus one of number, who ensconced in a hotel downtown. So, then, we were three. It felt nice. Chris and Natalie did their own thing which, as far as we know, consisted of going to see the Transformers movie, while Jon, Bob, and Pam hung out at Isa's house and watched movies like Gremlins and Back to the Future. We were all deliriously enchanted with the Mogwai, and hatched plans to find an appropriate puppy for Bob, by that I mean one that is appropriately ridiculous for as ridiculous an owner as Bob. Maybe a cross between a Mastiff and a Shnoodle.

We went over to the delicious Comet Café and ate huge Wisconsin-size portions of sandwiches and Mac'n'cheese and then went back to watch geeky sci-fi at the house until the show. We met at Kuhl-Aid's house at 8 while two bands had already played (including the Sundowners from Minneapolis, who were a pleasure to hear). Standing outside, the fireworks from downtown rocketed over the buildings and our heads, while a drizzling rain fell and thunder and lightning erupted right above us. It was a magical last show. People swam in the pool that had appeared since the last show we played there, right in the place where people had been peeing all over. We were to play after Robocop 3 from San Francisco and Lefty Lucy who were having a record release (who we'd really recommend). We set up and began to play and, on the first song, Jon snapped a string. Oh well, we were happy to be done with tour, and happy that some of our friends were there, we barreled through. People danced, some yelled, Chris did the Def Leopard drummer's handclap. When it was over the warm Miller beer didn't taste so bad. We packed up in the rain, and next thing we know, it's light out and we're headed for home listening to Lord Invader and MPR.

Postscript

Being on a really long tour is tiring, but it's also fun, and it brings people together, both within the band and in the connections we make across the country. I realize that Midwesterner's tend to think that we're the best, but all the characteristics of the people we like here are present in people in the DIY scene everywhere. If there's one regrettable thing it's that so much of the shit-work is done by so few people, who get so little acknowledgement and, in the end so little support. It sucks that the Skull Lab in Cincinnati worked hard to put on a show last week only to have some assholes mess it up by breaking bottles all over their neighbor's yards and peeing in the buildings stairwell. It sucks that some assholes in Tulsa started a fight. But all in all the awesome people outshine all the assholes. That seems to be true everywhere, and if any of our songs have an overarching point, which is debatable, it's that people shouldn't give up hope because of the assholes who, after all, won't be around that long anyways. By becoming cynical and bitter we reward this whole fucked-up authoritarian system because everything in that world is focused on breaking our will to resistance. You can look at it like that if you wanna have a high-minded theory to back you up. Or you can look at it like Kurt Vonnegut did when he advised one rule for living, "Be nice, damnit!"

-Chokecherry (one word) Summer 2007  

Thursday, June 07, 2007 
Hey. The Daily did an article about the punk-americana scene in Minneapolis. They interviewed some of our favorite bands for it. I do have some questions though. First and most important, how did they know I was whiskey-soaked? Is it that obvious?
So here's the article. We're hoping the exposure will avalanche into us being named City Pages "best new band of 2009." We can dream, right?

Hootenanny on punk rock's back porch

Bands that blend the ethos of moonshine and cowpoke with the homegrown grittiness of punk rock create music that's all Minneapolis


many moons ago, rambunctious, punk-country hellions The Knotwells were still honing their skills in the East Harvard Market basement when they made the bold (or, possibly, suicidal) move to play one of their first shows at the now-defunct hip-hop club Bon Appétit. Needless to say, the response was less foot-stompin' and more trash-talkin'.

"We totally hee-hawed it up," lead singer Arik Xist admitted, referring of course to the uniform of suspenders and ripped jeans (and ... donkey masks?) he and his fellow musicians donned that night. "I was so damn embarrassed. I think a riot almost broke out, but either way, no one clapped at all!"

Thankfully, the Knotwells shook it off and performed at the much more oddity-oriented Bedlam Theatre the following night. Though they only had four songs written at the time, the audience refused to let the band stop playing and leave the stage.


"We knew at that point what scene we belonged to," said Xist. "And I guess we've since roped other people into it."

Indeed they have. The Knotwells were both a big branch of the beginning, and still part of the current continuation of, one of Minneapolis' most strikingly grassroots music scenes to date. Similar to the city's first-wave folk revival during the 1960s (chronicled best in author Cyn Collins' retrospective, "West Bank Boogie"), a new generation of punk-inspired musicians are breathing fresh life into, and bestowing a harder edge upon, a fistful of cobwebbed genres - think elements of dreamy folk balladry, back-porch bluegrass and old-timey Americana, but dressed for an acid-tinged apocalypse.

It's a tight-knit family album of artists just as eager to play someone's basement as they are to play a bar, a group who cares just as much about communicating with and satisfying its diverse audiences as they do about gleefully dabbling in one another's numerous projects.

"This genre is great because it's comprised of people who aren't at all concerned with making a name for themselves," said Xist. "They just hope to have an effect on the structuring of Minneapolis culture."


The Denver-based, Minneapolis-reared Painted Saints are a prime example of this attempt, inspiring an ambient introspection with wistful, Spaghetti Western-type chamber music. Though it began as ringleader Paul Fonfara's one-man gypsy band (for which he took on vocals, clarinet, guitar, accordion, viola and cello), it continues to trap a rotating cast of area members old and new under its fast-spinning wagon wheels.

"Minneapolis is really open-minded to these sorts of projects," praised Fonfara. "There's no ego here, just people willing to be cooperative."


A super fan (and diligent student) of old school New Orleans jazz and Romanian folk especially, Fonfara wanted to shape something new from these time-honored styles, something both compelling and cathartic.

"Classical music is sort of dead, unless you're a prodigy lucky enough to get picked up by an orchestra," he said. "These songs are my observations, so I wanted a more personal venue for music in this vein."

Whiskey-soaked, Knotwells-esque outfit Chokecherry use their brand of bighearted cowpoke punk to get rowdy and spread the word. Whenever possible, they try to perform in front of a massive homemade banner that proclaims in bold lettering "Down with capitalism! Up with transcendent fun!" - a gesture that just about sums them up perfectly.

"I think a lot of really interesting ideas are being overlooked or labeled as old-fashioned by those who care only about where the next indie hitmaker is," defended Chokecherry frontman Jon Collins. "But this type of music isn't as traditional as it might seem." To him, making punk music isn't about Mohawks and guitar-smashing; it's about breaking boundaries and having the opportunity to incorporate radical ideas into everyday life.

The Blackthorns are another band that wishes to trump any preconceived notions by tiptoeing between the beautiful and the frightening qualities of a Southern Gothic sound.

Christian Thaddeus Petty, who lends his haunting howl and guitar-'n-banjo abilities to the Blackthorns' dark industrial folk, is personally tired of the term "old-timey."

"I love that type of music, but to play just that doesn't serve much of a purpose anymore," he said. "Now, it's just a history lesson. Of course, it's good to look back, but it's 2007 and time to take that and dare to invent something new with it."

Bassist Cody Bourdot and drummer Richard Arnold emphasize the power behind pulling things in from different directions in order to achieve an

amplified version of the aged.

"We all bring something to the table, which makes for much more interesting music," Arnold said of the Blackthorns' tendency to stop, collaborate and listen. "No one writes a whole song by themselves - that'd just be unfair!"


To Bourdot, an inimitable musical community such as this means more chances for members to carve out their own niches and make their own statements, however grand they might be. Some, like Fonfara, want the chance to tell their own musical story. Others, like Collins, hope to educate through awareness. And Xist? He just wants to make you dance, because "it's therapeutic, and great exercise too!" However it's done, here's hoping they all progress well into the future by prospering in the past. Minneapolis does, after all, love 'em for it.


Tuesday, April 24, 2007 

Current mood:  thirsty
Category: Music
Hey, we just wanted to let you know that we helped put together a new comp called Don't Fall Asleep. It's a DIY benefit for Daybreak! Newspaper that Bob and Jon put together over the last year or so. It features many of our favorite bands and all in all we're pretty happy with the result. Locally you can pick it up at Extreme Noise, Cheapo, Seward, Hard Times, Arise, Treehouse, and North Country. On the internet you can either buy it directly from Daybreak (wwww.daybreaknewspaper.org) from the fine people at Profane Existence, or from interpunk.com.

Take care!
Currently reading:
A Man Without a Country
By Kurt Vonnegut
Release date: 16 January, 2007
Thursday, January 18, 2007 

Current mood:  thirsty
Category: Music

So at the beginning of January Chokecherry set off with our friends Bla Bla Black Sheep on, what would come to be remembered, as the time that changed everything.

One wagonful of us left early in the day and the other around 5 o'clock on the way to Madison. Lucky us we had no broken axles or malaria and we reached those big Lakes without incident (does anyone remember Oregon Trail?). That was when we recieved news that the show at the Nottingham Co-op had been moved so we hitched up the oxen and headed fifteen miles out of town to this guy, Mikes, house. We played in his living room for all these very nice kids and their Dad and little brother, and then we got drunk by a fire in the cranberry bog that was their backyard. It may sound surreal but the back porch was somehow a vintage bike shop and there were anarchist books about the Spanish Revolution lining every available wall, as well as jars of old eggshells.

On the way to Milwuakee our wagons got seperated so we met at their version of the Science Museum, and peed in what were disappointingly low-tech urinals. Afterwards, we went to their version of the Hard Times Cafe, Fuel Cafe. And then we went to their version of North Country Co-op, and then their amalgamation of Arise and the Belfry, the Cream City Collective. Pam and Jon ate yummy artichoke sandwiches. Pam bought a hat and didn't stop talking about it for days and days, and days. 

The show was at a house that was located at the edge of some massive freeway that they'd been building for 30 years and then decided they didn't need anymore so were tearing down. The house sloped precariously towards it. It was sorrounded by empty parking lots with tall barbed wire fences. We played in the cellar in what we heard was gonna be first 6 bands, then 8, then 10, and then I think in the end back to 6 again when everyone was too drunk to continue. We saw a girl that looked like Laura, and she avoided us. By the time we played things were crowded and drunk  so we turned out the light and everyone danced up a storm. It was pretty fun. There were also people peeing in every which direction, kindof randomly. So while the dancing riotousness gave Minneapolis an unpretentious run for its money, in the MPLS we tend to stick to a couple places to pee outside, but, eh, to each their own. Afterwards we went to some bar where the guy we were staying with was. We saw a band that sounded like the Beatles and then went home with little Jenny (who helped sand the Belfry floor last year!), Rachel from Duluth, and Aytan. Bob slept in a little wicker chair all curled up with his legs hanging like three feet above his head. We took pictures. 

By the time we got to Chicago we were all very tired. After getting lost a whole bunch we stalked the house we were playing at that night and waited for Chris's sister, Ann, to get home from work. She kindly directed us to her house in this huge apartment, saved us a parking spot, and then fed us Pizza and lite beer. We watched the Real World and bought earplugs to keep out the snoring of our giant drummer and giant bassist. The show was set up by our friend Al, it was again, in a cellar. There was a huge dog that shit all over the yard and some of us might have possibly stepped in it. The bathroom had no door and some members of our party had digestive problems but, in a pioneer type way, persevered and took turns keeping people out while they dealt with it. The skitters that is. The show was fun. Again we saw another Laura, she avoided us too after we confronted her about it. Suspicous. Also the ceiling was very low and there were pipes all over it so every time you wanted to find Bob you'd look up and see some tremor go through a pipe and follow it backwards to where he'd be cursing with pain about houses made for midgets. There were some good people there too! We made friends, so much so that all our beer got drank very early and certain people had to scrounge around drinking half full cans that people forgot on their way to the bathroom. Rock'N'Roll! All in all so much fun and people were very nice and danced in a big circle for awhile. Then Al played and he's great, but partway through the multi-hour set we started to fall asleep from, alarmingly, a lack of sleep over the previous days. So we went to Ann's house but couldn't find a parking spot so after like 45 minutes ended up parking in a horribly frightening parking ramp, and then, at 4 AM walking 40 minutes with our instruments to her house. Emily and Jon went to the bar and tried to look like they fit in, and everyone else went to sleep. We all wore earplugs and everything was alright. The next day we heard a girl tell us noncholantly about a sport called strip ping-pong. When we questioned her she didn't seem to understand that we had never heard of this game before, perhaps, never concieved that it was possible, and even less that people would throw it around in normal conversation like we should know what it is.  

So. What did we learn? Lessons, lots of them! How to defecate in front of people. It's good to bring friends who know how to dance on tour. Dairy Queen is never really very good. People in Milwaukee are small and swarthy and we like them.

Where are we now? Well, Jon and Bob have entered treatment. Pam has a harem in Milwaukee that she visits on occasion. Lacey grants wishes at the Ikea in Bloomington. Chris is working at Fantastic Sams cleaning up hair and working on a semi-professional bowling career. Sanden refuses to eat anything but lefsa with Vegemite.  

Love

Chokecherry!

    

Currently listening:
Reachin' (A New Refutation of Time and Space)
By Digable Planets
Release date: 27 September, 1993
Friday, May 26, 2006 

Current mood:  thirsty
Category: Music
Hey, I thought it would be fun if we posted some of the reviews for our EP since they're starting to come out. In related news our friend Lacey helped us make a great screen of the CD cover so it's now hand-printed with bright blue ink on this wierd, old-map, looking paper.


from Profane Existence

CHOKECHERRY Pigs Eye and the Many Headed Hydra CD

Hailing from Minneapolis, MN, Chokecherry are a folksy, twangy, country-esque, acoustic political band with a damn good sense of humor. The use of fiddle and banjo gives CHOKECHERRY a particular dynamic that makes this CD quite good. Much of the lyrics are dual male and female vocals sung in harmony. The songs are fairly simple and straightforward, in a down-home-folksy sort of way, with lyrics that you can't help but sing along to, as they wail away "You and I will never be freeeeeee! 'til every boss is dead and buried!" and "When the world ends, I hope that he comes back and puts a gun to every fucking cop's head"... How could I not fall in love with this CD? Anyone who loves funny-yet profound political lyrics, twangy guitars and banjos, sultry singing fiddles, and anything remotely folk-country-punk, check this out! (Maygun)


from HeartAttack #50

Chokecherry- Pigs Eye and the Many-Headed Hydra CD
I've hear so much "folk punk" lately (thanks for moving in, Larry) that it's nice to hear a band that puts the focus on folk, while still paying close attention to punk, rather than vice versa. Utiliizing instruments like the banjo and fiddle, Chokecherry will appeal to fans of This is My Fist and This Bike is a Pipe Bomb while not forgetting Woody Guthrie, Buck Owens, and everyone who made this sorta music possible. Six great late night tracks well worth picking up. (MAH)

from Razorcake #31
Chokecherry-
Pigs Eye and the Many-Headed Hydra CDR
Political country-punk stuffs. The songs are upbeat in a "she'll be coming round the mountain..." way and the lyrics are anti-system and pro-common man. Not bad. The kids at Plan-It-X would really like this, me thinks. -Mr. Z (spiderland)

from Slug & Lettuce #87
Chokecherry-
Pig's Eye and the Many-headed Hydra EP

I think this may be what the kids call old timey punk. It sounds a bit country but way more bluegrass. It's definitely catchy and fun to listen to with cool anti-authoritarian lyrics. I wish the lyrics were printed cause I really can't understand most of them under twangy vocals. Besides the normal acoustic guitar bass and drums this band has also got violin and banjo. My favorite songs are all the ones with both male and female vocals. There's also an explanation of the record title which is pretty interesting. This is good stuff. (europian)

Currently listening:
The High Lonesome Sound
By Roscoe Holcomb
Release date: 20 January, 1998
Thursday, March 16, 2006 

Current mood:  okay
Category: Music
Well we've finally entered this new millenium in the form of MYSPACE, and we still don't like or understand techno.

Thanks for looking at the chokecherry site. We're a little insurrectionist-anarcho-old-timey group in the MPLS that's been playing alot of the same songs for a couple different years with different lineups. But it's only been in this last 4-5 months that actually started getting our shit together enough to start playing out. So far it's gone really well thanks to the people who've shown up and the other bands friendliness. We've been having a suprising amount of fun! If anyone has any shows they want us to play please don't hesistate to get ahold of us.

We realeased our EP a couple months back, it's called Pigs Eye and the Many-headed Hydra. If you wanna buy it you can just email us otherwise it's at Extreme Noise, Seward Cafe, (maybe) the HTC, and disc-go-round in dinkytown as well as in our backpacks.

Take Care
JON