... and their love of music, the album will be released on their own  label FAR  which has been gaining recognition on the Disco scene .

'Aus Music...All Night Long' as a title is not just a play on the timeless House Music All Night Long phrase, it also expresses the musical diversity of the label. From the live dub of Sideshow through to the layered, undulating techno of Sian via the heartwarming, richly textured grooves of Lee Jones our aim has always been that you can play Aus music from dusk till dawn… all night long.

So with this in mind we introduce a double album that aims to fondly remember the first 20 releases via A&R and co-founder (alongside Sideshow) Will Saul's DJ mix of the back catalogue (CD2) whilst looking forward to the next twenty with 13 totally new and exclusive tracks from the core roster, friends of the label and artists who we'll be working with in the future (CD 1).

CD 1 opens with the Sideshow's reworking of his collaboration with Cortney Tidwell before Roland Appel eases us into the realms of disco, his guitar licks and piano refrains carrying the torch of live instrumentation forward, before Sian, Shur-I-Kan and Brooks turn up the electronic dial whilst maintaining the disco groove.

The mysterious Pearson Sound (a core member of the burgeoning dubstep meets techno scene, who for the time being wanted to remain anonymous) changes up the rhythm and brings his stripped back yet inherently soulful sound before Appleblim & Ramadanman present their first foray into the world of house.

Full of space and power you can appreciate the production ethos that has brought them to the forefront of underground electronic music and it feels to us like a genuinely fresh take on house music. Martyn needs no introduction and his p-funk inspired melody and bassline provide another entirely fresh take on the deliciously broken rhythms we have come to love from him. We thought it only fitting that we should try and get a different take on Lee Jones's 'Aria' for the project, as it has been the most in demand single from the first 20 releases on Aus.

Lawrence's reworking is typically sleek and graceful, and leads into the houseier section of the album. MyMy deliver one of their trademark melodic bomb's and Lee Jones gets uncharacteristically pumping (with all the character and fun we've come to love from him) whilst Will Saul & Tam Cooper bring the soul and melancholy li e only they can before Martyn signs off with a potent piece to pull at your heartstrings.

Situated by the river Spree, known for it's ,,rst-rate lineups of international talent and of course it's famous wall to wall LED dance floor installation, the Watergate Club in Berlin has quickly become one of the world's leading dance music clubs. Only 5 years after it's o,,cial opening the club now goes a step further and releases a characteristic Mix CD series delivering only the ,,best DJ Mixes by some of club’s most exiting residents and guests. With the focus being put not only on the music but also on the packaging and design, this series will quickly become a truly sought-after collectors item and will surely stand out in flood of mediocre music and mixes that often dilute the market.

The Watergate Mix series goes into the next round. Konrad Black is a founding member of the Wagon Repair Label and part of the Richie Hawtins M_nus family. For Watergate he delivers a mix containing in,,uential classic material as well as new unreleased productions by himself with collaborators such as Martin Buttrich. His signature sound, a dark vision of techno shines throughout the entire project and re,,ects his self-perception as a DJ. Over the last years Konrads sound has found a home in Berlins Watergate Club and one can catch him play here on a regular basis...

This “Black Ships” is led by the two greatly talented warriors of the production team known as Tokyo Black Star. Based between Tokyo and New York armed with his high grade receptor antennae is the world traveling international French DJ Alex from Tokyo. His partner, Isao Kumano, operates from his studio-base in Tokyo as a multi-talented high-profile engineer and sound producer specializing in all musical aspects from mixing to mastering.

As Tokyo Black Star their ship has advanced through the galaxy, meeting fellow travelers along the way. Their encounter with Dixon influenced the start of Dixon’s label Innervisions, their encounter with the NYC based rising Japanese new generation painter Tomokazu Matzuyama on the “Still Sequence EP” produced the beautiful artwork of this album, and with the poet Rich Medina and his distinctive deep voice as one of the characters in this story, here is the declaration of the Tokyo Black Star state of mind!

This album “Black Ships” is at once Tokyo Black Star’s nonfiction travel diary, and at the same time a supreme fiction of traveling through the world of imagination. It can be described as the ultimate brilliantly executed electronic dance music novel within the modern club-oriented electronic dance music genre. The journey of the imagination begins with the exalted feeling of departure, sometimes steady, but also sometimes facing navigation trouble in times of emergencies.

A climax which happened twice, three times, and here comes another voyage…If you press the play button, the story starts…Is the beginning of this story to be found in a distant port, not shown on any map, where pirates are said to gather? Or does it begin in their own space station in a galaxy far, far, away? Kenji Hasegawa (gallery, Tokyo) December 2008

Congrats to the Wolf+Lamb Music imprint! They have just been announced as label of the month on RA!