City: Portage
State: Michigan
Country: US
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Friday, September 25, 2009
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Category: Writing and Poetry
“A fine cigar and good literature―two of life’s most enduring pleasures.” |  | The fresh innocence of a child’s face … follow the adventures of little man Max across our pages and let his wonder remind you: life can be a joy. In the squishiness of soupy pumpkin seeds, in a bin filled with blushing apples, jumping into a pile of leaves, or bathing in cool mud. A child’s joy can be maintained throughout our lives if we remember but one rule—to treat others as we would have them treat us. “A Good Cause” features an essay by Alyssa Nogaski, raising awareness about human trafficking. We are none of us free if one of us is a slave. Somewhere else? Think again. The United States is trafficking in human beings every day. Learn more, get involved, make a difference. As always, our pages are filled with poetry, fiction, nonfiction that bring to light the experiences of a few, or of many. Pamela Erens, our feature author, talks to us about searching for our spiritual twin, and about the understory of The Understory, a novel you must read. Trust me, you must. The Cigar Lounge goes beyond the usual cigar review—this time, it’s the cigar experience. Read, think, take it in. Then, bite into an apple. Hide in a pile of leaves. There is so much we must change. But never at the cost of missing out the joy all around us. |  |
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Tuesday, June 16, 2009
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Category: Writing and Poetry
“A fine cigar and good literature―two of life’s most enduring pleasures.Gluttony of riches, I’d say. Awash in it. Rolling in literary mud. And if you think about it, mud is good earth with just enough spit, and maybe a bit of blood, perhaps a drop of sweat, added to make it into a clayish goop that you can mold into whatever shape you wish. Yes, even Art. And what do we not have here? We have mesmerizing Trash, the kind that wins first prize (Dan Skelton). We have Good Luck Charm (Emily Burns Ross) in second, and Mum in Decline (J. Louise Larson) in third. Jorro’s Emancipation (Stephen Joseph) earned Honorable Mention. We have American Salvage, spanking new story collection by our feature author—and honorary judge of our short story contest— Bonnie Jo Campbell. For added spice: an entire, glorious, raucous page of Bonnie’s poetry. “Fiction is like a marriage; poetry is like a quick, exciting affair.” We have A Good Cause: The V3 Campaign. It’s about Voice, Value and Votes by Lorena Audra Rutens, newest treasure added to our editorial masthead. Lorena will bring you new good causes every issue. Do your part. We have the lush colors of summer in the artwork of Viestarts Aistars. Nearly every page. We have poet Shaindel Beers, chatting it up with us. We have book reviews, where we slander and praise, pages updated throughout the coming weeks. New assistant editor Skye Leslie will tell you just exactly what she thinks of American Salvage. We have the Cigar Lounge smoking up the place. Rich, fragrant smoke. Sniff out the stogies and light your own fire. Glory in it all. As we do. Summer is bounty and this issue certainly is that. With a good word, Zinta AistarsEditor-in-Chief The Smoking Poet
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Monday, February 23, 2009
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Category: News and Politics
It Takes Much More Than Just One Village
By Zinta Aistars
In yet another of his poignant poems, “The Homeless: Psalm 85:10,” poet Aberjhani writes: “This world’s anguish is no different/from the love we insist on holding back.” In it, Aberjhani describes an artist who gathers the homeless to record the rumblings of their empty stomachs—the rumbling of unfed emptiness is just the sound the artist craves for his symphony. He pays the hungry a dime and pushes them back out into the street.
Aberjhani gives me pause. What he has captured in his poem bounces off the commentaries about our economy that I’ve been listening to on National Public Radio as I commute (feeling blessed) to my job. The stimulus package, the “bailout” as some call it, the inconceivable numbers—who can truly conceive of billions?—that is underway now in an all out effort to nudge our ailing economy back into life—is it wise? Rise, Lazarus! And we have all heard it, and many of us joined in the heated discussion: When is it enough? To whom do we give? From whom withhold? Yes, who is deserving and who deserves only punishment?
On one thing we all seem to agree. This sad state of affairs has been caused by unbridled greed. The rich have ached to get ever richer. The poor have ached for an end to their misery. With that combination of factors, the wealthy have tapped into the dreams of the less wealthy and promised them manna from heaven, and sure, it is, almost, nearly, just about free. Well, not really. The loans for big dreams rolled out shiny and tempting, but the price to pay was there, and it is that hidden price we are all paying now.
This is where the ruckus begins. Why should we all pay for the greed and weakness and foolishness of others? Those of us who bought our homes within our means, paid cash for our groceries, drove sensible cars, made the payments on our bills in time and in full, and generally lived our lives with an attitude of responsibility—why should be now bail out those who did not? Admittedly, my initial thoughts went that same path. I work hard. I have lived much of my adult life as a single parent, receiving little or no child support to ease the load, whether financially or emotionally, of raising two children. I won’t even begin to try to elaborate on how difficult that has been. I had dreams, too, but I understood patience. Yet here I am now, with shelter, however modest, stocked pantry, debt nearly paid off, and a very reasonable mortgage payment. I’ve been pinching pennies most of my life, and even now when I could afford to toss a quarter or two over my shoulder without noticing, I won’t buy what I cannot afford. If I can’t pay for it in cash, on the store shelf it stays. So, why should I pay for those who drove up their credit bills and lusted for five-bathroom houses on cul-de-sacs in gated communities?
I listened with interest to the NPR wise folk, broadcasting commentaries. I happen to be an NPR junkie, because public broadcasting opens my ears to ideas and thoughts I had not considered. Now, a poem by Aberjhani echoes those thoughts, and it rings true and it rings home to me. Why should we care about bailing out others? Who are we, after all, to pass moral judgment on those who reached for too much? While some of them may have been greedy, others may simply have been big dreamers, if foolish. A moral failing is one thing, for it is a conscious choice, but an act of foolishness is quite another. The most important factor here, however, is that we remember what got us into this mess, as a society, in the first place: greed. Caring too much about our own comfort, not enough for that of others. The rumblings of the hungry were just another eccentric song to add to our exuberant symphony. Are we to be greedy now and not think about our foolish neighbor?
The reality is, these economic commentators pointed out, that property values fall in a domino effect when one house, two, three, foreclose. We cannot save the deserving without including in the net the undeserving as well. We cannot save an ailing economy for an entire country, indeed, an entire globe, if we are going to try to pick and choose who gets what and why. We all need help. We all depend one upon the other. We are none of us free if one of us is yet a slave to debt. We have thought each about our own welfare and wellbeing for far too long. A nation of self-absorbed, narcissistic people will not, cannot, thrive. Can we learn from our own recent history? What got us into this mess—always putting our own desires first—will never get us out.
Or, as one of the commentators, an ethicist, pointed out—if we all got what we deserved, we would all be in hell. How about a little heavenly bailing out? The water is flooding into one and the same ship, carrying us all.
For more of Zinta's essays and blogs and other news, posted on a weekly basis, visit her blog or watch for updates on Z News.
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Tuesday, February 03, 2009
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Category: Art and Photography
Caffeinated Art and No Rest for the Bleary by Zinta Aistars
One eye open, I peeked at the clock on the nightstand, and in the next—groaning and tossing out one or two peppery expletives, and this on a blessed Sunday morning—I leapt from bed, hit the ground running, half tumbled down the stairs to the kitchen with hand outreached for the coffeemaker (nectar of the gods if not this Sunday morning’s God, Who no doubt was still chewing on my choice of expletives and contemplating my damnation), realized there was no time, ran back upstairs, skipping steps, and ran instead for the shower. No time. Splashed water on my face, ran a toothbrush over my teeth, jumped into my jeans, nearly toppling over, popped my head through the opening of a sweater, sneakers and socks, hopefully without holes, back downstairs, let the dog out, glopped spoonfuls of cat food into two bowls for two cats who don’t like each other, grabbed the insulin from the refrigerator, stuck a needle in, just to the line, and held up a tent of my poor cat’s much-punctured hide to jab in the injection while he was distracted with his breakfast. He flinched. I apologized. Let the dog back in. Keys, coat, bag, and I was off.
And reached the Water Street Coffee Joint in 25 minutes, bed to coffee counter, in downtown Kalamazoo. Without a speeding ticket. Not that I didn’t deserve one.
My father was already stacking the paintings and framed charcoal drawings along the seats next to the wall. I didn’t want him lifting anything. Not with his spine crumbling to dust, and the last spinal treatment just a week ago, painful process of injecting some kind of steroids into his spinal cord to stop the pain for at least a short while. Which didn’t seem to be working. He was still in pain. He was pretty much always in pain. He was shuffling along, bent forward, rearranging the paintings to a more suitable order.
“I’ll do it,” I said, waving him to sit down. “Just give me a moment.” I looked back at the coffee counter, where a huge blue coffee cup, big enough to be a soup bowl, steamed in seductive invitation. Oh yeah. Oh. Yeah. I sipped, then drank, then gulped. Yeah. Two eyes open.
It was too early for anyone but one other confused soul to be in the coffee shop. I knew I’d pay for a too short night this morning, but I felt terrible not to have beat my folks to the shop door. Mom had set down one of the framed drawings long enough to come over and tuck a stray lank of hair behind my ear. Must look like hell. I rooted around in my jean pocket for a hair band, usually one in there, found one, and did a quick French braid to hold my hair out of my face as I set to work.
Then realized I had no idea what to do. How to do this. Hang paintings. From hooks along the edges of the ceiling, coils of fishing line, at even heights and without sagging away from the walls. Huh. I knew how to supervise this sort of thing, sure, but not the doing it. Simple, right? Our favorite art curator, Kirsten, had gone AWOL to Mexico, who knows if she’d ever come back, but her e-mail had popped up like clockwork in mine a day ago to remind me: another Kalamazoo Art Hop was coming up, and this time, twelve of my father’s works would hang—not in art galleries, not in expansive office building lobbies, but here, in this little coffee shop on the edge of town, in a building I could remember from my very earliest youth, half a century ago, as a gas station. Set right alongside the train tracks. So close its bricks rattled and realigned the mortar every time a train chugged by. Truly charming. Now, clean-faced college youth served coffee here that could put the buck-making Stars of coffee to shame. Along with muffins, pies, scones, beanful salads, chocolaty bars, and cookies as big as your face. Loved it. As did most every other coffee-worshipping soul in Kalamazoo. Thus the expansion to a bigger space, big enough to show off local art, and a second location on the other side of town.
I was guessing my father had a better chance of selling paintings in this coffee joint than in any of the local fine galleries. If, of course, I could figure out how to hang them more or less straight on the walls. I slid out of my sneakers and climbed up on the seats to pry the hooks free along the edges of the ceiling. Fishing line curled from some of them, left by the previous artist. I examined the slip knot used and slowly untied it, memorizing it. Tying it back again wasn’t as easy, but after six of the twelve paintings, hey, I just about got it. The slip knots held, and when I needed a painting to hang lower, I could unslip it a bit to adjust. When I needed one to hang higher, I could simply loop the line around the hook, once, twice, depending on how high I needed it. Then Mom would stand back and say to the right, no, to the left, no, back a bit, no, back more, no, not that much, no, right again, no … until I glared at her and she shushed, grinning. Dad was sitting at a table cutting out labels with painting titles and prices.
By the time I had all twelve hung, many more coffee worshipers had come in. The sun was bright outside, shining in buttery through the wide windows. Or maybe my eyes were just that much more open, two soup bowl mugs of coffee circulating freely now in my bloodstream. I had to shimmy between the java-worshippers at their tables, sipping in their Sunday blessings.
“’scuse me. Don’t mind my leaning over you. ‘scuse me.”
I pressed poster putty in squishy pieces to the backsides of the frames, pressing them against the walls. This was starting to look pretty good. Although I still thought Kirsten, the art curator, had the better idea, crossing the border to warmer climes and an easier pace of life. I had to slow down. Done here, more work awaited me at home. And this was a Sunday, day of rest, if only I could figure out how to schedule some in. Papers to write, submissions to read, interviews to conduct, books to review, articles to write, and here and there, a load of laundry to do.
And still. Standing back to take it in: Kalamazooans sipping java at neat little tables in a sunny coffee joint, my father’s beautiful drawings and dreamy watercolors brightening the place, I took a deep breath. Smiled. My father wrapped an arm around my waist and pressed a kiss on my cheek, “Thank you, Zinti. What would I do without you.”
There would be other Sunday mornings to sleep in.
Viestarts Aistars Art Exhibit February 1 to March 31, 2009
315 E. Water Street Kalamazoo, Michigan 49007 (269) 373-2840
ART HOP artist reception Friday, March 6, 2009
5 p.m. to 9 p.m.
Learn more about Viestarts Aistars and his art
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Sunday, February 01, 2009
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Category: Writing and Poetry
Gently Read Literature
February 2009, Vol. 2, Issue 11 http://www.gentlyread.wordpress.comPoetry Reviews: Poetry that Jingles, a Good Value: Zinta Aistars on Katy Lederer’s The Heaven-Sent Leaf
The Past Still Remains: J. Michael Wahlgren on Idra Novey’s The Next Country The Word is the Thing: Laurie Junkins on Sally Van Doren’s Sex at Noon Taxes Tangible Poetic Gold: Suzanne Ondrus on Aracelis Girmay’s Teeth The Adaptation/Adoption of Form: Nici Lee on Narrow Road to the Interior by Kimiko Hahn Nature in its Raw: R.L. Greenfield on Charles Wright’s Littlefoot Fiction Reviews: More Schizophrenic than Southern: Ashly Hood on Katie Crouch’s debut novel Girls in Trucks A Warmhearted Journey: Amy Schrader on Stefan Merrill Block’s novel The Story of Forgetting A Quiet Ending to a Loud Story: Sam Friedman on the novel Prescription for a Superior Existence by Josh Emmons February’s Featured Artist: Mark Shetabi See also January 2009 issue of Gently Read Literature: "A Much, Much Darker Palette: Zinta Aistars on Temporary People by Steve Gillis" Zinta Aistars at www.zintaaistars.comFor more book reviews by Zinta, see Zinta Reviews
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Sunday, January 18, 2009
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Category: Writing and Poetry
Kalamazoo Gazette - Sunday, January 4, 2009ONLINE POETRY The Smoking Poet picks contest winners The online magazine The Smoking Poet, run by Kalamazoo-based writer Zinta Aistars, has selected the winners of its annual poetry contest. While the top four finishers are not area residents, Kalamazoo poet Simon Thalmann finished in the top 10. Thalmann, a recent Western Michigan University graduate and Kalamazoo Gazette copy editor, submitted three poems that were inspired by his time working on a farm. Aistars said she will publish one of his poems in the spring issue at www.thesmokingpoet.net. Aistars said she was impressed with the international draw of the contest for The Smoking Poet, which publishes fiction, nonfiction, poetry and book and cigar reviews. The winner, Koh Xin Tian, is from Singapore. "I love when that happens,'' Aistars said. "It's impressive to get people from all over the world.'' The Smoking Poet, which was founded in 2006, is a labor of love for Aistars, who works full-time for Spectrum Health in Grand Rapids. "It's something I do in the evenings and on weekends,'' she said. "I'm a writer myself, and working with other writers keeps my creative juices flowing. It's great to give somebody 15 minutes of limelight.'' Aistars is pleased with the growth of The Smoking Poet, which is available online only. "If it works out, I'd like to see it in print in a hard copy in my hands, but I'm kind of watching how the world is going, and it's more and more electronic,'' she said. "This is where the future of literature is going, and it really gives us an international reach. Would I have gotten a poet from Singapore if I was just a magazine in a local shop?'' The Smoking Poet is accepting entries to its short story contest. Details are available on the Web site, www.thesmokingpoet.net . The P.S. column is produced by the Kalamazoo Gazette entertainment team, Erica Wright, Earlene McMichael, Pam Reed, John Liberty, Jenny Hugenberg and James Sanford. The interview for this P.S. Column was done by Jenny Hugenberg.
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Thursday, January 08, 2009
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Category: Life
by Zinta Aistars
Not the chest-thumping, sword-swinging, trumpet-blaring kind, but the silent sort of heroics—these are the moments of courage I so deeply admire. Not the fearless moments, but indeed those moments when one feels fear most, the full blast of it, the quicksand of it, the lava eruption when fear burns through your core and leaves you on buckling knees. Then you rise and do what you must anyway. You do what is right, not because someone else demands it, not because someone is watching, not for applause or reward, but because it is the right thing to do.
Yes, that is what I respect, even revere. We see it so rarely. This submission to the power of our fears. This acknowledgment of our demons. This letting go, just before standing up and taking control back again. It is accountability, responsibility. It is walking through fire. And over just the past few days, I have witnessed two such heroes, doing battle.
No muscle-bound Schwarzeneggers, mind you. One of my heroes is a young woman I've been blessed to know since she was a little girl. The other, a woman who left no name, but a lengthy comment on a book review I'd written years ago, telling me of her fight to reclaim herself. These two women humble me and they inspire me. I sense the fear in them both, even as both of them grit their teeth to rise up from their knees after they have lived their lives too long pretending to have control where there was none. Until now. It is when we at long last submit to the fact that we have none that we finally have just enough.
The young woman, a dear family friend, called me as she stood outside the door of a hospital. She was about to admit herself into a treatment program for alcohol addiction. Over the phone line, I could hear the chattering of her teeth. She was shaking with fear. She was crying. She was terrified. I asked her to tell me what it was she feared most, because I have long believed that once we name a fear, we have taken away—in that naming—a great deal of its power over us. In my mind's eye, I could see her, far away yet right before me, staring at the door, closed but always with the potential to open.
"I'm afraid of finding out who I am, and am not, without my addiction," she said. "I am afraid of being fully alive. With nothing in me deadened or dampened, but to be fully present to life. I'm afraid of the void that will open in me where this was and afraid I will not know how to fill it."
In hearing her, it suddenly occurred to me that for all of people saying we fear death most, it may indeed be life we fear most. Being all. Feeling all. With open heart on sleeve, vulnerable, a vessel waiting to be filled with every possible blessing. Every sense vibrating and receiving. Every emotion vibrant and expressed. Love: unadulterated and unconditional, toward ourselves and others. Pain without anesthetic, yes, but also joy in all its depth and breadth. How terrifyingly wonderful …
Born into a broken family, this young woman had not had an easy childhood. There were other addicts in her family. There was poverty and struggle and deprivation and abandonment and abuse. Life was overwhelming, and so she had learned to deaden herself to it. Now, she tired of merely going through the motions of empty emotions. She hungered to be fully alive, even as she feared it. As surely all of us do. She tired of feeling lost, and she longed to find her way even as it terrified her. This door before her, perhaps it would open on a new path, and no doubt a very narrow one but with an ever expanding horizon. To enter that door, she had to first know hope.
I knew she could do this. I had watched her grow up, and time and again, I'd seen this young woman thrash and writhe in fear of something, then do what she must all the same. She knew how to walk through fire. I was confident she could do it again, and again if she must, and again. Each time more steely in her determination. Odd, though, how she saw herself as a coward, even while I saw her as the strongest person I'd ever known. Perhaps no hero sees herself as a hero, and that is part of the hero's definition. It is humility that moves us to accomplish great feats.
Phone to my ear, I talked softly to her and told her about the anonymous comment left on my book review. The words were a jumble, full of typos, and the sentences at times nearly incoherent. But the overall message was clear. The book I had reviewed was The Emotionally Abused Woman: Overcoming Destructive Patterns and Reclaiming Yourself by Beverly Engel. I read the comment into the phone:
"i am a 24 year old mother of two.for years prior to me having children of my on i watch my mother get physically abused,i thought to myself why on earth would she stay.even as a 4 year old little girl i would cry with her and beg her to leave.after many more severe beatings and having to give up three out of the five of us to our dad she finally left... and even though after years she got us all back.i always told myself i would never go through that.i didn't relise that i would pick men that i could abuse.once i did relise this i started to pick men that abused me immediately i thought it must be my fault,i must be doing the samething my mother did that caused her to get beat so from 16 to 18 i stay with a boy that verbally abused me hit me and cheated until finally after giving birth to first child my daughter i found strength and left him for good something no one ever thought i would do only to go to the one man i thought would never hurt me the man i called my best friend he is five years older he had already lived with other women he said he loved me he could talk to me he acted like he respected me and what i did for a living..but two weeks after i moved in with him it began all of a sudden i'm bitches,i'm hoodrats the money that i make means nothing and when ever i feel like i have the strength to leave he pulls me back by acting like the reason we have problems is because of me i feel so traped not by him but by the retrants iv'e placed in my mind. i can't wait to go get this book i hope it can help me before its to late...."
We cannot be trapped by others. We can only be trapped by the restraints we place upon ourselves. I could hear the young woman's breath catch over the line as she listened. The next sound I heard was the opening of a door.
Visit Zinta's new Web Site at www.zintaaistars.com to read more of her work, view photos, update on news.
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Sunday, December 28, 2008
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Category: Writing and Poetry
THE SMOKING POET: CALL FOR SUBMISSIONS – SPRING 2009
THE SMOKING POET publishes flash fiction; fiction; nonfiction; poetry; feature author; feature poet; book and cigar reviews. We publish work that ignites our imagination, inflames our passion, leaves us with a smoky aftertaste. The Smoking Poet also shares an extensive list of links and resources for writers and the cigar aficionado.
Submissions open year round. Send with category in subject line: poetry to Zinta Aistars; fiction/non-fiction to J. Conrad Guest. For book reviews, please query first.
For full submission guidelines and contact information, visit: The Smoking Poet
Spring 2009 Issue Deadline: February 28, 2009
The Smoking Poet Second Annual Short Story Contest Deadline: May 31, 2009
An entry fee of $10 per submission is required. Once you have sent in your submission, we will send you the PayPal link for payment with an invoice for your records.
Entries must be submitted as a Word doc file, one per e-mail, in Times New Roman, 12-point font, double-spaced. The author's name, address, and telephone number must appear in the upper right hand corner. Word count must not exceed 5,000. Please include a bio statement, not to exceed 100 words, in the body of your e-mail.
First prize, $200; second prize, $100; third prize, $50. All of the winners will be published in the summer issue of The Smoking Poet, online in mid June, 2009.
Submission deadline is May 31, 2009. Please send your submission with the subject line, CONTEST/Last Name to thesmokingpoet@gmail.com If the subject line does not state CONTEST, we will assume it is a general submission. We look forward to reading your best work!
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Interested in getting to know the editors?
Zinta Aistars is at www.zintaaistars.com
J. Conrad Guest is at www.jconradguest.com
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Wednesday, December 10, 2008
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Category: Life
by Zinta Aistars
He drags carcasses across my ceiling much of the night, waking me from dreams and giving me nightmares. Surely that is how it seems, from the whimperings and tiny squeakings and frail and fading protests, while the unspeakable weight shifts from one end of the house to the other. Final cries for help? Unheeded. For I can do nothing. Nothing more, that is. If they aren’t quite carcasses yet, from all indications—they will be.
Too late now, but my son and I realized already last summer that we’d made a mistake. Soft-hearted idiots. After the leaky roof had been patched, a temporary stop-gap until the entire roof would have to be replaced within the coming year, we figured the invisible beast would be gone. No doubt frightened away by the hammering of the roofing crew. Shingles peeled back and tossed away, they caused enough racket up there to scare away anything sensible.
But no. The beast remained.
The next few evenings, my son and I sat below, in our living room, heads cocked to one side and listening, staring up at the unrevealing ceiling, and we distinctly heard—life. A light pattering of tiny feet.
“Oh, dear God,” I sighed. “You don’t think there’s a nest up there, do you? That we’ve trapped some hungry babies inside that attic space?”
I could feel my son’s eyes switch from ceiling to my face with a look of resignation. “You want me to open up that hole under the eave again, don’t you?”
So carefully sealed, the roofer balancing on the fifty foot ladder, hammering plywood across the gaping hole on the side of the house—we thought that would do it. Peace. At last.
I went outside to watch my son pry the plywood away again. Starving little babies, who knows what kind, breed, species, but I couldn’t bear the thought of their mother locked outside, frantically clawing at the ungiving wood where the opening to home used to be, and inside, the squealing little critters waiting for a meal that would never come.
Now, in the dark of night, I imagined no frantic mother and babes. I heard a male beast, prone to blood lust and violence, grown fat and heavy over the warm seasons, his steps clodding across my ceiling. His body was surely heavy with the accumulated layers of fat, yet no need to hibernate, for the heat of my home, below, would keep him comfortable and awake throughout even this brutally chill winter. Was he a possum, twitching the bare, pink rope of his tail? A raccoon with masked eyes? A tree-climbing rat? A monstrous squirrel? Woodchuck? Vampire?
Night after night, I would hear him drag something, some living thing, across the ceiling and it protesting all the way. My dog, Guinnez, would follow the sound from one end of the room to the other, yet not once bark. Even he seemed to fear this invisible beast. Why else such silence when every mailman and Girl Scout selling cookies were lambasted with such howls that surely they would be ripped to shreds were he released for the kill? Now, his red ruff prickled a bit as his dark eyes scanned the ceiling, but he made no move, no sound.
Some nights, the dragging, the plodding, the scittering, the squeaking, would wake me so often that I would take my son’s baseball bat and bonk its tip against the ceiling. You. Shuttup already.
And he would stall in his step, leering into the dark of the attic, eyes glinting, beastly head cocked in turn to listen to the noises of the hell fires below. Far below, the two-legged creatures in their endless scurrying, the frequent rising smells of cooked and frying flesh, the blaring of noise and voices from throats that had no language he could discern, giving him no peace. If only they would leave, and he could, at last, know peace in his home.
In the morning, blinking over his first mug of coffee, my son says, “Think we’ve let this live and let live concept go a little too far, Mom? Maybe?”
I nod. We will wait for him, her, to emerge in the spring, belly swollen with new life, for maybe there are two of them up there, then slam the gaping hole shut. Or, when it is time to replace the roof, and the roofer will peel back the skin of my house, we will all stand there, balancing ourselves against the sky, peering inside, at the detritus of alien life scattered across and over my life below—its carcasses and time-bleached skeletons, patches of torn fur, chewed up apple cores and the empty shells of nuts, nests built of gathered souvenirs of a lifetime of travels, and that gold heart pendant I lost two summers ago.
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Monday, December 08, 2008
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Category: Pets and Animals
Tom the Tom
By Zinta Aistars
And so he is: through and through a tom. No mistaking him for a feminine feline; he is all man. Smaller than most toms, perhaps due to his kittenhood marred by starvation, Tommy is nonetheless masculine in his form and manner. Even with a spicing of the proud machismo.
Tommy came to us in my son's backpack. A yowling, pathetic little bundle of mussed patches of black fur and oozing eyes and spindly legs that could barely hold his meager weight. That was some fourteen years ago. My son, too, was at that spindly age of limbs growing faster than he could keep track of them. Not without an occasional yowl of his own. His mission in life was to rebel. As hard as he worked to hide the softness of his heart, however, it never failed to shine through when an animal was at stake. Both cat and boy were determinedly machismo, but not when it came to the vulnerable. Well, never mind the hapless mouse.
Markus scooped the little tuxedo (however shabby) tom out of his backpack and set him down at my feet. The tiny furball nearly toppled over. Too small to be without a mama. We lived out in the country back then, far out, and walking home from school meant passing through cornfields, circling barns, jumping ditches, and coming down dusty dirt roads until our little house appeared on a small ridge. It was a place we rented for a little over a year, on five acres and with cows for neighbors. There were more animals around than people, and we rather liked it that way. No doubt this little creature had wandered off a little too far from the rest of the litter, managed to catch whatever diseases and infections, while losing his mama's milk and nurturing.
Couldn't help myself, my heart was instantly tugged and twinged, and off we went to the country vet. Didn't take him but a moment to pronounce sentence: Too sick. Put him to sleep. But who were we to decide? Even as the vet played god, the little tomcat wandered around the room, tangling between our feet, sniffing and exploring, all curiosity with no desire to be killed for it.
"What will it take to give him a chance?" I asked. The vet shrugged. Prescribed a small shopping bag of pet meds, ointments and pills, quarantine for at least a month, more for the protection of my other pets—I already had two cats at home, and a sweet golden retriever, named Holly, I was dog sitting for the summer for the man then in my life. This sick little tom added to my furry brood was, beyond argument, an inconvenience.
"Suit yourself." The vet filled a small shopping bag with various pills and ointments, explaining what I would need to do to save the kitten.
My son instantly gave up his bedroom. Keeping his face hard and uncaring, he had connected to the little tom and was ready for the sacrifice. All the furniture came out. The room had to be bare walls and hard floors, and my son sleeping on the living room couch for the month. Assuming the kitten would live that long. Every day the two of us traded off care: a pill cut in half and stuffed down the squirming kitten's pink throat between those needle-sharp tiny teeth, and his throat massaged until he swallowed in spite of himself. His infected eyes were to be carefully washed with a clean cloth, dabs of ointment squeezed into the corners. We washed our hands carefully with soap after each contact, so as not to spread mange to our other animals, all of whom were snuffling around the edges of the closed bedroom door in puzzlement and wonder.
At night, when the kitten mewled with loneliness, I would soon enough find my son sleeping not on the couch, but in his room, curled up on the hardwood floor, the kitten curled inside his circle of warmth. He would talk softly to the little tomcat, calling him Tommy in soothing tones, until both boys, human and animal, slept. In the morning, human boy warmed milk in a pan and fed it with an eyedropper to the animal boy, wiping spare drops from his wobbly chin.
Tommy lived. There was no question. If perhaps his growth was a little stunted, his fur filled in and covered the bare spots, turning velvety and shining with health. His body filled out and grew, although his hunger remained ever present. Starvation in his early days had become a lifelong memory in his cellular makeup. Tommy loves deeply, as animals do, but he will steal food from you without hesitation.
Once released from quarantine and allowed to join the rest of the household, pronounced healthy by an amazed vet, he would routinely conduct food heists. When my children sometimes sat on the floor, watching television, dinner plates balanced on their laps, Tommy would align his route from a calculated distance, take off like a rocket on a trajectory, never missing a step, sink his little teeth into a pork chop on a plate in passing and keep racing, out of sight before you'd even seen him coming. A mere black and white blur, and then a growl from some hidden corner, sounding more like a small dog than feline, chomping away on the meat and then shredding even the bone.
Was it only this past spring? On St. Patrick's Day, I had boiled a hunk of pink corned beef, sliced off two small slices with potatoes and cabbage, and foolishly left the rest in the Dutch oven on the stovetop. When I returned but a quarter of an hour later, the hunk of pink meat was gone, not even a grease spot on the floor, only a bulging tomcat, eyes wide and round, mouth open and panting. I was sure that hunk was bigger than he was, nose tip to tail end.
He's slowing down now. I've had cats much older, but Tommy's start has taken a toll. We've had struggles with kidneys that hold too long or won't hold enough. There's a notch in his ear from some night's caterwaul, and there have been many. He's gone from rather roly-poly to lean and even a bit ribby again, in spite of a raging appetite, still. Whatever the changes, first signs of old age he was never supposed to see, his years with our family have been memorable. Other household pets notwithstanding, and there have been many, he remains a favorite with my son, who has long outgrown the fakery of machismo to become a real man.
Tommy has always held his own in this house. Never mind the 125 pound Alaskan Malamute whose gorgeous black muzzle he'd box from left to right with his two white front paws when the great dog got too near his cat bowl. No fear of the chow and retriever mix in our family now. If the dog gets too rowdy, Tommy sinks his teeth into the muscle of the dog's foreleg, just enough to make his point. But he loves his canine brother, rubs his cheek against the dog's every morning in greeting. It's just that discipline and rules must be obeyed. Everyone here knows who's boss.
Now that my son is grown and gone, Tommy knows who scoops the tasty meal into his bowl. At night, he spins in circles on my pillow, until the spot is soft and molded to his shape, just right, then curls into and settles a paw across my neck. Just like the man he is. It is a mix of tenderness and proud possession. Or, if my own hand is up on the pillow, palm up, he tucks his paw inside.
Years have piled up, for both of us. He sleeps, below the table now, here out on the deck where I write away on my laptop in autumn waning sun. The fur he had always preened and cleaned to dandy velvet and silk is now rather dusty and matted. His white paws could use a wash. He contemplates jumping on the chair beside me, but decides the effort would cost too much. The squirrels he loved to chase waddle by in laziness, ignoring him and he them.
Life is to be lived day by day, but then, I suppose, it always was. We accept those who wander into our lives, needing help, and offer it. In payment: years of that unconditional acceptance animals offer in a way that somehow eludes humankind. No inhibitions. Gratitude on furry sleeve, alongside open heart. Perhaps we so cling to our pets because they do so well and seemingly with such natural ease what we struggle lifelong to learn: how to be, simply be, stake our corner out, grab a good meal when we can, and sleep faithfully beside the one who treats us best.
Tommy, you're a good man.
Epilogue
It is my birthday weekend. I'd written the above remembrance of Tommy some weeks ago. Tommy is dying. A few days ago, our vet gave me the cruel list: a mass by his right kidney that appears to be cancer, kidney disease, but probably the diabetes is what will kill him first. A few weeks perhaps, but probably more like a few days. He does not seem to be in pain, only exceedingly slow and weak, ever weaker.
I had only one birthday wish—to have my little tuxedo tom with me for the day. He may be "just a cat," but he, along with my other pets now gone, have taught me more about the meaning and true expression of love than any human. Sometimes I think when God created animals, he gave them the full blast of Love—how to feel it, how to show it, how to embrace and share it—and when he got to Man, He only had half a load left. I've never known a truer, more faithful love than this little tom has given me, and so freely.
There he sleeps, beside me. When I move, even slightly, his eyes open a little to keep watch. If I get up, he pulls himself up, too, his body wobbling with the effort, and follows me. To be near. To be near those we love. Everything. I scoop him up into my lap and sit for hours, moving my hand over his thin body, feeling the slight beat of his tiny but great heart. I whisper into that little silky black ear: happy birthday, Tommy. Today is for both of us. A single day of life is eternity.
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