Satyricon
BY AUDRA SCHROEDER
Photo by Todd V. Wolfson

Jo Carol Pierce describes the South Austin home she shares with artist/musician Guy Juke as a "ranch house. It reminds me of Lubbock because it's flat, you know, and everyone has the big circular driveways. I think I'm just attracted to the space; seeing the deer run through the yard is just too much." She's speaking of the huge, cactus-filled back yard, where this picture was taken after a Fellini-esque procession.

All,

Jo Carol is offering the JCP Posters  to the highest bidder.  The first available poster is below.  Please contact Jo Carol via email if you are interested in purchasing the poster.

JO CAROL PIERCE
Dog Of Love
DON MCLEESE
Copyright c. 2008 No Depression Inc. and/or Don McLeese.

(NO DEPRESSION.NET) -- A new album arriving out of the blue from Jo Carol Pierce is like a miracle -- an immaculate conception, a resurrection. The Lubbock-to-Austin transplant last (and first) released a recording in 1996, though the conceptual Bad Girls Upset By The Truth was as much chicken-fried performance art as a collection of songs. She'd been flushed from obscurity three years earlier by Across The Great Divide: Songs Of Jo Carol Pierce, in which a stellar array of Austin artists introduced songs celebrated among fellow Pierce fans to a wider public. Before that, she was known mainly as Jimmie Dale Gilmore's former wife.

An appreciation of her new work requires none of that ancient history -- though, thematically, Dog Of Love feels like a belated follow-up chapter to Bad Girls. Even Pierce devotees will be surprised at how musically rich this song cycle is -- as well as, no surprise, lyrically inspired. With production by veteran bassist Mark Andes (formerly of Spirit and Heart, now an Austin mainstay), guitar and songwriting collaboration from the great David Halley (and when will we hear another album from him?), and musical support as well as obvious inspiration from Blackie White, Pierce's husband (a.k.a. Guy Juke, renowned visual artist), Pierce has never sounded more melodically and vocally assured.

The predominant mode is Pierce's piano balladry, with disarmingly supple vocals ("Naked And Home", "Life Is Sweet", "Barb Wire Clown"). Other highlights range from the tremulous, poetic "You're So True" to the Brazilian-tinged "Quicksand" to the guitar-driven propulsion of "Rock In My Shoe" to the blast-from-the-past "My Boyfriend" to the Stooges-with-a-smile title track. For fans, this is holy communion, while initiates can receive their baptism here.